Showing posts with label Pizza. Show all posts
Showing posts with label Pizza. Show all posts

Akshay Oberoi takes to learning the piano as part of prep for an upcoming project


Titas Chowdhury (HINDUSTAN TIMES; October 23, 2021)

Actor Akshay Oberoi is currently busy taking piano lessons to slip under the skin of a pianist for his upcoming project. The actor says that he has always been fond of music and is “excited” that he is finally able to learn an instrument.

He shares, “I’ve been meaning to learn it for a while now. That’s one of the best parts of being an actor. You learn new skills. I would feel let down by myself if I discontinue playing it after the five to six classes that I’ve had. I’m happy to learn it, as it will help my knowledge of music get deeper.”

Talking about the importance of music in his life, Oberoi says, “I keep listening to music throughout the day, be it in my vanity, car or home. Even my son, Avyaan, is obsessed with music. I also use it a lot for my work in terms of prepping for a character.”

The Madam Chief Minister actor believes that learning any form of art helps a performer hone their craft. “(Konstantin) Stanislavsky, the greatest acting teacher of all times, used to say that the best actors are those who are learned in every form of art,” he says, elaborating, “There’s an inherent rhythm in the piano and learning it can also help you with time scale. Similarly, an actor needs to grasp a certain rhythm and time for every dialogue. All art forms help feed off of each other.”

But this isn’t the first time that he has tried to make his characters look believable: “For Flesh, I learnt Bengali and went to Kamathipura. For Pizza (2014), I slept in a cemetery to get what it feels to be very scared. I always do things that help me delve deep to get the truth out of me while performing.”

Success is secondary. I only care about being in front of the camera-Akshay Oberoi


Neha Maheshwri (BOMBAY TIMES; March 3, 2020)

A lull in career, even if it is a brief one, can shake the strongest of people. Akshay Oberoi knows it only too well. The actor went through a lull phase right at the beginning of his career and says that those tough days have ended up shaping his worldview. He shares, “I am not afraid of death, that is inevitable. Success, money, fame, stardom — all of that’s also secondary. They are just by-products. The only thing I care about is being in front of the camera. It keeps me happy and sane. I don’t even fear failure. I just fear another lull.”

Prod him further about this ‘lull’ and he says, “I was out of work for three-and-a-half years. That lull, after I had just done my first film (Isi Life Mein, 2010), was crushing. It was a tough phase to survive and I went back to theatre. I had just gotten married to my childhood sweetheart Jyothi Vynatheya, and I had no money. It’s difficult when you are married and not earning. You start wondering what your wife will think of you. Insecurities crop up and your confidence takes a major hit. She was earning and she took care of the house for a couple of years. But I knew that my only way was to keep at it. I kept pushing myself, and she believed in me. The break finally came when Bejoy Nambiar gave me a show called Rush (2012). After that, he told me that he wanted to make a film with me. I was 25 then. Six months later, he offered me Pizza (2014). And that’s how I was back in business.”

Akshay says that the struggle toughened him. “I have lost fear completely. Today, I do not worry about the length of my scenes or the screen time of my character. I see so many people getting trapped in this web, but it can kill you and your creativity. Now, even big directors and producers are inclined towards casting actors rather than stars. I don’t mind being called a character artiste. In fact, I would love it. Sab Salman Khan nahi ban sakte, but every actor has something unique to offer,” he signs off.

2014 was dull and 2015 is likely to go the same way



Box Office India Trade Network

The year gone by proved a poor one after a not so great 2013. This year also does not hold much hope to get things going. The industry saw a good run from 2006-2012 as the footfalls increased year on year. A lot of this was due to wider releases which meant more initial footfalls but however it may be, there was an increase in footfalls.

This came to an end in 2013 as footfalls did not increase and then 2014 saw a drop in footfalls. Basically 2006-2012 saw footfall increases with ticket price growth which was a perfect scenario for growth.

There was a little growth in 2013 but that came from ticket price increases and in 2014 the average ticket price had a good leap but footfalls had a bigger fall which led to lower business. Business today has become about higher ticket rates rather than volume of footfalls and with this trend likely to continue its hard to see 2015 showing growth in business. Growth cannot be sustained on rising ticket prices - it needs increase in footfalls. Despite a growing population in the country, there seems to be a decreasing cinema going population and this maybe more than just a domestic thing as North America is facing the same problem.

