Showing posts with label Jallianwala Bagh. Show all posts
Showing posts with label Jallianwala Bagh. Show all posts

Stories of revolutionaries like Sardar Udham Singh will always be relevant-Vicky Kaushal

Sardar Udham - Vicky Kaushal Reveals The Scar On His Face Is Real: 'Got 13 Stitches'

Renuka Vyavahare (BOMBAY TIMES; October 14, 2021)

In a relatively short span of time, Vicky Kaushal has emerged as one of the most promising acting talents in Bollywood. The actor, who displayed his acting prowess in films like Masaan, Raazi and Uri: The Surgical Strike, plays the protagonist in Shoojit Sircar’s upcoming film Sardar Udham that premieres on Amazon Prime Video on October 16. Based on true events, the film chronicles the valour of an Indian revolutionary, Sardar Udham Singh, who shot Michael O’Dwyer in London to avenge the Jallianwala Bagh massacre. In an interview with BT, Vicky reflects upon his prep for the film, inner conflict with the character, stepping into Irrfan’s shoes and more. Read on…

Sardar Udham Singh nursed pain and anger for over two decades. Did you relate to that or do you as a person believe in moving on? Was there a conflict between you and the character you play?
Yes, there was conflict. I am a product of the time that we live in. We are constantly hammered with information. You are in a profession that expects you to put your best foot forward even if something is causing you pain. Your defence mechanism is always at work. It doesn’t allow you to mull over something or act upon it. The character that I play is scarred at its core. He is constantly harbouring a wound without shifting his attention elsewhere. That doesn’t mean he didn’t laugh or joke around, but the anguish is always there. The hurt and pain never subsided. To maintain that one note throughout was difficult for me. I am nothing like that.

Shoojit and Irrfan were looking forward to collaborating on this film, a dream that couldn’t take off. What was it like to step into Irrfan’s shoes and play Sardar Udham Singh?
Ever since I stepped into the industry, I have been hungry to collaborate with Shoojit sir. When I got this opportunity, I grabbed it with both hands. Irrfan sir was in a league of his own. It’s not possible for me or any other actor to fill his shoes. He was one of the greatest actors in the world. Look at the quality of his work. I love him as an actor and deeply admire him. We lost him way too soon. I felt like his spirit and blessings were around us. For me, the attempt was never to fill his shoes because I knew I could never achieve that. The aim was to act to the best of my ability and surrender completely to Shoojit sir’s version of Sardar Udham.

You got on board much later. How did you ensure that you were on the same page as Shoojit, who had been planning this film for 21 years?
I wasn’t solely dependent on history books to know who Udham Singh was. I belong to a Punjabi family. My ancestral house is just a two-hour drive from Jallianwala Bagh. I grew up on stories of his valour and how he avenged the massacre by killing Michael O’Dwyer in London. He was hanged later. Factual anecdotes I was aware of. The challenge was to find honesty in every emotion that I was expected to portray. It wasn’t about me mimicking his talk, walk or behaviour. I have tried to go deeper and make Sardar Udham as relatable as possible... someone you could have a conversation with.

Revisiting the barbaric Jallianwala Bagh massacre is bound to give one sleepless nights. Was that triggering or emotionally draining for you as an actor?
It was very numbing for me not only as an actor, but also as an individual. Having read the script, I knew what I was getting into. I knew we will recreate the Jallianwala Bagh episode. What I wasn’t prepared for was how hard it’ll hit me, once I am in the character. After we finished the shoot and moved back to our hotel rooms, the thought haunted me. We were just trying to re-enact, but there were people who actually went through this! There is this piece of land where at least 20,000 unarmed people had gathered to voice their protest.

They were on the receiving end of gunfire from the British troops, who kept firing until their ammunition was exhausted. The victims had nowhere to go. When you are thrown into that space to recreate a situation as unsettling as that on ground, it’s more than you can ever be prepared for as an actor. This sentiment was felt by each individual of our 200-member crew. It was a cathartic experience.

Does it irk you when people wonder if stories of Indian revolutionaries and their sacrifices are relevant today?
I absolutely feel these stories are relevant today and will continue to be so 200 years later. A person can be relevant or irrelevant, but the truth of an ideology will always be relevant. Emotions like pain and agony are universal. Some incidents you need to witness to understand the gravity of it. When you see an emotional story, of course, it is relevant. As a citizen of this country, I feel it’s important to remember our history. There's a quote that comes to my mind, ‘Those who do not remember the past are condemned to repeat it’.

How did you navigate between playing a 20, 30 and a 40-year-old in the film?
It’s not just about losing weight and looking younger or older. To exude the innocence of a 20 something in my 30s was the real challenge. To carry a sense of pain for 21 years, you need to be an innocent soul. Only someone really pure can be that affected. I was conscious about depicting that innocence uniformly without projecting the awareness of it.

