Showing posts with label Nakash Aziz. Show all posts
Showing posts with label Nakash Aziz. Show all posts
Check out Anil Kapoor, Pulkit Samrat, Kriti Kharbanda shooting for Arabian-themed song in Pagalpanti
8:16 AM
Posted by Fenil Seta

Akash Bhatnagar (MUMBAI MIRROR; September 23, 2019)
Pulkit Samrat and Kriti Kharbanda, whose romance blossomed in London on the sets of their upcoming film, the Bhushan Kumar-produced multi-starrer comedy, Pagalpanti, reunited last week to shoot for a song in a city studio. The actor-couple was joined by co-stars Anil Kapoor and Saurabh Shukla.
According to a source close to the development, the yet-untitled song features the couple in colour-coordinated Middle Eastern-costumes. While Pulkit wore a heavily embroidered attire with hand chains and a neckpiece, his eyes streaked with kohl, Kriti was dressed in Badlah, an Egyptian folklore costume worn by belly dancers. “This dance number has an Arabic feel to it and the costumes were custom-made for the track,” adds the source.
Before the four-day shoot, the duo rehearsed their moves on the studio premises for two days. “This is Kriti’s first attempt at belly-dancing. She practiced for up to seven hours a day to match the professional belly-dancers who had been flown in from Qatar and Dubai,” the source reveals. The dance number, which also features over a hundred background dancers, is choreographed by Ganesh Acharya, while Nakash Aziz and Neeti Mohan have given playback.
The Anees Bazmee directorial is headlined by John Abraham and also features Ileana D’Cruz and Arshad Warsi.
Sanju track Bhopu Baj Raha Hain to release this week
8:17 AM
Posted by Fenil Seta

Edited out of the final cut, video of Sanju track Bhopu Baj Raha Hain to release online this week
Mohar Basu (MID-DAY; July 4, 2018)
In an earlier interview with mid-day, Rajkumar Hirani had stated that he could be brutal with his material when it comes to editing. Unsurprisingly then, when the run time of his latest offering, Sanju, breached the three-hour mark, the filmmaker was quick to pull out his scissors, editing, among other elements, a party song featuring leading man Ranbir Kapoor, Karishma Tanna and Vicky Kaushal.
Hirani has now decided to use the online medium to release the video of the number, titled Bhopu Baj Raha Hain, later this week. A source tells mid-day, "The primary tune of the trailer is derived from this song. It has been sung by Nakash Aziz and composed by Rohan-Rohan."
Excited that her party number, the audio of which was released few days ago, will finally see the light of day, Tanna says, "I had a great time shooting for it with Ranbir and Vicky. I am sure the song will get the audience grooving. The whole crew is excited about its release now." Heaping praise on Kapoor, she adds, "He is a thorough professional and an absolute brat."
Arijit Singh, Neha Kakkar, Jubin Nautiyal, Meiyang Chang: Those who won despite losing
3:18 PM
Posted by Fenil Seta
Contestants who made it big tell us why it really doesn’t matter if you win or not, it’s the journey that follows that does
Bryan Durham (DNA; January 15, 2017)
At this point in time more than any other, there are singing reality shows galore on TV. So what if you don’t win a reality show! Is that the end of the world for your dreams or your career? Most likely not. Perseverance is the name of the game and those that stuck to their guns made it for the long haul. It’s a well-documented fact that the winners of reality shows have rarely gone on to have wildly (or mildly) successful careers in Bollywood or the independent music scene.
But for the rare exceptions of, let’s say, a Sunidhi Chauhan (Meri Awaz Suno) and a Shreya Ghoshal (Sa Re Ga Ma), most other reality show winners (Abhijeet Sawant of Indian Idol 1, Sreerama Chandra Mynampati of Indian Idol 5, Rituraj Mohanty of India’s Raw Star, for example) seem to have started out well, but are not as well known.
Arijit’s example
It isn’t for lack of trying. Those that struggle incessantly know success to be a fickle friend and it is years of not losing heart, some struggle, hard work and dedication. It’s even harder for those who don’t win. Just ask Arijit Singh. In 2005, he participated in and didn’t even make it to the finals of Fame Gurukul. Today, he is one of Bollywood’s A-List singers. It would take winning another reality show called 10 Ke 10 Le Gaye Dil, a few years assisting and singing for the top composers of Bollywood and consistently shining in films to finally reaching an Aashiqui 2 that took him to the very pinnacle of his profession. Today, everybody knows his name.
