Showing posts with label Kites. Show all posts
Showing posts with label Kites. Show all posts
Ranbir Kapoor & I never fought on Jagga Jasoos. We never crossed the film's budget-Anurag Basu
8:10 AM
Posted by Fenil Seta

From life to near-death, television to films, hits to flops to hits again, doing 'adda' with Bollywood's top survivor, director Anurag Basu
Mayank Shekhar (MID-DAY; December 26, 2020)
Offering him a chance to graduate from directing on television, to debuting in films, producer Mukesh Bhatt asked Anurag Basu in the early 2000s how much he would charge. Mukesh, well-known in Bollywood to be frugal with expenses, suggested, "Rs 7 lakh?"
Basu agreed so instantly to the number that, taken aback, and in that split sentence, Bhatt revised that Rs 7 lakh into a two-film deal! "In just two seconds, huh," Basu laughs. "But it was my stepping stone, I was just an outsider, getting to learn a lot; I would have done it for free," he says; no complaints still.
This would've been for his forgotten debut Saaya (2003, starring John Abraham, Tara Sharma). Having delivered a box-office dud, the sets for Basu's second film had also been mounted, when he had stopped showing up at the office of Vishesh Films (run by brothers Mukesh and Mahesh Bhatt). He told the producer, he'd "lost confidence" in the film they were about to shoot/start in a few days.
But there was a half-constructed set, paid for, while Vishesh Films were already reeling under a string of flops. "Ghuma phira ke", Basu narrated an idea around what Mukesh had suggested. Driving back home, he found actor Kashmera Shah sitting at the Barista coffee shop in Lokhandwala. He stopped to ask if she'd dance for a song, which Anu Malik composed in a couple of days.
They utilised that set for a track, Dil ko hazaar baar roka, and carried on with another film altogether. Which was? Murder (2004). It gave Basu tremendous box-office cred. The film went on to collect Rs 75 crore. And Basu received? Rs 3.5 lakh - second tranche of his two-movie deal - making him perhaps the best directorial ROI for a producer, in the history of Hindi films!
Male audiences across North India lined up to catch the skin-fest Murder - evidently inspired by Adrian Lyne's Unfaithful (2002) - mainly to ogle at Mallika Sherawat. It's Emraan Hashmi, the male lead, who became the single-screen sensation: "He became a rage!"
Every producer at the time, top ones included, had a DVD of a sleazy Hollywood film that they wanted Basu to convert into a Hindi movie! Murder itself belonged to a B-movie genre (that subsequently became a franchise).
How Basu elevated it still is with a certain level of soft lighting and warm aesthetics: "Aesthetics are in-built, you cannot change it. It's the way you see things. I used to also shoot television like that," he says.
In fact, you can notice even more of that - surely the film industry did - in Basu's Gangster (2006), a musical drama, loosely based on underworld don Abu Salem and his moll, '90s starlet Monica Bedi's escapades. Who became the star from that movie? Debutant Kangana Ranaut.
"Of the 20-25 girls we auditioned for the part, her face just stuck in my head - there was something unique about her," Basu recalls. Did he foresee her success? "In the beginning, she needed guidance for everything. But she is a really fast learner. I have seen her growth during the filming of Gangster itself."
What about her public persona, as the relentless online troll, if you may? Did he see this coming? "Not really. We usually don't meet, but whenever we do, this [public] persona is not the Kangana I [know] personally. So I think there are two Kanganas. Beech wali [the other one] I don't understand."
Basu, 46, Bengali boy from Bhilai, moved to Bombay to pursue a graduation degree in physics, and look around for work in the entertainment industry alongside. Lives of the young in the steel township he comes from are chiefly centred on cracking medical and engineering exams. He got exposed to story-telling and performance arts, because of the theatre group that his father ran as a hobby. And they'd travel with plays at amateur theatre competitions across India.
In the sense of Bollywood, Basu belongs to a productive class of the early '90s actors/filmmakers, from various parts of India, looking to build a career in showbiz, and who gradually took over Bollywood's reins later.
He started out as a 22-year-old assistant allowed to direct a scene in the popular television show Tara - putting his foot down among veteran actors, so they took him seriously, which was becoming an issue. He exited TV about a decade after, as the highest paid director: "I used to make as much from a month of TV, as I did from my first film."
There are also the common stories of doing producers' rounds, hanging around Prithvi in Juhu, approaching Shyam Benegal, Sriram Raghavan to assist. Also, accidentally, dancing behind Mithun Chakraborty, as the hero's friend, in a film called Dalaal (1993) - because the director was Bengali (Partho Ghosh), and they were looking for a bilingual Bengali assistant to help communicate at an outdoor location!
There is a scene in Vikramaditya Motwane's film AK vs AK (2020), where the self-referenced protagonist, director Anurag Kashyap, is casually referred to as Anurag Basu. This is partly true in the reverse as well, as it turns out, since Basu would get messages meant for Kashyap back when there were pagers for communication (or the lack of it).
In fact, they have a lot more in common, I discover, during this conversation, including Benegal, Raghavan, Prithvi, a play that both were meant to do for Makarand Deshpande. And, inevitably, stories around the adorable old miser Mukesh Bhatt!
Where similarities between Kashyap and Basu end is, of course, in their cinematic worldview. Even a gun-toting thriller with dames and dons, Ludo (2020), in Basu's hands, turns into a joyously musical carnival of atrangi/colourful/shiny characters! His films are more fantastical in their approach, yet experimental in their own right. While it may not seem so, he says, they are actually drawn from reality.
The semi-silent musical Barfi, he reveals, is based on a real-life girl Razia (played by Priyanka Chopra, and who she actually met later), and a boy with hearing impairment called Murtaza (that was Ranbir Kapoor).
Basu knew these two from a special school in Goregaon, which had a branch near his Andheri office. He had locked Barfi's script, the sleeper super-hit of 2012, at the same time as he'd finished writing Super 30, based on Bihari math wiz Anand Kumar, that later got made with Hrithik Roshan, directed by Vikas Bahl.
Likewise, the lead character (played by Ranbir) in the full-blast, theme-park adventure Jagga Jasoos (2017), of a young man who stammers, but not when he sings, is essentially Basu's long-time music collaborator, Pritam!
Katrina Kaif's character in the same movie, he says, is wholly modelled on his clumsy wife Tani: "Calamity Jane, that's her. She could be holding a cup, and be left with just the handle. Lots of stuff that happens [to Katrina] in the film has actually happened before me in real life with Tani."
Calamity is also how Jagga Jasoos got blasted as, by a wide section of the film industry, upon release - given how long it took to make it in the first place (roughly over four years). "Yeah, too long, actually," Basu admits. "We could have finished a year before. There is not a single thing I can pinpoint [for what went wrong]. Ranbir [the lead] was shooting and promoting four films [Besharam, Bombay Velvet, Roy, Ae Dil Hai Mushkil] during this time. I could have put my foot down and requested him not to. But then, Pritam also wanted time to make music. I didn't know where to balance. Even after all this time, we were rushing with post-production, five months before release!"
Then there was the story from Jagga Jasoos sets about veteran actor Govinda being hired, he'd even shot, and then was fired: "Govinda ji did come with us. With such delays already with the shoot, [there was confusion] if Govinda ji is coming on the set, or is he cancelling the flight, or is he taking the fight, or are we cancelling shoot? It was so unpredictable. I couldn't have taken that stress, yaar. We were shooting outdoor in South Africa, everything was lined up. I just had to [let go of him]."
Not that Basu isn't used to this level of stress - more so, a barrage of take-downs, post the release of a film. The biggest case study in his career might well be Kites (2010), a hugely ambitious trans-Atlantic release, headlined by Hrithik Roshan, with the Mexican tele-novella star Barbara Mori in the female lead.
