Showing posts with label Mirzya. Show all posts
Showing posts with label Mirzya. Show all posts

Gulzar's voice, his diction and tonation, I just couldn’t help but get lost in it-Saiyami Kher

I want to hold on to Gulzar sahab closely: Saiyami Kher
Akash Bhatnagar (HINDUSTAN TIMES; March 21, 2024)

Even after coming from a different generation, Saiyami Kher shares a special bond with Gulzar. On World Poetry Day today, the actor recounts how the veteran poet-lyricist’s words have impacted her. 

She says, “Gulzar sahab’s poetry transcends time and language barriers. They touch the soul with their beauty and depth. His words have inspired me in countless ways. The essence of his poetry, the intricacy of his storytelling and the sheer emotion woven into every verse have touched my life and made me a better person.”

The 89-year-old wrote Kher’s debut film Mirzya (2016). The 31-year-old recalls meeting him for the first time while attending a friend’s play that was written by Gulzar: “When I went to meet him, I thought he wouldn’t know me. So, I stood awkwardly in a corner and just smiled at him. Before my friend could introduce me, he said, ‘Arey, yeh to meri Suchi (her character in Mirzya) hai’.”

Kher reveals that she touched his feet and was too overwhelmed to say anything. Recalling her second meeting with him the next day, Kher says, “He is someone I want to hold on to closely. He had so much to teach me in just the first time we met.”

Kher still remembers her greatest learning from the veteran. She recalls, “He told me a story about how he used to throw stones at a mango tree growing up while there was an older man in the balcony seeing that. Through his poem, he recited his journey from being that kid to reaching that balcony and how time goes by so quickly.”

Kher and Gulzar’s discussions aren’t just limited to such deep issues: “The most beautiful thing about our equation is that we talk about the most random things. He is a big fan of Roger Federer (former tennis star), M S Dhoni (cricketer) and cricket. We end up talking a lot about sports.”

She says that her most memorable interaction with Gulzar was also the scariest. “He had written the poetry for our film 8 A.M. Metro (2023) and I had to learn to recite it from him. When he was speaking in front of me, I was trying to understand the metre of the poetry. But his voice, his diction and tonation, I just couldn’t help but get lost in it,” she ends.

Ghoomer came at a time when Gadar 2 and Jawan were running in theatres and we didn’t get enough screens-Saiyami Kher


Divya Kaushik (BOMBAY TIMES; September 30, 2023)

Spotting Saiyami Kher shopping in a narrow lane in Janpath, which is known for its silver jewellery and ethnic clothes, was a surprise for many visitors and sellers. “Ye toh woh hi hain na jo abhi cricket wali movie mein aayi hain?” was their reaction as they approached her for selfies. The actress, who was in the capital recently, took some time to take a round of Janpath and reminisce about the time she spent in Delhi before making her acting debut.

‘I share a special bond with Delhi’
Saiyami says that Delhi is the place where she fell in love with acting and that is why the city will always remain close to her heart.

“I have very fond memories of Delhi. Before starting to shoot for Mirzya, I was living here for four months. I was staying in an apartment in Greater Kailash and doing an acting workshop. I came here at a time when I was still an aspiring actor and used to hear all kinds of toxic things. At that time I came to Delhi and met Dilip Shankar and Adil Hussain, who are my acting gurus. They guided me in the right direction. So Delhi was my acting school, I stayed here for months, learning acting and horse riding. I still come here every year to do workshop with my gurus,” says Saiyami.

‘I have shopped a lot from Dilli Haat’
Saiyami says that she did all touristy things when she came to Delhi before making her acting debut. “I visited India Gate, Qutub Minar, went to Old Delhi and many restaurants in Khan Market. At that time Shabana maasi (Shabana Azmi) was an MP and had a home here. We used to go to Lodhi Garden and I find that part of Delhi very beautiful. I used to shop a lot from Dilli Haat. My mom would come here and we would shop for mojaris and bags and my sister is very fond of handloom stoles and I used to take her entire stock from Delhi. I explored Delhi in those four months I was here. After that I have mostly been coming here for shoots. I shot for Breathe here and some parts of Special OPS. I will be coming here in mid-October for another shoot,” she says.

‘I am overwhelmed with the love I have got for Ghoomer’
Saiyami has been getting a lot of appreciation for her last release Ghoomer and she says that it is overwhelming that so many women are loving the movie, where she plays a paraplegic bowler. 

“Ghoomer is closest to my heart. It has been a life altering film for me. I haven’t received this kind of love ever. It is surreal. Everyone who has watched it has loved it. Unfortunately, it came at a time when Gadar 2 and Jawan were running in theatres and we didn’t get enough screens but we still survived. It is surprising how much love we are getting from women, some 80-year-old women, some mothers of teens. They tell me they want their children to watch the film. A lot of schools are doing screenings of the film and it feels special,” says Saiyami.

‘Looking forward top spending time with family in festive season’
For Saiyami, celebrations started before the festive season kicked off as her movie Ghoomer received appreciation from the audience. She says that now she is looking forward to spending some time with family during the festive season.

She says, “Be it Diwali or New Year’s, the festive season for me is all about spending time with family. Honestly, festivals are the only time we get to be at home, eat ghar ka khaana. I don’t even feel like dressing up a lot on festivals when I am home, as that is something I do all the time as part of my profession.”

I would like to do commercial films as well; wearing chiffon sarees and dancing in Switzerland is not easy-Saiyami Kher

It's matter over mainstream for Saiyami Kher

Saiyami Kher on how the recent release, Faadu, is her attempt to be a part of atypical stories
Uma Ramasubramanian (MID-DAY; December 15, 2022)

Faadu was an easy yes for Saiyami Kher. She was thrilled to go back to her Maharashtrian roots to play the role of Manjiri. What made the decision easier was director Ashwiny Iyer Tiwari’s vision for the story that explores romance between two people with contrasting ideologies.

Kher feels the Sony LIV series is far removed from the frothy love stories seen on screen. “I have been lucky to get work that is different from mainstream [offerings]. In my first film [Mirzya], I was presented in a different way. There were offers [of love stories] with two typical songs that came my way. But they didn’t excite me. I enjoy watching commercial films and would like to do them as well; wearing chiffon sarees and dancing in Switzerland is not easy. But I would also like to do work that liberates me as an artiste,” she says.

The actor, who is now looking forward to Ghoomer, says she has always held Waheeda Rehman’s advice close to her heart. “She told me, ‘Don’t bother about success; it’s not in our hands. Try and do different things that will satisfy you as an actor.’”

I see the same repackaged films, you can replace any actor with anyone-Harsh Varrdhan Kapoor

I see the same repackaged films, you can replace any actor with anyone: Harsh
Onkar Kulkarni (BOMBAY TIMES; July 2, 2022)

Since his debut in 2016 with Mirzya, Harsh Varrdhan Kapoor has steered away from conventional Bollywood cinema and the typical “hero” image that comes with it. Any regrets? No. In fact, the actor says that with his choice of films, filmmakers can see that he has set out on a different route. After turning producer with his last project, he now wants to try his hand at writing, too. In a chat with BT, Harsh Varrdhan opens up about his new-found love for photography, the joy of becoming a mama soon and his views on the way our cinema is shaping up and more. Read On…

It’s been nearly six years since you set out to carve a different path for yourself in showbiz with your choice of roles and movies, which have been far from typical. Now that we are increasingly seeing actors taking the leap and dabbling in different kinds of films, do you feel a certain sense of validation about the choices you have made so far?
I have always received appreciation for my projects like Mirzya, Bhavesh Joshi Superhero, AK vs AK or Spotlight (Ray) from a certain section of the audience and I am happy about that. I have always been picky and patient. I don’t mind waiting for the right project to come my way. Even for my last release, Thar (which he also produced), I received positive feedback. I got great reviews from the international media as well. There was a lot of positivity on social media too. I couldn’t hope for more. A response like this has certainly been like a validation for me for sure.

