Showing posts with label Karnataka. Show all posts
Showing posts with label Karnataka. Show all posts
Neravanda Prema reacts to Rashmika Mandanna claiming to be the first Kodava actor
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Rashmika Mandanna claiming to be the first Kodava actor has sparked backlash
HINDUSTAN TIMES (July 9, 2025)
Actor Rashmika Mandanna, in an interview with Mojo Story last week, recalled her family’s reaction when she decided to join films. She said, “Conversations back home when I got my first pay cheque weren’t easy. In the Kodava community, nobody had ever entered the film industry. I think I’m the first from our whole community. People were extremely judgy.”
Her comment didn’t sit well with many from the Kodava community — an ethnic group from Karnataka’s Coorg region — including actor Neravanda Prema, who was active in the ‘90s and early 2000s. Responding to Rashmika’s remark, Prema told Kodagu Express, “What is there for me to say? The Kodava community knows the truth. You should ask her about her version of the statement.”
She also noted that other actors had paved the way long before: “Before me, there was Shashikala from Coorg, who played supporting roles. Then I entered the industry, and many Kodavas have done well since.”
Her statement also triggered a barrage of critical comments on social media platforms. “She is not the first frm kodava community ...before that many artist have acted like prema, nidhi subbaih, harishika poonacha, tanisha kuppanda (sic),” pointed out a user.
Another user wrote, “Rashmika maybe you are the only one who thinks u made it big. Yes definitely but u have also forgotten Gulshan Devaiah too has made it big (sic).”
Releasing the film now makes no sense, says Thug Life Karnataka distributor
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HINDUSTAN TIMES (June 20, 2025)
Despite getting a go-ahead from the Supreme Court, the distributor of actor Kamal Haasan’s Thug Life in Karnataka believes there is no point to a belated release.
The film premiered across India two weeks ago, but controversy around the actor’s remarks on Kannada resulted in a stay on its release in the state.
A day after the apex court’s decision, distributor Venkatesh Kamalakar noted, “It is not a good business decision to release the film now. [Kamal’s] previous films Indian 2 (2024) and Vikram (2022) also did not do well here.”
Venkatesh, who primarily distributes big-budget Tamil films in Karnataka, added, “When it comes to his films, the success depends on how good it is. Thug Life has generally not been considered a good film, so it’s too risky.”
According to industry sources, the distributor had already paid the production house Rs. 9 crore as an advance for distribution rights. Venkatesh said the banner had promised to return the money. However, he said he isn’t anticipating any difficulty in getting the refund.
He asked, “It is not like it is our fault. Things turned out the way they did, and when there is no profit, which theatre owner will agree to showcase the film?”
Thug Life to release in Karnataka; Supreme Court says can’t allow mobs to take over streets
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HINDUSTAN TIMES (June 18, 2025)
The Supreme Court on June 17 upheld the rights of filmmakers and theatre owners to release movies without threats of arson and violence while making it clear that the Karnataka government must protect actor-producer Kamal Haasan’s right to screen Thug Life in the state.
Expressing concerns over the “extra-judicial ban” on the screening of the Mani Ratnam directorial, a bench comprising Justice Ujjal Bhuyan and Justice Manmohan said the rule of law demands that any film that has a Central Board of Film Certification certificate must be released and the state has to ensure its screening.
The bench was hearing a PIL filed by Bengaluru resident M Mahesh Reddy, seeking directions to allow the screening of Thug Life, which was not released in Karnataka after certain groups issued threats against its exhibition following Haasan’s “Kannada was born out of Tamil” remarks. The Supreme Court gave a one-day time to the Karnataka government to apprise it about the release of the movie in the state.
No ‘apology’ from Kamal Haasan, as Thug Life Karnataka release halted
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BOMBAY TIMES (June 4, 2025)
Actor Kamal Haasan on Tuesday announced that his production house is not looking to release his upcoming film Thug Life in Karnataka for now, pending a dialogue with the Karnataka Film Chamber of Commerce (KFCC). This submission was recorded by the Karnataka High Court during its hearing on Tuesday, which also indicated that the matter may be adjourned to allow for a potential settlement of the controversy stemming from Kamal’s recent remarks on the origin of the Kannada language.
Earlier, following demands for an apology, Kamal issued a clarification letter to KFCC President Narasimhalu. In the letter, he expressed his “pain” that his remarks were “misunderstood and taken out of context,” asserting his intent was to convey unity, not diminish Kannada. He affirmed, “There is no dispute or debate on the rich legacy of Kannada language.”
He underscored his “genuine” love for Kannada and its people, reiterating his firm stand for “equal dignity of all Indian languages,” and opposing the “dominance of any single language.” However, during its hearing, the High Court also slammed the actor for not explicitly apologizing in this letter. “The letter addressed to the KFCC is in response to the demand for an apology, but the word apology is not found in the communication,” the court observed.
You can’t unscramble the scrambled egg: Karnataka HC
Earlier on Tuesday, the Karnataka High Court had rapped the actor for his controversial remarks, stating, “You may be Kamal Haasan or anybody, you cannot hurt the sentiments of the masses.” The judge stated, “Haasan could have said ‘I have made a statement without looking into the history’... Language is a sentiment attached to particular people. You have said something to undermine that.”
Emphasizing the need for a direct apology, the judge added, “There is a difference between a person who is a victim of circumstances and a person who creates circumstances. Now that Haasan has made the statement, you can’t unscramble the scrambled egg, only thing left is to apologize. (If you won’t apologize) Why do you want film to run in Karnataka?”
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HINDUSTAN TIMES (June 4, 2025)
The Karnataka High Court pulled up actor Kamal Haasan over his recent controversial statement, “Kannada was born out of Tamil”, during a film promotion. The court said that he shouldn’t have “hurt public sentiments” and asked him to “make amends”.
“Discretion is the best part of valour, we will not permit anybody’s sentiments to be taken for a ride. Mistakes happen, you must know what to do when mistakes happen,” the court said. It made the strong verbal observations while hearing a plea filed by Kamal’s production house, seeking the release of the actor’s upcoming film, Thug Life, in Karnataka.