Kites opened to theatres in India with desis wondering what language the film they had walked into was in - English, Spanish; or Hindi? The budgets clearly didn't match the public response to this immensely stylised romantic thriller.
Basu himself felt as lost during the making of Kites, he remembers, as the audiences did after its release: "Take a film like Gangster. I wanted to shoot in Korea. I asked my producer [Mukesh Bhatt] if I could. He'd be like, 'Here's Rs 3 crore - finish the film within it. Now I don't care if you go to Honolulu, or anywhere else.' So, I knew my budget; production was in my hands. That's what I was used to. With Kites, it wasn't like that. I was just going there and directing. And we would discuss how we are going to execute [the scenes]. I was not thinking of market, returns… It started out as a small, indie [film]. It was taking its shape, with four or five people making decisions. Also my vision and [producer] Rakesh ji's [Roshan] were separate. Eventually, yeh naa idhar ka raha, naa udhar ka [it belonged to neither an international nor a local audience]."
Which isn't to tone down Basu's own reputation, mostly suggested warmly by his colleagues, of him revelling in the chaos of filmmaking - deriving magic from the spontaneity of a moment, rather than over-planning. While this may cause major heartburn, if the money involved is massive, it has surprisingly served him well in the mainstream.
Actors who've worked with him often speak about showing up on the set, with little idea of what they're meant to do. The scene develops as they go along. This can be a scary process, yes. It hasn't stopped him from attracting some of the top Bollywood stars around. Case in point is Ludo (2020), with more bona fide movie-industry leads (Rajkummar Rao, Abhishek Bachchan, Aditya Roy Kapur, Pankaj Tripathi, et al) than you can fit into two-and-half hours, without each seeming like cameos.
"I was not like this when doing television. This process of mine started somewhere during the making of Gangster. Kangana was new. Shiney [Ahuja] used to come over-prepared. There used to be a struggle to get the performance right. Too many retakes. Also, when I started wearing the hat of writer, director and producer [with Life In A Metro], I didn't have to deliver a script to anyone." The key reason for playing it by ear, he believes, is that "actors don't usually get the full arc of a film." It's better if they live in the moment.
"Also, I don't commit to a scene till the last moment. In [Life In A] Metro, for example, there is a scene where Kay Kay [Menon] and Shilpa [Shetty] confess about cheating on each other. She talks about Shiney [Ahuja]. I was staging the scene, with Shilpa and an assistant, who's also an actor. And there's a dialogue that just slipped off the tongue; Kay Kay asks, 'Bachcha toh mera hai na?' [I'm the kid's dad, right?] That wasn't there in the script. It appeared in the heat of the moment on the set. I thrive on that actually."
Which is also similar to how Basu winged it with Life In A Metro (2007) in the first place. He had only written the script until interval point, when he met (then) UTV's head honcho Ronnie Screwvala for a narration. To adequately fill time, and keep Screwvala and others sufficiently entertained, he got composer-friend Pritam to tag along, and play music all through the narration. The script got sold, while he was halfway into fleshing it out!
Everybody calls Basu, Dada (for elder brother), in Bollywood. As Bengali adults are affectionately named - regardless of their age. Director Basu Chatterjee was Basu Da even to millennials; he died at 93. A well-known Bengali trait with Basu is actually his penchant for the adda (fun chat), as I can sense, while he generally eases into talking about his life, with a gentleness/lightness of touch that often eludes the successful/self-aware.
As a person/artiste, he finds himself connecting the most with the other great Bengali, Kishore Da - Kishore Kumar: "Every time I read about him, I realise, arre, he thinks like me - his madness, his world, it is fascinating." Basu has been sitting on the draft of a Kishore Kumar biopic for years, determined to make it. It hasn't worked out, yet. "It will be made by me, promise, very soon," he says.
Like Kishore Da, Basu is also a polymath of sorts. You can gauge that from his last movie, the mad, mad Ludo, that dropped on Netflix in November. He was the film's cinematographer, writer, director, producer, along with playing the role of the traditional sutradhar (narrator) on screen. This was one of the early movies to finish shoot while the pandemic was still on. Surely they would've taken adequate precautions shooting the final scenes. Although having sanitiser on set and shooting with a mask on isn't novel for Basu.
Shortly after the success of Murder, he was diagnosed with late-stage cancer. Doctors gave him a few weeks, max: "It just happened too quickly. One day I just saw my reflection, and I didn't know this is what I was looking like - the internal bleeding was happening, buckets of blood going out. I just wanted to breathe right, until I went on the ventilator for 17 days. It took a toll on my dad, actually. His health deteriorated after that. It was tough on my family."
There is a scene in Life In A Metro, where Nafisa Ali's character dies in an ambulance, in a traffic jam: "I thought this was going to happen to me, when I was being shifted from Lilavati [Hospital] to Tata [Memorial Centre]."
This was also the time Basu was in the midst of a film called Tumsa Nahin Dekha (2004, starring Hashmi, Dia Mirza). But the film, as he says, was all in his head. And he was struggling for life. Each day, he would relay instructions recorded into a dictaphone from his hospital bed, to keep the shoot going.
The treatment, of course, carried on for a couple of years: "I had become really thin; had my mask on. There were hospital bills to recover, with treatment in the ICU that had gone on for really long. There was a survival issue, with regard to money. I went to my old television colleagues at Zee and Sony, and they gave me shows to do. I had no film. So, it was back to square one. I did television for over a year."
He got on a film-set finally with Gangster: "I also had Life In A Metro to make. But decided that I may as well be with Vishesh Films at the point. [Producer] Mukesh ji used to carry a sanitiser in his bag, yell at me if I wasn't being careful. They were not greedy; they were careful about my health. They asked me to wait, and I didn't want to."
A close brush with death, one presumes, changes man forever. I ask Basu if he sees it that way - a before and after, as it were: "My rights and wrongs are the same. But I have become less cynical about things, I'm more positive."
On an observable plane, he concludes, "That is [also] when I decided to turn producer. [Life In A] Metro happened because of that. I thought, when I make movies, I should also make money. It is important to keep money for your family."

I like stories like Karwaan that are rooted in reality and are slice of life-Akarsh Khurana
7:50 AM
Posted by Fenil Seta

Rachit Gupta (BOMBAY TIMES; August 3, 2018)
Akarsh Khurana is having a busy 2018. His first feature film as director High Jack, with Sumeet Vyas, released a few months ago and his second film, Karwaan, featuring Irrfan, Dulquer Salmaan and Mithila Palkar releases today. He’s also a very popular face on the digital medium, where he writes, directs and acts with quite a lot of success. He’s written movies like Krrish (2006), U Me Aur Hum (2008), Kites (2010) and Krrish 3 (2013), while he’s also acted in Bejoy Nambiar’s David (2013) and Aditya Chopra’s Befikre (2016). Akarsh has also been heading a popular theatre company along with his family, for nearly two decades. With years of experience behind him, he’s now gearing up for a successful innings as a Bollywood filmmaker. Excerpts from a free-wheeling chat with the multi-faceted man.
You’ve had two back-to-back releases this year – High Jack (debut film) and now Karwaan. It looks like a busy year, especially for a first time filmmaker.
That was never the plan. I shot High Jack in May-June and Karwaan in September-October in 2017. Last year was a bit hectic. I’m just thankful that they haven’t released in the same month.
You must have been disheartened to see your debut film, High Jack not doing well at the box office.
It suffered from a very bad release. I don’t think a lot of people even knew that a film like that was playing in theatres. Bas woh aake nikal gayi, which is kind of sad because I still feel it’s a very enjoyable film and once it releases online, I’m sure it will find its audience.