With this, one can be sure that the audience is ready for this kind of content. We are in times where you can experiment with content which wasn’t the case 10 years ago. With my choice of projects, filmmakers can see for themselves that I have set out on a different route. There are filmmakers who have appreciated me and my choices. People cannot predict my choices. This is what makes it exciting for me and there is no plan or strategy in that sense.

Currently, we are seeing that it’s mostly commercial films that are ruling the box office. The unconventional movies, the ones made on a smaller scale, are taking the digital route. Don’t you want to surprise your fans by doing heroic things on the big screen where people whistle at your dialogues and dance on your songs in theatres?
First of all, I don’t think I have any fans. I have a certain section of audience who has liked my work and my choice of cinema. They would be disappointed if I do the typical commercial films. These are the people who count on me for not doing the typical stuff and giving them a different kind of an experience with my projects. Obviously, that audience might not be even 5 or 10 per cent of the fan-following that a huge star in our country enjoys. Whatever it is, I want to keep the trust and loyalty of that audience. In the end, I want to do my kind of cinema whether it releases on OTT or in theatre, that doesn’t matter.

Recently, in an interview, Varun Dhawan said that you are the one that started a parallel cinema movement, and he immediately got trolled for his statement on social media. What was your reaction to that?
These days people just take off on the internet as they don’t have anything to do besides making fun of famous people. They don’t know how humorous Varun Dhawan as a person is. His humour is very tongue-in-cheek. I am sure he meant that I have been doing off-beat, alternative films. He just framed his statement the way he did, and then you have these people sitting there on social media to pull you down. For someone who has been in the industry much longer than I have, it was very encouraging of him to say that. His words have been very reassuring. Once again, let me put it out straight, I don’t think what I do is parallel cinema. I think I do very normal films. It is just that my movies are a little different compared to the typical Bollywood masala format. That doesn’t mean they are parallel films, but are just regular films that anybody can watch and understand.

Going by your posts online, you seem to have been exploring photography as a hobby. Is that how you relax and unwind?
These days I have taken to photography using a film camera. The last few pictures I posted on social media were clicked using a film camera. You load a roll, do the settings, make sure the light is right, shoot and then develop the roll before you get to see the final picture. It isn’t instant like the digital camera we use these days. I find this process very beautiful. I began exploring this after Rohan Mehra (actor, son of Vinod Mehra) gifted it to me a couple of months ago. Likewise, recently my family got me a film camera from Germany, too. While that works as a way to relax and unwind, I also like to put on music and go for walks around my house in Mumbai. I like to lift weights, travel and watch a lot of movies. I play sports like football and cricket. I love playing both the games, but I don’t as I am scared if I get injured, it will result in my work schedule going haywire.

You turned producer with your last film on OTT, are you going to back more projects? Would you also like to explore writing?
Honestly, I don’t know what’s the next thing I am going to produce. In the near future, I see myself only taking up projects strictly as an actor. Oh yes, at some point, I would definitely like to write something for myself. It is on my career’s to-do list for sure. I do write a lot. In fact, I went to college to be a writer.

You are going to be a mama soon with your sister Sonam expecting her first baby. Are you excited about it? Are you good at handling kids?
Yes, I am excited. Let’s just hope that the delivery is normal and Sonam is okay. Honestly speaking, I am not good with kids. It is a new experience for all of us. So, let’s see how it goes.
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Rishabh Suri (HINDUSTAN TIMES; July 2, 2022)

While his father, actor Anil Kapoor, and sister, Sonam K Ahuja, are mainstream film actors, Harsh Varrdhan Kapoor chose to not take the same path. The actor has been doing unconventional projects and is proud of the way his career has shaped up so far. “I see the same repackaged, rehashed version of most films. I find them really boring and feel all actors are interchangeable in that format (mainstream cinema). There is no novelty to any of it. It’s a cycle of the same thing, with a couple of alterations here and there,” says the 31-year-old, who was last seen in the film, Thar.

Harsh says there is no dearth of good content, but such subjects either get stalled or go to the “bigger stars”. The actor explains, “Sometimes, such films (movies with unconventional storylines) don’t even get shot. Bhavesh Joshi Superhero (2018) and Thar are the kind of films that make very little compromise in terms of creativity. That’s why they stand out.”

Since he is particular about the kind of projects he signs, the actor, who began his career with director Rakeysh Omprakash Mehra’s Mirzya (2016), has only done a handful of films so far. “I am not the kind of actor who has to do back-to-back projects. It takes time for all my films, because they are not typical Bollywood films,” he ends.

I am on a bit of a different journey and I don’t expect mainstream media to understand this-Harsh Varrdhan Kapoor

Amid Pandemic, Harshvardhan Kapoor Writes About 'Slowly Morphing Into An Anxious Creature'

Onkar Kulkarni (BOMBAY TIMES; October 1, 2021)

His first two films, Mirziya (2016) and Bhavesh Joshi Superhero (2018), didn’t work at the box office. However, Harsh Varrdhan Kapoor did win appreciation for his second outing. Five years since his debut, the actor is already exploring the cinema space with an interesting mix of content on OTT platforms, and he is revelling in that. In a conversation with BT, he talks about his unconventional career choices, the kind of cinema he wants to be associated with and working with his famous father, Anil Kapoor. Read on…

The two lockdowns during the pandemic slowed down the pace of work in the industry. How did you stay busy during this time?
Throughout last year, I was actually quite busy. One of my digital projects that featured me with my dad was released, then I prepped and shot for a Vasan Bala directorial and another film that features me with my father again. It was only for a couple of months that I wasn’t working. Otherwise, I have been busier in times of the pandemic (laughs!).

Your debut film Mirzya didn’t do well at the box office, and though you were praised for your performance in Bhavesh Joshi Superhero, the film was unable to bring in the numbers. How did you deal with that?
I think Bhavesh Joshi Superhero is one of the most underrated films in the last few years. But I think it has found its audience, and I have even been getting requests on social media to do a sequel. When it comes to the box office numbers, I have never really been obsessed with them. It is something that doesn’t really reflect the quality of the film, but the consumer’s desire to consume the movie. So, you might be excited to go and watch the film, and once you see it, you realise it was a disaster. I have realised that the way I look at things is probably a bit different. For me, Mirzya is an art-house film, which also happened to be my Bollywood launchpad. It was never supposed to be a mainstream film. However, since Anil Kapoor’s son was making his debut and Rakeysh Omprakash Mehra was directing it, people expected it to set the box office on fire.

Did this lead to a change in the way you picked your forthcoming projects?
Mirzya was an abstract musical. In the end, it was not a conventional film, so it cannot or is unlikely to get conventional results. I think it is my responsibility as a young actor to try different things. I am not here to repackage and rehash ideas.