The estimate for the lifetime business of PK is 340 crore nett and if this happens the business in 2014 will finish at around 2745 crore nett. This is 45 crore nett less than 2013 and chances are that 2015 will finish lower than 2014. The growth in screens also faces hurdles with high real estate prices. Today a standalone multiplex or single screen just cant sustain well as recovery is far slower than other type of investments on the same land. So a new theatre has to come with a mall and these are already there in abundance in most major cities.

The screen issue is such in India that two major films can't release side by side due to lack of screens but generally weekly occupancies are so low that they struggle to cover costs and rely on the big ticket films to take them into the black. So basically for a festive period there is a lack of screens but that is just 3-4 weeks in the year, otherwise there are more than enough screens. The only way this issue can improve is better content. We have 3-4 big ticket films a year when the need is a one every month which can make cinemas a lucrative business and push screen growth. But the weekly software that screens get are films with names like Finding Fanny, Citylights, Ugly, Pizza etc which hardly help the cause.

After fashion & films, Parvathy Omanakuttan to focus on food-based venture


Garima Sharma (BOMBAY TIMES; October 31, 2014)

While the ramp has been her mainstay, Parvathy Omanakuttan (Miss World 2008 first runner-up) has been steadily making inroads into filmdom. After her last release Pizza, the leggy beauty is all set to sign a Tamil film soon. Says Parvathy, “If things work out, this will be my second Tamil film. And I will be paired opposite a big actor. As far as Pizza goes, it was a learning experience. My co-star was good and so was the director, who is so young, and yet had such a clear vision of what he wanted.“

Meanwhile, she has auditioned for a Marathi film and is looking to try her luck in the Telugu industry as well. Says l she, “I am from Kerala but was brought up in Mumbai. For me, picking up languages is very easy, which is why I don't want to limit myself in any way. I would love to experiment with a Telugu film.“

Alongside films and fashion, she is also investing time in setting up a food-based business. “My dad has been in the industry for over 28 years and that experience is extremely valuable,“ she says, adding, “I have to meet people and start this with my dad soon.“

Modelling is easier for women than men, as most designers are gay-Parvathy Omanakuttan


Priya Gupta (BOMBAY TIMES; July 18, 2014)

Parvathy Omanakuttan, 27, is a complete Mallu when it comes to her food, religion or following traditions. She is intelligent and would rather talk about things in the world as against just about lipsticks and fashion.
She is emotional and self-respecting with strong values. Ahead of her upcoming thriller Pizza, this Miss India 2008 talks about her mentor Hemant Trivedi, her love for travel and why modelling is easier for girls than boys. Excerpts:

How did you become a Miss India?
I am a Mallu born in Kerala, but brought up in Mumbai. My father retired as an F&B manager of a five-star hotel and my mother is a housewife. 'Omanakuttan' is my dad's name. My dad used to walk to his school in Kerala. Normally he would just go and sit in class, but on one occasion, his teacher asked his name and on the spur of the moment he said, 'Omanakuttan' (like how we say Chintu Baba in Hindi). His teacher wrote that in the register and that became his name. I have always been very adventurous and so, while growing up, I wanted to become an air force pilot flying the MiG-21 fighter planes, but coming from a Mallu family, I have always been held back.

Surprisingly, while I was always this tomboy with most of my friends being boys, I always remember watching Miss India very keenly from when I was very young. When I was in class IX, I had this big fight with this guy and my teacher, who was a Mallu, said, 'Don't you have any shame beating up this guy?
What do you want to do in life?' I realised that day that we live in a society, which is so male-dominated. I was studying in Mithibai College, when Hemant Trivedi, who was at that time choreographing Miss India, was also choreographing one of the inter-college events, in which I was participating. He suggested that I go for Miss India and that is really the first time that I thought of it. So I decided to participate in the Navy Queen at Vizag, which gave me a straight entry into Miss India South. I won that and got a straight entry into Miss India, which I won and went to represent our country at the Miss World pageant. But not winning Miss World was a very emotional moment for me. Everybody was rooting for me, but somehow I had this feeling that something is going wrong. When they announced the first runner up, standing on stage, I had this thought that they will announce my name, even though I knew that I had outperformed everybody else. The biggest source of support was the South African audience and even the parents of the other contestants, who were rooting for me. When my name was announced, the entire hall went silent and that kind of hit me as reality. I could have broken down, but I saw my mother and she waved to me saying keep smiling. And that kind of gave me the strength to hold on. I cried after the crowning when all the contestants hugged me and said, 'You are our Miss World.' The Miss World Russia, who had won, was also shocked, as no one was congratulating her. Miss India gave me a lot of recognition and a lot of work, be it modelling, getting ads or films in the South.