Karwaan has an impressive ensemble cast. How did you manage to bring together stars from three different platforms – Irrfan (Bollywood), Dulquer Salmaan, (Malayalam star) and Mithila Palkar (internet sensation)?
Shubh Shivadasani, our associate producer suggested we take the film to Irrfan. Hum toh utna bada soch bhi nahi rahe the. Hamare liye toh Irrfan ke saath narration milna hi badi baat hai, unhone haan bol diya, woh toh sone pe suhaga tha. We met him when Hindi Medium was being shot. He was interested almost immediately. Once Irrfan said a ‘yes’, we went and locked Dulquer for the film. I’ve known Mithila before she became an internet sensation. I’ve known her for a long time, but I didn’t want to cast her just because I knew her. So we did an audition with her and then we did two months of auditions with other girls but Mithila’s audition was still the best one.
How did you zero in on Dulquer Salmaan?
Again, Shubh suggested Dulquer for the role. I had just seen one film of his – Charlie (2015). I couldn’t cast him on the basis of that one film, because his role in Charlie was very different from what I had imagined for the character in Karwaan. So I watched two more films and I realised he has an incredible range as an actor. When we met him for the first time we knew he was the perfect choice. Dulquer’s sensibilities as a person and as an artiste are special. He looks for these off-beat subjects and unique perspectives. His response to the project was, ‘If Irrfan is doing this film, then I am in safe hands.’
Sumeet Vyas, your lead in High Jack and Mithila Palkar, one of your leads in Karwaan, are both internet stars. You have been acting, writing and directing on the digital platform, too. Is there a pattern over there?
It’s a mere coincidence. When we were casting for the character of Tanya in Karwaan we looked at actresses from all walks of life and from all mediums. You know, that’s how the cookie crumbles. A new medium becomes popular and since we’ve all come up via the digital platform, our paths tend to intersect. I’m acting on the digital platform as well. Working with Sumeet and Mithila is like having a crossover; we’re all growing and exploring these opportunities together.
What was your reaction when you found out about Irrfan’s neuroendocrine tumour?
First, there were these rumours floating around and before that he’d seen the first cut of our film and he’d given his feedback and he was generally very happy about it. Then, once we got a confirmation of his illness, we were all just very shocked. Just a few months ago we were shooting with him. During the shoot he was perfect, he was travelling between to Chandigarh for some work. He was attending film screenings and everything was looking great. But once we got the details and the confirmation, it just jolted us. I mean, we spent 40-45 days working with him and that’s enough time on a film set to form an equation and an attachment with a person. I just hope he makes a full recovery soon and returns to the movies.
High Jack was a stoner comedy while Karwaan is a road movie. Do these offbeat subjects excite you as a storyteller?
I like real comedy and emotions. I like stories like Karwaan that are rooted in reality and a slice-of-life space. High Jack wasn’t too realistic, but it was still about people being in real world situations and things going wrong for them. Having worked on films like Krrish, Kites and Krrish 3, I have had a tryst with larger-than-life cinema, but it’s the small stories that resonate with me. Karwaan has a wonderful journey from Cochin to Bangalore and it puts these quirky characters in the most bizarre circumstances. They’re driving around with a dead body. That’s the sort of humour that works for me. That’s my voice as a filmmaker.
Anurag Basu is such an irresponsible director-Rishi Kapoor lashes out
12:22 PM
Posted by Fenil Seta
Post debacle of 'Jagga Jasoos', father Rishi Kapoor lashes out at director Anurag Basu for delaying son Ranbir Kapoor's film, calls Anurag irresponsible with money and time
Upala KBR (MID-DAY;July 24, 2017)
We've heard you're upset with Ranbir for doing 'Jagga Jasoos'?
That's not true. Honestly, Neetu [wife] and I saw the film on Thursday, only a day ahead of the release. Till Wednesday, Anurag Basu was still mixing the film. Can you imagine that? Pritam [composer] probably delivered the music only a week before. What can you say? You (here, Basu) don't take an opinion from anybody. Today's filmmakers are doing this with everybody. They don't show their films before release to take opinions, and treat it as though they're making a nuclear bomb. I didn't hate or love the film. I only felt it needed to be abridged by 20 minutes. But who is going to give that opinion to them? I totally agree with Ekta [Kapoor] when she threw him out from her film. He had problems with Rakesh Roshan while working on 'Kites' (2010). He's such an irresponsible director that he doesn't complete the film. It was supposed to release three times in the past two years, but it kept getting delayed.
Why are you saying this today?
There were also reports that the film didn't release in certain markets due to the delays.
It did not release in Singapore because you have to deliver it five days in advance. It did not release in the Gulf on Thursday because it was only delivered to them on Thursday. This is unreasonable and irresponsible. You may be thinking you are making the Taj Mahal, but you are supposed to make it ready on time. Even Pritam delays his submissions. [It was later promoted as] a kids' film. But, a kids' film also has to release at the right time, like during the school vacations. At that time too, Anurag Basu wasn't ready. There's economics and maths involved. Everything is not just about creativity.
Do you advise Ranbir on his films or career?
I do not interfere in Ranbir Kapoor's work at all. Here too, I'm bringing this up since you asked me about it now. I got to know that Ranbir was pouring in money like crazy in this. I don't interfere in Ranbir's career and I do not get to know anything either. I would like to add here that I am grateful to Anurag for giving Ranbir a lovely film like Barfi! But why hide a film? All big filmmakers, including my father (Raj Kapoor), Rakesh Roshan and Aamir Khan show their films, so why can't you?
A film that has an emotional impact lasts longer in public memory-Rakesh Roshan
8:27 AM
Posted by Fenil Seta
Hiren Kotwani (BOMBAY TIMES; January 23, 2017)
Usually, it's safe to assume
that a clash at the box office leaves producers feeling the heat and
losing sleep over it. However, Rakesh Roshan comes across unfazed by the
inevitable ticket-window war between his production Kaabil and Shah Rukh
Khan's Raees. His composure screams loud. Few days before the release
of his film, Roshan Sr talks about what makes him a confident filmmaker,
his relationship with his son Hrithik and how he catches with the
changing times.
It's rare for you to not direct a film produced by you. What prompted you to support Sanjay Gupta on Kaabil after Jazbaa's commercial failure?
I'm a fan of Sanjay's work. His films are technically well-shot. He has seen box office success, but I also feel that sometimes even when he chose a great subject, the screenplay fell short. When he came to me with Kaabil's story, I asked him if I could work with him on the screenplay. He understood my point. I wanted my emotions and his technique to blend in. He's done a better job of the film than I would have.
Did you ever have creative differences with Sanjay?
Sanjay and I walked together at every step. If we had differences, it was only to reach a common goal: This film has to work.
Krazzy 4 and Kites were also produced by you and directed by others. The films tanked at the box office. What makes you confident about Kaabil?
I was confident about Kites and Krazzy4 and I am equally confident about Kaabil. Sometimes, we just fail to match our thoughts with the audience. We miscalculate what our audience seeks from a movie at a given time. It's fine if you make a movie and don't succeed. Kites and Krazzy 4 were well made but I can only support a film till the day of the release. Friday onwards, it's in the hands of the audience.
What went wrong with Kites, which was one of your most ambitious projects?
I was heading into international waters with Kites. Maybe it was too early. The lead actress was Mexican, hence the foreign language. I always think and act progressively. It works and some times, it doesn't. I'm not concocting a commercial film with forced item songs and double-meaning dialogue to make it work. I always try to give something new to the audience.
With three decades behind you as a filmmaker, do you keep abreast with the films around you?