I don’t want to be a typical Bollywood hero. I will not pick up films only to move ahead. If I do a mainstream film, it will be by accident and not by choice. I am trying to chase excellence. If I do a film that ends up reaching a larger audience, I will be very happy. I would have done it organically then, instead of following a strategic master plan of becoming a star. The viewers, who are intelligent to understand my choices, loved me and my work. I am on a bit of a different journey and I don’t expect mainstream media to understand this. People are obsessed with the box office performance of a film, and it puts out a wrong message. This trend basically makes it harder for me to make the choices that I make. I find it a bit hypocritical and contradictory as there are people who say, ‘All you actors are doing the same films’, and then you have someone doing something different and all you can talk about is the box office numbers! I don’t get that. One cannot neglect the fact that the whole world has changed in the last 18 months, and as you see the box office is no longer as relevant. I must say things have kind of worked out in my favour in that sense.

You will once again be sharing screen space with your father in your next web project. Does acting alongside your father, a senior actor, intimidate you?
I don’t feel intimidated when I work with my dad. I just do my own preparation, and he does his. Then we see each other on set and do a scene just like other actors working on a project and that’s about it.

You say your choice of cinema is different. Your father has often mentioned in his interviews that you grew up watching a different kind of cinema, too. What kind of films have influenced you?
I grew up watching world cinema. I also enjoy watching arty movies. I like the kind of films that are screened at film festivals. I have consumed a lot of Bollywood films like Udaan, Rang De Basanti, too. I like the works of filmmakers like Rakeysh Omprakash Mehra and Anurag Kashyap, with who I ended up working. I also like Vishal Bhardwaj’s work.

Rakeysh Omprakash Mehra’s trust in what Farhan Akhtar could produce, physically, was tried and tested-Drew Neal


Drew Neal is also training Arjun Kapoor for Ek Villain Returns. Pics/Instagram

Former world kickboxing champion Drew Neal discusses his seven-year journey of teaching Bollywood’s brightest to punch way above their weight, both on and off screen
Sonia Lulla (MID-DAY; June 16, 2021)

Before a spate of Bollywood offerings began to come his way in 2013, Drew Neal was running a successful training company in the UK. Being unfamiliar with the Indian film industry, the kickboxing champion wasn’t easily lured, until Harsh Varrdhan Kapoor’s offering, 'Mirzya' seemed to hold promise. Citing the three-month contract as an “adventure and an opportunity to visit a country I had always wanted to see”, Neal agreed. Seven years later, he has expanded his foothold in India, working with Bollywood’s top brass to develop their boxing skills, both on and off screen. 

Neal’s name is currently prominently associated with Farhan Akhtar, who has been learning from the trainer for his upcoming boxing-drama, 'Toofaan'. As has been with all athletic coaches mid-day has connected with to discuss Akhtar’s sports films, Neal too agrees that there isn’t scope to question the actor’s diligence. “It was clear that Rakeysh Omprakash Mehra and Farhan had a relationship from a previous project that they had worked on. Rakeysh’s trust in what Farhan could produce, physically, was tried and tested, and it was evident to me how much of a hard-worker he really was,”

Neal shares. Even then, despite his meticulousness, which was only supported by his athletic frame, training him for the part was no mean feat. “Playing the part did not come naturally to him. We had to work painstakingly on his form in order to make him look and feel like a boxer. No matter how athletic one is, skills are learnt through practice and perseverance.”

Teaching the tropes was one part of the task at hand. Neal had to mould Akhtar’s frame to enable him to pull off the boxing choreography set by fighters and fitness experts, including Darrell Foster. “I was acquainted with the requirements [of the sequences] and I would ensure that Farhan was up to the task to perform the movements needed in the scenes.”  

More recently, he has trained his attention to Arjun Kapoor, and celebrates the luxury of time — one year  — afforded to him to ready the actor for 'Ek Villain Returns. “This is how I prefer to work with my clients. I don’t believe in fast transformations. I have seen numerous transformations that have been too aggressive and this practice has health and psychological implications.”

When details around the role-requirement and physical appearances are established, he draws out a comprehensive plan. 

“I always say, what gets measured, gets managed. The plan covers all aspects of [his] lifestyle. I know exactly how many calories he consumes, and how many he expends. I am aware about his sleep cycle. My diary is full of data that I use to get the most out of my client. I work out how many calories [he] needs to sustain the current weight, and then factor in the goal, and adjust the numbers. Muscle gain needs a calorie-surplus, whereas fat-loss needs a deficit. The nutrition plan is tailor-made,” he says, adding that attention is also paid to the amount of rest an actor gets, given the erratic schedules in their line of work.

“Actors are judged by millions based on how they look and perform. This pressure can work in a positive or negative way. It is up to me to develop the trust in the relationship, and I constantly tell them to trust the process,” says Neal, who has also trained Shibani Dandekar, Kareena Kapoor Khan and Amrita Arora Ladak. 

Knock-out punch
Neal, who featured as a boxer in Salman Khan’s Sultan, says tricks can be employed to be a better boxer, on screen. “While acting, I realised that being a fighter was a disadvantage. I was used to being close to my opponents, and making contact. In action [on screen], the distance between actors is greater, even though the cameras are so positioned that it appears otherwise. I also learnt that selling a punch actually comes from the person getting hit, rather than the person throwing the blow. Acting the reaction is difficult.”

After Mirzya flopped, the filmmakers who had signed me decided to go ahead with more successful actors-Saiyami Kher

Actor Saiyami Kher says it was only after long and tedious three years of giving auditions that she bagged her first film; adds the release of the film was followed by a low phase
Rishabh Suri (HINDUSTAN TIMES; January 15, 2021)

Saiyami Kher doesn’t believe in rushing into things and that’s evident from how she takes her own time in taking up work. She started off in Bollywood with Mirzya (2016), and since then, has starred in five projects — three films, two web shows.

Not sticking to Hindi films was a decision that happened organically. “When I started off, I didn’t know anything. The first step was to learn the basics of being in front of the camera. After long, tedious three years of giving auditions, Mirzya happened. Unfortunately, it didn’t do well at the box office,” she shares. And that led to a not-so-great ripple effect. She confesses, “I had signed a few films with big filmmakers, but after Mirzya, they decided to go ahead with someone else, who was commercially more successful.”

But, Kher didn’t let anything deter her. She starred opposite Riteish Deshmukh in the Marathi hit Mauli, and then web shows Special OPS and Breathe - Into The Shadows. Her web film, Choked, also got good reviews. In fact, the actor reveals that Choked’s director Anurag Kashyap was going to collaborate with her earlier as well, on a different project. “After Mirzya, Anurag wanted to do a film with me, and sent a script. I was very excited, but it never took off. I was also doing a Tamil film and had done workshops, that also never took off. It was a low phase, my film hadn’t worked, and the few things I signed, went away. Mauli was exciting... a hardcore commercial film, and at the same time, the girl had a lot to do. Things started moving a bit after that,” she says.

Unpaused, an anthology of five short films with pandemic as the theme, featured Kher as the protagonist in one of the stories. “I’ve just returned from Manali after shooting with Nagarjuna sir for an action-packed film; I play a RAW agent,” gushes Kher about being busy with work now.