‘Reality’ check
Jubin Nautiyal would have a shorter struggle. The Kaabil singer’s career trajectory begins from a show called The X Factor in 2011, where he was eliminated after the Top 25 list was cut short. By 2014, he debuted with Sonali Cable’s Ek Mulaqat. Work with Jeet Gannguli and Mithoon followed, but most of these were one-off hits. It would take Ok Jaanu’s The Humma Song, the Kaabil title track and Bhawara Mann from Jolly LLB in quick succession to see him at the top of his game. When asked about the positives and negatives of being on a reality show, he says, “A reality show is definitely a reality check for an artist, it’s a place where they get to see the real world and competition.” His advice to contestants everywhere? “A reality show should be taken as a platform or a stage where millions will watch you. However, what they are watching and enjoying is your hard work and your journey. So, when the lights are out, what you take back with you is a smile and your talent.”
‘Going through the grind’
Remember Gerua girl Antara Mitra? Well, it’s surprising you didn’t recall her from 2006’s Indian Idol Season 2. She definitely was a popular contestant and a finalist, but she didn’t win. Anu Malik famously offered her a Bollywood break. She was non-committal. It would take another show (called Junoon, which she didn’t win either) before debuting with a track called Loving You alongside Sonu Nigam for a film called Speed as early as 2007. Pritam composed that track and would go on to work with her on several soundtracks, eventually giving her the popular Saree Ke Fall Sa (2013’s R...Rajkumar) and three of her biggest hits Gerua, Manma Emotion Jage and Janam Janam (Dilwale) by 2015 and Jaaneman Aah (Dishoom) last year.
When approached, Mitra admits that a reality show gives one a basic platform, but says that once you leave the show, the struggle begins with a larger group of people. “Trying to tap music directors (to hear you) and getting to even sing a scratch is a fight in its own way! But thankfully, these days music directors are seeking out new voices. What music reality shows do, she says, is increase your chances of getting noticed.You have to go through this grind!”
‘All positives...’
Indian Idol 1’s Rahul Vaidya, who currently has a successful live show career and occasionally releases singles, gives us a more tempered opinion on the matter. He says, “I believe there are no negatives and only positives of appearing on a music reality show. In a place like Mumbai, owning a house or a car or one’s livelihood through live shows would have otherwise been very difficult for small-town guys like me, who come to Mumbai to find a job. Finally, it’s luck and timing above all that puts you with the right people at the right time. Without it, I wouldn’t be where I am today.”
‘Always the internet’
And taking that point forward is one of our favourite rappers, Hard Kaur. She does tell us about the rather promising Satinder, who she discovered through YouTube (he appeared on Chhote Ustaad). “I manage Satinder now”, she says, adding, “Although, he was very young (only 11 then), I thought he might get big offers. Nothing actually came of the show for him and he went back to his normal life and was demotivated. He gave up on singing. I searched for him for four years before getting his number and calling him. Now we’ve recorded tracks and may release his first single this year. I guess if it wasn’t for the show, I wouldn’t have discovered him and he’d have given up singing... Then again, there’s always the internet, huh?”
‘Have that spark’
She has a point. One can’t really lose hope. It’s something Indian Idol 3 finalist Meiyang Chang knows first-hand. He tells us, “I can tell you with conviction that it’s about the journey and not the destination. Put your everything into reaching for the stars. If you don’t make it, don’t lose heart. Remember, you were chosen over thousands of hopefuls, so there must be a spark in you. With so many reality shows with regular seasons, there are always more opportunities.”
‘Take failure in your stride’
Nakash Aziz, a popular playback singer today (and an Indian Idol 2 contestant) says, “When I was voted out, I took that failure in my stride and kept working hard to make my mark in Bollywood.”
‘Just work harder’
Nihal Shetty, who appeared on the first season of The Stage, would go on to do backing vocals for Mirzya and Rock On 2 and is steadily inching his way up in Bollywood. The sad part, he says, is that on these shows, “some days, things just don’t work out performance-wise. And it could undo your entire journey that far. But you get past that and work harder.” It’s something nearly almost every contestant who hasn’t won a reality show can relate to.