I watch every film that releases. I want to know what works for the audience. I don't like a few things that I liked earlier. The requirement of the audience is changing with every film. What doesn't change is the emotional quotient of films, whether it's Bollywood or Hollywood. Dangal, Sultan, Pink, Neerja and MS Dhoni: The Untold Story have strong emotional content. If your subject is wafer-thin and lacks emotion, your film will not have a great shelf-life. And I'm not talking box-office here. A film that has an emotional impact lasts longer in public memory.
On the personal front, plenty has changed with Hrithik moving out of the family home. Do you miss having him around?
He's always around. Even when he stayed with us, he'd sleep in his room and we'd seldom meet because of his busy schedule. Now, he comes home in the morning, we gym together, we discuss things, he goes to shoot and returns in the evening. It's good in a way. A person gains more experience with an ounce of freedom. Our bond is strong as ever.
In a matter of days, Kaabil and Raees will clash at the box office. What are your thoughts now?
We're ready and I'm sticking to the date announced. Maybe, it's my destiny that I can't have a bigger box office as it's not a solo release. I'll be fine with what I get. At least, I haven't encroached on someone's pre-decided date.
In hindsight, do you think meeting Shah Rukh Khan and Ritesh Sidhwani was in vain?
They asked me to shift my date and I told them I don't shift dates. So they said they were releasing the on same date, and I said fine.
But you did change your mind about releasing Krrish 4 with another Shah Rukh Khan's film on Christmas 2018?
Kaabil was ready in August last year. I could have released it in October, November or even, December, but the dates were taken by other films. I opted for January 26 as it was a free window then. Clashes are averted in Hollywood too, as everyone, including distributors and exhibitors get affected by it. As a mature and experienced filmmaker, I would've never chosen a date taken by someone else and I won't do that in future too.When I learnt that Christmas 2018 was taken, I immediately backed out. I'll find another date which is free.
After Kaabil, what's next?
I'm working on Krrish 4. It will take me a-year-and-a-half to write and complete pre-production. While making a big movie, everything has to be ready on paper. Our budgets are not as huge as Hollywood. With the world shrinking, thanks to technology, an Indian filmmaker's work will be compared to an international counterpart. Our focus should be content and not high-end action.
It's rare for you to not direct a film produced by you. What prompted you to support Sanjay Gupta on Kaabil after Jazbaa's commercial failure?
I'm a fan of Sanjay's work. His films are technically well-shot. He has seen box office success, but I also feel that sometimes even when he chose a great subject, the screenplay fell short. When he came to me with Kaabil's story, I asked him if I could work with him on the screenplay. He understood my point. I wanted my emotions and his technique to blend in. He's done a better job of the film than I would have.
Did you ever have creative differences with Sanjay?
Sanjay and I walked together at every step. If we had differences, it was only to reach a common goal: This film has to work.
Krazzy 4 and Kites were also produced by you and directed by others. The films tanked at the box office. What makes you confident about Kaabil?
I was confident about Kites and Krazzy4 and I am equally confident about Kaabil. Sometimes, we just fail to match our thoughts with the audience. We miscalculate what our audience seeks from a movie at a given time. It's fine if you make a movie and don't succeed. Kites and Krazzy 4 were well made but I can only support a film till the day of the release. Friday onwards, it's in the hands of the audience.
What went wrong with Kites, which was one of your most ambitious projects?
I was heading into international waters with Kites. Maybe it was too early. The lead actress was Mexican, hence the foreign language. I always think and act progressively. It works and some times, it doesn't. I'm not concocting a commercial film with forced item songs and double-meaning dialogue to make it work. I always try to give something new to the audience.
With three decades behind you as a filmmaker, do you keep abreast with the films around you?
I watch every film that releases. I want to know what works for the audience. I don't like a few things that I liked earlier. The requirement of the audience is changing with every film. What doesn't change is the emotional quotient of films, whether it's Bollywood or Hollywood. Dangal, Sultan, Pink, Neerja and MS Dhoni: The Untold Story have strong emotional content. If your subject is wafer-thin and lacks emotion, your film will not have a great shelf-life. And I'm not talking box-office here. A film that has an emotional impact lasts longer in public memory.
On the personal front, plenty has changed with Hrithik moving out of the family home. Do you miss having him around?
He's always around. Even when he stayed with us, he'd sleep in his room and we'd seldom meet because of his busy schedule. Now, he comes home in the morning, we gym together, we discuss things, he goes to shoot and returns in the evening. It's good in a way. A person gains more experience with an ounce of freedom. Our bond is strong as ever.
In a matter of days, Kaabil and Raees will clash at the box office. What are your thoughts now?
We're ready and I'm sticking to the date announced. Maybe, it's my destiny that I can't have a bigger box office as it's not a solo release. I'll be fine with what I get. At least, I haven't encroached on someone's pre-decided date.
In hindsight, do you think meeting Shah Rukh Khan and Ritesh Sidhwani was in vain?
They asked me to shift my date and I told them I don't shift dates. So they said they were releasing the on same date, and I said fine.
But you did change your mind about releasing Krrish 4 with another Shah Rukh Khan's film on Christmas 2018?
Kaabil was ready in August last year. I could have released it in October, November or even, December, but the dates were taken by other films. I opted for January 26 as it was a free window then. Clashes are averted in Hollywood too, as everyone, including distributors and exhibitors get affected by it. As a mature and experienced filmmaker, I would've never chosen a date taken by someone else and I won't do that in future too.When I learnt that Christmas 2018 was taken, I immediately backed out. I'll find another date which is free.
After Kaabil, what's next?
I'm working on Krrish 4. It will take me a-year-and-a-half to write and complete pre-production. While making a big movie, everything has to be ready on paper. Our budgets are not as huge as Hollywood. With the world shrinking, thanks to technology, an Indian filmmaker's work will be compared to an international counterpart. Our focus should be content and not high-end action.
I couldn't shift my release date because I'm superstitious-Rakesh Roshan
9:46 AM
Posted by Fenil Seta
Rakesh Roshan explains why the Raees-Kaabil clash couldn’t be averted, why Hrithik moved out of the family home and why he has been on such a long break
Meena Iyer (MUMBAI MIRROR; January 3, 2017)
Describe your relationship with Hrithik today? Were you upset when he decided to move out on his own?
My relationship with Hrithik is better now than it was earlier, it’s actually very good. The reason he moved out is because if he stays with me, he cannot call his friends over or throw an impromptu party. He was too conscious of the fact that his father was there in the same house. If I were in his place, I would feel the same way. The only difference now is that he sleeps in his home at night and I sleep in mine.
He knows that we are just one phone call away. And every morning he comes home to spend time with his mother, Pinkie, and me. All of us exercise together and eat breakfast together. Just this morning, I was with him for a few hours in his apartment discussing work.
In 2006, Hrithik was ahead of the Khans with Dhoom 2 and Krrish being blockbusters. How would you say he is placed today in comparison to Aamir, Salman and Shah Rukh?
Hrithik made his debut in 2000 with Kaho Naa… Pyaar Hai. He is a decade younger than the Khans. Yes, like you pointed out, in 2006 he had a couple of blockbusters. But I don’t go by numbers because I feel that all the superstars are on a race track, like galloping horses. Sometimes one horse is ahead of another, sometimes one is lagging behind.
However, unlike the races, there is no winning post in this industry. Here you have to gallop continuously. Sometimes one star retires hurt and gives up, but the race doesn’t end. It’s there for any actor to run till he has the energy in him.
I am very proud of Hrithik because in a span of 16 years, he has done so many different roles which most actors haven’t attempted. Whether it is a mentally-challenged guy of Koi… Mil Gaya or the villain of Dhoom 2, the quadriplegic of Guzaarish or the blind man of Kaabil, he is not afraid of challenges.
He did a double role in his debut film, the two characters being distinctively different. It’s tough to launch an actor in a double role. He has a Jodhaa Akbar as well as the Krrish franchise in which he’s played a superhero with conviction and also Zindagi Na Milegi Dobara in a span of just 16 years. And Hrithik has proved his mettle in every film.