Justice M Nagaprasanna, after watching the video of the event, said, “You may be Kamal Haasan or anybody, you can’t hurt the sentiments of the masses. On what basis have you made the statement? Are you a historian, linguist? The division of this country is on linguistic lines. A public figure can’t make such statements. What has happened because of it is unrest. The people of Karnataka only asked for an apology. Now you come here seeking protection.”
Appearing for Kamal’s production house, advocate Dhyan Chinnappa urged the court to consider “the context in which the statement was made by the actor”. He said: “The statement made cannot be taken outside and say that he is saying something against Kannada language.” Dhyan also submitted Kamal’s written reply following the incident. The court replied: “There is no apology in it... You are not an ordinary man, you are a public figure.”
Till the time of going to press, Kamal, 70, who refused to apologize, decided to not release his film in Karnataka for now. It’s subject to his discussion with the Karnataka Film Chamber of Commerce (KFCC). Meanwhile, the matter will be heard again on June 10.
Cinemas concerned over Karnataka price-cap proposal, fear other states may follow suit
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Puran Choudhary & Rajesh N Naidu (THE TIMES OF INDIA; March 8, 2025)
The Karnataka government's proposal to cap movie ticket price at Rs 200 on single screens and at multiplexes has made film exhibitors concerned amid a slump in footfall at theatres nationwide, and they fear this may prompt other states also to take similar steps.
Karnataka chief minister Siddaramaiah's statement during his budget presentation Friday has raised uncertainty and concern within the industry.
PVR INOX, which operates 215 screens in Karnataka out of its total 1,728, will wait for a government order and assess its conditions before evaluating its position, said chief executive Pramod Arora. He also cautioned that implementation of such a cap would also hurt the state’s tax revenue.
“The rule may also vary depending on the different formats in which movies are screened. We are confident that the exchequer is prudent and would not want to hinder the revenue generated by the industry,” he said. “Despite Tamil Nadu’s regulations (capping prices), dynamic pricing for screening in different formats exists. If this rule is implemented in Karnataka, it would be a short- and long-term setback for revenues and a regressive move. No government wants to discourage any industry be it cinema or aerospace,” he added.
According to industry analysts, Karnataka has 719 screens, accounting for nearly 20% of the 3,674 screens across the southern region. Multiplexes control 90% of the market, with the state's growing cosmopolitan culture making it the most profitable multiplex market in southern India, they said.
"We are still reviewing the matter," said Multiplex Association of India president Kamal Gianchandani.
Meanwhile, Karnataka Film Exhibitors Association president K V Chandrashekar welcomed the proposal, saying that it would encourage more people to watch movies on the big screen. “This move will attract more audiences to theatres, benefiting the industry and helping us compete with OTT platforms. Tamil Nadu has successfully adopted this model, and Karnataka can do the same,” he said.
Karnataka home minister G Parameshwara told the state legislative council Thursday that the government was aware that watching films in multiplexes was beyond the reach of the middle class and that the government’s earlier decision to allow movie watchers to carry food and water into multiplexes was not being followed.
“We will soon put in place a comprehensive system to regulate and bring uniformity in cinema ticket prices,” Parameshwara said.
A veteran trade analyst, who wished to remain anonymous, said: “Bengaluru is the best market for multiplexes as films in almost all languages perform well here, making Karnataka the most lucrative market in the South.”
There is a huge cost in running multiplexes and capping of ticket prices at Rs 200 is impractical and financially unviable for exhibitors, said south-based independent trade analyst Sreedhar Pillai. “One has to understand that watching films in theatres is not an essential service. So, the government has to consider this.”
In the southern region, exhibitors currently operate under flexible arrangements with state governments. In Andhra Pradesh and Telangana, ticket prices are capped between Rs 175 and 200 Monday to Friday, with flexible pricing on weekends, allowing exhibitors to hike rates for big-budget releases. Tamil Nadu maintains a Rs 175 cap, while in Kerala, cinema owners coordinate ticket rates with local bodies and associations, establishing a regulated price range.
"Such orders impact the entire ecosystem nationally. It’s a vicious cycle. Producers will be discouraged from making big-budget films as they won’t recover costs through higher ticket prices, and exhibitors will lose business since multiplexes today are largely driven by big-budget films," said the head of content programming & strategic initiatives at a Mumbai-based multiplex.
Chandrashekar of the Karnataka Film Exhibitors Association said in his view only first-day revenues may see an impact, but footfalls in theatres will increase in the long run.
Analysts say that if other states follow suit in capping ticket prices, it could affect the quality of services offered by exhibitors and restrict their ability to invest in technological upgrades, ultimately impacting the overall movie-going experience. Additionally, multiplexes may hesitate to expand due to the revenue constraints imposed by price caps, they said.
Movie tickets in Karnataka theatres to be capped at Rs. 200
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THE TIMES OF INDIA (March 8, 2025)
Watching movies at multiplexes will get cheaper. The cost of a movie ticket in all theatres of the state, including multiplexes, will be capped at Rs 200. The CM Friday announced that Karnataka will create an OTT platform to promote Kannada movies. An international level Film City will come up in Mysuru at a cost of Rs 500 crore under PPP model.
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Watching movies at multiplexes will get cheaper. CM Siddaramaiah announced that the price of a movie ticket in all theatres of the state, including multiplexes, will be capped at Rs 200.
In Karnataka, there are 650 single screens and 70-odd multiplexes, including 41 in Bengaluru. The CM also announced that the govt will create an OTT platform to promote Kannada movies.
M Narasimhalu, president of Karnataka Film Chamber of Commerce, said: “Theatres will see more footfall due to the capping of the ticket price. Now, a person needs Rs 500 to Rs 1,000 to watch a film in multiplexes; with the same amount, an entire family can watch the film in future. The decision taken by the CM incentivizes people to watch films.”
He added the govt’s decision to create an OTT platform will help the Kannada film industry. The chief minister said the cinema sector will be given industry status.
