Showing posts with label Hardik Mehta interview. Show all posts
Showing posts with label Hardik Mehta interview. Show all posts

I don’t want people to judge the film basis the trailer, says Roohi director Hardik Mehta


After Twitterati critiques Roohi trailer for aiming to evoke laughs with abduction scene, director Mehta says scene woven in to deliver crucial message in the end
Mohar Basu (MID-DAY; March 7, 2021)

When the theatre shutdown was announced in March 2020, Hardik Mehta’s debut offering Kaamyaab and Dinesh Vijan’s Angrezi Medium had only opened on the big screens. It’s thus deeply poetic that Roohi, directed by Mehta and produced by Vijan, is slated to be the first big-ticket project to hit the marquee since theatres opened to full capacity last month. “It’s the universe’s sign that we have moved past the turmoil of last year,” begins the director of the Rajkummar Rao, Janhvi Kapoor and Varun Sharma-led horror comedy.

After Kaamyab, Mehta steers into a unique genre with Roohi. “When we started working on Roohi, the gratitude of the opportunity was so much more than the pinch of the pressure. For me, Roohi was a blank slate, and I wanted this film to have an identity independent of Stree [2018]. Now that we are promoting the film, there is a pressure to live up to the legacy of Stree’s universe.”

The front-footed humour of Roohi is a sharp contrast to Stree that took the satirical route from the get-go. “I have grown up on comedies that would air every afternoon on Zee Cinema and SET Max—Andaz Apna Apna [1994], Deewana Mastana [1997] and Haseena Maan Jaayegi [1999]. Roohi has some in-your-face humour, but that doesn’t mean that we haven’t added layers to the comedy scenes. A lot of the humour lies in the banter between Bhanwra and Kattani [Rao and Sharma].”

The story narrates the folklore of a witch who possesses the bride after the groom falls asleep. Twitterati pointed out that the trailer attempts to evoke laughs with an abduction scene. Ask Mehta if he is being responsible in his depiction of comedy, and he says, “To subvert a notion, you have to portray it. I debated the scene when I first read the script. I see the risk of the scene, but I am also aware of its repercussions on the characters as the film progresses. I don’t want people to judge the film basis the trailer. Put in the two hours, and then judge us. We have woven in the right boundaries and messaging in the narrative. We aren’t irresponsible as makers.”

It’s ironic that we needed a superstar to promote a film about character actors-Hardik Mehta


The Kaamyaab director on finding his niche and voice, and gaining acceptance in the Hindi film industry
Kunal Guha (MUMBAI MIRROR; March 22, 2020)

His directorial debut Kaamyaab was widely appreciated by critics, but Hardik Mehta, who’s presently adding final touches to his next, an untitled horror comedy starring Rajkummar Rao and Jhanvi Kapoor, says “life hasn’t changed much since”.

Born in Rajkot and raised in Baroda, Mehta first made it to the entertainment pages in 2016 when his documentary Amdavad Ma Famous won the National Award for Best Non-Feature Film. Set against the backdrop of the biggest kite flying festival in India, the film follows an 11-year-old boy who chases kites. The docu was screened at many international film festivals. When we quiz him on his earliest introduction to the medium, Mehta points to his formative years when he sat through whatever played on TV at home — from family dramas to pot-boilers. “My father was a huge fan of Hrishikesh Mukherjee and Basu Chatterjee, so I grew up watching all their films,” says the B-Tech in Dairy Technology from Anand.

A regular at theatre festivals during college, it took Mehta two years in a job with a dairy outfit in Surat to realise that he wasn’t “meant to be in the technical field”. He turned copywriter with a Baroda-based agency and decided to part with half his salary of Rs 6,000 to watch a new film every day. “I was a regular at this DVD library in Baroda, which had a surprisingly massive collection of world cinema,” says Mehta.

His passion for films further crystallised when he got through Jamia Millia Islamia for a post-graduation degree in film production. Mehta’s final year project impressed filmmaker Dev Benegal so much that he roped him in as a script continuity supervisor for Road, Movie, his 2010 film starring Abhay Deol. He later bagged a similar role with filmmaker Vikramaditya Motwane, whom he assisted on Lootera (2013), worked as the production assistant on Queen (2014) and co-wrote the screenplay for Trapped (2017).