You’re just the producer on Kaabil, yet you are so involved. Was it like this with your earlier productions too?
I have always been a hands-on producer, completely involved with the day-to-day work, even if I am not directing it. I was like that with Krazzy 4 and Kites too.
With Kites I had to back out after a point because the director wasn’t very organised and his assistants wouldn’t keep me in the loop on many occasions. Once, in New Mexico, I paid token money for four locations because I didn’t know where Anurag Basu would shoot. That was slightly disturbing. Also, they would do exactly the opposite of what I advised. Having started the film, I didn’t wish to make a fuss, so I decided to stay out. But deep down I felt that the film wouldn’t work. I had told Hrithik as much well before the release.
Has Kaabil been a good experience?
Good is an understatement, it’s been a pleasurable experience. My director, Sanjay Gupta, and I got along well from day one. I used his technique, he used my experience and emotions. It was a good marriage!
I give my directors everything on a platter, there is no restriction. But I will not tolerate wastage. Sanjay and I often collaborated on the screenplay and dialogues. If I found a scene lacking in emotion, I’d request him to up the EQ. He’s done a better job with Kaabil than I’d have.
Everyday, he’d send me the footage he’d shot and I’d go to the editing room first to see it. When I was happy I’d send him a thumbs up, otherwise I’d suggest minor changes. Sanjay’s technical finesse and my inputs to the emotional scenes, worked well. I have given him A-list technicians like cinematographer Sudeep Chatterjee (Bajirao Mastani), editor Akiv Ali (The Dirty Picture) and the Academy Award-winning sound-engineer, Resul Pookutty.
What is your take on the Raees- Kaabil clash?
I am neither angry nor hurt with Shah Rukh Khan, Ritesh Sidhwani or Farhan Akhtar. To quote a line from The Godfather, “It is strictly business, not personal.’’
What is baffling is that SRK, Farhan and Ritesh came to meet me twice to discuss the release date and I explained to them that the box office window open to us collectively is approximately Rs 300 crore. They agreed, then went and announced that they are coming on the Republic Day Weekend of 2017.
Once SRK suggested to me that I should shift my date. I told him I couldn’t because I am superstitious. During King Uncle, I had pushed the release earlier by four weeks because of my daughter Sunaina’s wedding and the film flopped. After that I have never shifted the original date.
Even during Kaho Naa… Pyaar Hai in January 2000, Aamir Khan’s Mela opened a week before our film and Shah Rukh’s Phir Bhi Dil Hai Hindustani released a week later while Anil Kapoor’s Pukar was scheduled for two weeks later. Many of my distributors advised me not to come out on January 14 with Aamir on one side and Shah Rukh on the other. But I refused to change the date even though three distributors opted out two weeks prior to the release. They told me I was committing hara-kiri. I released the film myself in these territories and even mortgaged my house. God was kind, the film was successful!
I explained this to SRK and pointed out to him that if I didn’t shift the release then when my son was still a debutant and there was so much at stake, I wouldn’t now. I told them to move Raees two weeks ahead or release it two weeks before. They hadn’t even announced their date at that point. But now that they have decided to come on the same date as us, it is fine. Both the films together will do a business of Rs 300 crore. What is my destiny will not change!
Incidentally, Shah Rukh and I have a long relationship. He gave his first shot for a song in King Uncle in Nairobi. We later worked together as filmmaker and actor in Karan Arjun and Koyla. And years later, his company did the VFX for Krrish.
Is there any strategy to combat the clash?
I will give my film an organic release. Just because there is a clash, I will not up the ante as far as marketing goes. There is no heroism in Kaabil and no catch-phrases. It is the story of a blind man taking revenge. That makes him a superhero, that makes his story hair-raising!
Why do you take such long breaks between films?
I’m a filmmaker, not a manufacturer. Till I get a subject that challenges me, I will not make it. If I am making a film with Hrithik, I have to do something new. I cannot make the same kind of movies with him, over and over again.
In the last three years, I have heard 2000 scripts. But I still haven’t found anything to challenge me. I have only found something with a triple role for Hrithik but I have not been able to crack the script post interval. The moment I do that, I will set the ball rolling. And then there is Krrish 4 which I’m also working on.
My sympathies lie with Hrithik Roshan-Adhyayan Suman
8:16 AM
Posted by Fenil Seta
Adhyayan Suman seeks closure, breaks 7-year silence on his ex, Kangana Ranaut to purge demons of the past
Upala KBR (DNA; April 28, 2016)
The Hrithik Roshan-Kangana Ranaut legal battle is playing out in the media everyday. Hrithik is hell-bent about proving that she was nothing more than a co-star. And he has the proof to back it up. There has been no correspondence from his side, while there are thousands of messages and emails from her. Initially, everyone was convinced that they did have a relationship, but post the emails submitted by Roshan Jr to the cops, it has become clear that this relationship was one-sided. While searching for some background information online, I stumbled upon an old interview of Kangana’s ex-beau Adhyayan Suman. I thought it would interesting to have this take on this whole ‘Email-Gate.’ I called the actor who has been missing from the limelight since his break-up with the actress. He was hesitant to talk. It took a lot of convincing to get him to open up. But once he started speaking, the anger, the hurt, the frustration and the feeling of helplessness that he suffered during their time together, all came pouring out. I could see that all he wanted was closure. As he spoke, I realised the hellish time he and his family — father Shekhar Suman and mother Alka — went through when he was in this relationship. For seven years, he has kept his silence, and his fear now is that it shouldn’t be seen that he was talking publicity. Because had he wanted that, he would have spoken a long time ago. Instead, he changed his number and even left the country. His parents are concerned whether talking will reopen the old wounds and traumatise him again. I finally manage to convince him to talk about what he went through as a 20-year-old young boy his relationship with the actress and how that shaped him. Over cups of hot, milky tea at his office, Adhyayan in a no-holds-barred, candid interview, speaks about the relationship, subsequent break-up and yes, even Hrithik Roshan.
In this Hrithik-Kangana legal battle, with whom do your sympathies lie?
With Hrithik. I felt a sense of déjà vu as I could identify completely with what’s happening to him. I can understand the pain that he is going through. I have been there. It’s not about physical pain, but how emotionally tortured you feel. I feel like now, I have to speak for people to know the truth. I thought about it a lot in the last 24 hours, since you first called me. But then I decided to talk. I am not doing this to hamper Kangana’s career or stardom as she might feel. I just feel that you should not try to make yourself sound innocent at someone else’s expense. There are other people who have suffered too, for a very long time emotionally and in their respective careers and they weren’t able to move on because she created a perception for them which was fake. Today, I have come out of it. I want people to know that this is my last interview on her. I beg people to not link me to her ever again. My speaking out is coming from a very emotional space and I don’t want to go there again. It’s taken me a lot of effort to come out of this and now I am on the brink of a new beginning and a beautiful life from now on. The news channels are talking about me and Kangana again. You know how reluctant I was to talk on this as I felt that even if I speak, would people believe me.
What made you change your mind?
In Jashn, there’s a dialogue: Zillat ki itni baarish ho chuki hai hum par, ke ab hum kuch dhool se gaye hai... Aur waise bhi ek bheega hua aadmi barsaat se kyon darein? Today, I have nothing to lose. The fact is, I feel bad for Hrithik. The experience of going through something like this is harrowing. I hope the truth comes out. My sympathies are majorly with him and his family. I can imagine what they must be going through. I am not taking sides or saying that he’s right and she’s wrong, but I feel someone should speak up for Hrithik. It doesn’t come from a space where I will be doing a film with him tomorrow (laughs) and I am sure neither is he going to produce my film, but this is for people who will start commenting on social media — I don’t want anything from Hrithik. I want to work hard on my own.