My first shot was for a polo sequence. I was on a horse and hitting the balls, it was exhilarating-Harsh Varrdhan Kapoor


As told to Akash Bhatnagar (MUMBAI MIRROR; September 3, 2020)

When it’s a Rakeysh Omprakash Mehra film which launches Anil Kapoor’s son, you expect a mainstream debut. But that wasn’t the case with Mirzya.

I was in college when I met Rakeysh sir on the sets of Delhi-6, featuring my sister Sonam (Kapoor) in the lead. He thought I was good-looking and offered me the role of a crazy young lover. The film was written by Gulzar, with Shankar-Ehsaan-Loy doing the music. At that time, I wasn’t experienced enough as an actor to take on that role, so I turned it down. But after that, I trained in acting abroad, came back home and auditioned for Bhavesh Joshi Superhero in 2012. Vikram (director Vikramaditya Motwane) thought I was too young and raw for the character, and I lost the film.

In 2013, Rakeysh sir was editing Bhaag Milkha Bhaag when I went to meet him again. He was still passionate about this film about the crazy lover and this time, I said “yes”.

For the prep, I had to shift to Delhi for a year-and-a-half. Six days a week, I would wake up in the morning and ride horses. The same routine would continue in the evening. Before that, I had never even sat on a horse. I also learned archery, followed by archery on horseback, and how to play polo. By the end of it, I had become a very competent rider and archer. An acting coach came from New York to work with me. My character was very quiet as the film was all about silences, music and visuals, which was a very different way of story-telling.

The first day on the set of Mirzya was nerve-wracking, but after a couple of hours, I got comfortable. That security came from my prep; you know in between action and cut, you will be okay. I ended up enjoying the process of creating something.

My first shot was for a polo sequence. I was on a horse and hitting the balls, it was exhilarating because I had an iconic filmmaker behind me. Since it wasn’t a performance shot, it took just two or three takes to get okayed. The making of the film was unbelievable and it will be difficult to top the experience.

There were a lot of people who didn’t find the film appealing, but it will always be my most creative experience, which also got me my second film. Vikram saw some rushes from Mirzya and signed me for Bhavesh Joshi. I really wanted Bhavesh Joshi to be my first film, but the stars aligned in a way that I got to do both.

I had many projects in my kitty, but they fell through after Mirzya’s box office failure-Saiyami Kher


The actress talks about her struggle in Bollywood despite having filmi connections, and why it’s important to not let failure or success affect you
Onkar Kulkarni (BOMBAY TIMES; August 26, 2020)

Actor Sushant Singh Rajput’s demise in June has brought the focus back on many issues, including the pressures of showbiz and how it could lead to mental health issues. While dizzying highs and frustrating lows are a part and parcel of the entertainment industry, it is important to know how to handle both well, says Saiyami Kher, who has also been through a tough phase in showbiz.

The actress had a grand launch in Bollywood with Rakeysh Omprakash Mehra’s Mirzya (2016), opposite Harshvardhan Kapoor. However, when the film didn’t perform well at the box office, her plans came crashing down.

Recalling those tough times, Saiyami tells BT, “I expected a lot from Mirzya. In fact, even before its release, I was signed on for another film. But, I was replaced by someone else when Mirzya didn’t work. There were a lot of projects in my kitty, but they all fell through. Well, I guess that’s how the industry functions. Here, commerce speaks the maximum.”

She goes on to explain that though it was a difficult and disappointing phase, she didn’t let it break her spirit. “I have been fortunate to have someone like (actor) Adil Hussain in my life. He’s my acting coach and guide. He kept reminding me why I was in showbiz — it’s not for enjoying the fame and money, but because I like acting. That’s something that kept me going. If your purpose is strong enough, you can survive the failure that comes your way. Apart from this, my love for sports and my friends, who are not from the industry, also kept me going,” she shares.

Though she is actor Tanve Azmi’s niece and granddaughter of yesteryear actress Usha Kiran, Saiyami doesn’t like being called an industry kid. She says, “My parents wanted to keep me away from the glitz and glare of showbiz. And so, I was raised in the lap of nature at our home in Nashik. It is only recently that I moved to Mumbai. I think they made the right decision by bringing me up in a small town. It helped me lead a normal life with an amazing circle of friends, who are not from the industry.”

I really hope that OTT platforms don’t become star driven like Bollywood films-Saiyami Kher


Juhi Chakraborty (HINDUSTAN TIMES; June 20, 2020)

As uncertainty looms large over theatres reopening due to the Coronavirus lockdown, OTT platforms have become the go-to option for filmmakers to release their ready projects. And with this new trend of films coming out on the web gaining momentum, actor Saiyami Kher, who has done a couple of web projects and has more lined up, hopes that actors like her don’t lose out on opportunities.

Kher, who made her Hindi film debut with Mirzya in 2016 — also her sole Bollywood project till date — shares, “Big producers didn’t back me after my first film.” However, glad that OTT proved to be a game changer for her, she adds, “Web has given me the opportunity to showcase my talent and try my hand at different genres. It has opened up avenues for actors like me to do more work. I really hope that it continues, and OTT platforms don’t become star driven like Bollywood films, in this situation.”

Having said that, it’s not as if Kher feels the charm of cinema can ever go away. And hence, she hopes there can be a balance between both the mediums. “There was someone like (actor) Saif Ali Khan, who did a web series (Sacred Games), but that did stop other actors from getting a chance on the web,” she continues, “I also hope makers stick to their beliefs and not make it only star driven. They should keep giving opportunities to people who deserve the role.”

Kher is elated with the response her latest web film, Choked, got and says it’s only because of the OTT platforms that it could make its way to the audiences even during the lockdown. “Our film was ready for release and the timing couldn’t have been more perfect. People want to watch new content as everyone is fed up of being home,” says Kher, who is currently in Nasik, Maharashtra, with her parents. “I came here on March 15 and never left. I’m going to stay here till things get back to normal,” she says.

For Special Ops, I had to get the action, including the punches and fist fights, on point-Saiyami Kher

Saiyami Kher
Saiyami Kher on perfecting her kicks and punches for the role of an undercover agent in Special Ops
Shaheen Parkar (MID-DAY; March 11, 2020)

While her training as a runner certainly came handy, Saiyami Kher admits that in order to kick and punch for her role of an undercover agent in Special Ops, she had to undergo intense training in Mixed Martial Arts. Neeraj Pandey's upcoming espionage thriller has heavy action sequences, making it the kind of project that Kher "always wanted to do". "I had to get the action, including the punches and fist fights, on point. There was a special action team employed for it, so, working with them was quite an experience," she says of the show, which was shot in Turkey, among other locales.

Pandey, with films like A Wednesday (2008), Special 26 (2013) and Baby (2015), was on Kher's bucket list of directors to work with. "This was my chance to work with someone known for his action films." The desire to associate with someone versed with the genre is only fitting, given that Kher has taken a while to find her bearings in Bollywood, after the debacle of her debut film, Mirzya (2016).

"It was a big launch-pad, and despite the hype, didn't make money at the box office. The going gets tough when your film does not work. The roles that come your way are either less exciting, or leave you with little to do in the film. It takes time to get back." Special Ops, she hopes, opens more doors for her.

On her plate are two other web offerings, Breathe 2, starring Abhishek Bachchan, and Anurag Kashyap's Choked. "I remember reading an interview of Akshay Kumar, in which he was quoted saying, 'Kaam se kaam milta hai'. That stayed with me," says Kher, who is also shooting for the Telugu film, Wild Dog, starring Nagarjuna. "That is also an action flick, so there will be more chances to showcase stunts."