How did you get the lead role in Pizza?
I had done a Tamil film with superstar Ajith titled Billa 2. While the film did not do well, Anirudh Ravi Chander (who composed the music of Kolaveri Di) became my friend. On one of the trips that he came to Mumbai, I was having dinner with him, when Bejoy Nambiar came to see him for something and met me. A few months later, I got a call from Bejoy's office to audition for Pizza. I had heard a lot about the Tamil film which had been a super hit and liked the script. I was auditioned and selected for the role.

You have again gone back to modelling after a gap in between.
I have always loved travelling and for me, modelling was also a way of doing that. I got my passport first made in the final year of my exams and travelled for the first time abroad for a fashion show in between my two exams, as I didn't want to lose the opportunity of travelling. Fashion is quite like acting where you are putting up a face of what you are not in reality. I started modelling when I was 18, but gave it up completely after becoming a Miss India as I wanted to be an actor. I am very independent and never wasted my parents' money or depended on them financially. Had I continued doing modelling, I would have reached another level of respect, but I gave it up for films. I am an extremely self-respecting person and had decided for myself that no matter what, I would not cross the line to bag a role. I had two senior directors making direct suggestions to me, but I refused. So there was a period when I was neither modelling nor doing films. And that was very difficult. Just sitting at home doing nothing kind of puts you down emotionally and physically. I decided to go back to modelling, but it had become that much more difficult, but again I started from scratch and due to being a Miss India, I got work. A lot of designers like me as I am tall, rounded (not skinny) and am easy to work with without any tantrums. It's a well-known fact that modelling is way easier for women than men, as many of our designers are gay.

Talk about Hemant Trivedi?
He is like my elder brother. He had told my parents after working with me the first time, 'She will make you proud one day'. In 2000, he had a terrible accident, where he went into coma for 40 days. I believe he moved for the first time, when they told him that Lara Dutta had won Miss Universe. He had moved his fingers listening to that and that is when the doctors said there was a chance for him to survive. He did and he is now 54 and is a very strong source of support to me.

Have your parents been supportive in your career choice?
I am very close to my parents. My father was a little apprehensive before, but mom was very supportive and has always encouraged me to do whatever I wanted. She is the biggest source of support for me. My parents are conservative, but with time they have changed and have given me a lot of freedom. They put no restrictions on me and know all my friends. My father has always taught me that you need to first love yourself in order to love others. My father doesn't like the fact that a woman in today's world should sit at home and do nothing. I wanted to study abroad, but never wanted to put any financial pressure on my father. I instead chose to start modelling at 18 and supporting myself and my family, financially. Even though my parents have given me all the freedom, it hits them like an arrow when I tell them the opportunities I have given up to take up films, due to my value system. But I am self-respecting and I am proud of that.

Fenil's Bollywood Talk # 317


It’s the last Friday before the 5-month long season of biggies kick in, with incidentally with the release of Kick! And it’ll see the release of 4 small-budget films which obviously have just a week to score at the box office. My views on these films:

PIZZA: This is a 3D horror film and a remake of an acclaimed Tamil film of the same name. It is directed by the debutant Akshay Akkineni and produced by Shaitan and David director Bejoy Nambiar. Akshay Oberoi features in the lead role as the pizza delivery guy who goes for a delivery in a haunted mansion and gets trapped. Parvathy Omanakuttan, Dipannita Sharma and Arunoday Singh are also seen in the film. The trailer is terrific. Most importantly, the Tamil original was loved and hence, Pizza can be one of the rare well-made horror films in Bollywood. Sadly, there is a very less awareness, forget excitement for the film. Its low costs might help but for that, it has to pick up on Day 2 after a low Friday.

