Showing posts with label Madras High Court. Show all posts
Showing posts with label Madras High Court. Show all posts

CBFC’s fast-track certification route may be gone, but the industry isn’t ready to let it go

Vijay’ in ‘Jana Nayagan’

Mohar Basu (MID-DAY; June 10, 2026)

Barely two years after the Central Bureau of Film Certification (CBFC) introduced its Tatkaal certification facility to fast-track film clearances, the Ministry of Information & Broadcasting has abolished the mechanism. Now, several producers’ bodies are seeking its return in a restricted form, arguing that an emergency certification route remains essential for films facing unforeseen delays.

According to CBFC insiders, discussions are underway among guilds, producers’ associations, and trade stakeholders to persuade the ministry to retain the provision for exceptional circumstances rather than scrap it entirely.

“The consensus is that the scheme was being misused, but that doesn’t mean it should disappear completely. There are genuine situations where a producer has no control over delays and needs an expedited certification route,” a CBFC insider told mid-day.

Stakeholders insist they are not seeking a return to the earlier system, under which Tatkaal applications became increasingly common. Instead, they want a limited provision that can be invoked in cases involving court litigation, delayed post-production work, certification disputes, and other last-minute contingencies.

Industry insiders point to recent examples. Earlier this year, Parasakthi received its censor certificate just a day before release after scrutiny by a Revising Committee. Jana Nayagan also became the subject of legal proceedings over alleged certification delays before the Madras High Court directed the issuance of a certificate. While neither case involved the Tatkaal mechanism directly, certification issues can escalate dangerously close to release.

“Nobody plans to submit a film late,” said a producer associated with a leading industry body. “But visual effects get delayed, revising committees ask for modifications. In such situations, an emergency certification window becomes a necessity.” With the Tatkaal facility gone, certification would take around 22 to 48 days.

The Tatkaal scheme allowed producers to fast-track certification by paying three times the standard examination fee. The Indian Motion Picture Producers’ Association (IMPPA) opposed the additional cost, with president Abhay Sinha arguing that smaller and regional producers were being pushed into an expensive process to secure timely certification. IMPPA instead proposed a capped emergency quota system requiring documented proof and approval from senior CBFC officials.

Hera Pheri 3 in fresh legal trouble as South producer moves Madras High Court

RIGHTS KI
HERA PHERI?

The third part of the cult comedy Hera Pheri has landed in fresh legal trouble with a producer from the South moving the Madras High Court, claiming that he, not Firoz Nadiadwala, owns the copyright for the film
Rishabh Suri (HINDUSTAN TIMES; February 7, 2026)

In a strange twist of events, the Madras High Court has questioned producer Firoz Nadiadwala on whether his film, Hera Pheri 3 is being made at all, because a production house - Seven Arts International - has claimed that they, and not Nadiadwala, own the copyright to the Hera Pheri franchise.

As reported by Bar and Bench on Thursday, Seven Arts International Limited has filed a petition stating that Nadiadwala was authorised to make only one Hindi remake of the Malayalam original Ramji Rao Speaking (1989), which was released as the Priyadarshan-directed Hera Pheri in 2000. However, Nadiadwala went on to produce a sequel, Phir Hera Pheri (2006), and has now sold the rights for the third part to actor Akshay Kumar’s production house.

G P Vijayakumar, MD of Seven Arts International tells HT City, “I bought the entire rights for the Hera Pheri franchise from the original producers of Ramji Rao Speaking, Adithya Films in 2022. They informed me that Firoz Nadiadwala had been given the right to make one Hindi version of the film. But he made a second version which released in 2006. He is not authorised to make a sequel or prequel, or use the characters.”

When asked why action was not taken after Phir Hera Pheri, Vijayakumar reasoned, “While the first film was directed by Priyadarshan who we are close to, the second film was directed by Neeraj Vora, and the copyright holders at the time didn’t realize what happened. The original producers and I realized much later that Nadiadwala has done a violation and cheating. At the time we thought jo ho gaya, ho gaya. We will produce the next version in Hindi. We approached actor Akshay Kumar for the same and that’s when we got to know that Nadiadwala has sold the rights to Akshay’s production house Cape of Good Films. We sent Nadiadwala a legal notice on how he could sell something he did not own. I had no option but to move the Court.”