Karnataka Film Exhibitors Association president K V Chandrashekar, said: “The budget has fulfilled the industry demand for capping the movie ticket price. States like Tamil Nadu, Kerala, Andhra Pradesh, and Telangana have capped movie ticket prices. As it applies to single screens and multiplexes, there will be non-dynamic pricing in future. Now, for the first-day show, even single-screen theatres charge Rs 250 to Rs 300, and multiplexes charge a much more exorbitant price. This will stop. In future, they cannot cross the Rs 200 mark.”
However, this is not the first time Siddaramaiah has attempted to cap the ticket price. In 2017, his govt issued an order capping movie tickets at Rs 200. The order issued then exempted ‘premier/gold class’ from capping the price. Irked by the govt, multiplex owners approached the court, and following which, the cap was lifted. Other announcements include development of multiplex on 2.5 acres owned by Karnataka Film Academy at Nandini Layout and setting up of a film city of international standards in Mysuru at a cost of Rs 500 crore on a PPP model. The govt had identified 150 acres for the project.
Media industry likely to seek reversal of Karnataka government decision on cess levy
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Javed Farooqui (THE ECONOMIC TIMES; July 26, 2024)
Media and entertainment industry bodies are planning to submit representations to the Karnataka government for a reversal of the 1-2% cess on cinema tickets besides TV and over-the-top (OTT) subscription fees, people familiar with the development said.
The Cine and Cultural Activists Welfare Cess will also be imposed on all revenue generated from related establishments such as cinema theatres, multiplex halls, OTT, TV channels and other such establishments notified by the government.
Apart from the state government, the industry bodies could also petition the governor and the ministry of information and broadcasting (MIB), the nodal ministry for TV, OTT and film industries, they added.The industry bodies that are likely to make representations include the Indian Broadcasting and Digital Foundation (IBDF), Internet and Mobile Association of India (IAMAI), Multiplex Association of India (MAI) and Producers Guild of India (PGI).
If the state government refuses to roll back the cess on movie tickets and OTT subscriptions, the industry bodies could also seek legal remedy by challenging the Karnataka Cine & Cultural Activists Welfare Bill's applicability to OTT platforms and TV channels.
"The bill may lead to similar legislation being passed by other state governments. It would also lead to increased costs for consumers," a senior media executive said on condition of anonymity.
Legal experts say that the proposed tax would disrupt the uniform tax structure envisaged under the Goods and Services Tax (GST) regime and create an uneven playing field for various forms of entertainment.
"The imposition of any cess on a supply or consumption will lead to tax cascading and ultimately increase the price of the supply. The cess should be imposed only under exceptional circumstances, as such additional levies will be against the broad objectives of GST, thereby leading to constitutional debates," said Abhishek Rastogi, founder of Rastogi Chambers.
The bill, which seeks to establish a welfare fund for artists and technicians in the film industry in Karnataka, has been passed by both houses of the state legislature and is awaiting the governor's assent.
PVR Inox chief business planning and strategy officer Kamal Gianchandani, who is also the president of MAI, said that the cess will be detrimental for the industry.
He also said the cess defeats the purpose of ‘one nation-one tax’ under the GST regime. While stating that MAI will raise its concerns with the state government, Gianchandani said legal remedy is always an option.
Cinema houses, OTTs wary as Karnataka govt levies 2% cess
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Javed Farooqui (THE ECONOMIC TIMES; July 23, 2024)
The Karnataka government's decision to levy a 2% cess on movie tickets and over-the-top (OTT) subscriptions will lead to an additional burden on cinema chains and OTT platforms, who will pass on the price increase to consumers.
Industry experts, though, say that the price increase will be marginal and the revenue generation for the state government will be miniscule. As per industry estimates, the state government can expect Rs. 60 crore in incremental revenue from the levying of the 2% cess.
While the stated objective of the state government behind levying the cess is the welfare of film artists and cultural activists, experts note that effective implementation will be key to achieving this objective.
According to Elara Capital SVP Karan Taurani, Karnataka would be contributing an estimated 15% to the national box office collections of Rs. 10-12,000 crore annually. In terms of OTT subscriptions, the state's estimated share of the Rs. 10,000 crore subscription OTT market would be 10%.
"The 2% cess will lead to a positive impact of Rs. 60 crore for the Karnataka government. It's a mild negative for both the box office and OTT subscription businesses," he stated.
He noted that OTT platforms, which are already raking in heavy losses, will have a small negative impact on their plans to scale up. Similarly, cinema chains will be compelled to hike ticket prices even as footfalls are 20-30% lower compared to pre-covid levels.
Chandrasekar Mantha, Partner, Media and Entertainment Sector Leader, Deloitte India, said the proposed 2% cess on movie tickets and OTT platforms will likely be passed on to consumers.
"The movie industry in Karnataka currently pays an entertainment tax of 30%, and the additional cess may slightly increase ticket prices. Similarly, OTT platforms will need to comply with the 2% cess based on their subscription numbers for the state," he stated.
Yash to shoot a chunk of Toxic in Karnataka; aims to showcase home state’s brilliant infrastructure
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Yash to shoot a chunk of his maiden production Toxic in Karnataka; aims to showcase that home state’s infrastructure is on a par with neighbouring states
Upala KBR (MID-DAY; April 3, 2024)
Finding a follow-up act to the massively successful KGF franchise is not easy. Now, Yash is set to kick off his next, Toxic: A Fairy Tale for Grown-Ups, helmed by Geetu Mohandas. What makes the project stand out is that it marks the Kannada superstar’s foray into production.
As a first-time producer, Yash has set for himself a bigger goal than making a memorable movie—he wants to project Karnataka as a state that supports the growth of the Kannada film industry and is on a par with neighbouring states in terms of infrastructure. To this end, the actor has decided to shoot a major portion of Toxic in his home state.
After KGF, Toxic will showcase Yash in a fierce avatar again, with the action entertainer being set in the world of drug mafia. The first schedule is slated to kick off by April-end at a remote village in Karnataka, a location that was zeroed in on by Yash and the director after an extensive recce.
