Showing posts with label Manoshi Nath. Show all posts
Showing posts with label Manoshi Nath. Show all posts
Images: Amitabh Bachchan and Aamir Khan's looks decoded in Thugs of Hindostan
8:35 AM
Posted by Fenil Seta

DNA (October 29, 2018)
As the release of Thugs Of Hindostan draws nearer, several aspects of the film are being avidly discussed. One of them is Amitabh Bachchan’s look as the heroic Khudabaksh. The movie, which is set in the 1800s, talks about the rise of the British East India Company that eventually went on to rule the country. It was a challenge for costume designers Rushi Sharma and Manoshi Nath to bring alive this era, yet retain a touch of fantasy through the various clothes donned by the characters.
To ensure that Big B’s outfit echoed his valour, they combined armour and leather with traditional dhoti pants. “His character has contrasting personalities. He is a warrior, who is a farmer at heart. So, we have given him a kurta and a dhoti. The former has a cotton and a linen rib with a mulmul lining to give it that softness. On top of that, we have given him a hard armour, which brings out the fierceness of a warrior of his stature,” they explain.
It was a tough task for the actors to film the action sequences on board a ship with showers and sea waters soaking them up. However, the legend of Hindi cinema sailed through these portions.
He says, “The costume designers have gone through a long process of labour to design something. Many sequences where I had to wear the armour were shot in the rain. The drenched leather would become as heavy as wearing a metal outfit. It was cumbersome, but I think in the interest of the film and that of the character, one had to wear it.”
Aamir Khan plays Firangi, the other central character in the film, which releases on November 8. His look is a far cry from that of Big B. The actor, who essays a flamboyant and smooth-talking thug, was involved in the research and design. Says Aamir, “Whether it’s his hat, sunglasses, shoes or jacket, everything has been flicked.”
Rushi and Manoshi add, “Firangi is a potpourri of different elements and identities stolen from people he has met. He lives up to his name with his top hat and choice of foreign liquor. He wears a leather tailcoat in jade, the colour of a chameleon. He has a chatelaine belt from which he hangs his favourite belongings and sports rose-tinted sunglasses, a mismatched pair of boots and carries an ornate leather canteen of water.”
What went into recreating vintage costumes for five upcoming period films
8:41 AM
Posted by Fenil Seta
Natasha Coutinho (MUMBAI MIRROR; March 12, 2016)
RAEES: Sheetal Sharma
We wanted to make Shah Rukh Khan's character look like a regular guy, yet someone manipulative so we incorporated a lot of pastel shades in his look and the surma-lined eyes. The denim-n-denim look in the film is a throwback to Kamal Haasan and Rishi Kapoor, who had popularised it in that era. Since the film is set in 80s Gujarat, we referenced some old family albums of people from the state to get the clothes right as well. We did around seven-eight trials with Shah Rukh.

SARBJIT: Shaahid Amir and Neetu Singh
The story had a rural Punjab feel and starts in the early '90s. We chose sunset as our primary colour palette keeping the narrative in mind. The look is mostly monochromatic, going from shades of orange to more earthy tones. We have used hand-woven, naturally-dyed fabric, and a lot of coarse, natural weaves that absorb light to give them a worn-out look, enhancing the look and the feel.

AZHAR: Manoshi Nath and Rushi Sharma
Azharuddin shared his family albums and sent samples of his uniforms. He looked at the suits we'd made for Emraan, pointed out that he'd never wear a light tie with a dark shirt. There was colour-blocking with hues like tangerine-brinjal or canary-electric blue. We featured '90s trends like geometric prints, tight trousers, trainers and polyester fabric.

CABARET: Pooja Bhatt
Richa Chadha's character transitions from a Dubai bar dancer to Bollywood's IT girl. We have tried not to go overboard with her look. Besides the usual reds and blacks that represent glam our, a lot of beige and white has been used too.
RUSTOM: Shital Bhatia
We're introducing the col our patterns, checquered style, tie formats from the late '50s. Unfiortunately we dont have bell-bottoms since they were only introduced in the mid-60s. Apart from the standard uniform, the format for the navy outfits included caps, cardigans, flared pants and charcoal ties. You will also see the leading ladies, Ileana D'Cruz and Esha Gupta, in elaborate ballgowns while Akshay Kumar is seen in a lot of prosthetics as he ages through the film.
We wanted to make Shah Rukh Khan's character look like a regular guy, yet someone manipulative so we incorporated a lot of pastel shades in his look and the surma-lined eyes. The denim-n-denim look in the film is a throwback to Kamal Haasan and Rishi Kapoor, who had popularised it in that era. Since the film is set in 80s Gujarat, we referenced some old family albums of people from the state to get the clothes right as well. We did around seven-eight trials with Shah Rukh.
SARBJIT: Shaahid Amir and Neetu Singh
The story had a rural Punjab feel and starts in the early '90s. We chose sunset as our primary colour palette keeping the narrative in mind. The look is mostly monochromatic, going from shades of orange to more earthy tones. We have used hand-woven, naturally-dyed fabric, and a lot of coarse, natural weaves that absorb light to give them a worn-out look, enhancing the look and the feel.
AZHAR: Manoshi Nath and Rushi Sharma
Azharuddin shared his family albums and sent samples of his uniforms. He looked at the suits we'd made for Emraan, pointed out that he'd never wear a light tie with a dark shirt. There was colour-blocking with hues like tangerine-brinjal or canary-electric blue. We featured '90s trends like geometric prints, tight trousers, trainers and polyester fabric.
CABARET: Pooja Bhatt
Richa Chadha's character transitions from a Dubai bar dancer to Bollywood's IT girl. We have tried not to go overboard with her look. Besides the usual reds and blacks that represent glam our, a lot of beige and white has been used too.
RUSTOM: Shital Bhatia
We're introducing the col our patterns, checquered style, tie formats from the late '50s. Unfiortunately we dont have bell-bottoms since they were only introduced in the mid-60s. Apart from the standard uniform, the format for the navy outfits included caps, cardigans, flared pants and charcoal ties. You will also see the leading ladies, Ileana D'Cruz and Esha Gupta, in elaborate ballgowns while Akshay Kumar is seen in a lot of prosthetics as he ages through the film.
Ship of Theseus assistant director Maxima Basu sails into Aamir Khan's Dangal?
8:05 AM
Posted by Fenil Seta
Maxima Basu was a better choice for the biopic than Manoshi Nath and Rushi Sharma who were a little pricey
Sanyukta Iyer (MUMBAI MIRROR; June 24, 2015)
The Nitesh Tiwari directorial had earlier roped in Manoshi Nath and Rushi Sharma who had done the costumes for two of 2015's biggest hits, PK and Queen. Manu-Rushi, as they are fondly called, have had a long association with Aamir, having worked with him in Talaash, Dhoom 3, Satyamev Jayate and more recently PK.
"The duo had started work on the film but Aamir who is also the film's coproducer was not happy with the remuneration they quoted which didn't fit the financial framework of the project," says a source close to the production.
He wanted someone who was easy on the film's budget and also had a more realistic touch. "Maxima who had worked extensively on Peepli (Live), which was also an Aamir Khan production, and Ship of Theseus presented by wife Kiran Rao has now been roped in. And Dangal which is in pre-production, is sailing smoothly," adds the source.
Subscribe to:
Comments (Atom)