We reached out to Akshay’s production house and the spokesperson said that they bought the rights from Nadiadwala under the impression that he owns them.

Efforts to reach Nadiadwala met with no response while Priyadarshan who is supposed to direct Hera Pheri 3 said, “No idea”.
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”We have legitimately bought the rights of Hera Pheri 3 from Firoz Nadiadwala, and we are rightful owner and producer of the film Hera Pheri 3. We shall wait for legal clarity in the case,” says Rana Rakesh Bali from Akshay Kumar’s production house, Cape of Good Films

Vijay breaks silence on the delay of his final film Jana Nayagan’s release

Vijay breaks silence on the delay of his final film Jana Nayagan’s release

HINDUSTAN TIMES (February 1, 2026)

Amid the ongoing legal issue with the release of his final film Jana Nayagan, actor-turned-politician Vijay has finally broken silence on the matter.

Talking about the delay in the film’s release due to certification issue, Vijay told NDTV, “I feel bad for my producer as Jana Nayagan is suffering because of my political entry. I was mentally prepared for this and was aware that my film would be affected due to my political entry.”

The film was slated for an initial release on January 9, but it didn’t get clearance from the Central Board of Film Certification (CBFC) in time.

In the latest development in the case, the CBFC filed a caveat in the Supreme Court, as per Bar and Bench, saying that no orders shall be passed in the case until CBFC is heard.

This comes ahead of the anticipation of the producer, KVN Productions, moving the Supreme Court over the Madras High Court Division Bench order, as per Live Law.

On January 27, a Division Bench of the Madras HC allowed the CBFC’s appeal and set aside the Single Judge’s direction to grant a UA certificate to the film. The bench observed that CBFC should’ve been given time to present its case in the single-judge hearing that favoured the film.

The producer claimed in court that CBFC’s examining committee watched the film in December and informed that it would be given UA 16+ certificate after 14 cuts. They complied to it but did not hear back from CBFC till January 5, that’s when they approached the Madras HC. CBFC had claimed that the stall in certification was due to a complaint saying that the film might ‘hurt religious sentiments’ and certain scenes needed board’s clearance.

Republic Day week dropped, Jana Nayagan now eyes February release

Republic Day week dropped, Jana Nayagan now eyes February release

HINDUSTAN TIMES (January 23, 2026)

Actor-turned politician Vijay’s farewell film, Jana Nayagan, originally scheduled for a January 9 theatrical release, remains stuck in a legal dispute with the Central Board of Film Certification (CBFC). With the Madras High Court reserving orders in the ongoing case, the film has officially missed the lucrative Republic Day, January 26, window too.

On Tuesday, the Madras High Court heard arguments from both the CBFC and the makers, eventually reserving its order without specifying a date for the verdict. Many, including the producers, had anticipated an early pronouncement this week, hoping to capitalise on the Republic Day holiday.

With the case not listed at the Madras High Court for tomorrow, all eyes are now on the next possible hearing date, which is January 27. The delay has left the makers in limbo. During the hearing, KVN Productions highlighted the massive financial risk, citing an investment of Rs 500 crore. They further revealed that Amazon Prime Video had threatened legal action on December 31, 2025 due to the continued uncertainty surrounding the film’s release date.

Now that a Republic Day release is off the table, the makers are eyeing February 6 or 13, a window with no major releases scheduled. However, with the Tamil Nadu Assembly Elections likely to be announced in the third week of February, the film faces urgency. Once the Model Code of Conduct comes into force, Jana Nayagan could face scrutiny due to Vijay’s political involvement, making an early February release crucial.

Judge asks CBFC to clear Vijay’s film Jana Nayagan, division bench later stays order

Thalapathy Vijay

Suresh Kumar | TNN (THE TIMES OF INDIA; January 10, 2026)

Chennai: Actor and TVK founder Vijay ’s movie ‘Jana Nayagan’ will not get a Pongal release as a division bench of Madras High Court on Friday stayed an order passed by a single judge earlier in the day directing the Central Board of Film Certification (CBFC) to grant a censor certificate to the film forthwith.

The first bench of Chief Justice Manindra Mohan Shrivastava and Justice G Arul Murugan granted the interim stay on an appeal moved by the CBFC immediately after the single judge passed the order.