Kher counts actor Tanve Azmi as her aunt, but doesn't consider herself a star-kid who has been afforded privileges. "I don't bag offers because of [my association with film folk]. I like to do stuff by myself. They will know [of my films] only when the announcement is made. I want to experience success and failure on my own accord. At the same time, they are always there when I need them."

I persevered instead of getting disillusioned-Saiyami Kher

Saiyami Kher
Proud to bag Anurag Kasyap's film for Netflix, Saiyami Kher on surviving three-year lull after Rakeysh Mehra's Mirzya
Mohar Basu (MID-DAY; January 30, 2020)

"I have waited a long time to get here," says Saiyami Kher, as she adds an Anurag Kashyap film, Choked, to her résumé. While, for most, the statement would be laced with exhilaration, the actor's remark has a tinge of dismay — presumably a reflection of the three-year struggle since her debut with Rakeysh Omprakash Mehra's Mirzya (2016). "It was disheartening that Mirzya didn't work, but it got me noticed. I was offered a film with Mani Ratnam after that, which didn't take off. I could either get disillusioned or stay perseverant; I chose the latter."

The actor doesn't deny that bagging a Kashyap project is a validation of her craft. "Anurag sir is a child at work. Imagine the energy of a 15-year-old in the body of a movie genius," she laughs, as she recounts shooting for the Netflix film with him. "I was blown by his spontaneity. Rakeysh sir [believes in] extensive workshops and research. This set was a contrast to that; here, being raw and real was essential." Even in its premise of a thriller, Choked has a parallel romantic track. Kher vouches for Kashyap's brand of romance as she gushes, "I remember sitting in his office and watching Manmarziyaan [2018]. It was heart-wrenching. His understanding of romance is authentic and relatable."

I was 11 and yet was ordering around full grown men to fill out orders from customers-Saiyami Kher


As told to Avinash Lohana (MUMBAI MIRROR; July 16, 2019)

I have been passionate about sports since I was a child. Starting out with extracurricular activities in school, I moved to badminton and started participating in tournaments across the country. I was 12 when I took part in a district-level tournament in the under-13, under-16 and under-19 categories. I won the competition across all age groups and got a cash prize of Rs 3,500 with which I gifted my mother a landline.

I continued playing badminton, but whenever the coach took a break, the boys would teach me to play cricket. That’s how I fell in love with that sport too, picked up the game real fast and was soon playing it professionally.

Then, I went to college at St. Xaviers, Mumbai, where the theatre culture is active. That’s how I caught the eye of Atul Kasbekar, ace photographer who has now turned producer. He suggested I give modelling a shot. I must have been 18 then and followed up on his advice. Modelling was a lot of fun as I got to travel to new places and be photographed, which was great.

My first TV commercial (left) was with actor Nakuul Mehta for a scooter brand. The first print ad was for a clothing line. I continued modelling through my college years as a result of which badminton and cricket took a backseat because my college was strict about attendance and I could only pursue one thing at a time.

In fact, Kiran More’s (former cricketer) daughter, was an assistant director on my debut Hindi film, Rakeysh Omprakash Mehra’s Mirzya. One day, Kiran sir had dropped by on the set and we took a break to play cricket with him. He was so impressed by my skills, that he asked me to give him three months after the shoot, telling me that given the way I play, I still had a chance to get into the women’s cricket team. That opportunity had come my way a couple of times even before that. But something else always took precedence.

While dabbling in theatre and modelling, I had decided to give acting a shot, following in the footsteps of my grandmother, Usha Kiran, and aunt Tanve Azmi. Mirzya happened after six crazy months of auditioning. Out of several aspirants, only two of us were selected and sent to Delhi for training, followed by another round of audition after which they finally zeroed in on me to play Suchitra opposite Harsh (Varrdhan Kapoor). I even went on to do a Marathi action film, Mauli, co-starring Riteish Deshmukh in a double role. Acting is a lot of fun.

Interestingly, as a child, I have worked at my parents’ restaurants (Adwait and Uttara Mhatre Kher) in Nashik. After their stint at a prominent five star hotel in Mumbai, they shifted to Nashik and started three restaurants. During vacations, my sister, Saunskriti, who was 13 then and I, two years younger, would manage one of the restaurants, Bombay Talkies, themed around Hindi films. I would take care of the kitchen, ordering around full-grown men to fill out orders from customers, while my sister would take orders and manage the guests. It was an enriching experience interacting with strangers and dealing with problems a 11-year-old girl is usually unaware of. I remember once a Jain customer was mistakenly served a chicken sizzler by the waiter. Thankfully, my sister saved the situation. On another occasion, an unruly group of college kids were fooling around in the hotel and broke a big glass door. That was the one time when we had to call our mother to handle things.

We had those restaurants for seven years and worked there for around four years during holidays. I enjoy cooking myself and was obsessed with how roomali rotis were made at the restaurant. I even learnt to bake brownies and pizzas and dish out yummy frankies.

Even today we have a boutique farm stay in Nashik where my plan is to organise workshops, establish a theatre residency and conduct music classes. I will love doing all this whenever time permits.

One has to be thick skinned to survive in Bollywood-Saiyami Kher


Neha Maheshwri (BOMBAY TIMES; May 28, 2018)

Two years after the release of her Bollywood debut opposite Harshvardhan Kapoor in Rakeysh Omprakash Mehra’s Mirzya, Saiyami Kher will now be seen alongside Riteish Deshmukh in his Marathi film, Mauli. It’s rare for an actress to take a plunge into regional cinema so early on in career. However, Saiyami, who made her acting debut with the Telugu film Rey (2015), has no such inhibitions. In a quick chat with BT, she talks about life post her grand debut in Bollywood, how regional cinema is opening up opportunities for actors and most of all, how surviving in the movie business is no mean feat for a newcomer.

You made your debut with a Telugu film and Mirzya (2016) was your debut in Bollywood. Your next release is a Marathi film. One would have expected you to follow up with another Hindi project instead...
Riteish Deshmukh’s last Marathi film Lai Bhaari opened up a new dimension for action and drama in Marathi cinema, and this again is an ambitious project for him. Besides, I always wanted to be a part of Marathi films as my grandmother (Usha Kiran) was a renowned name in the Marathi industry. It’s a matter of pride to go back to my roots. The best part about regional cinema is that it is more receptive and welcoming towards actresses from outside, as compared to Bollywood.

It has been two years since Mirzya released. The second Hindi film you signed got pushed to November this year, and another film with Mani Ratnam, too, is delayed. At any point, were you frustrated at the pace at which your career was moving?
Nobody wants to put their money on someone whose film hasn’t worked. Those two years were really tough. It made me realise who my true friends were; failure is the best teacher. That’s when your family and genuine friends play an instrumental role in keeping you afloat. Also, my sports background helped me sail through the phase. Walking with my chin up despite failure has been ingrained since a young age. In our world, a loss makes you work harder. It’s difficult to survive and sustain in the film industry with several people vying for the same part. One has to be thick skinned to survive here. Depression is normal when you face rejections. It has been a huge struggle. I was suddenly surrounded by new friends and relatives when my film (Mirzya), which was touted as one of the biggest Bollywood debuts, was announced. There were filmmakers who were keen on casting me. Before Mirzya, at auditions, several people were concerned about my looks. They would say, ‘You have a wide smile and big teeth. You should get a nose and lip job done’. I said ‘thank you’ to them, as I am happy with the way God has made me. After I bagged my first Bollywood film, suddenly, the same set of people thought that I am good-looking (laughs!).