Was it tough moving on?
My father always told me to forgive and move on. Today, I am happy she’s done well for herself, but if you’d asked me earlier if I was happy for her success, I would have said no, as I was going through too much then. It’s only human. I was down in the dumps. Today, I am a new person. I am grateful to God and my parents because of whom I’ve met a friend who is the nicest person that I have ever met. This is the most beautiful phase of my life.
Tell me about how it all started
In 2008 while shooting for the O Jaana song for Raaz 2, we started getting close. We used to go for drives and dinners. One day I took her for dinner at The Taj. I was immature as any 20-year-old and we got into an argument about our exes (hers was Aditya Pancholi) when she got angry and created a scene. She said she was going to the restroom. I waited for an hour then I called her. She told me she was at home. I didn’t understand at that time that there was something eccentric about her behaviour. I was like chalo theek hai…
Please continue.
The next morning when I went to her Lokhandwala home to say “sorry’ with flowers, she didn’t let me in. She told me, “F*** off! It’s over.” Dad called her and she said, “I won’t let him in, Sir. Please tell him to go.” She made me beg for a very long time. I waited for five hours on her steps. I was doing things I never thought I would do. She got me to shave my hair off while attending the Filmfare awards. I didn’t question it. My hair never looked uglier but she felt I needed a new style. And then on the stage she thanked everyone for the award. The camera was on me for a very long time but she didn’t mention me. She was walking ahead and I was walking behind her like her bodyguard. It was humiliating.
Did anybody caution you about dating her?
Haal-E-Dil was releasing and she had come for the premiere. I remember Aditya Pancholi was standing at the exit and Kangana was just walking out. He stopped me, looked into my eyes and said, “Welcome to the circus my friend and all the best!” I didn’t understand at that time. Kangana clarified saying that Aditya did that to intimidate people with her. I told her I am not scared because we are not doing anything wrong. At the time we were getting to know each other, but we hadn’t made it public.
When did it become public?
A month into our relationship. We were shooting a song in South Africa, when I got a call from a journalist asking me if I was dating Kangana. I denied it saying she was just a friend, however clichéd it sounded. The journalist told me he had found out that I went to her room at night. I told him that it was wrong to talk about a woman like that. I hung up and she began screaming that, ‘You are trying to hide the fact that you are seeing me! “You think I am just your f*** buddy?”
What followed?
She made me call back the journalist and tell him how much I loved her etc. I hung up and told her that I’d given him a quote from my side, what about a quote from her? I said tell him that you love me also because otherwise it will sound one-sided. She didn’t do that and I wasn’t able to figure out why. I came back to Mumbai and saw the story splashed across all the papers about how I was besotted by her. I said to her this isn’t how it is. It was mutual. My father was furious. He felt the story should not have been one-sided.
There were many stories about how devoted you were to her…
Yes. I was with her in Bangkok when my father saw the first cut of Jashn on December 31, 2008 and he called me at night and got emotional. He said that he was very proud of my performance. He said when I came back I would have a surprise waiting for me on my birthday — January 13. On my birthday eve, at my home, dad called me down and gave me the keys to my dream car — a BMW 7Series. I was thrilled and touched when my dad gifted it to me! It wasn’t about a father spoiling his son, but a father who had seen the work of his son and was proud of him. I cried and hugged him. Kangana had left earlier as she didn’t want to face the media. I wanted to share my happiness with her and called her to tell her about my dad’s gift. She said coldly, “Achcha? Really? They gifted you a one crore car? Aisa kya ukhada tumne life mein?” This was when she had won a National Award for Best Supporting Actress for Fashion and had no work. I remember her frustration of not getting any work for four-five months. In less than a week’s time, she went to Hyderabad and called me to say, she’d signed the Telugu film Ek Niranjan with Prabhas. She came back and booked the same car dad had gifted me! She had no money so she went all the way to Hyderabad to sign the film and buy the car. Kangana couldn’t take it that I had a car, she couldn’t afford. There were stories in newspapers about how she had bought the same car as me, etc. This was two months before our break-up. Later, I sold off my car because of the pressure of failure.
Were you guys fighting a lot before the break-up?
Yes. I’d always see her eccentric behaviour as a woman’s emotions. But it started getting worse. One day when I was at her house, time, Bhattsaab called me after seeing the rushes of Raaz 2 and told me he loved my work and he would direct me. He quit directing by then, so I was like ‘Wow, that’s amazing!’ I was talking on speakerphone and she was hearing everything. She told me, “Behen**** mujhe koi kyun nahi phone kar rahe yaar?” That was the first time I heard her abuse. I was made to feel guilty and like shit for no reason. I realised that she wasn’t happy that the Bhatts had started giving me so much attention. I made sure that Mukeshji and Bhattsaab called her told her how good she was too.
What was the first shock that you got?
It was during the shooting of Kites. She got friendly with Hrithik and his wife. There were occasional dinners with them and I went for a few. Hrithik had invited Kangana for his birthday and he called me also. I brought flowers and an expensive champagne. We were sitting and talking when Hrithik walked in. She cut me abruptly, picked up my flowers and champagne and handed it to him saying, “Happy birthday! This is from me for you.” She didn’t even introduce me. She started networking and I was left alone with a drink in my hand. I was feeling really upset and left and I got a little high. One moment she made me feel loved and then in the next, it was like I was a nobody in her life! I was standing at the bar alone when Kangana walked up to me said some actor at the party was trying to grab her a**. I felt protective towards her but I was at someone’s house and creating a scene would be rude so I told her, ‘Let’s go.’ She went back to doing her thing. Later she came and told me let’s go right now. I was walking down the stairs with her, when she turned around and slapped me! She said, “Mother Fu***, behen****! Bh*sd*ke! You are f***** jealous of my success!” The intensity of the slap was so hard I was almost crying. That was the first time she got violent.
What did you do?
My only thought was: The entire media was outside. How am I going to get out and go? I was tearing up like a child and shivering at the violently abusive language. She told me to drop her home, and then in the car, she started hitting me. Eventually, I asked my driver to stop the car. I decided to take a rickshaw home. I was in the middle of the road crying and shouting at her, “You are crazy! F***** up!” And she was abusing me MC/BC gaalis. My family driver of 20 years came crying to me and said, mere liye thoda sa bhi pyar hai toh ghar chalo. I will never forget that night. I dropped her home and she picked up her stiletto and threw it at me! I picked up my phone and smashed it against the wall. I didn’t know how to vent my anger. That was the start of her physical violence with me.
What happened next?
The next day we had a press meet for Raaz 2 at my building. Kangana said she wouldn’t come. Our PR started panicking but then she turned up. I took held her hand and said, “Baby I am so sorry. I love you.” She slapped me hard, again. I was just zapped! I was crying like a kid… and then the entire rant and MC/BC gaalis began. I realised then that she’d made up the whole thing about the actor trying to grab her a**. She said that just to f*** my mind with these mind games. To the waiting media, even though I felt like a complete a**hole I gave an interview saying, ‘She was one of the most beautiful actresses that we have in the country today and a huge star.’ In her interview she mocked me and said I was the most spoiled brat that she knew who didn’t come to sets on time etc. I just laughed it off like a joke, I had no other option. I had just come out after being physically abused and emotionally tortured I had to praise her and hear things about how I didn’t want to work etc. It was traumatising. On her birthday in March 2008 at The Leela, she had invited everybody that she had worked with. She said “Let’s do cocaine in the night.” I had smoked hash with her a couple of times before and didn’t like it so I said no. I remember getting into the biggest argument that night because I said no to cocaine.
Why did you take all this abuse?
