Showing posts with label Mohan Bhagwat. Show all posts
Showing posts with label Mohan Bhagwat. Show all posts
Koi shaque? Political life of Mithun Chakraborty comes full circle
8:09 AM
Posted by Fenil Seta
Avijit Ghosh (THE TIMES OF INDIA; March 8, 2021)
If politics is colour, Mithun Chakraborty has seen every shade. In his youth, he embraced the extreme Red. The hue got lighter with success as he grew friendly with CPM politicos. Down the line, he turned blue becoming a Rajya Sabha member, courtesy centrist Trinamool. On Sunday, the 70-year-old actor’s political life came full circle when he daubed himself in saffron joining BJP. “Koi shaque? (Any doubts?),” as the fauji he played in Ghulami would have asked.
Back in 1969, Mithun was asked to leave Calcutta by his father for his involvement with the Naxalites. After a degree in acting from Pune’s Film Institute, he struggled for years before finding box-office gold as an action-dancing star.
But his pro-poor orientation persisted. In 1986, he took the lead in organising the Calcutta version of Hope 86, a concert in aid of Bombay film industry workers. Mithun’s nearness to Bengal’s sports minister and CPM leader Subhas Chakraborty helped green light a project that had initially met with strong opposition.
In 2014, the actor joined Rajya Sabha. Around the same time, he got embroiled in the Sharada Chit Fund scam and was summoned by ED. He quit the Upper House citing health reasons in 2016. According to PRS Legislative Research, he asked zero questions, didn’t participate in a single debate and had a 10% attendance in Parliament.
His new political affiliation was speculated upon when he met RSS supremo Mohan Bhagwat on Feb 17, a meeting then described as personal, not political. It was political, not personal, when on Sunday, PM Modi addressed him as “Banglar chhele” (Bengal Boy). The PM hailed him for overcoming the odds to wrench out a successful career. There was a time when Mithun self-admittedly slept on pavements and paid Rs 50 for the space. In the Nineties, he was regularly conferred with Rashtriya Samman for being one of the highest tax-payers in the country.
On Sunday, the actor described himself as “a Cobra”. The self-description sounded as filmi as the iconic dialogue from Bengali film, MLA Phatakeshto, “Marbo ekhane lash podbe shashane (Will hit you here, and the body will land up in the crematorium).”
Not only politics, even Mithun’s film career is a heady cocktail of contradictions. No Bollywood filmography is such a unique mix of the sublime, the regular and the asinine: Mrigayaa, Tahader Katha, The Naxalites, Gunda, Jallaad, Hitler, Surakksha, Disco Dancer, Ghulami, Pyaar Jhukta Nahin, Agneepath and Golmaal 3. He received the national award for best actor in Mrigayaa and Tahader Katha.
“I do three kinds of films. One kind of movie I do only for money. Another I do only to satisfy myself. The third kind I do is to please my fans,” he told this reporter in 2010. In his prime, Mithun Chakraborty wasn’t just a hero; he was an idea whose time had come. He was the star who emerged when theatres faced a video piracy crisis and the gentry had abandoned them. Whether the sweetheart of the masses now finds the same resonance in his Bengal BJP avatar remains to be seen.
Making me related to Mohan Bhagwat is something even Manmohan Desai couldn’t have come up with-Urmila Matondkar
8:45 AM
Posted by Fenil Seta

On the campaign trail, Urmila Matondkar sets temperatures soaring with her star power, and comes down hard on failing civic facilities, internet trolls and communal politics
Kunal Guha (MUMBAI MIRROR; April 7, 2019)
Almost a quarter of a century ago, Urmila Matondkar dazzled cine-goers in Ram Gopal Varma’s blockbuster Rangeela — and those images of her poised on a rocky beach in a black swimsuit, with a Speedo-clad Jackie Shroff gazing at her with love and longing, are etched into the collective consciousness of the city.
Cut to the present: en route to campaigning in the predominantly Maharashtrian area of Kaju Pada in Borivali, Urmila Matondkar realises that her SUV route is being obstructed by a BEST bus. The driver and conductor have apparently disappeared to relieve themselves. But then again, April, as they say, is the cruellest month — and the Congress Party’s candidate for Mumbai North, her days in AC vanity vans long gone — is feeling the heat.
Soon, a mob of fans and party workers surrounds the car, armed with cellphone cameras. Her unarmed security guards struggle to disperse the crowd, but the actress-turned-politician pops out of the vehicle’s sunroof with a wide smile and folded hands. This has been a format for all rallies that Matondkar has attended in the last week, ever since she was fielded by the Congress Party on March 27.
Within the first 10 days of assuming her new avatar, the actress has met with trade associations, women’s wings and locals in her constituency to try and put her finger on the pulse of the electorate. “I have learnt that housing is a pressing concern and slum development projects need to be initiated. There are places in the city where water is available only at 2am and then, the locals have to wake up and go to work in a few hours.”
The 45-year-old’s decision to contest has garnered unsavoury reactions from certain quarters — singularly on Twitter. During her first interaction with the press at a microbrewery in Bandra, 12 hours after her formal induction, the actress laughed uproariously when a reporter quizzed her on being RSS founder Mohan Bhagwat’s niece — a theory that’s been widely endorsed across social media channels. Yet another scribe referred to her by her ‘real’ name, Mariyam Akhtar Mir — a moniker supposedly acquired after her marriage to businessman and model Mohsin Mir. “They also said that my husband is Pakistani — since that seems to be the ‘in’ thing these days. But making me related to Mohan Bhagwat is something even Manmohan Desai couldn’t have come up with,” says Matondkar. Despite her years in showbiz having insulated her from sharp criticism, she wasn’t prepared for things to take such a nasty turn. “I was initially alarmed but that’s what pushed me to join politics. There is no freedom to stand up for what one believes in, or express oneself in this country. This election is not just about power or party, it will decide our country’s path in the coming years.”