Like Udham Singh, there’s a revolutionary in everyone-Shoojit Sircar

'There Is A Call Again': Shoojit Sircar To Begin Post-Production Of Sardar Udham Singh

Renuka Vyavahare (BOMBAY TIMES; October 11, 2021)

Shoojit Sircar’s upcoming film Sardar Udham pays tribute to an unsung hero — Sardar Udham Singh, an Indian revolutionary, who assassinated Michael O’Dwyer in London (1940), to avenge the Jallianwala Bagh massacre (1919). The former British colonial official was the Lieutenant Governor of Punjab (British India) at the time.

O’Dwyer had said the killing of hundreds of protesters during a demonstration at Jallianwala Bagh in the city of Amritsar, Punjab, was justified. Actor Vicky Kaushal portrays Sardar Udham in the film that premieres on Amazon Prime Video on October 16. In an interview with Bombay Times, Shoojit Sircar opens up on his much-awaited film that he has been meaning to make for the past 21 years!

Were you surprised to discover that not many people know of Sardar Udham Singh, let alone his ideology?
I first visited Jallianwala Bagh in 1999. I was brutally affected. Shaheed Udham Singh ko itnay kam log kyun jaante hai? He was a courageous man, who travelled the world to get to London. I came to Mumbai in 2000 to make this film. I didn’t have money, and no actors knew me. Like Udham Singh, I waited for 21 years to realise my goal of making this film and it was shocking to know that people are unaware of him. That’s the problem of modern times. We are ignorant of who we are in this free world. We tend to forget about our past. Ronnie (Producer Ronnie Lahiri) and I made sure to add that thought in the trailer itself. The world should not forget Udham’s message. It’s unfortunate and sad that he is forgotten, but I hope I am able to bring forth his courageous act.

Devastating humanitarian crisis like the Holocaust, 1971 genocide in Bangladesh (then East Pakistan), terror attacks of 26/11, are events that can trigger and reopen old wounds. It’s like ripping off a band aid. How did you as a filmmaker manage to revisit the Jallianwala Bagh massacre without resurrecting the pain?
You are absolutely right. Sometimes, revisiting an incident is bound to reopen old wounds. My idea of making this film was for people to know that Udham was an ordinary person, a normal human being. We should not forget that there’s a revolutionary in everyone. As a filmmaker, your integrity and take on an issue is extremely important. First and foremost, are you a responsible citizen? The viewers by now know my sensibility and treatment. It all depends on who is making the film and why. I never compromise on my cinematic narrative.

How do you dig into or portray a person like Udham Singh, who hasn’t been well documented?
It was difficult. I went to various libraries, met many historians, writers, professors and referred to the statements of the Jallianwala Bagh survivors.

I was moved by their pain and sacrifices to the extent that I had to tell their story. Those statements were with the Hunter commission and the Congress report. The information is there, but it’s scattered.

What made you zero in on Vicky Kaushal to play Sardar Udham Singh?
My first choice was Irrfan Khan for playing Sardar Udham. Both of us wanted to make this film for a very long time. It’s not easy to cast someone when you have lived with the thought of Irrfan doing the film. Vicky came into the picture much later. I had seen only one film of Vicky and that was Neeraj Ghaywan’s Masaan. It was beautifully made and Vicky was able to convey the innocence and turbulence in his mind calmly. I needed someone who could do that. He has integrity. Being a Punjabi, he’s closer to the sentiment, language and pain of the character and knows what Punjab has gone through. All these factors led me to him and also the fact that he could play all ages — 20, 30 and 39 convincingly. He managed it quite well.

Your prep for the actors is unique. For this film, you made Vicky listen to a particular music. Take us through your process.
When I am conceiving a film and the writing part is on, you are constantly evolving. I have a habit of picking theme music or anything that transports me to that world.

Music gives me food for thought. That could be anything. In this case, I shared the music with Vicky. I do it to acclimatize actors to my world and way of thinking. That’s me sharing my emotion behind making the film with them. There’s no fixed routine as such, but I try to take my actors through the emotional journey that I underwent.

Vicky Kaushal-starrer Udham Singh gets a 'Scarface' twist to his look

Vicky Kaushal-starrer Udham Singh gets a 'Scarface' twist to his look
After Vicky Kaushal's accident leaves him with a facial scar, director Shoojit Sircar devises a way to incorporate injury in freedom fighter's story
Mohar Basu (MID-DAY; May 29, 2019)

Shoojit SircarVicky Kaushal is expected to begin the second schedule of Shoojit Sircar's Sardar Udham Singh soon. It has now come to light that the actor — who met with an accident on the set of his yet-untitled horror film last month that left a deep scar on his right cheek — devised a way to incorporate his facial scar in the biopic. Turns out, the makers have decided to showcase it prominently in the period drama.