Kangana had this amazing knack of manipulating my emotions and drawing me back. She took me to this tarot reader Sunita Menon who said we were meant to be together and that gave me confidence and strength to work at the relationship, even though I was going through shit. I hadn’t told my parents about this. If my father ever knew that she hit me, I can’t imagine his reaction. I stopped going home, and started living with her. I started drinking and smoking a lot. My relationship with my parents changed. I became defiant. The visit to Sunita happened right after we broke up. Kangana called me to her house and started crying. She said, “I cook for you and wash your clothes and how will I live without you?” That made me very emotional and we got back together.
Then it got worse?
Yes. On January 13, 2009, at my birthday party at home, after most people left, Mohit Suri, Kangana, Kunal Deshmukh, my parents and dad’s few close friends were talking about how actors sometimes tend to sell our souls for commercial films. Kangana started to get offended and said, ‘We don’t sell our souls’. Dad said he was giving a generic example but she took it personally and she called my father a b****** in front of everyone. My father was furious. She left screaming started screaming abuses at him in Hindi. One thing I can’t still forgive myself for — I was a bad son to my parents during that time. This one moment changed my life forever— the way she spoke to my father. But at the time, she had manipulated my mind so beautifully that rather than breaking up with her that night, I screamed at my father. I smashed things because I was losing my mind.
You defended her when she abused your father?
The way I spoke to my father that night is something I can never forget and forgive myself for. It makes me cry even today. I was starting to become someone else. I went to Kangana’s house that night and apologised for my dad’s behaviour and ended up spending the night with her. I didn’t go home for two days. Then dad started getting calls from the film fraternity Aditya Pancholi called my dad and said, “Shekharji kya ho raha hai? She’s crazy, a psycho and this has been her behaviour pattern. He was right as that was exactly her behaviour pattern with me. Aditya told my father that if he wanted he would speak to me but he should get me out of Kangana’s clutches as she would ruin me and by the time I realised it it would be too late for me..
She also tried to jeopardise your career?
People magazine wanted us on the cover. I learnt that she called the magazine editor and said she didn’t want to shoot with me, but with Imran Khan whose film Jaane Tu Ya Jaane Na was a hit. I lost out on a couple of covers because of her. Rather than people talking about my successful film, media would write stories about me being besotted with her. My career suffered because of that.
What followed next?
Kangana took me to another astrologer called Pallavi who always gave positive news to Kangana and negative ones to me. She said my time wasn’t right and if I did certain pujas I would be fine. I didn’t believe in all this but Kangana insisted I listen to her. One day, Kangana called me at home in the night to do some puja. I reached at 11.30 pm as the puja was to start at 12. She had a small guest room in her apartment and she had covered it in black, including black curtains. There were some random statues of God, fire all around, some scary things (kept) for puja. She asked me to chant some mantras, and locked me in. I was terrified. I didn’t do it and I came out and told her that I had. Then she started taking me to Pallavi frequently. One day, Pallavi said go to the graveyard at 12 am and throw these certain things. I was chilled to the bone! I didn’t go.
Are you talking about black magic?
Yes. Being a metropolitan kid studying in London and New York, I was always away from things like astrology and black magic. I remember going to my Tarot reader after she started making me doing pujas. She told me she sensed a woman from pahadi region doing black magic on me. I knew only one person back then, my girlfriend Kangana, who used to go to Himachal for certain pujas there. My Tarot reader said she saw something really bad happening and warned me to get out of the relationship. She told me, “You feel you want to come out of it and every time you make a decision of wanting to come out, you fail and are back at it again.” My career stopped completely. I had a successful film Raaz 2 behind me but nobody wanted to talk about me. I started seeing this decline. My films were shutting down while she was achieving more success. Even talking about it scares me now....
What happened after this?
My mother was very worried and she called the family’s Panditji to come home and meet me. The first thing he asked me was: “Khana banati hai tumhare liye?” When I said yes, he said, “Apna impure blood milati hai khaane mein black magic ke liye.” I didn’t want to accept anything against her. I would tell people who said anything negative about her to f*** off. The physical violence had become so frequent in my relationship with her that any other guy would have hit her back. But I couldn’t. Every time I was hit, I wanted to retaliate but my hands would just stop. I was scared as hell. I would cry to my PR every single night. I would drive down Marine Drive with a bottle of scotch on my lap, drunk. I got into a phase where I could not accept reality and thought it was better to be perpetually drunk all the time. I had reached a stage where I would have either died because of an overdose of alcohol or gone mental. My mom prayed a lot for me. The same Pandit later on came on Salman’s Dus Ka Dum also and he looked at Kangana in the middle of the show and said “Aap Pisachini (demoness) hai.” She treated it as if it was a joke. It’s there on national TV.
Please go on.
In one of his interviews, my father was asked a question on Kangana and he said “She was a senior actress” but not in a derogatory way. We were headed to an event when she started abusing my father in filthy language. That day something snapped in me. Hearing her abuse my father and still being by her side every night was something that shamed me. After we split, it took me five years to get over that guilt. I was a bad kid to my parents and that’s something I can’t forgive myself for. Everything else was a learning experience. I remember Kangana physically abusing me in the car again. When we reached the hotel, in front of the media she was so normal. It was like interacting with a split personality. On one hand it was MC/BC and on the other it was ‘Baby I love you so much.’
It was around this time you learned about her texts to Hrithik?
She gave me her phone’s old chip to transfer to her new phone. While doing that I saw her inbox was all empty — which was okay as it was a new phone — but there were 50-70 messages to Hrithik Roshan. I knew she was eyeing him from back then, from the time she went to Las Vegas for Kites. Hrithik had hurt his arm and she had gone to see him. I knew her desperation to get to know him well. I asked her about these messages. She said that he was her co-star and she had to talk to him like that. She made me believe that all those texts to him were casual. And I could believe that because whenever I met Hrithik and her together, he always maintained his distance. As a guy you can see it when there’s something brewing between two people especially when they are drinking and the masks come off. I never saw any feelings from his side. So, these stories about Kangana’s obsession with him had begun back then of her wanting to get him. Those messages made me realise that I had to get out of this relationship and fast. Every time she had to put her point across she would get physically abusive. She dominated me to a level where I couldn’t make a decision for myself. My parents would feel very embarrassed and yet my mom, seeing my mental state, would go and beg Kangana asking her to patch up with me after every fight. I have realised our parents are the most important people in our lives. They would do anything for you. Their selfless love has made me come back to what I was.
So when did you finally break up?
My father was getting into politics. She started imagining that dad wanted her to campaign for him. I said to her, ‘Are you out of your mind?’ Then she started abusing my dad. She said “Tumhara pura khandaan mere stardom ko use karna chahta hai?” She was talking about a man whose been in this industry for 25 years, seen so much stardom of his own and has so much love, support and goodwill in the industry. Why would he need her? I came back to my house and she messaged me something again about my father. That was it. I messaged her back “Now you can f*** off. It’s over between us.” She felt it was one of those break-ups where we’d get back together. Exactly one year after we started dating, we finally broke up. I told her never to call or message me again. I made sure I never crossed paths with her again. I haven’t seen her for seven years, not been in same room, at an event or anywhere. The last conversation we had was when she called to tell me I had left some clothes behind. I told her to give it to charity. It took me five years to get over the whole thing. I lost five years of my precious time, I lost out on relationships as people hated me because I was with her. They felt I wasn’t the same person anymore. Only my friend Sonu understood the space I was in and supported me all through this hell. I took off to NYC after that. I would pass my time staring at the ceiling, eating food, because of which I put on 25 kgs, and crying.
Why didn’t you talk about your break-up then?