A female party worker clutching a megaphone abutting Matondkar’s car announces with proselytising zeal that can only be triggered by a general election: “Aapki Mumbaichi mulgi, aapki Konkan Kanya, Smt Urmila-taai, aapka aashirwad lene aapke beech mein aayi hain!” The announcement instigates a Pied Piper effect and locals surface from every corner, as the rally negotiates its way through the serpentine bylanes of Kaju Pada. Matondkar takes over the microphone and fluidly flits between Marathi and Hindi while addressing folks, emerging from their homes to see her. Matondkar’s dexterity with language has also been recently targeted for favouring certain communities that constitute a fat chunk of the vote bank. “If I speak to Gujaratis in Gujarati (their mother tongue) in Kandivali, how am I catering to just one community? I have a flair for languages. I can speak decent Telugu as well. What people don’t know about me is that I have always been an extraordinary student,” she tells us when we meet her at the rally.
Pitted against BJP MP Gopal Shetty, who defeated former Mumbai Congress chief Sanjay Nirupam in the 2014 Lok Sabha polls, Matondkar has been critical of her opponent’s tactics. Her point of contention — a long hoarding that communicated his party’s objectives in Gujarati was nothing but a ‘communal ploy’ to attract votes. “I only commented about the hoardings on a truck that were in a language which is not a language of the state. Is that wrong?” she counters. “When you call yourself a leader, you cannot divide your people based on language or religion. I don’t want to treat any community in isolation,” she adds, making eye contact with every bedazzled local she waves at.
At a U-turn, Matondkar descends from her car to personally greet a gathering of women and children. A sari-clad woman steps forward with an aarti thali and presses a tika on the actress’ forehead. “Sab ke saath photo loongi,” assures the actress to the congregation jostling to catch a closer glimpse of the actress. Her campaign trail has sensitized Matondkar to issues in her constitutency. “In recent years, Kandivali, Borivali and Malad have grown so vastly and deeply that the number of trains assigned barely suffice. For instance, there’s only one ladies special local train that leaves from Borivali to Churchgate. This is appalling given the number of women who commute daily on this route.” Matondkar also laments the deplorable state of healthcare, especially for pregnant women. “You wonder why even such basic things were not looked into. Healthcare centres have been created but there are hardly any doctors visiting them. I feel this area has been extremely neglected and you wonder if it is part of the same Mumbai which has been perceived as this glorious, glamourous city where one has lived for so many years.”
Despite her determined stance on improving civic infrastructure, the actress isn’t oblivious of the obvious. “No matter what you speak and how well you speak, people will consider you for your glamour quotient. Being an actress known for my sexy image, they will think that I am dumb blonde. But the beauty of it is that the idea of ‘dumb blonde’ itself is a myth that exists in a man’s mind,” she avers.
We approach a rudimentary stage, possibly constructed for a religious ceremony. Party workers urge Matondkar to say a few words from the vantage point she enjoys. “Pani puri kaisi hain?” she quizzes a group of young men gobbling down the quintessentially Mumbai street snack at a distance. Once convinced of the undivided attention of her audience, she folds her hands and makes a direct plea, seeking their mandate. “April 29 is a holiday and the women at home may be busy preparing meals. But before you have lunch, first go out and cast your vote for Congress. If the women of the household don’t come out and voice themselves, the country can’t progress,” she says.A party worker suggests she sing a line or two from one of her chartbusters. The actress politely rejects the idea, saying, “Phir bolenge gaana gaake vote maang rahi hain.” Matondkar is alluding to media reports that followed after she broke into song — Lakdi ki kathi, kathi pe ghoda from Masoom (1983) at one of her recent rallies. The actress had then conveniently segued into “ab humein vikas ka ghoda aise hi leke jana hain… .. yahan se Dilli tak.” She assures us that this was “not a gimmick”. “I swear I didn’t know the media was following me. It was an extremely tiny pocket near the intersection between Borivali and Dahisar which houses low-income families. When I reached there, the kids were very excited and happy to see me. I had prepared a speech but when I met them, I was like ‘What do I tell them?’ I felt that if I could bring a smile on their face, it would be worth it,” she clarifies. “Yesterday, someone was asking me to play garba with Gujaratis and I refused,” adds the contestant, who was also accused of resorting to a cheap political stunt of eating a vada pav during her meeting with the Marathi Ekikaran Samiti.
As we reach the end of the rally, Matondkar mulls over her new identity. “Till yesterday, I was in a relaxed state of being. Now, I have reduced sleeping hours and spend more time in the car than anywhere else. I am constantly going from one place to another and have no fixed meal timings. I don’t even know when I last had water.” In her new role as a party candidate, Matondkar has even embraced a sartorial shift: dresses and gowns have had to make way for kurtas stitched from fabrics conducive to a tropical clime. “When you go amongst people from your constituency, you’re not bothered about what you’re wearing or how you’re looking. I am happy with my wardrobe because it’s comfortable. It’s better than wearing chiffon saris and dancing in the Alps like I have in my movies,” she quips. It is the sort of pragmatism that is rather apt for a woman on the move in the relentless Indian summer.

Matondkar flanked by Sanjay Nirupam (left) and Sachin Ahir at a Kandivali meeting
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