Showing posts with label Muzzafar Ali. Show all posts
Showing posts with label Muzzafar Ali. Show all posts
Why have the Ghazals disappeared from Bollywood films?
7:45 AM
Posted by Fenil Seta
BT talks to a cross section of artistes from the industry to find out why Bollywood has fallen out of tune with the genre
Rachana Dubey (BOMBAY TIMES; November 18, 2016)
For instance, Ae Dil Hai Mushkil had two ghazals, Mujhse Pehle Si Mohabbat and Aaj Jaane Ki Zid Na Karo, but neither was promoted in the film's soundtrack. Similarly, Vishal Bhardwaj recreated Gulon Mein Rang Bhare for Haider, but it's not the most recalled track in the album. Neither is the Dedh Ishqiya version of Woh Jo Humme Tumme Qarar Tha.
That's why it's refreshing to see (late) Jagjit Singh and Rekha Bhardwaj's Teri Fariyad from Tum Bin 2 being in the limelight. Ankit Tiwari, who has recreated the track, says, “Ghazals stand out in any album. I admit that I have not composed one for a movie, but that's because they didn't have any scope for it. But in the future, I will explore this genre.“
This track has also rekindled an age-old debate: Why has Bollywood deprived itself of the most poetic means of expression? “These days, filmmakers want dance numbers, which are totally out of rhythm and have no meaning. Sometimes, even if we write something that's borderline ghazal, it's dropped because it cannot become an instant hit,“ lyricist Javed Akhtar rues. Singer Pankaj Udhas agrees, adding, “I think ghazals can fit in anywhere. People turn to them for solace. Recently, I performed in Gangtok where most people don't even speak fluent Hindi, but they love ghazals. Yes, the sound of Bollywood music has changed. But to say that ghazals won't work in that space is a misconception.“
Muzzafar Ali whose Umrao Jaan is remembered today even today for its mellifluous ghazals, says, “We need more filmmakers driven by poetry. It's a challenge to bring out that poise in today's hurried scores. Till the sound of music doesn't become more conducive to Urdu poetry, no poet can lend himself to Bollywood. They wouldn't like to sell their souls here. They have to be inspired. The 'quickie' phase has forced even writers like Javed Akhtar and Gulzar to write below their usual standards. It's high time that we go back to our roots.“
Pernia Qureshi is thin & tall; pulled off the long Indian outfits perfectly-Meera Ali
7:38 AM
Posted by Fenil Seta
Sanyukta Iyer (MUMBAI MIRROR; March 4, 2015)
"My husband asked me to keep two things in mind: the costumes should be period-related and their authenticity should be mood-elated," says Meera Ali, who is also the producer of the film.
The film is set in the last years of the Mughal rule and follows the life of a courtesan in Lucknow. The British had already made inroads into the country and western influences had crept into local fashions.
Meera spent a year-and-a-half getting the details right, from the frills on the blouses to the shape of the ghagras and the right fabrics.
The palette of colours too was era-appropriate. "The chemical dyes used today make the reds seem more vibrant. So we avoided red completely. We also toned down the pinks and used a lot of greens and purples," explains Meera.
She also kept in mind the stark differences in the clothes of the aristocrats and courtesans from the Hindu and Muslim communities.
"The clothes worn by the Muslim aristrocrats had intricate borders and the Hindu courtesans wore fabrics with the Ganga-jamuni weave," Meera explains.
The accessories played an equally important role. "Like the clothes and the shoes, even the jewellery could not be bought off the shelf. We designed chokers, long haars and haath phool to bring out the mood of the era," she says, adding that all the shawls used in the film were original Jamawar silk.
Apart from the brocade on the dresses, Meera also hired shoemakers to craft the boots and mojaris popular during those times.
"Imran's character Ameer returns to India after living in England for years. The film follows how his style of dressing gradually shifts from coats and boots to aristocratic Indian clothes. Even the English women in the film change styles, from wearing dainty heels to curl-tipped jootis," she reveals.
But it was not just the clothes which were era-appropriate, the actors too had to fit into the mis en scene. "Pernia is thin and tall and with a little training she pulled off the long Indian outfits perfectly. Imran's body language too changed once he wore the tight-fitted bandhgalas. They made my job easier," Meera signs off.
Sonam Kapoor's stylist Pernia Qureshi turns actress with Muzzafar Ali's next
7:51 AM
Posted by Fenil Seta
Ankur Pathak (MUMBAI MIRROR; April 29, 2014)
Pernia calls the process of facing the camera an exciting extension of her creative personality. “I’m trained in the classical Indian dance, Kuchipudi, and I have been performing on stage since I was five years old. I’ve always had the confidence of a performer despite being occupied with behind-the-scene activities on a film set,” she reasons.
And how did her best friend react to the news of her becoming an actress too? “Sonam was not surprised as she always knew about my interest in the performing arts. You could say she saw it coming. But please, there’s no competition with her or anyone else,” Pernia laughs. She insists that she has not taken any acting tips from her fashionista BFF. “Muzzafar sir has completely taken me under his wings. He’s the best training school anybody can attend. I’m learning the finer nuances of acting from a veteran, who has given a legend like Rekha one of her best roles in Umrao Jaan,” asserts the debutante, all praise for her mentor.
Elaborating on the film, she says that it is a love story set in pre-Independent India, with all the elements of a classic Bollywood film, including extravagantly-picturised songs and the inspired use of language. Does this mean that her passion for fashion will now take a backseat? “It has,” Pernia admits. “For the last two years, I’ve not got as much involved with the styling unless it is a major project. Even on my movie set, I switch off as a designer, my focus is on giving my best shot.”
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