I couldn’t. I was depressed. She was telling people how I suddenly broke up one day and was getting the sympathy. I didn’t have the energy. I was too weak to defend myself and thought no one will want to believe me. The entire feeling of being called a loser, and people calling me “Kangana’s boyfriend”, had taken its toll and robbed me of my confidence. Then it became all about how I had used her. But people called me and said, “Dude it was a very simple plan. She wanted respectability as she came out of an extra-marital affair and she wanted to get hooked to someone from a respectable Bollywood family. And the moment she got success she would be out from your life in a jiffy.” That’s exactly what happened. She wasn’t even a star when I met and we started dating. It was me who came from a star background so who used who?
Kangana Ranaut in a relationship with Hrithik Roshan?
8:01 AM
Posted by Fenil Seta
The mystery man that Kangana Ranaut admitted to being in a relationship with is none other than her Krrish 3 co-star
Tushar Joshi (DNA; December 11, 2014)
It can now be revealed that the man she was talking about is none other than Hrithik Roshan. Two months ago, she wasn’t sure where the relationship was going because Hrithik was going through a divorce from his now ex-wife Sussanne Roshan. She’d said, “Love is such a thing; it’s so special, so I hope I get in a position of talking about it in public.” But last month his divorce was finally formalised.
Kangana and Hrithik are not ready to speak about their relationship, but a source from the industry reveals that they are quite serious about each other. They have been friends for seven years and have worked together in two films — Kites and Krrish 3.
When she was asked if this relationship would end in a marriage the actress had said, “No. The kind of person that I am, it seems very tough for me to have an arrangement like that. I am looking for a companion and I’m hoping I will get my soul mate. I really value that ‘soul’ journey and this whole man-woman bond. I’m a very spiritual person, and more so when it comes to love.” Sounds like exactly Hrithik would say.
Watch this space for more.
Would you like to see me in Dabangg?-Kangana Ranaut
8:07 AM
Posted by Fenil Seta
Vickey Lalwani (MUMBAI MIRROR; July 31, 2014)
How was the experience of being a film student in New York?
Actually, I had finished one part of the course before Queen. As a creative person, I felt that I had reached a point where I needed to do some thing new. Besides, I have wanted to experience campus life in a big institute since childhood. The experience was lovely. I was not escorted by nannies, unlike others (read actors) who take their entourage along even for holidays. The first few days of staying alone in a new coun try were difficult. But slowly I got used to it.
Has life changed after Queen?
I was written off. People had given up on me. I was not getting opportunities, until Krrish 3 happened.
But you had cut off ties with the Roshans after Kites...
Intitally, I had refused Krrish 3. Still the Roshans kept inviting me to their parties. They explained to me that I couldn't hold the grudge for too long because Kites was a learning experience for every one. I am a very emotional person. I get hurt easily and behave like a kid. But I understood they valued me as a person. Slowly, I am changing.
How did the change begin?
Bobby Singh's (Queen cinematographer and friend) death hit me hard. He died on the spot in 10 minutes. I understood our time here is limited and it was time I started behaving like a woman.
Aren't filmmakers going to get intimidated because you
want to write dialogues for your films?
Says who? Sirf Queen mein kiya tha. Vikas Bahl (director) told me that he needs a girl's perspective. I am not going to write for every film, just for the heck of it.
And you have jacked up your acting fee...
Yes, I have hiked my fee by 50 per cent.
So, why don't we see you in big films like a Dabangg?
That's rude. Wasn't Krrish 3 a biggie? And pray, would you like to see me in Dabangg? Why should I get into a space where everybody else is? Working with big heroes, big films and doing as many mov ies as possible, is not on my agenda. I don't want to live a superficial life where I am unhappy from within.
Post Queen, it was believed that Revolver Rani would do well...
Yes, mujhe bhi laga tha. But it's okay. I didn't let it affect me. That film got polarised reactions.
You haven't fallen in love after your breakup with Nicholas Lafferty. It's been a long time...
I have someone I am emotionally connected to, but we are not physically involved yet.
You opted out of Sujoy Ghosh's film? You can do it now that it's delayed...
I am starting Katti Batti with Imran Khan very soon. Then Tanu Weds Manu 2, followed by Reema Kagti's film with Saif (Ali Khan). I also have Sai Kabir's Divine Lovers.
Imran got a fair amount of criticism for his last film Gori Tere Pyar Mein...
That is very mean. Was the film riding on his shoulders alone? I was tagged as the biggest failure. How can I be judgmental? I am sure he is going to bounce back.
Are you in touch with Anurag Basu?
Off and on, our relationship has healed a lot. It was my fault too that we drifted apart.
I was living under the notion that he wasn't there for me when some of my films failed. I am ready to be friends with him like before, I don't know if he is. When people treated me badly, he and his wife let me stay with them. Maybe some day, we can go back to our old days.
You lost other friends too in the last few years. Salman for one...
(Cuts in) No, Salman is very much around. In fact, he called me to say that Nikhil Advani has a lovely script for me in Katti Batti. He even introduced me to Nikhil.
Actually, I had finished one part of the course before Queen. As a creative person, I felt that I had reached a point where I needed to do some thing new. Besides, I have wanted to experience campus life in a big institute since childhood. The experience was lovely. I was not escorted by nannies, unlike others (read actors) who take their entourage along even for holidays. The first few days of staying alone in a new coun try were difficult. But slowly I got used to it.
Has life changed after Queen?
I was written off. People had given up on me. I was not getting opportunities, until Krrish 3 happened.
But you had cut off ties with the Roshans after Kites...
Intitally, I had refused Krrish 3. Still the Roshans kept inviting me to their parties. They explained to me that I couldn't hold the grudge for too long because Kites was a learning experience for every one. I am a very emotional person. I get hurt easily and behave like a kid. But I understood they valued me as a person. Slowly, I am changing.
How did the change begin?
Bobby Singh's (Queen cinematographer and friend) death hit me hard. He died on the spot in 10 minutes. I understood our time here is limited and it was time I started behaving like a woman.
Says who? Sirf Queen mein kiya tha. Vikas Bahl (director) told me that he needs a girl's perspective. I am not going to write for every film, just for the heck of it.
And you have jacked up your acting fee...
Yes, I have hiked my fee by 50 per cent.
So, why don't we see you in big films like a Dabangg?
That's rude. Wasn't Krrish 3 a biggie? And pray, would you like to see me in Dabangg? Why should I get into a space where everybody else is? Working with big heroes, big films and doing as many mov ies as possible, is not on my agenda. I don't want to live a superficial life where I am unhappy from within.
Post Queen, it was believed that Revolver Rani would do well...
Yes, mujhe bhi laga tha. But it's okay. I didn't let it affect me. That film got polarised reactions.
You haven't fallen in love after your breakup with Nicholas Lafferty. It's been a long time...
I have someone I am emotionally connected to, but we are not physically involved yet.
You opted out of Sujoy Ghosh's film? You can do it now that it's delayed...
I am starting Katti Batti with Imran Khan very soon. Then Tanu Weds Manu 2, followed by Reema Kagti's film with Saif (Ali Khan). I also have Sai Kabir's Divine Lovers.
Imran got a fair amount of criticism for his last film Gori Tere Pyar Mein...
That is very mean. Was the film riding on his shoulders alone? I was tagged as the biggest failure. How can I be judgmental? I am sure he is going to bounce back.
Are you in touch with Anurag Basu?
Off and on, our relationship has healed a lot. It was my fault too that we drifted apart.
I was living under the notion that he wasn't there for me when some of my films failed. I am ready to be friends with him like before, I don't know if he is. When people treated me badly, he and his wife let me stay with them. Maybe some day, we can go back to our old days.
You lost other friends too in the last few years. Salman for one...
(Cuts in) No, Salman is very much around. In fact, he called me to say that Nikhil Advani has a lovely script for me in Katti Batti. He even introduced me to Nikhil.
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