A source reveals, “While parts of the KGF franchise were shot in Karnataka, with Toxic, Yash wants to up the scale even further and show that massive films can be made in the state. In the south, Hyderabad and Chennai are usually the preferred locations for film shoots as they boast huge studios. But the actor wants to showcase that his home state also has the infrastructure required for a big-ticket entertainer, thus encouraging more filmmakers to set their projects there.”
Toxic is being shot in multiple languages and is aiming for a global release. From the get-go, producers Yash and Venkat K Narayana wanted their venture to bring attention to the state.
In a joint statement to mid-day, they said, “Due to the lack of optimal facilities, all our big films end up being shot outside the state. To change that, we are kickstarting the shoot of Toxic in Karnataka. We have already erected massive sets, creating many job opportunities for technicians and people at the ground level. We had the option [of shooting in] various locations in India and abroad. But we took the initiative to establish [the base of] Toxic in Karnataka and showcase the tremendous potential of our people before we shoot some portions in other locations.”
If you really like me, learn to be responsible: Yash's message to fans
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A young man died in an accident on Monday while trying to catch a glimpse of the Kannada star. In an interaction, Yash requested his fans to be more responsible
Sridevi S (BOMBAY TIMES; January 11, 2024)
Another fan of Yash died on Monday while trying to get a glimpse of the KGF actor, who was on his way to visit the families of three fans who were electrocuted while trying to erect a 25-foot cutout in Karnataka’s Gadag district. The actor, who was in Goa with his family, had cut short his birthday celebrations and rushed to meet the families of the victims as well as the other three injured in the incident.
Later, while speaking to the media, Yash requested fans not to risk their lives.
‘IF YOU WANT TO SHOW AFFECTION, MAKE SOMETHING OF YOUR LIFE’
“If you really respect me, then learn be responsible first. Parents are waiting for you at home. It is not about monetary support that anyone can extend, but we cannot bring back the dead. Please remember that,” the actor said.
‘STOP ERECTING BANNERS AND CUTOUTS; THAT’S NOT WHAT WE WANT’
Yash further requested fans to stop erecting banners. “That is not what we want. On my way here, people were chasing my car on bikes. Stop doing that. Every time such incidents occur, I get scared. I have started to feel an aversion towards my birthday. This year, I didn’t want to celebrate my birthday because Covid cases are on the rise. I didn’t want people to gather and fall sick. That’s why I kept it simple and decided to celebrate only with my family,” the actor added.
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If you are a true fan of mine, then do your work diligently, dedicate your life to yourself and be happy and successful. You are the ones who mean everything to your families and you should aim to make them proud
I first met K L Rahul at an airport-Suniel Shetty
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On Kapil’s show, Suniel recounts his 2019 meeting with now son-in-law K L Rahul, and how he was unaware of Athiya’s friendship with him
Upala KBR (MID-DAY; February 25, 2023)
On January 23, cricketer K L Rahul and actor Athiya Shetty tied the knot at Shettys’ Khandala farmhouse, beginning a new chapter of their love story. Little is known about their romance as the couple had kept it largely away from the public glare. It turns out Suniel Shetty too was initially unaware of his daughter’s blossoming friendship with the cricketer. On a recently-shot episode of The Kapil Sharma Show, the senior actor revealed how he first met Rahul at an airport in 2019.
The senior actor shot for the comedy show, as part of the promotions for his upcoming MMA show Kumite 1 Warrior Hunt. Suniel was joined by wrestlers The Great Khali, Mahavir Phogat and mixed martial artist Ritu Phogat on the episode. After discussing the upcoming reality show, host Kapil Sharma steered the conversation to Suniel, asking him about his first meeting with his son-in-law.
Recounting the chance meeting, the senior actor shared, “I had the pleasure of meeting Rahul first at an airport. I was thrilled to learn that he was from Mangalore, my hometown. I was a big fan of him, and was happy to see that he was doing well. When I came home and shared the news with Athiya and Mana, they didn’t say much; they just exchanged looks with each other. Later, Mana came to me and said that Athiya and Rahul [were on] talking terms.”
What was Suniel’s reaction to that? He was thrilled, says the senior actor. After all, he was keen that Athiya meet boys who hailed from a similar cultural background. “I was surprised that Athiya had not mentioned it to me. [At the same time], I was happy as I always told Athiya to connect with south Indian boys,” he recounted.
Suniel was pleased to know that the cricketer, in his growing-up years, stayed close to the actor’s ancestral house. “Rahul’s house in Mangalore [where his parents live] is only a few kilometres away from my birthplace [Mulki]. So, this was a happy coincidence.”
KGF is a vision and I would call it Karnataka’s wealth or pride-Yash
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Ahead of his release KGF: Chapter 2 ,the star talks about his idea of cinema,the KGF journey and what the term ‘pan-India star’ means to him
Sunayana Suresh (BOMBAY TIMES; April 12, 2022)
With KGF - Chapter 2, people beyond Karnataka will understand why Yash is called the Rocking Star, director Prashanth Neel said at the trailer launch of the film. The actor, who has become a pan-Indian name, speaks about surrendering to Prashanth’s vision, his plans, thought process and more. Excerpts. .
You spent over half a decade working on KGF. Tell us what kept you going...
It is part of my profession and out here, it was all about the vision and the cinema. No one is bigger than cinema and all of us are slaves of our vision. Once, you have a vision, you just dedicate all you have towards it. This is my belief system.
What does KGF mean to you?
What makes KGF special are the relationships I have gained. KGF is a vision and I would call it
Karnataka’s wealth or pride.
What does the term pan-Indian star mean to you?
Pan-Indian star means that I have gained more love and support from different parts of the country.
Have you learnt anything from the character of Rocky Bhai in this journey?
We grew together. I would find it hard to pinpoint what exactly changed, but we change daily over time and this change could either affect the way I play a character or maybe the character itselfis the reason for the change. As we progress in life, there will be changes. Whether they are good or bad and what we need to do depends on us.