The bench observed that CBFC was not granted sufficient time to respond to plea moved by KVN Productions LLP, which produced the movie. It also noted that CBFC’s directive referring the film to the revising committee was quashed by the single judge, while the same was not challenged by the producer.

The bench remarked that the producer was creating urgency and putting pressure on the court after announcing the release date even before obtaining the censor certificate. “How can you go ahead with the release of the film without even getting a certificate on hand? You cannot fix a date for release and put pressure on the system,” it said.

“Though the producer submitted that the order was passed by the single judge in extreme urgency, as the film was scheduled to be screened on Jan 9, we are not impressed by the submission because it is an admitted position on record that no certification was actually granted in favour of the producer,” the court said.

Representing CBFC, solicitor general Tushar Mehta said the single judge cannot order a relief that was not sought. The referral order of the CBFC chairperson to the revising committee was not challenged. Yet the single judge quashed it, he said.

Advocate Mukul Rohatgi, appearing for the producer, said it was shocking that a member of CBFC committee that reviewed the film filed a complaint against granting a certificate to the movie.
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HINDUSTAN TIMES (January 10, 2026)

After the Madras High Court on Friday initially ruled in favour of the makers of Jana Nayagan and directed the Central Board of Film Certification (CBFC) to issue a U/A 16+ certificate for the Vijay-starrer, the CBFC appealed the decision, seeking a fresh review. Following the appeal, the court temporarily stayed its order, observing that the producers had attempted to create a false sense of urgency around the film’s release, thereby putting pressure on the court, as reported by Live Law. The next hearing in the case is scheduled for January 21.

Justice PT Asha had earlier passed the order after hearing arguments from both sides, clearing a major hurdle that had led to the film’s last-minute postponement. However, minutes after the judge pronounced her verdict, the CBFC, through its counsel, additional solicitor general ARL Sundaresan, approached a bench led by Chief Justice MM Srivastava, seeking an urgent hearing on the challenge to the order.

Widely publicized as Vijay’s final film before he contests in the Tamil Nadu elections this year, Jana Nayagan was originally slated for release on January 9. An examining committee of the CBFC had initially recommended a U/A 16 certificate, subject to certain cuts, which were duly implemented by the filmmakers. However, the film was later referred to a revising committee following a complaint that raised objections to the portrayal of defence forces and scenes allegedly hurting religious sentiments. HTC
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India’s largest ticket refund; makers return around Rs. 1 crore
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The delay in certification led the makers to postpone the film’s release just two days before the original date of January 9. With advance booking already open, the film’s makers and ticketing platforms began a refund process for over 4,50,000 tickets, costing an estimated Rs. 1 crore in India alone. 

Madras High Court reserves order on Vijay’s Jana Nayagan; release unlikely on January 9

Jana Nayagan: Overseas distributors confirm Thalapathy Vijay's film has been postponed, await new date

THE TIMES OF INDIA (January 7, 2026)

Chennai: Merely because film producers have announced the release date of a film, they cannot insist that the authorities issue censor certificates expeditiously, Union govt told Madras High Court on Tuesday.

Additional solicitor general A R L Sundaresan made the submission when a petition filed by the producer of Vijay-starrer ‘Jana Nayagan’ came up for admission before Justice P T Asha. The producers have sought directions to CBFC to issue a certificate for the theatre release of the movie—touted as Vijay’s final film ahead of a full-time career in politics — on January 9.

“So far, the board has not taken a final decision on issuance of a certificate to the film and, therefore, the chairperson of the board was empowered to refer the movie to the revising committee,” Sundaresan said, adding it was sent to the committee as a complaint had been received against the film.

Satish Parasaran, counsel for KVN Production LLP, said the producer applied for certification of the film on December 18, 2025. On December 22, CBFC communicated that the examining committee recommended grant of a “UA 16+” certificate, subject to compliance with certain modifications. He said it was communicated that the “UA 16+” certificate was granted since the film contained a brief portrayal of religious sentiments and frequent and sustained fight sequences.

On Dec 24, recommended modifications were complied with, and the film was resubmitted. On December 29, the producer was informed by the board that the film would be granted a “UA 16+” certificate. However, on January 5, the board told the producer that the film was referred to the revising committee in view of a complaint. “Issuance of certification cannot be delayed, and reopening of certification cannot be done on a vague, undisclosed complaint,” Parasaran said.