Other contestants who made it big
Neha Kakkar (Indian Idol 2; Currently, a popular playback and independent singer-songwriter)
Darshan Raval (India’s Raw Star; Currently YouTube phenom, released a few singles and has over 3L followers on FB)
Monali Thakur (Indian Idol 2; Currently, a Bollywood playback singer and actress)
Mohd Irfan (Star Voice Of India; Currently, popular playback singer)
Toshi-Sharib (Star Voice of India and Sa Re Ga Ma Pa Challenge; B-Town composers today)
Altamash Faridi (Sa Re Ga Ma Pa Singing Superstar; Currently, a playback singer)
Shah Rukh Khan charms at the Mirchi Music Awards
8:48 AM
Posted by Fenil Seta
BOMBAY TIMES (March 13, 2016)
Shah Rukh Khan entertained
the music fraternity all the way at the 8th Royal Stag Mirchi Music
Awards powered by Idea. He also launched the theatrical trailer of his
upcoming movie FAN, which releases on April 15. The highlight of the
trailer was the obsessed 'fan' Gaurav. The music artistes also had their
fan moment with SRK. While Nakash Aziz sang the title track of the
upcoming movie for the actor, Antara Mitra, of Gerua fame, played
Kajol's part and danced with him. Aditi Singh Sharma got to sing along
with both Sonu Nigam and SRK. It was a fun-filled evening where King Khan
sang and danced along with the entire music fraternity. At one point,
when singer Sreerama Chandra asked Shah Rukh which musician he is a fan
of, he said he admired a singer whose voice inspired him to put in even
more energy into his songs and performances.
To find out who that singer is, catch the 8th Royal Stag Mirchi Music Awards powered by Idea tonight at 8 pm on Zee TV.
To find out who that singer is, catch the 8th Royal Stag Mirchi Music Awards powered by Idea tonight at 8 pm on Zee TV.
The opportunity just becomes very big when you sing for Salman Khan-Nakash Aziz
7:45 AM
Posted by Fenil Seta
Nakash Aziz talks about singing Selfie Le Le Re for Bajrangi Bhaijaan
Kasmin Fernandes (BOMBAY TIMES; July 17, 2015)
How did Selfie Le Le Re happen?
It was the first draft. Pritam wanted to record a scratch for presentation. I was singing all the options, the new versions, the song was in the developing stage. I was singing the scratches for him till the point where they completed the song. The second or third time I dubbed the song, I got to know it is for Salman Khan. We had a lot of jam sessions and dubs till they locked the version and then got Vishal Dadlani to sing on it too. He has done an awesome job. Pritam really gets into the detail of every song. We tend to think that commercial music is easy but when you go to the studio, you realise all the work he puts into it. I was living the song for quite a long time. Even after the shoot, we tried perfecting it in bits and parts. With Pritamda, till the song actually releases, there's constant work happening.
How was it singing for Salman?
I was tensed. The opportunity just becomes very big. When you know that it is for Salman Khan, you just want to give it your best. I tried to deliver to my best potential. I try to sing songs in a way that they stay fresh, because the recording is how people will remember them.
Tell us about your association with Pritam?
He's a mentor, friend, guide and advisor. My first song with him was Pungi (Agent Vinod). It was my big song where I got into playback singing. As an individual who was trying to make it into Bollywood, it was a huge break. Immediately after that, Second Hand Jawaani (Cocktail) was out a few months later. I wasn't singing much then. I was doing scratches for music directors like AR Rahman and Pritamda and getting to know the requirements of a playback singer. Pritamda is the person I call when I am confused about a life issue. He composed Sari Ke Fall Sa (R... Rajkumar) which is the biggest point in my life till date. A lot of things changed after that. It was also special since it was a duet with Antara Mitra, who was also on the same reality singing show I started off with.
What are the challenges for a singer?
You need to stand out. You need to discover your own individuality. When we start off as singers we try to follow a few famous people like Rafi saab, Kishore Kumar, Sonu Nigam but then once you are in playback, you need to come out of that shell. The challenge is understanding a song and delivering it according to the requirements, since it's part of a film and the singer needs to fill the gap in that story.
How did you get into singing?