Your confidence is seen as your trademark. Do you think that has been a key factor in your journey?
It is not just confidence, but also the hard work to back that confidence. If you are ready to dedicate that hard work and live towards working for that dream, then you can achieve anything.
Prashanth said you have transcended your usual work and have been a part of all departments. Tell us about your friendship and this working relationship...
I have done the same in all my films, but he is saying it because of his greatness and because he feels secure. I wouldn’t say there is anything great in what I have done. Instead of quantifying each one’s involvement, I would say it is his vision and world where I have enjoyed working as much in front of the camera as behind the screen. Our sole purpose was to entertain. As individuals, Prashanth and I share a great bond and I have immense respect for him. He is a great director. His abilities come from his understanding of life. He is clear with his thinking. I am very fond of him.
You’re often referred to as a complete package, who is known for action as much as dancing. Did you miss dancing in this film?
There are some characters who come with the scope for dancing and there are some who don’t. We do not need to force fit something. Eventually, when you give something genuine, which is entertaining, fans and audience will like it.
You’d mentioned in an acceptance speech about how you want to take Kannada cinema to the world. What have you planned next?
I want to do more good films and better things. Eventually, belief is what makes life. We need to have that and I have always maintained that when you stand firm with your beliefs, then everything progresses. I also believe we need not think that anything is ultimate. Yet, we need to believe that every step of ours is big and have that same conviction in every step.
You have also ensured your team has moved ahead with you...
Cinema happens with the hard work of many people. It is a false notion that a hero is the main reason. For me to do my work as an actor, there is an entire army of people who work behind the scenes and also, the sacrifices of my family. So, I wouldn’t say I take people with me, but it is more like we all move ahead together.
Will one get to see you more often on screen?
I would like to make movies quicker and faster, but it depends on what kind of film it is and how fast everything will fall in place. But I can assure you that I never waste any time. I am always working. Cinema is always on my mind and it becomes our responsibility, too. I am the sort who would be happiest if I was on the sets daily.
Finally, since the KGF journey is coming to a close, is your wife, Radhika, looking at another celebration when that bearded look is off, like she did the last time?
She has given up. While she rejoiced last time, I had to again get into the look. I am also fond of the bearded look. Now, it will all depend on the character of my next film and what my future directors want from me.
How Sonu Sood’s do-good script became a super hit
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Sonu Sood bought a tractor for Nageswara Rao after a viral video showed his daughters pulling a plough across their field because they were unable to afford oxen
After Feeding And Helping Migrants Reach Home, The Actor Now Wants To Create Jobs For Them
Avijit Ghosh (THE TIMES OF INDIA; August 26, 2020)
If you are a medical student stuck in Kyrgyzstan, a Chittoor farmer whose daughters must pull the plough because he can’t afford a pair of oxen or a priest who needs money to carry out a knee surgery for his offspring — get the message out to Sonu Sood. Help might be at hand. In the past few months, the 47-year-old Bollywood actor has not only become an everyday Santa Claus for the disadvantaged and the desperate, he has emerged as India’s chief minister of hope.
Sonu’s Twitter timeline is a document of everything India has endured since the nationwide Coronavirus lockdown in March. It’s a bulletin board for the jobless, the stranded and the ailing — ordinary people handcuffed by problems and with nowhere to go. But the model-turned-actor’s account — he has 3.2 million followers — is also a heart-tugging story of a film star who walks his tweets. And who doesn’t stop walking, even though the lockdown is long gone.
The lockdown had created a food crisis, especially for the lowest in the survival pyramid. Sonu started distributing meals in Thane. One day, a group of 350 migrants wanted him to pack food for their 10-day trek back to Karnataka. He asked them to wait for a few days and got necessary permission to send them home by bus. But driving back to home, when he saw an unending caravan of weary men, women and children trudging along the highway, the big picture flashed in his mind.
“I realised that this is not the story of 350 people but of millions of migrants across India. From that day, I began connecting people across states. We have sent close to 1.5 lakh people home,” Sonu says. In June, he was also dragged into a verbal crossfire between the Maharashtra state government and the opposition, but the actor sorted things out.
Sonu was born in Patiala, brought up in Moga; both Punjab towns. His father ran a cloth shop and his mother taught English in a local college. He grew up watching her coach college students for free at home. Every week his father hosted langars outside his shop. The teenager internalised empathy from their actions. “They were my school. From them I learnt to step forward and help the needy,” says the actor over the phone.
In recent weeks, Sonu has expanded his horizons. While dropping off migrants to airports, railway stations and bus stands, he would often wonder what would happen when they come back to Mumbai. “That’s when I thought, I must generate jobs for them,” he says.
An electronics engineer by training, Sonu had built a circle of friends during his college days in Nagpur. They came together with other professionals to produce Pravasi Rozgar, a free portal and app for job seekers ranging from DTP operators, drivers, plumbers and accountants. On August 15, he tweeted, “300,000+ jobs committed, 20,000+ interviews in progress.”
“About 10,000 have already started their work. We are trying to upscale this initiative by connecting with 8,000-10,000 schools across the country. We will teach them and place them in the kind of jobs they want. In the next 6-8 months, we will get connected to the rest of the country,” he says. His missions were mostly self-funded, he says, before others joined in.
Several Bollywood personalities have offered their chequebooks and hearts to aid the needy in recent months. And the beneficiaries have responded with return gifts of gratitude: letters, notes, paintings. A pregnant woman from Darbhanga, whom he had helped return home, has named her son after him. Someone has sent him a doll of his mother. “There is a moment every day that touches your heart and makes you believe that you are doing something right in life,” he says.
“I wasn’t trained to get people back home from Kyrgyzstan or Uzbekistan. Speaking to ambassadors, the Union ministry of external affairs, getting landing permissions — I had never done that before. But I had the confidence it would happen,” he says. And he has retained his sense of humour. Someone tweeted asking for a lift to a liquor shop; Sonu replied, “Brother, I can only drop you from liquor store to your home.”