Recording the submissions, the court directed the ASG to produce a copy of the complaint and adjourned the hearing to Wednesday.
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Sureshkumar (THE TIMES OF INDIA; January 8, 2026)

Chennai: It was the Central Board for Film Certification (CBFC), and not the Union govt, which sent actor Vijay’s Jana Nayagan to the revision committee of the board for review, additional solicitor-general of India A R L Sundaresan told Madras High Court on Wednesday.

After the board’s tough stand and prolonged arguments by both sides, Justice P T Asha reserved her orders stating that the verdict could be delivered on January 9. Under the circumstances, Jana Nayagan is unlikely to be released as scheduled on January 9.

Earlier, noting that the board had the necessary power to subject a film for review and revision by another committee of members, Sundaresan submitted that one among the five committee members, who watched the film, raised a complaint stating that his objections were not considered before the committee recommended issuance of a ‘UA 16+’ certificate to the film.

In view of the complaint, the chairperson of the Central Board for Film Certification (CBFC) referred the film to the revising committee by exercising his powers under the Cinematograph (Certification) Rules, 2024, he added.

Opposing the contention, the senior advocate for the producer, Satish Parasaran, wondered why so much importance was given to the objection of a single member of the committee while the majority decided in favour of issuing a certificate for the movie.

He further pointed out that as many as 27 modifications were made to the movie as per the recommendations of the board for granting a ‘UA 16+’ certificate. “The producer invested Rs 500 crore, and it cannot be dealt with so lightly,” he added.

The film was submitted for certification on December 18. On January 5, the board intimated the producers that it was being referred to another committee for review, prompting the producer to move the court and argue that it was being delayed deliberately.

After hearing both sides, Justice Asha said the orders would likely be pronounced on January 9.

The Elephant Whisperers couple accuses makers of exploitation; producers refute

Elephant clamourers? Bomman, Bellie seek ₹2cr as ‘goodwill gesture’
Logesh Balachandran (BOMBAY TIMES; August 8, 2023)

Bomman and Bellie, the elephant caretakers who were the subject of the Oscar-winning documentary The Elephant Whisperers, have accused its makers of exploiting them and failing to compensate them adequately. Reports say that the couple claimed in an interview that the director, Kartiki Gonsalves, did not return the money that they spent on shooting a wedding sequence for the docu. They also claimed that they had no money to return home after attending an event in Mumbai for the film.

According to Praveen Raj, a social activist who has taken up their case along with advocate Mohammed Mansoor, they have moved the Madras High Court to get justice. Praveen states that Bomman and Bellie had recently approached him citing various grievances on how the director and the team have not kept their promises.

Praveen says, “The director promised better housing conditions, financial support for their granddaughter’s education and more, but the team hasn’t got back to them on these. After repeated neglect and their calls being avoided, Bomman and Bellie are heartbroken and have decided to take the case to the court.”

However, a source close to the director tells us, “There was never any promise of a house or vehicle. Whatever money we had agreed on in the contract was given. Whenever they travelled for anything, everything was taken care of. They had someone who was chaperoning them from the forestry department and everything was taken care of.”

KARTIKI IS NOT EVEN READY TO TALK TO US PROPERLY: BELLIE
Bellie, who was recently appointed as the first permanent woman elephant caretaker in the Theppakadu Elephant Camp, tells us, “The case was initiated by the lawyer who saw our plight and found out that we had not received any remuneration from the makers of the documentary. We don’t expect some huge help from them. They could at least repair the house where I’m taking care of my grandchildren and my injured son all by myself. When the lawyer told me about moving against Kartiki, I told them the forest department will be building a house for us, and till then, we will stay in this hut. But the lawyer said that they have made a lot of money and they should have given us at least some remuneration for the hardships they put us through. Kartiki has hurt us so much. While making the documentary, they said that they will definitely help us if the documentary does well. But now, she is not even ready to talk to us properly.”

ALL CLAIMS MADE ARE UNTRUE: DOCU’S MAKERS
In response to the allegations, the production house Sikhya Entertainment and the film’s director have sent out a statement that “All claims made are untrue. We have a deep respect for all of the contributors of this story, and remain driven by the desire to create positive change.”
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HINDUSTAN TIMES (August 8, 2023)

Mahout couple Bomman and Bellie, who featured in the Oscar-winning documentary The Elephant Whisperers earlier this year, have sent a legal notice to Kartiki Gonsalves, the director of the film, seeking Rs. 2 crore as a “goodwill gesture”.