I was born in Moodabidri, which is about 40 km away from Mangalore. My mother is a homemaker and my father used to work for a bank. He got transferred to Aurangabad. He's also a stage singer. He used to do shows since his college days, and after moving to Aurangabad, he would keep travelling with his brothers for shows. They had a band called Rema Roses that was regular on the Mangalore circuit. He used to sing Kishore Kumar's songs while his brother would sing Mukesh's songs. So, singing was part of the atmosphere at home. I would listen to Qayamat Se Qayamat Tak and Chandni all day. I sang Papa Kehte Hain in 1988 when I was three years old for my school. That was my first encounter with the stage. My father was learning classical singing so he would teach me what he knew. I would do the basic riyaaz. He got me a harmonium and keyboard. I didn't take any formal training till I realised it was important. I used to do shows till Class 7 with a band called Bachchon Ki Duniya. That's my first experience with touring in other cities. When I came to degree college, I started participating in competitions and then was in two reality singing shows. I learnt classical singing for eight years but I have been the worst student. It is slower and more difficult than the western style of singing which I am learning now. I started programming and also composed jingles and devotional albums with a friend for a while before getting into playback singing.
Who would you like to work with?
My dream of working with A R Rahman came true with Hollywood film The Hundred-Foot Journey. I'd love to work with Shankar Ehsaan Loy and Vishal-Shekhar. Although our voices feature on Selfie Le Le Re, I've actually never met Vishal. He sets a good example for all the people who follow him. He's intelligent, outspoken and not afraid to speak his mind.
It was the first draft. Pritam wanted to record a scratch for presentation. I was singing all the options, the new versions, the song was in the developing stage. I was singing the scratches for him till the point where they completed the song. The second or third time I dubbed the song, I got to know it is for Salman Khan. We had a lot of jam sessions and dubs till they locked the version and then got Vishal Dadlani to sing on it too. He has done an awesome job. Pritam really gets into the detail of every song. We tend to think that commercial music is easy but when you go to the studio, you realise all the work he puts into it. I was living the song for quite a long time. Even after the shoot, we tried perfecting it in bits and parts. With Pritamda, till the song actually releases, there's constant work happening.
How was it singing for Salman?
I was tensed. The opportunity just becomes very big. When you know that it is for Salman Khan, you just want to give it your best. I tried to deliver to my best potential. I try to sing songs in a way that they stay fresh, because the recording is how people will remember them.
Tell us about your association with Pritam?
He's a mentor, friend, guide and advisor. My first song with him was Pungi (Agent Vinod). It was my big song where I got into playback singing. As an individual who was trying to make it into Bollywood, it was a huge break. Immediately after that, Second Hand Jawaani (Cocktail) was out a few months later. I wasn't singing much then. I was doing scratches for music directors like AR Rahman and Pritamda and getting to know the requirements of a playback singer. Pritamda is the person I call when I am confused about a life issue. He composed Sari Ke Fall Sa (R... Rajkumar) which is the biggest point in my life till date. A lot of things changed after that. It was also special since it was a duet with Antara Mitra, who was also on the same reality singing show I started off with.
What are the challenges for a singer?
You need to stand out. You need to discover your own individuality. When we start off as singers we try to follow a few famous people like Rafi saab, Kishore Kumar, Sonu Nigam but then once you are in playback, you need to come out of that shell. The challenge is understanding a song and delivering it according to the requirements, since it's part of a film and the singer needs to fill the gap in that story.
How did you get into singing?
I was born in Moodabidri, which is about 40 km away from Mangalore. My mother is a homemaker and my father used to work for a bank. He got transferred to Aurangabad. He's also a stage singer. He used to do shows since his college days, and after moving to Aurangabad, he would keep travelling with his brothers for shows. They had a band called Rema Roses that was regular on the Mangalore circuit. He used to sing Kishore Kumar's songs while his brother would sing Mukesh's songs. So, singing was part of the atmosphere at home. I would listen to Qayamat Se Qayamat Tak and Chandni all day. I sang Papa Kehte Hain in 1988 when I was three years old for my school. That was my first encounter with the stage. My father was learning classical singing so he would teach me what he knew. I would do the basic riyaaz. He got me a harmonium and keyboard. I didn't take any formal training till I realised it was important. I used to do shows till Class 7 with a band called Bachchon Ki Duniya. That's my first experience with touring in other cities. When I came to degree college, I started participating in competitions and then was in two reality singing shows. I learnt classical singing for eight years but I have been the worst student. It is slower and more difficult than the western style of singing which I am learning now. I started programming and also composed jingles and devotional albums with a friend for a while before getting into playback singing.
Who would you like to work with?
My dream of working with A R Rahman came true with Hollywood film The Hundred-Foot Journey. I'd love to work with Shankar Ehsaan Loy and Vishal-Shekhar. Although our voices feature on Selfie Le Le Re, I've actually never met Vishal. He sets a good example for all the people who follow him. He's intelligent, outspoken and not afraid to speak his mind.
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