His film career is in fine fettle too. The actor of Dabangg, Jodhaa Akbar and Arundhati (Telugu) will be shooting for Yash Raj Film’s historical Prithviraj, the 12th century Rajput king. Sonu plays the poet Chand Bardai, who wrote Prithviraj Raso. “I am getting interesting scripts, roles that I had never done before,” he says.
There’s talk Sonu will join politics. “I am in a good space. I want to stay before the camera for the next few years. Then let us see what happens.”

Makers of Sidharth Malhotra-starrer Thadam remake to consider new location?
8:34 AM
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With Thadam remake initially slated to roll in Delhi, makers of Sidharth Malhotra-starrer consider new location as they hope to kick off the film in August
Upala KBR (MID-DAY; June 12, 2020)
Sidharth Malhotra was eagerly waiting to kick off the shoot of the Thadam remake, and with good reason — the remake of the 2019 Tamil hit marks his first attempt at a double role. The schedule of the Vardhan Ketkar-directed venture, originally slated to go on floors in May, was naturally hampered by the lockdown. Now, as producers Murad Khetani and Bhushan Kumar are hoping to begin the project in August, they are in a dilemma over the film's location."As per the original plan, the unit was to head to Delhi in May where the film would be shot in a start-to-finish schedule. The director was keen on shooting certain crucial sequences across real locations. Now, even as the state government has allowed the resumption of shoots, there has been no such development in the capital. So, the makers are considering other possible locations where they can set the story," reveals a trade source.
Far from being bogged down by the delay, Khetani says they are charting out a plan to ensure the project kicks off on the right note. "Currently, Karnataka, Tamil Nadu, Telangana and Maharashtra have given permission to shoot. It is too early to decide whether we will film in Delhi or another city; we don't know which state governments will allow shooting by August. We will take a call early next month."
Given the recent turn of events, a November release is off the cards. "We were eyeing a November 23 release, but that is not possible," concedes Khetani, adding that they have the Herculean task of reworking the schedule. "Sidharth was to shoot for Indra Kumar's film before he began our movie, so he will have to work out his dates. Since he has two different looks, he will need to do look tests and a 10-day prep."
It has been an extremely emotional journey for me-Sonu Sood
8:26 AM
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Kavita Awaasthi (HINDUSTAN TIMES; May 17, 2020)
Just a few days ago, actor Sonu Sood organised 10 buses for migrant workers to take them back home to Gulbarga, Karnataka. Now, the Dabangg (2010) actor has organised multiple bus services to take migrant workers to Uttar Pradesh (UP). Amidst the ongoing Coronavirus crisis,, Sood has taken extra precautions and after several efforts, managed to get official permissions from the UP state government to send migrants to their home towns.
“Helping him in the endeavour to help hundreds of migrants meet their families is Sood’s good friend Neeti Goel, who’s also a part of this initiative. Multiple buses left from Wadala, Mumbai on May 15 to various parts of UP including Lucknow, Hardoi, Pratapgarh and Siddharthnagar, as well as to cities in Jharkhand and Bihar. Sonu was present to bid goodbye to the migrants and even made arrangements for their meals,” says a source.
Opening up about the same, Sood says, “It has been an extremely emotional journey for me, as my heart pains to see these migrants staying away from their homes and trying to walk all the way home. I will continue sending migrants home until the last migrant reunites with his family and loved ones. This is something really close to my heart and I will give it my all.”
People who are used to solitude will definitely have a great time during the lockdown-Adil Hussain
8:23 AM
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Sanskrita Bharadwaj (HINDUSTAN TIMES; April 6, 2020)
Actor Adil Hussian, who was supposed to be in Dhaka, Bangladesh, shooting for, one of his most “challenging roles” is now in New Delhi within the comforts of his home. “All the projects I was associated with have been halted indefinitely,” he says.
Talking about how the current Coronavirus crisis is affecting artists, the actor says, “It is affecting artistes in multiple ways, the way it is affecting the common man. From an emotional and mental health point of view, the effect is common for everybody. People who are used to solitude will definitely have a great time,” adding, “Everybody should be aware that emotional health is intertwined with physical health, and there will also be an economical impact and insecurities will increase.”
When asked how long he thinks it’s going to take for things to get normal, he says he hasn’t done any study on it but “intuitively, it’s going to be a long haul and things might only come to normal by July-August. I don’t know, it’s just my feeling.”
The actor says confinement comes easily to him. “I lived on a river island for two-and-a-half years without electricity in Karnataka. I lived in a hut and I had only access to very few people, so I am absolutely fine with confinement. No problem, whatsoever. I am exploring new recipes, how to cook things with minimum ingredients, and I am having fun,” he signs off.
I spent 9 months making this child, I’m not going to be scared now-Sameera Reddy
7:05 AM
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After battling postpartum depression with first pregnancy, Sameera Reddy is scaling mountains with her second child
Akash Bhatnagar (MUMBAI MIRROR; October 3, 2019)
From an underwater photoshoot to 6300 feet above water level, Sameera Reddy has already taken her two-and-a-half-month-old daughter places. Last Wednesday, the actress, with husband Akshai Varde and kids, Hans and Nyra, travelled to Karnataka just months after delivering her daughter on July 12. In comfy pajamas, with little Nyra strapped to her front, she climbed Mullayanagiri and shared their journey with the world.Back in the Bay, she is flushed with pride and recounts that the adventure started with a nature walk in the coffee plantations of Chikmagalur. “It was an educational trip for four-and-a-half year-old Hans. We also went on a safari in Bhadra reserve so that he could see animals like tigers and peacocks, two of which he spotted right in front of the door. It was a special moment for him. Then, we went hiking and I decided to scale Karnataka’s highest peak. It’s something I was really excited about,” she beams, confiding that after Hans was born, she had suffered from postpartum depression and sat at home for a year, refusing to step out. “I was confused, feeling low and crying all the time. Maybe it was the baby blues and I did not want to go down that road again. That’s why I have been up and about since the first day of this pregnancy. I was shooting till a day prior to Nyra’s birth.”