The legal notice says that Gonsalves got financial aid from Prime Minister Narendra Modi and the Tamil Nadu government and that the couple was promised a proper house, an all-terrain multi-purpose vehicle and enough financial support as a one-time lump sum payment (without stating any amount) as compensation for their time.

“Gonsalves had promised them monetary help as well as help with the education of Bellie’s granddaughter, while making the film. But she now refuses to give even a fraction of the enormous profits made by the film,” Pravin Raj, a social activist-lawyer and acquaintance of the couple, told PTI.

In a response sent to advocate Mohammed Mansoor, who is handling the case, the notice mentions that Sikhya Entertainment Pvt Ltd, which backed the documentary, “has flatly refused help”, stating that Kartiki has “already given money to the couple”.

The company issued a statement to the agency, which read: “The goal in creating The Elephant Whisperers has always been to highlight elephant conservation, the tremendous efforts of the forest department and its mahouts, Bomman and Bellie... All claims made are untrue. We have deep respect for all of the contributors of this story and remain driven by the desire to create positive change.”

Pay Rs. 30 lakh tax on Rolls Royce, Madras High Court tells actor Dhanush

Madras High Court's Response On Actor Dhanush's 2015 Rolls-Royce Entry Tax Plea

THE TIMES OF INDIA (August 6, 2021)

Chennai: Observing that poor people buying half a litre and one litre petrol for their two-wheelers are not seeking exemptions, the Madras High Court on Thursday censured actor Dhanush for failing to pay entry tax for his Rolls Royce car, imported from the United Kingdom, since 2015 even after the issue was settled by the SC in 2018. Justice S M Subramaniam directed him to pay Rs 30.3 lakh tax due within 48 hours.

On July 13, the court had made certain observations against actor Vijay for challenging entry tax demand for a Rolls Royce Ghost. The observations were later stayed by a division bench. Suresh Kumar K reports.

“Crores of poor and middle-class people of this great nation are purchasing half a litre and one litre petrol for their low-end two-wheelers and they are not choosing to file cases seeking exemptions. While so, citizens enjoying a reputation for importing the most prestigious and luxury cars are expected to pay entry tax to the state, as they are going to be driven on the roads established by the state. Roads are laid from and out of the taxpayers' money,” said Justice S M Subramaniam.

On Thursday, counsel for Dhanush sought the court’s permission to withdraw the case. He said Dhanush had already paid 50% of the tax and that he was willing to pay the rest now.

Refusing to allow Dhanush to withdraw the plea, Justice Subramaniam said the petition had been pending since 2015.

“If your intentions are genuine, you should have paid the tax at least after the Supreme Court had settled the issue in 2018. But now, after the high court listed the matter for passing orders, you are seeking to withdraw,” the judge said.

Noting that Dhanush was right in arguing that claiming such exemption was his right, the court said, “However, while dealing with the rights of the citizen, constitutional courts are bound to remind the duties of the citizen under the Constitution.

When the duties are reminded upon to citizens, they cannot make a complaint that the court has exceeded its jurisdiction by unnecessarily penning down certain points.”

“Constitutional courts are not functioning to simply resolve the disputes by saying 1+1=2. Beyond resolving the issues between the parties, the extraordinary powers conferred under Article 226 is bound to be exercised by the high court, whenever an occasion comes for the development and march of law,” Justice Subramaniam said.

“Wonderful ideas, ideologies, theories, doctrines in numerous judgments by way of ‘Obiter dicta’ (expression of opinion by judges) became the law of this great nation and contributed to the development of our democracy,” the court asserted.