HATE STORY 2: Hate Story (2012) caught lot of attention because of its erotic quotient in its promos and this translated into healthy box office numbers as well. The makers are now back with Hate Story 2, featuring an all new cast – Surveen Chawla, Jay Bhanushali and Sushant Singh – and a new revenge saga. Just like part 1, the theatrical trailer of part 2 was attention-grabbing and till date, has been viewed more than 1.10 crore times, which is huge. Music also worked, especially Aaj Phir Tum Pe. Surveen, a television actress, looks super-hot. And because of the erotica, Hate Story 2 surely will take the best opening this week. Sadly, the censor board has reportedly chopped off 2 lovemaking scenes. Also, if response is negative, it might dent the collections.

AMIT SAHNI KI LIST: It features Vir Das in a leading role who’s on the lookout for Miss Right. This seems like a sweet, slice-of-life urbane comedy but it has failed to build up the excitement. Viewers might eventually check out this film, but most of them sadly won’t do so in theatres.

RIYASAT: This is the last film of Rajesh Khanna and co-incidentally, it’s releasing on the second death anniversary of the superstar. However, the promos are embarrassing and Rajesh Khanna seems to be playing a role similar to Amitabh Bachchan’s act in Sarkar. Director Ashok Tyagi and co-star Raza Murad have been whining as to how distributors didn’t show interest in Rajesh Khanna’s last film. One look at the promos clears all doubts why the distributors would do so.

WHICH FILM WOULD YOU LIKE TO SEE OUT OF THESE 4 AND WHY? DO LET ME KNOW! 

Salman Khan jaisa pizza ka order kissi ka bhi nahi aata-Pizza delivery boy

Priya Gupta (BOMBAY TIMES; July 15, 2014)

Given the upcoming thriller Pizza, which is a story about a pizza delivery boy, whose delivery goes horribly wrong, we decided to meet a few real-life delivery pizza boys to find out if they had encountered something unusual while delivering pizzas. While we did not hear any horror stories, we heard some starry tales.


Subhash Chand Jaiswal has done his M.A. and has been a delivery boy since 14 years in Bandra. He makes about Rs 12,000 a month, including tips and delivers about 18-20 pizzas a day.
HIS EXPERIENCES:
Once I delivered to a man who was completely drunk. He took the pizza, didn't pay the money and banged the door on my face. Sometimes people are drunk and either they don't pay or they will abuse you. Sometimes if there is a building where the lights are off on the staircase and you need climb up a few floors, you feel very scared as you can get hurt. But then you have to somehow manage, go and ring the bell. I have once delivered a pizza to Jackie Shroff where sir himself took the pizza from me and paid me.
I love going to Salman Khan's house (in Galaxy building) for delivering his pizza. We get orders from his house at least once or twice a week. While most of the time, his guards or his housemaid pays, once in a while even his sister Arpita pays. While Salman Bhai has never paid me directly, I have seen him many times and he will say, 'Hi' when he sees me. Salman Khan jaisa pizza ka order kissi ka bhi nahi aata. Woh bahut zyada topping lete hain. He orders chicken tikka pizza and on top he takes double chicken toppings with American corn, black olive and capsicum.


We showed Salman the picture of this pizza boy and he immediately recognised him and said, “Yes, I order either double chicken topping pizza or seafood pizza without squid or octopus. Also I don't like onions and tomatoes as toppings but love American corn and capsicum toppings.“

Rakesh Yadav has been working as a delivery boy since 6 years and makes about Rs 10,000 a month, including tips.
HIS EXPERIENCES:
When I go to a new bungalow at night, I get a bit scared when I ring the bell. Once, there was a delivery where my manager told me that the customer was angry as the delivery was already late. The customer asked me why I had come late. I explained to him and he said, 'I will not give you the money' and shut the door. I rang the bell again but he opened the door and said, 'do whatever you like, I will not give you the money'. I returned after an hour and this time, he gave me the money .

I have delivered pizzas to Lara Dutta and Vinod Kambli's houses and was delighted when they took the delivery and gave me the money. I have been to Aamir Khan's house too and I remember I saw him sitting on the ground just like normal people. His wife Kiran Rao took the delivery. I didn't meet him, but just seeing him made me smile.

Sagar Shyamrao Bellure makes about Rs 13,000 as a delivery boy and delivers 18-20 pizzas a day.
HIS EXPERIENCES:
I delivered to Remo D'Souza and he gave me Rs 100 as tip. Usually we get about Rs 20-30 as tip, celebrities pay us more and then there are customers also who do not give who do not give us any tip. Some customers will tell us that they will not pay us till we return the exact change. We have to rush to deliver the pizza as the customer is hungry and gets angry if we are late and so we drive very fast and also carefully as, if we reach late, they will complain against us. If we are very late, we need to say sorry. If the police sometimes stop us, we have no time so we rush leaving the vehicle papers along with our licence with them and come back to collect it as we can't waste time.