And just how difficult was it travelling with a two-month old baby? Sameera insists it was smooth sailing. “My Nyra is an explorer, she was wide awake all the way, checking out everything. Not once did she cry and later she slept really well,” she shares, adding that this time motherhood has made her fearless and debunking all the usual myths, she’s started feeling good from within. “I spent nine months making this beautiful child, I’m not going to be sitting at home being scared now.”
She insists that there’s a bigger purpose in Nyra’s birth which is to tell all new mothers to not worry about their weight but to let go of all their fears and inhibitions, just go out there and have fun.
“My husband now tells me that I have become a new person,” she jokes, admitting that many women have been messaging her that she’s inspired them to embrace motherhood.
Sameera also supports breastfeeding and refuses to be cooped up with her baby within the four walls of her home. “I’ve fed Nyra in the backseat of a car and on the top of a mountain. I should not feel ashamed about feeding my own child,” she reasons.
She has a role model in Kareena Kapoor who’s worked all through her pregnancy and after, doing things her way without listening to anyone. “She is such a hands-on loving mother and I respect her for breaking the myth that motherhood requires you to change your attitude with respect to your career,” she applauds, then, surprises you by telling you that Bollywood is a fake world of social media friendships and glittering parties. “I’ve never been a part of it because I like to be real. I’m sure they wouldn’t like me for doing this.”
Sameera herself has always been adventurous. She went backpacking around Thailand for a month when she was 18. Are any more trips on the cards? “We’ll do one every two months. The next one is to Kerala. I’ll go out and make travel stories with my kids and educate mothers on how to do it,” she signs off with a smile.
Suniel Shetty and Kichcha Sudeep turn heroes off screen for Karnataka flood victims
8:26 AM
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South star Sudeep and Suniel push Pailwaan music launch to lend helping hand to Karnataka flood victims
Upala KBR (MID-DAY; August 10, 2019)
Work was on in full swing for the grand music launch of Pailwaan, the multi-lingual action drama featuring South superstar Kichcha Sudeep and Suniel Shetty. The event - that was scheduled for August 10 - was envisioned as a grand one, with a majestic set built at Chitradurga in Karnataka and an expected audience of over 1.5 lakh fans. However, on Thursday, the superstar announced that he was postponing the event in the aftermath of the Karnataka floods. The team has instead decided to offer financial and medical aid to the flood victims in the state.
Producer-director S Krishna tells mid-day, "Sudeep sir took the initiative, and after consulting everybody in the team, we decided to postpone it. A lot of money was spent [on the set], but when half the state is shattered because of heavy rains and floods, it is not the time to celebrate."
Sudeep and Shetty are now leading from the front in putting a relief team in place for those affected by the floods. "Sudeep sir and our production house are in talks with a team of doctors who will be sent to the [worst-hit areas] and take care of the patients. The expenses of the necessary treatment and medicines will be borne by the production house. For now, we are contributing by way of sending relief items such as food and clothing. We are also working with Sudeep sir’s fans clubs and sending their contributions to those in need."
Rajinikanth, Kamal Haasan get a taste of the (political) game
7:50 AM
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Gladwin Emmanuel (MUMBAI MIRROR; June 7, 2018)
While Rajinikanth fans await his next film, Kaala, which hits screens today, the film’s release in Karnataka is in a limbo. Enraged at the 67-year-old actor’s comment supporting the cause of Tamil Nadu farmers in the Cauvery water release issue, fringe groups in Karnataka have called for a state-wide ban on the film.
Meanwhile, after the Karnataka High Court directed the state government to provide security for the ‘peaceful release’ of the film, Rajinikanth has made another appeal to Karnataka chief minister H D Kumaraswamy, who has reportedly backed deferring release of the film “in this environment”, to ensure a smooth release.
The actor-turned-politician had previously explained that with the now controversial statement, he was only asking for the implementation of the Supreme Court order on the Cauvery water issue. “What is wrong in that?” he asked. In an appeal in Kannada, he asked Kumaraswamy to ensure protection to cinema halls showing his film.
Stating that he is aware of the political dilemma that Kumaraswamy is in, Rajinikanth also argued that the ban in Karnataka would only damage the state’s image.
Meanwhile, Kamal Haasan was quoted as saying, “Vishwaroopam was also banned in Karnataka, the film chambers in respective states had to sort it out. There are many fans eagerly waiting for Rajini’s film to be released there. Just like the farmers issues need a conversation, so do films.”
Rajini and Haasan, the biggest stars of Tamil films, have always been a target for fringe groups in the state and around but their recent forays into politics seem to have aggravated the situation. After the backlash against Rajini, Haasan has come under fire for holding a meeting with Kumaraswamy to discuss the Cauvery issue.
Should there be a cap on movie ticket prices in Maharashtra?
3:06 PM
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With the Karnataka Government introducing a cap on the cost of film tickets, BT finds out if this move can be replicated in Maharashtra and the effects it could have...
Rachana Dubey and Tanvi Trivedi (BOMBAY TIMES; May 4, 2017)
Karnataka has joined the
league of states like Andhra Pradesh and Tamil Nadu, by introducing a
cap on the cost of movie tickets. The order was issued on Tuesday,
capping the maximum price of movie tickets in all theatres, including
multiplexes, at Rs 200. However, Gold Class tickets have been exempted
from this exercise on the condition that the number of seats in that
category cannot be more than 10 per cent of the total seating capacity
of a theatre.
While inflated ticket prices help push movies into the Rs 100-crore clubs effortlessly, it burns a huge hole in the aam aadmi's
pocket.
In the given scenario, one wonders if such an exercise will be conducted
in Maharashtra, too. For example, the ticket rates for Baahubali: The
Conclusion during weekdays range between Rs 160 and Rs 400 a ticket through
the day. The release weekend was costlier, and the upcoming weekend
might see a repeat performance.
Keeping this in perspective and
Karnataka's current cap on costs, we spoke to Mukesh Bhatt, an
independent film producer, who has been the chief of the film and
television producers' guild. He says, “We've been trying to speak to
the state and central governments about this for five years now. Ticket
prices have to be lower. None of us have anything against someone's film
doing well, but absurdly high pricing is not the way to do it. Ticket
prices have to be viable and for that, a lot of undue taxation has to be
curbed, which largely starts at the production level. If the landing
cost a film can be brought down, so can ticket prices.