Are you in touch with your Mirzya co-star Harshvardhan Kapoor considering you guys have been good friends since your debut?
I am very much in touch with Harshvardhan. Your first co-star is always special. We don’t meet but are in touch over messages. He is concerned about me and checks with me on whether I have approached the people he has suggested. Harsh has been headstrong and clear about the cinema he wants to do. I am glad that he is not going down the conventional route, which is very brave of him. He is going through his share of struggles, too. He has a tough job of living up to his father’s name.

What are the kind of films that really interest you?
I would love to feature in a sport biopic. I feel I am fit for it as I am a sportsperson, too. Also, rarely do we see actresses getting cast in action films; I would love to do one.

I could gallop without holding the reins and shoot arrows bang on target-Harshvardhan Kapoor


As told to Natasha Coutinho (MUMBAI MIRROR; May 14, 2018)

My upcoming film, Bhavesh Joshi Superhero, is an action-packed vigilante drama with me as Siku who challenges all that’s wrong and tries to set the world right. There is a young actor in the film, Priyanshu Painyuli who I grow very close to as we seek justice together. To ensure that we forge a real bond, our director, Vikramaditya Motwane, decided I should move out of my bungalow and live with my on-screen friend for a month prior to the shoot. The production team rented an apartment for us in Shastri Nagar where we lived before and during the shoot. That for me was my biggest and a most unusual prep for this celluloid adventure trying to find a comfort level with a stranger by sharing my digs with him.

We also attended a lot of acting workshops with Vikram and the rest of the cast. I took martial arts training and learnt to fight with sticks, kick and punch too, while masked. We tested a lot of masks that would suit my face and action choreographer Cyril Raffaeli flew down from France to train me, along with a local team. I’ve always been actively interested in fitness and enjoy cricket and football, so learning a new sport — martial arts — was an interesting challenge. I’m hoping this film clicks with the audience who enjoy commercial cinema, there is a lot we’ve put in behind getting the action right on-screen.

Before that for Rakyesh Omprakash Mehra’s Mirzya, my first film, I learnt horse-riding, with portions shot in Ladakh in the warrior get-up. I learnt horse-riding and archery for a year-and-a-half and by the time it was time to face the camera, I could gallop without holding the reins and shoot arrows bang on target. Now, these skills will be with me for the rest of my life. I’m really looking forward to doing another period film where I can display these skills full-fledged because Mirzya was a blend of the contemporary with period drama.

Doing a film is not easy. It necessitates huge lifestyle change, more so in my case as my first three films are all title roles, author-backed roles, which demanded longer, tougher prep but I’m all for it.

Next up is the Abhinav Bindra biopic, based on the athlete’s autobiography, A Shot at History : My Obsessive Journey to Olympic Gold, for which I will train in air-rifle shooting. He’s the only Indian to win an individual Olympic gold and it takes a great man to do that. I’m looking to relive his journey on-screen. I’ve met Abhinav a few times with our director Kannan Iyer, my dad (Anil Kapoor) who is also in the film and script writer Abhay Khurana who incidentally has also written Bhavesh Joshi Superhero with Vikram and Anurag Kashyap. After I came on board for Bindra, we got Abhay to do a brand new draft along with Kannan. I am getting a lot of material from my conversations with Abhinav who as a person is intense, shy and methodical, and an incredible athlete. The film will explore the man and the madness surrounding him.

I start my prep in July. We are setting up a shooting range in Mumbai where I will be training for months before shooting starts. This prep, as with the other two, will take me out of my comfort zone completely. It is not just about acquiring physical skills, in this case expertise in a sport, but also mental strength. We roll in November.

Financially, Mirzya didn't just pinch me; it knocked me out-Rakeysh Omprakash Mehra


Rachana Dubey (BOMBAY TIMES; November 10, 2017)

After the lavishly shot Mirzya in 2016, Rakeysh Omprakash Mehra's next is a modestly-budgeted film with an acknowledged actress (Anjali Patil) and some children whom he personally selected from the slums where he was shooting. The director-writer was shooting in the slums of Mumbai for a film that highlights a son's love for his mother and his fight for her dignity. In a candid chat with BT on the sets of the movie, the filmmaker opened up on the failure of Mirzya, why most of his films are set in North India and his commitment to the cause of sanitation. Excerpts...

After a much-publicised project like Mirzya, your next is a smaller film titled Mere Pyare Prime Minister. Can we safely call this your attempt at reinvention?
Yes, I am trying to reinvent myself as a filmmaker. Of course, I have always avoided repeating myself and have attempted different genres and subjects, right from my first film, Aks. After that, Rang De Basanti was about being the change you want to see in others, while Delhi 6 addressed religious intolerance and Bhaag Milkha Bhaag was about a boy, who braved odds to break a world record. Mirzya was about women and their illogical behaviour when they're in love. We mounted the film well, but couldn't nail it. I am sure that with my second, third or fourth attempt at a musical, I will finally get the genre right. I am not letting it go till I crack it. Also, financially, Mirzya didn't just pinch me; it knocked me out. But like they say, you live and learn. So, I continue to tell stories.

You have shot Mere Pyare Prime Minister inside some remote pockets of Mumbai. Considering it's the first time you have set a film in such areas, how was the experience?
My films have been largely shot in North India because I am a Delhi boy. Though I migrated to this city about 30 years ago, most of my stories except Aks belong there. When I came to Mumbai, there was just one slum - Dharavi. Now, there are hundreds of such colonies. When you walk through them, you realise how big an issue sanitation is. There are very few public toilets, and women are the worst affected. While men can opt to defecate in the open, women have to find enclosures, or relieve themselves when hopefully, no one's watching. It's not only extremely unhygienic, but also raises a question on their safety.

Your team has built a toilet in one such area where you shot the film. Looks like you are strongly committed to the cause...
While I was researching on the issue, I got associated with an NGO. During one of our visits to Sabarmati, I found that even Mahatma Gandhi was associated with the cause of building toilets and improving sanitation in India. That's when we thought of supporting the cause till we die. In the next two years, we want to cover as many as 5,000 sites in India. We started with Gujarat, travelled to Rajasthan and then, Maharashtra and Telangana. It's a self-sufficient module that sustains itself.

Eventually, my team also came up with a story revolving around the acute shortage of toilets. We've have built toilets smartly. When we started building them in Gujarat, we realised that in a lot of remote pockets, girls would quit studies after puberty because the schools lacked sanitation. However, after building a few toilets, they started coming back, and that felt great. The situation is worse in cities like Mumbai where there are plenty of unauthorized colonies. The BMC cannot give them permission to construct toilets as these colonies are built on encroached land. Fortunately, the colony where we shot the film had a water connection, so we could build a loo for the residents.

