Showing posts with label Happy Patel Khatarnak Jasoos. Show all posts
Showing posts with label Happy Patel Khatarnak Jasoos. Show all posts
Super Sabbu makers wanted to darken my skin by several shades; I wasn’t comfortable with that-Mithila Palkar
9:20 AM
Priyanka Sharma (MID-DAY; August 2, 2026)
The first half of 2026 has been nothing short of a celebration for actor Mithila Palkar. Her first Bollywood outing of the year, Happy Patel Khatarnak Jasoos, opened to mixed reviews, while her second theatrical release, the Akshay Kumar-led Bhooth Bangla, became a box-office hit. Last month, her maiden Telugu series, Super Sabbu, premièred on Netflix.
“Sometimes you shoot a lot but nothing gets released, and then there are times when you have work releasing back to back. I am happy that people are able to see me in diverse parts and stories,” she smiles.
A Rs 160-crore-plus box-office result surely tastes sweet, but Palkar insists numbers “don’t matter much to me”. “Of course, your film making a Rs 100 crore or more feels great but on a personal level, numbers don’t matter to me. It’s not that I am getting this much money! What does matter is the reach of a film. This number suggests that a huge number of people went to theatre to watch our film and my work reached them,” she explains.
After 12 years in the industry, being confident about her dos and don’ts at work has become important to Palkar. So, what are her non-negotiables? “Lightening/darkening the skin and nudity,” asserts the actor, recalling an incident on the sets of Super Sabbu.
“The makers wanted to darken my skin by several shades. And I wasn’t comfortable with that. I told them that it would be better to cast someone with that skin tone rather than darkening me. But our director, Mallik Ram, was sure that he wanted me for the series. So, we sat down and discussed my apprehensions. He understood and said, ‘Okay, let’s start from one shade and keep increasing it. We will choose according to your comfort.’ So, we both came mid-way. My skin tone has been darkened a bit.”
Why go South?
Palkar says her desire to reach a wider audience drew her towards offers in the South. She made her Telugu film debut with ‘Ori Devuda’ in 2022. Palkar tells us that another South project is already in the works
Up next
Mithila Palkar will next be seen in ‘Ikroop’, a Zee 5 revenge drama that also stars Gauahar Khan and Taha Shah Badussha
Lekha Washington breaks her silence on her relationship with Imran Khan: "I was called a homewrecker"
9:35 AM
Onkar Kulkarni (BOMBAY TIMES; June 9, 2026)
Lekha Washington, who began as an actor down South, has spent the last decade building a distinctive artistic practice, creating immersive installations, sculptures and design projects that have earned her recognition beyond the world of cinema. Having just returned from a sailing trip to Tahiti with partner Imran Khan, Lekha is reflective, candid and, perhaps for the first time in years, ready to speak. Having largely stayed silent through years of scrutiny surrounding her personal life, she pours her heart out on love, judgment, healing and the freedom that comes from finally owning her story.
‘The society we live in can be controlling, but we have to resist’
Lekha says, “I’ve spent a decade working down South as an actor and another decade creating art. In between, there was some difficult press. I stayed quiet for a long time, but now I’m easing my throat a little bit. It’s been a journey of opening up. There may be someone out there like me who sees that it’s possible to feel free, even in a culture that often tells you to behave, to clip your wings. The society we live in can be controlling, but we have to resist that. For a while, it left me feeling hopeless. But in this moment, I finally feel a sense of clarity.”
‘No one truly understands the intricacies of someone else’s relationship, so how can they pass judgment?’
Delving deeper into the scrutiny she has faced over the years, she addresses the labels and judgments that have followed her since her teenage years.
She reflects, “Since I was 16, I’ve been called all kinds of names — growing up in Chennai and even later. Labels like ‘sl*t’ and ‘homewrecker’ are often used to diminish and control women. They don’t define me, and I refuse to shrink myself to fit someone else’s need to cut me down. That’s where I stand today. People who use these labels don’t know the reality. No one truly understands the intricacies of someone else’s relationship, so how can they pass judgment? I’d much rather focus on conversations around my work. After putting out original work, if the first thing people reduce me to is my proximity to a man, that says more about them than it does about me.”