Cinema halls hike up prices because they have overheads to pay. So,
it's a vicious cycle that needs to be broken.“
Previously too, price escalation has been experienced during festive releases. Films that open on Diwali, Christmas and Eid have often been screened at sky-high rates during weekends, though ticket costs were brought down considerably during the weekdays.
'NOT A VIABLE OPTION'
However, not everyone is batting for the move. Distributor and theatre owner Hemant Shah believes that the price of a ticket should be determined by the quality of the film. He explains, “If you want something premium, you have to pay the appropriate price. How will you recover the huge investment on a big movie? It's okay if Karnataka government has done it, but prices vary from government to government. It also depends on the tax system in individual states and the kind of cinema hall where the film is screened.“
Kamal Gianchandani, the CEO of a leading cinema chain, echoes Shah's opinion. He says, “Only services that come under the 'essential' category should be considered for a pricing cap, all other services should be left to the market forces of demand and supply. It's a myth that multiplexes and cinemas don't offer cheaper options. All multiplexes in the country offer variable pricing for different days and show timings.“
'MOVE WILL INCREASE FOOTFALL'
On the other hand, some are in favour of capping ticket rates. Amod Mehra, an independent distributor, feels that lower ticket costs will result in more footfall. “Theatre owners can recover their costs, but it's the producers and the smaller films that suffer because of high pricing. If the tickets of a smaller film cost high, it won't invite footfall and eventually, the film will make a discreet exit from the cinemas, sometimes even before enjoying a weekend run. For that matter, even a big-ticket film can face a similar situation. Ticket prices should be controlled. In some cases, they go through the roof, which shouldn't happen,“ he says.
The government of Maharashtra levies approximately 45 per cent tax on tickets, which is higher than what is charged by most states. Manoj Desai, the head honcho of a single-screen chain, rues, “It's a lot for any cinema chain to pay. At Gaiety, Galaxy and Maratha Mandir, we never escalate prices, but overall, everyone does because the cost of a film has to be recovered. If the government introduces a cap in the ticket costs, it will have to revise its tax scheme, but no effort has been made in this direction, which is why people watch pirated copies of films instead of coming to cinema halls.“
CONSUMERS VOTE FOR CAPPING
In all of this, it's the consumer who suffers the most, given the holes ticket prices burn in their pockets. The more prominent the release window, the higher the damages for aam aadmi. Marketing consultant Pooja Saluja says, “Going for a movie in Mumbai has become a luxury that not many can afford. Watching a film as a family with kids every weekend is expensive.In addition to the ticket prices, we are also paying for refreshments, which are costly.“
Faizuddin Khan, an art director in a media company, compares ticket pricing to the share market. He points out, “The prices are constantly changing. Every film and every show seems to have different rates. Earlier, watching a movie was an experience, and I used to watch movies every week, but now, I wait for reviews. Only if I find something worthy, I invest in a ticket.Otherwise, TV pe to aayegi hi.“
Inputs from Hiren Kotwani
Previously too, price escalation has been experienced during festive releases. Films that open on Diwali, Christmas and Eid have often been screened at sky-high rates during weekends, though ticket costs were brought down considerably during the weekdays.
'NOT A VIABLE OPTION'
However, not everyone is batting for the move. Distributor and theatre owner Hemant Shah believes that the price of a ticket should be determined by the quality of the film. He explains, “If you want something premium, you have to pay the appropriate price. How will you recover the huge investment on a big movie? It's okay if Karnataka government has done it, but prices vary from government to government. It also depends on the tax system in individual states and the kind of cinema hall where the film is screened.“
Kamal Gianchandani, the CEO of a leading cinema chain, echoes Shah's opinion. He says, “Only services that come under the 'essential' category should be considered for a pricing cap, all other services should be left to the market forces of demand and supply. It's a myth that multiplexes and cinemas don't offer cheaper options. All multiplexes in the country offer variable pricing for different days and show timings.“
'MOVE WILL INCREASE FOOTFALL'
On the other hand, some are in favour of capping ticket rates. Amod Mehra, an independent distributor, feels that lower ticket costs will result in more footfall. “Theatre owners can recover their costs, but it's the producers and the smaller films that suffer because of high pricing. If the tickets of a smaller film cost high, it won't invite footfall and eventually, the film will make a discreet exit from the cinemas, sometimes even before enjoying a weekend run. For that matter, even a big-ticket film can face a similar situation. Ticket prices should be controlled. In some cases, they go through the roof, which shouldn't happen,“ he says.
The government of Maharashtra levies approximately 45 per cent tax on tickets, which is higher than what is charged by most states. Manoj Desai, the head honcho of a single-screen chain, rues, “It's a lot for any cinema chain to pay. At Gaiety, Galaxy and Maratha Mandir, we never escalate prices, but overall, everyone does because the cost of a film has to be recovered. If the government introduces a cap in the ticket costs, it will have to revise its tax scheme, but no effort has been made in this direction, which is why people watch pirated copies of films instead of coming to cinema halls.“
CONSUMERS VOTE FOR CAPPING
In all of this, it's the consumer who suffers the most, given the holes ticket prices burn in their pockets. The more prominent the release window, the higher the damages for aam aadmi. Marketing consultant Pooja Saluja says, “Going for a movie in Mumbai has become a luxury that not many can afford. Watching a film as a family with kids every weekend is expensive.In addition to the ticket prices, we are also paying for refreshments, which are costly.“
Faizuddin Khan, an art director in a media company, compares ticket pricing to the share market. He points out, “The prices are constantly changing. Every film and every show seems to have different rates. Earlier, watching a movie was an experience, and I used to watch movies every week, but now, I wait for reviews. Only if I find something worthy, I invest in a ticket.Otherwise, TV pe to aayegi hi.“
Inputs from Hiren Kotwani
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