Pizza promises more thrills than its original Tamil version


BOMBAY TIMES (July 10, 2014)

It's not often that one sees multiple remakes and adap tations of a film in a short span of time. One such rarity is the 2012 Tamil film, Pizza, which has now been adapted in Hindi and is set for a worldwide release. Featuring Akshay Oberoi in the lead, the movie has been shot entirely in 3D.

After the original became a hit, it was first dubbed in Telugu and then remade in Kannada as Whistle. Both became box office hits and won appreciation from critics. Its Bengali remake, Golpo Holeo Shotti, released last week. While all these have stayed faithful to the original, debutant director Akshay Akkineni has added interesting twists to the Hindi version.

As producer Bejoy Nambiar says, “While we have retained the magic of the original film, we wanted to dwell upon all those elements that make Pizza a high concept suspense thriller. By adding more thrills and that too in 3D, what we have here is a completely new experience for the audience, whether they have seen the Tamil film or not."

Pizza, produced by UTV Spotboy and Getaway Films, releases July 18. 

Emraan Hashmi promotes Pizza: "I'd love to meet a sexy female ghost"


Parag Maniar (BOMBAY TIMES; July 8, 2014)

The makers of the upcoming suspense thriller Pizza (in 3D) recently came up with a unique marketing gimmick. The film's lead actor, Akshay Oberoi, delivered a pizza to Emraan Hashmi, which had toppings that looked like cut fingers, eye sockets and hair strands.

While the actor was initially repulsed, he found the promotional strategy rather innovative. The duo then got talking about supernatural experiences and Emraan jokingly said, “I'd love to meet a sexy female ghost."

The actor chatted at length with Akshay about the film in which he plays a pizza delivery boy, who gets locked in a haunted house and faces his moment of fear.

Pizza, produced by UTV Spotboy and Getaway Films, releases July 18.

Pizza makers get inspired by The Exorcist?

Pizza gets a slice from Exorcist
Ankur Pathak (MUMBAI MIRROR; June 28, 2014)

Well we seem to be becoming a rather 'inspired' lot when it comes to making movies. After copying plots and posters, we are now recreating entire scenes. A recent case in the long list is the Bejoy Nambiar-produced Pizza.

As one can see from the stills above, the makers have ripped off the famous spider-walk scene from William Friedkin's horror film, The Exorcist (1973), in a bid to scare the Indian viewers.

In the original film we see contortionist Linda R Hager spiral down an apartment staircase. The Pizza makers have done away with the stairs and the character is seen re-enacting the scene on a murky floor.

When we called up director Akshay Akkineni to wonder if he had been "inspired" by The Exorcist, he denied it upfront: "It may look similar, but we've used it in a different context."

On probing if the original scene had been a reference point, as is apparent, Akshay said, "I know what you are talking about, but no, it wasn't. I've seen The Exorcist and I remember the scene in question. But in my film it features a child. While shooting we learnt that she is a good gymnast, so we decided to showcase her skill, giving it a horror spin. When you see the film, you will understand what I mean."

Why Pizza 3D shoot was cancelled on 13th of every month


Ankur Pathak (MUMBAI MIRROR; June 23, 2014)

The director of the upcoming horror film Pizza 3D, Akshay Akkineni, had a special request for his producers.

From what a unit member told Mirror, the director cancelled shoots on the 13th of every month, after he narrowly escaped a bulb which crashed inches away from his head on one such allegedly inauspicious date.
Revealed a source, “Much to the annoyance of producer Bejoy Nambiar, Akshay just wouldn’t agree to shoot on the 13th since he believed it would bring the film bad luck.” However, after a point, Bejoy put his foot down and asked him to carry on with the filming, even if it meant shooting on the unlucky day. But Akshay wouldn't relent until a pooja was performed on the sets to ward off the evil eye."

When contacted, Akshay admitted that he was afraid to shoot on the supposedly unlucky day. “We were filming a spooky scene in the mental ward of a city hospital on the day. I felt creepy and decided no shoots would happen on the unlucky date after one 13th fell on a Friday," he asserted.