Few filmmakers have shown Mumbai's slums in a positive manner. Was that ever a worry for you while writing the story?
The film doesn't look down upon slums. On the contrary, it celebrates the life that people lead here, despite all the odds faced by them. My film is about a boy's struggle for his mother - he wants to build a toilet for her. I've also realised that these slums have a concept of neighbourhood...khule ghar aur khuli Diwali hoti hai yahan. When I was shooting at this slum (in Ghatkopar), I filmed inside real homes and the people there fed me from their kitchens. I even stayed in these houses for six days to understand what it is like to wake up here in the mornings. I even used the toilets, which are used by them. Unless you understand a situation, you cannot project it correctly. Most of my stories are based on my experiences and so, this too, had to be experiential.

Moving on, for the last couple of years, you have been toying with the idea of a film centered around the education system and the school admission racket in Delhi. Since a few movies in recent times have already tackled the issue, do you still plan to make your film?
I am not just toying with the idea, I am working on the story. So much has changed over the last three years. Our education system needs to cater to students as individuals and not as a bunch; it's about learning, not competing. We have to abolish grades. Today's kids are smart, but they are under a lot of pressure - societal, peer and parental. As far as my children are concerned, I always tell them that grades are not important, learning and becoming a good citizen is.

Talking about learning, what did you finally learn while making a modest-sized film, in an environment you are not as familiar with?
It taught me a lot about my own craft. I experienced indie cinema first hand, and it was poignant and in-your-face. I feel, we've lost social and socio-political cinema to escapist films. We need the latter too, but I wish we could strike a balance.

Why Jaisalmer is Bollywood's favourite desert location


An easy permission process through the BSF, fuss-free shoots and year-round availability have made Jaisalmer the most popular desert location for film shoots in the last last few years
Niharika Lal (BOMBAY TIMES; October 7, 2017)

The border areas of Jaisalmer, Rajasthan, in which come under the BSF (Border Security Force), have become Bollywood's go-to desert location for film shoots. After playing host to films like Badshaho, Bajrangi Bhaijaan, Mirzya and Airlift, this desert area will next be seen in Parmanu - The Story Of Pokhran. In fact, not just filmmakers, but TV producers also shoot desert sequences in this area. The reasons for its popularity are an easy permission process and the reputation of being a fuss-free location. BSF officials tell us that till a few years back, film crews used to approach them only in the winter, but now, even April is a busy shooting period.

EASY PERMISSION FOR BORDER AREAS OF RAJASTHAN
In almost every part of the country, a film team needs to take shooting permissions from multiple authorities. But in this border area, only the BSF's permission is needed. The entire border area of Rajasthan is 1,070 km long, which covers Jaisalmer, Sriganganagar, Bikaner and Barmer. While Barmer is a restricted area, Jaisalmer is the most popular film shooting destination.

Amit Lodha, DIG (on deputation in BSF), says, “It doesn't take us very long to give a go-ahead for a film shooting. It's a quick process. After the BSF receives a request for shooting in border areas, our General Intelligence Unit assesses the security concerns and then advises the team to shoot in a particular area. Sometimes, we suggest alternative locations too.“

Even though tourists are not allowed in the restricted areas, when a film team wants to shoot there, permission is given after proper assessment. Rakeysh Omprakash Mehra's Mirzya was shot closer to the border areas of Barmer, which are restricted for the public. At that time, Mehra was quoted as saying, “We filmed the climax in Rajasthan's remote desert areas, which are beyond Jaisalmer, near the border. The local tourism board and the soldiers were very helpful when we were shooting in these areas.“

FUSS-FREE SHOOTS
With Border first making the area popular with filmmakers, the number of films being shot here has jumped in the last two-three years. Why this sudden rise? “Good reviews,“ says Lodha, adding that film crews want fuss-free shoots, and that's why, they prefer this area for desert sequences. He adds, “Crowd management and other security concerns often lead to the cancellation of shoots in other desert locations. Here, if a crew is shooting, there is no population to create any disturbance and we ensure that shooting is conducted smoothly.“

Incidentally, before the desert schedule for Parmanu, when John Abraham was shooting a scene in a telephone booth in a Jaisalmer market, some anti-social elements threw stones. The shoot was then shifted to the Pokhran Fort instead of the market.

LOGISTICALLY VIABLE AND YEAR-ROUND FILM SHOOTING
The BSF officials reveal that logistically too, shooting in the area works for the crews as they don't charge anything. A BSF official says, “When police provides security to the film team, they charge them, but we don't charge a penny.“ The popularity of the area has grown so much that earlier the BSF used to get film shooting requests only during winter, but now, shooting goes on year-round, including schedules in April-May. For instance, Baadshaho was shot in April while Parmanu was shot in June-July.

SOON A BSF STORY ON THE BIG SCREENS?
During shooting of films, when filmmakers and actors visit the BSF camps, they also try to get a sneak peek into the lives of jawans, not just for curiosity but for creativity purposes. The officials tell us that they have discussed a script with a filmmaker, which might make it to the big screens and a popular actor is planning to take up that project. Lodha said, “I can't reveal any detail right now. But yes, we have discussed a script which might make it to the big screens.“

NEED A HIT FILM? VISIT TANOT MATA TEMPLE
The BSF officials said that it is believed that if an actor visits the Tanot Mata Temple, his movie will be a hit. Ajay Devgn had visited the temple during the shooting of Badshaho. A BSF official tells us, “Almost every actor who comes to this area for shooting, visits the temple. Be it Akshay Kumar or Ajay Devgn, all of them have visited it.“

Interestingly, a BSF official is also the priest of the temple, which is 145 km from Jaisalmer and BSF officials participate in the rituals daily. Also, a few scenes of Border were shot in this temple and since then, the visits have continued.

My wife always jokes that I have this Chembur native intelligence-Anil Kapoor


Roshni Olivera (BOMBAY TIMES; July 25, 2017)

In his four-decade-long innings in the industry, he has given innumerable hits and many memorable performances. But what makes Anil Kapoor's Bollywood journey different is the fact that he is still raring to go, giving younger stars stiff competition. In a candid chat with Bombay Times a few days before the release of 'Mubarakan', AK talks about his longevity in the industry, the choices he has made in life and the lessons he has learnt from his children. Excerpts:

You've been in the news for 'Mubarakan' as well as other things. Recently, there was strong buzz about Sonam's marriage and that you wanted her to tie the knot with her beau, Anand Ahuja. So, is she getting married sometime soon?
(Laughs) When it comes to marriage, it will always be their decision, whether it's Sonam, Rhea or Harsh. Anyway, there's no such thing happening right now; whenever it has to happen, it will and it will be her call. Likewise, in the case of Rhea and Harsh, whenever they want to get married, they can and if they don't want to get married, that too is fine. Times are such that commitments cannot be made in a rush. You have to feel that it is the right time for you to take the plunge. It may be tomorrow or yesterday. My children are private about their personal lives and we don't ask them anything. Their friends, girlfriends and boyfriends are all welcome to the house. It's an open home for everyone. I have told my children that there is no pressure on them, par jo bhi karna hai, chupke mat karo. Give the other person more respect than you give yourself.

There's news that Harshvardhan and you will share screen space in the biopic on Abhinav Bindra. Wouldn't it put a lot of pressure on your son, given that there would be comparisons?
It's not the right time for me to speak about the film. It's too nascent and commenting too much takes the magic away from it. About the two of us acting together, I think those days are gone when people would say, 'iss film mein baap-beta saath mein hain'. Now, the audience is only interested in a good film. And there's no pressure; everybody is sensible enough to understand this. At least in my family. We are a film family, we don't sit and strategise, things have happened to all of us on their own. I feel when it comes to careers and life in general, you can use your sensibilities while making your choices, but you have to let things happen organically. What's in your control is the insane hard work, commitment, integrity and professionalism that you bring to the table.