A source reveals, "The original story collated by historians suggests that Udham Singh had suffered a gash on his arm during the Jallianwala Bagh massacre. Only 10 days before the film rolled in Russia on April 29, Vicky met with the accident that left him with a fractured cheekbone. He had to get 13 stitches. When he reported to the set in Russia, Shoojit and the team decided to use the scar prominently instead of hiding it with makeup. They felt that a facial scar, instead of one on the arm, would serve well as a reminder of that fateful day to the protagonist and depict his anguish more strongly. So, it worked out well for the film's first look."

We reached out to Sircar, who texted back saying, "We had a scar in the film already; so fortunately or unfortunately, it helped our look."

Shoojit Sircar to bring martyr Udham Singh to life; also working on a love story


Roshmila Bhattacharya (MUMBAI MIRROR; January 9, 2017)

Even as molestations across the country continue to grab headlines and news hour debates reiterate the 'No means no' catchphrase from his last release, the courtroom-drama, Pink; Shoojit Sircar has quietly started work on his next film. It revolves around our Independence struggle and a long-forgotten martyr, Udham Singh. The filmmaker reveals that he has been researching the subject for years and when he came to Mumbai, this was the first film he wanted to make.

“During my theatre days in Delhi, back in 1995 when I was still studying, I would go with a group to Punjab which was just coming out of a period of turmoil, and sing songs of communal harmony. I visited Amritsar and the Jallianwala Bagh then and was greatly inspired by the story of this fiery revolutionary who shot dead Sir Michael O'Dwyer, the former Lieutenant Governor of Punjab in British India, in London to avenge the massacre of 1919,“ informs Shoojit.

He admits he's been toying with the idea of making this film for years but every time he planned something, a pre-Independence film would come up and he'd push his film to later. “I guess every film has its own destiny. But now the time has come to remind the people of our country about those behind the freedom we are enjoying today. Udham Singh's name doesn't find a mention in our textbooks, he was one of our silent heroes, but his daring and sacrifice marked a turning point in India's history. After Bhagat Singh, he was one of our greatest martyrs and his vision for the country was very contemporary and relevant even today,“ asserts the filmmaker who's scouting for a leading man who can play this heroic role which spans 30-40 years and will bring the Shaheed to life.

He has already started with some of the background scenes. The main shooting will begin post-monsoon and he'll be filming in Delhi, parts of Punjab and Kashmir, Kolkata and London where the assassination took place. He plans to release it by year-end or early next year. He is also collaborating on another screenplay with his writer, Juhi Chaturvedi, which he describes as a simple, young love story revolving around an issue which he is reluctant to divulge. This film will be shot alongside the Udham Singh biopic and Shoojit will be directing both films.

Who was Udham Singh?
Born Sher Singh on December 26, 1899, in Sunam in the Sangrur district of Punjab, he lost his father, Sardar Tehal Singh Jammu, early and grew up in an orphanage in Amritsar. There he was administered the Sikh initiatory rites and rechristened Udham Singh.

On April 10, 1919, many local leaders, including Satya Pal and Saifuddin Kitchlew, were arrested under the Rowlatt Act. Protestors were fired on by British troops, precipitating a riot during which British banks were burned and four Europeans were killed. On April 13, over 20,000 unarmed protestors assembled in Jallianwala Bagh. Udham and his friends were serving water when Brigadier-General Reginald Dyer ordered his troops to fire without warning. Around 1500 people were killed and over 1200 wounded. The governor of Punjab, Michael O'Dwyer, supported the massacre, and Udham jumped into revolutionary politics, organising Indians overseas towards overthrowing colonial rule in India. In 1927, he returned to India on Bhagat Singh's orders, bringing 25 associates, revolvers and ammunition. He as arrested for possession of unlicensed arms, prosecuted and sentenced to five years in prison.

Upon his release from prison in 1931, despite close surveillance by the Punjab police, Udham made his way to Kashmir and escaped to Germany. In 1934, he reached London and on March 13, 1940, entered the Caxton Hall where O'Dwyer was scheduled to speak at a joint meeting of the East India Association and the Central Asian Society, with a revolver in his jacket pocket. At the end of the meeting, he shot O'Dwyer twice, killing him immediately. He didn't attempt to flee, was arrested and charged with the murder.

While awaiting trial in Brixton Prison, he went on a 42-day hunger strike and had to be forcibly fed. On June 4, 1940, his trial commenced at the Central Criminal Court in Old Bailey. Udham insisted Dwyer deserved to die and it had taken him 21 years to do the job. Now, he was not scared to die for his motherland. He was convicted, sentenced to death and on July 31, 1940, hanged at Pentonvillle Prison and buried there.

In 1974, his remains were exhumed and repatriated to India. He was cremated in his birthplace, Sunam, and a part of his ashes sealed in an urn at Jallianwala Bagh.