Ask him his reasons and he says, “I believe in spirits. And it's not just me, our entire unit was scared. I had a close shave when a bulb, my production designer had fitted, broke on my head. Why welcome unnecessary trouble?” So, did he insist on a pooja? “Yes, Bejoy was not happy about it but I felt comfortable after it was done," he says.

When we contacted Bejoy, he said, “Akshay is superstitious. We also had to stall the shoot for a day because he insisted on that pooja. The unit was also apprehsenive as we were shooting a spooky movie."

How a blend of surreal and surprise/shock value was used in Pizza 3D


Ananya Ghosh (MUMBAI MIRROR; June 18, 2014)

The Hindi adaptation of the hugely successful Tamil supernatural thriller Pizza is out of the oven and ready to be served. This time to ensure greater customer satisfaction, the makers are dishing out a 3D version of the delicacy. And the sous-chefs (read Stereoscopic 3D Producers) in charge of the job, Surabhi and Ashish Mittal are happy with the final product.

However, making this Pizza was no cakewalk, especially given the fact that they had to finish the project in 45 days flat, and director Akshay Akkineni and cinematographer Jayarishna Gummadi were both sticklers for perfection.

"Initially there was a clash of views. While Akshay wanted a more surreal and realistic use of 3D, the producers wanted 3D sequences which would underline the key moments in the movie. We call them the money shots or 3D Pop outs. Eventually we decided to use a blend of surreal and surprise/shock value. The challenge was to ensure that the key moments didn't appear gimmicky,"says Surabhi.

To make a 3D sequence, the most important part is to achieve the right depth and hence the work of the stereographer duo and their team began with creating a depth graph.

"To ensure that it does not look artificial or forced, the depth of the shots was amped up gradually. For the horror shots it was hiked with pop outs and eased back as the story graph drops to normal. However, the most difficult part of the process was matching the 3D quality and depth for the conversion and VFX shots," says Surabhi.

"Before we started shooting, we discussed how to achieve certain complexities, how to do the lightings, what type of grips should be used, what kind of lensing would be best suited for the purpose, etc. We even shot a few dummy scenes to check if we are getting the desired effect," adds Ashish.

But how different is shooting a 3D film? "It is pretty much the same process as a 2D film, but a 3D film requires better planning as the camera size is triple and moving it around needs more effort than a 2D camera set up. Also, shooting Live 3D is different from 3D Conversion as Live action 3D / Shooting 3D is more real and while converting a 2D movie to a 3D movie you are artificially trying to create depth by doing roto, compositing etc.

In Stereoscopic Imaging-- the technique for creating a 3D image -- we use two cameras for recording a 3D image, and the camera setup works just like our human eyes in gathering information about depth as we see it in real life," explains Ashish.

Talk about 3D film and all that comes to mind (apart from the rather uncomfortable and ugly paper glasses) are Disney and Pixar's cute and animated characters. But Ashish is quick to point out: "Alfred Hithcock's Dial M for Murder is a good reference for 3D filmmaking as it shows how the right camera moves, frames and colors can be used to enhance the depth of a shot.

While Hitchcock used the illusion of 3D as a tool to explore space and enhance mystery, in Hugo Martin Scorsese used it to highlight the character's emotional state, thereby adding drama to the film. As a genre horror lends itself well to 3D treatment."

However, he admits that in India, so far people have tried to use 3D as a gimmick to surprise/shock the audience. "The true use of 3D is immersion, whereby the environment becomes a character and the audience gets a feel of the psychological space of the actors. We have attempted to achieve this in Pizza along with creating some hair-raising moment," says Ashish.

Ashish and Surabhi both agree that apart from the heart-in-your-mouth moments, the best topping on this Pizza is the Tum Chal Diye song. "The whole song is shot in slow motion and at high speed. It looks beautiful in 2D, but when you watch it on 3D it looks absolutely phenomenal," and a feeling of pride is palpable in Surabhi's voice.

It is to be seen if this Pizza, starring Akshay Oberoi, Parvathy Omanakuttan and Dipannita Sharma and produced by Siddharth Roy Kapur and Bejoy Nambiar, which will be served hot on theatres near you starting July 18, is baked to perfection or turns out to be another soggy and cheesy 'attempt at a 3D' movie.