Madras High Court passes stay order on Hindi remake of Suriya’s Tamil film Soorarai Pottru

Suriya's Tamil Film Soorarai Pottru Enters Oscar Race. Details Here

Renuka Vyavahare (BOMBAY TIMES; August 5, 2021)

It was recently announced that the critically acclaimed Tamil film Soorarai Pottru, which featured South star Suriya, will be remade in Hindi. The Tamil movie, which was released in November 2020 on a digital platform, was inspired by the life of Captain G R Gopinath, founder of Air Deccan and pioneer of low-cost aviation in India. Now, BT has learnt that the Madras High Court has directed a stay on the recently announced Hindi remake. An injunction restraining Suriya’s 2D Entertainment from exploiting the Hindi rights of the film based on the book Simply Fly — A Deccan Odyssey authored by Captain G R Gopinath has been issued.

The original film in Tamil was made by Guneet Monga’s Sikhya Entertainment and Suriya’s 2D Entertainment. Sikhya Entertainment had approached the Madras High Court against the latter over the rights of the film, including the remake in Hindi. Earlier this month, Abundantia Entertainment, known for backing prominent films like Sherni, Shakuntala Devi, Airlift and Toilet - Ek Prem Katha, had announced that they would be collaborating with 2D Entertainment for the Hindi remake of Soorarai Pottru.

On probing why Sikhya Entertainment approached the Madras High Court, a source informed us, “Sikhya Entertainment and 2D Entertainment had made Soorarai Pottru together, and they were supposed to make the Hindi film together, too. However, apparently, 2D Entertainment selling the rights to Abundantia Entertainment without Sikhya’s consent and not fulfiling obligations under the original agreement between them led to Sikhya making the move.”

There are no Indian films about non-binary people, queer women, trans people-Faraz Arif Ansari


Rishabh Deb (BOMBAY TIMES; June 22, 2021)

When British actor Riz Ahmed recently spoke of misrepresentation of Muslims in Hollywood, it resonated with filmmaker Faraz Arif Ansari, who feels the same about queer representation in Indian cinema. Representation is a word that weighs heavily with the filmmaker, and though he feels that queer representation has become better than before, he says marginalised persons from the community, like lesbians, transgender, non-binary, queer Muslims, rarely find a space in cinema, TV or OTT shows in India. “The stories are mostly about cis gay men, that too not progressive but feeding to the stereotype,” says Faraz, who is doing his bit to change this narrative. His short film Sheer Qorma, starring Shabana Azmi, Swara Bhasker and Divya Dutta has won a lot of praise at various film festivals. The film is a letter of acceptance, love and understanding from a Muslim non-binary queer woman to their mom.

In a Pride Month special interview, Faraz speaks about why a progressive portrayal of queer people is needed more than ever today and why it is time to tell queer stories by queer people and not give that space to anyone else. Read on...

‘INCLUSIVITY IS THE NEED OF THE HOUR’
“The reason why I made Sheer Qorma was because it talks about the underrepresented community in global cinema. There are no Indian films about non-binary people, queer women, trans people. We don’t see them as protagonists. The representation of the underrepresented is something that I am very keen on as a filmmaker. Be it my trans, non-binary or queer Muslim siblings — my films will always have a space for them. I am as much of a Muslim as I am a queer person, and it is non-negotiable. I think that needs to be understood and respected,” says Faraz.

He also adds that steps need to be taken towards inclusivity. “I was reading a tweet of a man from the US that said that every time he watches American TV, he does not see white people in it. To that, someone replied, ‘Now you know what representation means.’ In the US, so many people of colour are getting representation. The Academy Awards have made it mandatory to have representation and nominations — these are the steps towards inclusivity and progressivism. Are we doing this in India? No!”

‘LET US TELL OUR STORIES’
Faraz has been vocal about existing prejudices against non-binary, transgender people and queer Muslims, even within the LGBTQIA+ community. And he feels unless queer people take that space up to tell their stories, nothing will change.

“The reason why I always stress on positive representation is that queer narrative was always put forth by heterosexual people — so, we were shown in scandalous storylines. We need to take those spaces and tell our truth. We rarely see queer characters on Indian TV. Ads or big brands rarely show us in a healthy and happy relationship. And what we see on OTT feeds on the stereotype. It is 2021 — in the US, they are making shows on trans people of colour. What are we doing — we are paying cis-gender actors to play queer roles — and surprisingly, they are not even allies. I feel this also needs to be said — hire queer people, pay queer people and give us our space. We need progressive queer content narrated and represented by queer people,” stresses Faraz, who does the same for his projects.