‘Our families are part of the journey too’
Talking about her relationship with the Jaane Tu... Ya Jaane Na actor, she says, “I am madly in love with this man. I have the greatest delight of getting to be with the man who I’m in love with. It’s a rare gift, one that I want to protect and so it’s not for the world. It is for me. Like any relationship, we’re constantly learning and growing. There are moments when we clash, but there’s also a genuine willingness to evolve. That’s what makes it a mature, grounded relationship — we truly show up for each other. Our families are part of the journey too, and there’s a child in the picture (Imran’s daughter, Imaara with ex-wife Avantika Malik), so it’s been a layered, meaningful ride.”
‘We were two broken people trying to do better’
Before they became a couple, Lekha and Imran had known each other for nearly 15 years, moving within the same circle of friends. It was during the COVID-19 lockdown that their relationship began to take shape. Looking back, she adds, “I was in a formative long-term relationship for a decade beginning in 2009 and while we weren’t legally married, it shaped who I am. In the isolation of COVID, I had to face parts of myself that I had avoided. The subconscious parts of myself that had brought me there. When Imran and I began dating, it wasn’t a fairytale romance - it was two broken people in a broken world trying to pick up the pieces and do better.”
‘Both of us needed to heal certain parts of ourselves’
Imran, meanwhile, has been receiving a surge of love on social media that has paved the way for his return to the screen with Adhoore Hum Adhoore Tum and Happy Patel Khatarnak Jasoos. Reflecting on this phase, Lekha shares, “I feel so impressed to witness his journey. I think everything we went through was necessary — we both needed to heal certain fundamental parts of ourselves.”
Professionally, Lekha is in a happy space. Known for her experiential, large-scale and often interactive art installations, her work spans across sculpture, spatial design and kinetics. “Everyone needs a muse, and Imran is my muse,” she says, adding that she’s also excited about her new book, Rewild.
‘I know I’ll find my way back to acting’
Does she miss acting? Last seen in Kalyana Samayal Saadham (2013), Lekha says, “I know I’ll find my way back to acting — I am, at heart, a performer. But this time, I want to do it on my own terms. Earlier, after doing a couple of Hindi films, I found myself drained by the business of being an actor. As a leading woman, you’re constantly objectified and have to navigate a great deal of misogyny. At the time, I was dealing with it all on my own, and it can be a frustrating space — there’s always someone trying to push you into a corner. A few of the films I worked on also got stalled. That’s when I decided I’d rather channel my energy into work where I have full creative control. In this phase, if I have to pursue acting, I’d rather do it with people who I trust.”
Mona Singh is a Bachchan; film kaisi bhi ho, Bachchan sahab kabhi kharab nahin hotey-Saurabh Khanna
10:20 AM
Called a ‘Bachchan’ by those who’ve worked with her, Mona Singh is still defying type, chasing risk, and finding new ways to belong everywhere, even two decades after she played Jassi
Mohar Basu (MID-DAY; April 12, 2026)
I remember the single happiest day of my teenage years. I came back from school and found a pink letter on my table. It was a friendship band that was sent by Jasmeet Walia, aka Jassi. At 12, I genuinely thought of Jassi [the lead in the show Jassi Jaisi Koi Nahin (2003–2006)] as my friend. And there began my love for Mona Singh. Many years later, during an interview, I told her this story and she laughed. “That innocence of Jassi is something I hope we always carry with ourselves,” she’d told me.
In the past few years, everywhere we look, we see Singh. She is the tough cop in Sudeep Sharma’s Kohrra. She is a don in Vir Das’s wacky Happy Patel: Khatarnak Jasoos. She is the hero’s warm mother in Aryan Khan’s Ba***ds Of Bollywood (2025). She is the doctor who can save the world in Netflix’s Kaala Paani (2023). She is also Sunny Deol’s bantering wife in Border 2. And she is the menacing Babli Didi, a mafia queen in Suresh Triveni’s Subedaar. It raises the same question in everyone’s mind — how is she in so many things all at once, never looking out of place in any of these diverse set ups?
The best answer I found to this, came from a late night conversation with Saurabh Khanna, writer of Yeh Meri Family (2018), and the producer of Kaala Paani (2023). He said, quite-matter-of-factly, “She is a Bachchan! Aap koi bhi film dekh lo, Bachchan sahab ki, film kaisi bhi ho, Bachchan sahab kabhi kharab nahin hotey!”