Going by his choices, Harshvardhan seems like someone who likes to take the road less travelled. On the other hand, you have been rather conventional in your career choices. Do you get tempted at times to advise him?
Actually, Harsh is a lot like me. My first film as a leading man was with M S Sathyu; in my second film when I was in my 20s, I played a professor. In my third film too, which was with Mani Ratnam, I played a rather unconventional role. Looking at the films Harsh has done, it seems like he is focussing on being an actor. You are an actor first and if God is kind, you become a star. My idea was to be an actor and that's how I first pitched myself. I think that's one of the reasons for my longevity. Also, where is the need to advise Harsh? He has worked with the best. Even if a film didn't do that well, nothing could be better than 'Mirzya' for Harsh or 'Saawariya' for Sonam. Every frame of both the films is amazing; the performances, the nuances, the way the actors are presented... it's a great show reel to have.

Would you agree that your children are quite vocal in expressing their thoughts while you have been fairly diplomatic all your life?
They are doing the right thing. I wish I was more vocal. They are in a situation where they can do it and they should, because we are living in a democratic country. In my case, in those days, my priorities were different. I had to buy a home, I got married, I had to look after my family and had to shoulder other responsibilities. But a time will come when I will be much more vocal than these people. I will be, I promise.

You are quite attached to your nephew Arjun Kapoor. Did 'Mubarakan' bring the two of you closer?
We've shared a close bond since he was a child. He was always talkative and got along very well with almost everyone in the family. When this script came to me, I said let's pitch it to Arjun. I picked up the phone and told him that he should hear the script and then the choice was his. That's exactly what I would do with Harsh or Sonam, too. Creatively, it has to be their call. Kuch upar neeche ho gaya, then they should not come and blame me (laughs).

You said Arjun is talkative. Between the two of you, who spoke more on the sets?
Nobody can beat him! But seriously, I was very impressed with Arjun's comic timing, commitment, work ethic and his knowledge of cinema. When you spend so much time together, there's a certain bonding that happens. We know each other really well now.

You were recently photographed dressed in a rather colourful attire. Are you giving Ranveer Singh a run for his money?
Ranveer and I share a great rapport. As a kid, he would be part of Rhea and Sonam's birthday parties and I remember he was the first kid I saw with a mohawk! That's when I got to know that he is related to Sunita (wife). Coming to the dressing part, I think Ranveer has a lot of fun with his clothes. You can get away with anything if you back it up with good work and talent. Dressing is an art, everyone can't do it. There is a lot of thought that goes into it. Sonam has her style, I have mine, Ranveer has his own style. Sometimes it comes very naturally, like Rhea might not like dressing up, but she is fantastic at putting things together since childhood.

You've done a range of films in your career spanning four decades, but is there something that you feel you have missed?
Not an iota. I feel nice, there's a good feeling. I would like my next life to also be exactly like this one.

There's one thing everyone gets amazed by — your longevity in this industry and the fact that even today, you look as fit and fab as you looked many years ago. And I'm sure this question never leaves you...
My longevity is due to a combination of so many factors. I also believe in destiny, in the universe, in the power that supports you. My wife always jokes that I have this Chembur native intelligence. I may not be highly educated, but I have always been open to learning and have learnt with experience. It's also the choices I made in films. In every decade, I took the right decision about the films I did and looked at things objectively rather than being delusional. Sometimes, people get delusional and get stuck in time and they hope to recreate the same magic. I just move on.

Coming to my looks, I am asked this question very often but I believe that you have to be grateful for every positive word spoken about you. When I am asked what I do to maintain myself, I answer the question and then add, 'but there is more to me than that'. It's strange that during my initial days, people would say, 'Yeh fantastic actor hai, par looks nahin hai'. And now, when I am actually doing the best work of my life, people can't stop talking about my looks (laughs).

We heard that there is 'Mr India 2' with Sridevi on the cards...
I am very lucky that way. There is 'Mr India', 'No Entry', 'Welcome', 'Nayak.'.. there are so many of my films, which can be made into sequels if they are done correctly and with the same kind of commitment.

Anil Kapoor & son Harshvardhan to come together for the biopic of Abhinav Bindra

Mohar Basu (MID-DAY; June 1, 2017)

After sharing screen space with nephew Arjun Kapoor in the upcoming Aneez Bazmee-directed project, Mubarakan, Anil Kapoor is now gearing up to star alongside son, Harshvardhan, in Kannan Iyer’s next. Interestingly, Kapoor will play father to his son, for reel too, with the latter slipping into the role of Abhinav Bindra in a biopic on the Olympic-winning shooter.

Confirming that the script has been locked, Prerna Arora of Kriarj Entertainment, co-producers of the film, says, “It’s a great opportunity to work on a subject that has potential to inspire millions. Harsh is perfect for the part, and will do justice to it. When we watched Mirzya (Harshvardhan’s Bolywood debut, 2016) his potential was evident. He is hardworking and passionate. We believe in the project even more since we have the duo on board.”

The film, which will also be produced by Junglee Pictures, is slated to go on floors by October-end and will primarily be shot in Chandigarh and Mumbai, along with a few foreign locations. Prerna says, “Right now, only the two lead actors have been finalised. We will require a female lead, casting for which is underway. Pre-production work will commence in the following month.” The 26-year-old actor will reportedly meet Bindra soon to learn more about his life.

A unit hand says, “Harsh has just finished shooting for Bhavesh Joshi [Vikramaditya Motwane’s upcoming film]. He will soon start prepping for this film, which will aim to put the spotlight on Abhinav’s relationship with his father, A S Bindra. After Anil sir wraps up promotional work for Mubarakan, he and Harsh will meet the Bindras to understand nuances of the sports icon’s life, journey and success.”

I was surely not nominated in the wrong category-Diljit Dosanjh


Diljit Dosanjh on Harshvardhan Kapoor’s 'why is he a debutant’ barb
Letty Mariam Abraham (MID-DAY; January 26, 2017)

Last week, Harshvardhan Kapoor stirred up controversy by questioning Udta Punjab actor Diljit Dosanjh’s win in the Best Debutant (Male) category at a popular film awards show. “I think a debutant award is meant for someone working on his first film. It shouldn’t go to an actor who has worked in several films in another industry or language,” Harsh, who debuted in Rakeysh Ompraksh Mehra’s Mirzya, had told hitlist.

But Diljit, on his part, remains unfazed. “I wasn’t affected by what Harshvardhan said. In fact, I am a huge fan of Anil Kapoor sir. I have no issues with him [Harshvardhan]. Being Anil Kapoor’s son makes him a star son and not a star, right? “He will also become a big star some day. I have no hard feelings towards him,” he says.

Having said that, the Punjabi singer-actor then goes on to counter Harsh’s argument. “As far as my knowledge goes, Dhanush sir, who has worked in so many films down South, also won a debutant award (Raanjhanaa, 2013) and Fawad Khan, who has done TV and films in Pakistan, also received the same honour (Khoobsurat, 2014) . So, I was surely not nominated in the wrong category, but I did not expect to win.”