‘WE ARE GENERATIONS BEHIND WHEN IT COMES TO EQUALITY’
Faraz is happy to see changes such as the new inclusive LGBTQIA+ flag, the Madras High Court ban on medical attempts to cure sexual orientation; changes to school curricula to educate students about queer people. However, he feels that due to prevalent discrimination, queer people are still generations behind when it comes to equality.

“I am genuinely impressed with the Madras High Court judgement — these are basic human rights. We were waiting for this judgement for years. Now, I really want to see it being activated in our society. But we are generations behind when it comes to equality,” he says.

Income tax department moves Madras HC against alleged tax evasion by A R Rahman


Ashish Joseph (BOMBAY TIMES; September 13, 2020)

The income tax department has moved the Madras High Court against Oscar-winning music composer A R Rahman, alleging that he had diverted a payment made to him by a UK company to the A R Rahman Foundation to evade tax payment.

WHAT’S THE INCOME TAX DEPARTMENT’S CONTENTION?
Senior standing counsel for the income tax department, T R Senthil Kumar explains, “He had entered into a three-year agreement with a UK-based company to compose ringtone for them, for which an amount of more than Rs. 3 crore was agreed to be paid. He said the amount could be sent to his foundation. For a trust, if it fulfills some conditions, all its income will be exempted from tax under Section 11 and 13 of the Income Tax Act 1961. By routing full money to the trust, he doesn’t want to pay tax. If the same amount had come directly to him, after paying the tax, he could have used the balance amount as he wished. That’s what the law says. The creation of music is with his individual skills.”

Senior standing counsel for the income tax department, T R Senthil Kumar, says, “It is in no way connected with the foundation, (though) he happens to be its managing trustee. So, when it is offered to the foundation, without the permission of the central government, it’s a violation under Foreign Contribution (Regulation) Act, 1976. This is the contention of the department — the income made under individual capacity shouldn’t be diverted to the foundation, and is to be assessed as taxable.”

THE COURSE OF THE CASE
Ask him why it took this long for the matter to come before the High Court, he says, “This comes under the assessment year 2011-12 and is the third level of appeal. The assessment takes two years to complete. Then, the first level of appeal is to the commissioner, second to the tribunal, third to the High Court, and the fourth to the Supreme Court. Normally, it takes this long. Now, the appeal has been admitted by the court and Rahman’s advocate has taken the notice on his behalf. In the next hearing, he will come back and explain Rahman’s version.” The next hearing in the case will be on November 18.

‘WILL OFFER FULL SUPPORT’
In a statement, Rahman’s management said, “The receipt of funds has already been offered to tax in the hands of the A R Rahman Foundation, which was appreciated by the Honorable Income Tax Appellate Tribunal, Chennai Bench, while it adjudicated the matter in favour of Mr A R Rahman. We will continue to offer our full support and cooperation. May justice prevail (sic).”

— With inputs from PTI

Dhanush relieved as Madras HC quashes Madurai couple's parentage claim


Janani Karthik (BOMBAY TIMES; April 22, 2017)

Much to the respite of Dhanush and his family, the Madurai bench of the Madras High Court allowed a petition filed by the actor, which sought to quash the proceedings on a case filed by an elderly couple, who claimed that Dhanush was their son. The court dismissed the petition filed by the Madurai couple, demanding maintenance from the actor.

Dhanush's father and filmmaker Kasthuri Raja says, “Right from the beginning, we were not disturbed by the case as we knew it was completely baseless. We maintained a dignified silence as we knew that the law will take its course. The world knows the truth and now, the judgment is an evidence for the same. Also, we had all the records, including the gazette notification of his name change from Venkatesa Prabhu to Dhanush.“

Kasthuri Raja says that it was Dhanush who helped maintain calm and peace at home during this time of adversity. He says, “It was very sad to see Dhanush standing in the court. Whenever I talked to him about it, he would pacify me, saying, 'Forgive them (the couple) appa'. Even now, he says the same. Our kids are our pillars of strength and Dhanush is our son.“

Now, with the petitioners planning to approach the Supreme Court, Kasthuri Raja says, “Wherever they go, they will not win. While they claimed that their son was missing from June 2002, we had the censor certificate of Thulluvatho Ilamai, starring Dhanush (it's the actor's debut film), which got censored in March 2002. In fact, the film was released in May that year and soon, he went on to become a popular actor.“