Khanna’s Yeh Meri Family is considered to be Singh’s turning point. She played a mother to three kids in ’90s small town India. What about that show made Khanna think of Singh? “When we started casting, we knew we wanted familiar faces. This wasn’t a show about big lines, big drama. It was about everyday stories. She has this unique quality that she can shine in whatever you give her. Very rarely do we get actors who take punt on fresh ideas, who don’t ask ‘mere opposite kaun hai?’”
Singh broke out with her iconic role Jassi Jaisi Koi Nahin in 2003. The role itself was a risk. Television boom had seen an influx of interesting new actors but for any avid TV viewer of that era, Jassi was a revelation. An unofficial adaptation of Ugly Betty, Jassi too was the story of how a spirited young hard working woman is constantly admonished because she does not meet the traditional standards of beauty. At its peak, the show touched a TRP of 9.2 making it among the most-watched television programs in the country. In Jassi, young women saw their own story of being reduced to just their looks.
But success, especially of that magnitude, comes with its own design to pigeonhole someone. For Singh, the shadow of Jassi wouldn’t leave so easy. For years after the show ended, the industry struggled to see her beyond the braces.
“There was a time when people only saw me as Jassi,” she has said. Breaking that image took a lot of courage from her end, which also meant fresh punts. Between 2006 (after Jassi ended) and 2009, Singh was on both Jhalak Dikkhla Jaa and 3 Idiots (2009) — her first film with Aamir Khan, trying her hand at evolving in whatever way she could. She hosted reality shows, did her work in TV but she was made for greater things and it was the advent of OTT that put the spotlight back on her craft.
But it was Khanna’s Ye Meri Family and Ekta Kapoor’s Kehne Ko Humsafar Hai (2018–2020), that was the first of her big OTT outings. In the latter, Singh plays an independent artiste in a relationship with a married man. Written by Neena Gupta, the show portrays Singh with grace.
In 2018, Singh had told mid-day, “It is a tricky part. Ekta Kapoor (the show’s producer) was very sure from the beginning that she will not project her as a vamp. She is a modern woman who happens to fall in love with a married man.” It ties in with what Khanna had told us about Singh’s choices, “Expect the unexpected from her. That’s what she is seeking.”
It’s this very tryst that took her to play Aamir Khan’s mother in Laal Singh Chaddha (2022). As Singh had once corrected me, she is Laal’s mother, defending her decision of agreeing to play a mom to a man well her senior. During his drive from Goa to Mumbai, Adavait Chandan, director of Laal Singh Chaddha, called us to chat about what makes Singh such a phenomenal actor.
“There is a scene where she is crying when Aamir’s character is graduating. Even when I was directing that scene, I had tears in my eyes. It is my favourite scene of hers. She did become Laal’s mother. I find that loyalty she has her for work and craft, her most defining quality. She is a really great person and that energy feeds every character she plays. When our film didn’t work, she held me and we cried together. She taught me so much about how resilient an actor can be.”
But co-stars remember something entirely different about Singh. It’s her big laugh, that stays with those she meets on set, and her ability to remain calm under pressure.
Co-star Aditya Rawal, who worked with her on Subedaar, tells us, “This one day we had a big shoot sequence for Subedaar. We were shooting in Chembur and had ordered for chole bhature from somewhere. And then we had this really intense scene. No matter what Mona is shooting, she has this ability to stay calm. She can switch on and off between scenes. She is seamless in front of the camera. And as someone who was working with her, that I felt is the reason why she has endured across mediums, formats,” Rawal tells us.
Aditya Sarpotdar who directed her in the hit film Munjya (2024), told us, “She has always been a very secure actor. She would always encourage the new younger talent and was very approachable for all the young actors around her.”
But no one can read you better than the one who gave you your break. Rajan Shahi, who directed Jassi Jaisi Koi Nahin, says the secret to her evolution is quite simple. It’s the one virtue she has had all along in her life, “When I think of Mona, the thing that stands out is she is a selfless soul. She is a true artiste. I remember something from her pre-Jassi success days. She was a nervous student, sitting with script, learning lines, scared before exams. Till date, she is still that nervous student wanting to do well. After the show broke out, Mona was the biggest TV star back then. I remember one day SRK was crossing our set, he and his children waved at her and she waved back. We then got a call from Yash Chopra saying Shah Rukh and his kids want to meet Mona. So many people change after success. They slow down creatively, fame corrupts them. But Mona has stayed grounded. She is humble and kind. When I watched Kohrra season two, I was so surprised that the same young girl is this fine actor today. You know why Mona jaisi koi nahin, because Mona remains unfazed by fame!”