Mehta had written the first draft of Kaamyaab, which revolves around a veteran supporting actor returning to films for his 500th turn, back in 2014 — coincidentally around the time when Alejandro Iñárritu’s Birdman released. “The thematics of the films were very similar,” he says. “But Vikramaditya [Motwane] assured me that my story was more culturally appropriate for Indian cinema.”

The writer-director, who hopes to adopt the cinematic sensibilities of German filmmaker Werner Herzog and considers A Guide for the Perplexed: Conversations with Paul Cronin to be his bible, was certain about translating his story on the big screen. But many, including those he had worked with, felt he had to prove himself before helming a project. “That’s when I stumbled upon this boy in Ahmedabad who risked his life and limb to nab kites and felt it could turn into an interesting observation on film,” he says, alluding to his self-funded documentary which met wide acclaim at festivals. Looking back, he feels it “lacks finesse” and is visibly “a first-timer’s job”, but “that’s what makes it unique”.

Mehta also directed a short film called The Affair, inspired by couples who make out along the shores of Mumbai because they can’t afford privacy at home. Manish Mundra’s Drishyam Films included it in their catalogue, and even agreed to back Mehta’s feature proposal, Kaamyaab, with Sanjay Mishra in the lead role.

Today, Mehta is humbled by the critical response to his debut and feels that the only way to gain acceptance in an industry known to be singularly insular, is by “upping one’s game”. “If you have to learn swimming, you have to jump into the pool. If you have to be a writer, you have to stare at a blank page,” he says.

Despite the acclaim, however, Kaamyaab had a modest release over only 250 screens, thanks perhaps to the release of a massive action-thriller in the same week. But Mehta is certain that his film wouldn’t have made it to the screens at all if it hadn’t been backed by Shah Rukh Khan’s Red Chillies Entertainment. “It’s ironic that we needed a superstar to promote a film about character actors too, but that’s the world we live in,” he says.

I feel Kaamyaab is the Ayushmann Khurrana brand of slice of life cinema-Hardik Mehta


Hardik Mehta on his directorial debut, which trains the spotlight on character actors
Himesh Mankad (MUMBAI MIRROR; March 4, 2020)

Mirror had earlier reported (January 31) that Shah Rukh Khan’s upcoming production, Kaamyaab, brings Bollywood’s character artistes into the spotlight. Hardik Mehta, who makes his directorial debut with this film, says it is a funny take on cinematic clichés.

“While growing up in a small town, I always wondered what happened to the ‘hero ka dost’ in the film; it triggered the idea of Kaamyaab,” he smiles. Sanjay Mishra is Hardik’s leading man, while Deepak Dobriyal plays another central character. Calling the decision to hire actors who have made a career out of supporting roles an “entertaining experiment”, the director explains, “I wanted a character actor to play the titular role. I couldn’t have cast Bachchan sir (Amitabh Bachchan) as he is a megastar and it would have been difficult for the audience to see him stand in one corner of the frame.”

Hardik is all praise for his unusual hero. “Sanjay Mishra has done amazing commercial and content-driven films. He is a humorous person; it becomes easy to convey a message if it is wrapped in laughter. This is neither an Indie documentary with him, nor an artistic take on Hindi cinema. Sanjay Mishra doesn’t have Ajay Devgn or Akshay Kumar to save him here, so it’s all his film.”

While the director is yet to meet SRK in person, he believes the 54-year-old actor’s association with Kaamyaab opens a whole lot of possibilities. “Shah Rukh sir has taken it upon himself to present our film to the Hindi cinema audience. It’s a huge deal to have him talk about it. He described the film as ‘extremely poignant’. I feel this is the Ayushmann Khurrana brand of slice-of-life cinema,” Hardik gushes.

After his debut, Hardik has another film up for release, the Dinesh Vijan-produced horror comedy Roohi Afzana, featuring Janhvi Kapoor with Rajkummar Rao. “Half of my work was done when Dinoo and Mrighdeep Lamba (writer-producer) put together a great cast. Raj and Varun’s (Sharma) comic-timing is brilliant. Janhvi, in a double role, will surprise everyone with two contrasting characters,” he raves, confirming that the film is in post-production and gearing up for a June release.

Hardik hails the horror-comedy, which is a part of Dinesh’s horror universe that was kicked off with Stree, as a “great step up from Kaamyaab”. “With this film, I go full throttle. It will make the audience laugh, but also think at the same time,” he shares.