There’s brotherhood romance in the industry; a woman is often made to feel like the outsider-Mona Singh
10:23 AM
Actor Mona Singh, who recently played a cop in a male-dominated system, reflects on gendered power structures across professions
Akash Bhatnagar (HINDUSTAN TIMES; March 5, 2026)
Actor Mona Singh is in the midst of a packed release calendar, with three projects, Happy Patel Khatarnak Jasoos, Border 2 and Kohrra Season 2, arriving in the last two months.
In the second season of Kohrra, the 44-year-old essays a sub-inspector in a narrative that explores gendered power structures and entrenched patriarchy. Mona believes the themes are not far removed from reality, including within the entertainment industry.
She shares, “There’s a brotherhood romance going on in the industry, where a woman is often made to feel like the outsider,” adding that such dynamics play out across professions. “I see that in every field, it’s pretty evident everywhere. Be it male drivers feeling that ego where the boss is a woman. I see that at home, when the cook comes, they want the man to decide what is to be cooked, instead of the lady of the house telling them,” she adds.
Mona continues, “In many homes, women are not even considered for decision-making; it’s the men who take the call. They even decide even for women at times, for the most important decisions of their lives. Everything is told, she’s never asked. So that’s exactly what we are showing in our show as well. Everything is so real and raw that it hits you.”
Reflecting on portraying a cop within a male-dominated system, Mona says, “Being a woman cop, there’s a constant need to prove yourself, to prove your capabilities. There is this underestimation of physical capabilities of women.”
After Happy Patel, Vir Das to helm a horror movie next
10:47 AM
After Happy Patel, International Emmy winner Vir Das opens up on directing his next, which he had written after his ‘Two Indias’ controversy
Priyanka Sharma (MID-DAY; January 26, 2026)
Humour is almost unarguably the first thing you associate with Vir Das. Horror, presumably the last. But the International Emmy-winning comic has a way of surprising people. After opening 2026 with his maiden directorial venture Happy Patel Khatarnak Jasoos, a spy comedy, the new director is planning to take his second film on floors later this year.
“I will hopefully make a pure horror movie next; not comedy at all,” he told mid-day. When we asked him whether he would also act in it, like he did in Happy Patel, he shared, “I hope so.”
The yet-untitled film has been with Das for a few years. He had put it on paper in 2021, following a controversy that was sparked by his monologue, Two Indias, a sharp commentary that examined the contradictions between the progressive idea of the country and its regressive reality. It led to outrage among certain sections of the Indian population that found his commentary offensive. As Das hit an unprecedented low in his career, he utilized the time to do what he knows best — write.
Recalling the genesis of the horror film, Das said, “I had a controversy [after which] no one would work with me for two years. We had a live tour and 192 brands said no to us. I had signed three acting projects; [they] went away. So, I sat on my bum for two years. The bright side is that it gave me time to write a comedy special [Landing] that won an [International] Emmy. It gave me time to write the next three things that I will make.”
Even as the controversy is behind him, the actor and director has found his own way to battle the trolling. “There are days when I believe that it’s a trade-off. It’s the price of all the love that I receive. Things like this are the price of the global audience you have, and you have to be willing to pay the tax.”
Vir Das recalls having a no cell phone policy on the sets of Happy Patel; says completed film 1.5x faster
3:10 PM
Priyanka Sharma (MID-DAY; January 18, 2026)
With Happy Patel Khatarnak Jasoos, actor-director Vir Das has done everything that goes against mainstream Bollywood culture. At a time when Hindi cinema is dominated by heightened spy actioners led by angry alpha men, Das arrives with a spy comedy — one where the protagonist is the punchline.
It’s not just the film’s screenplay that is counter-culture; its making also goes against the grain of the Hindi film industry, Das tells mid-day. Producers have lately raised concerns over soaring entourage costs. So, the rules on the Happy Patel set — no mobile phones, no entourage, and one common hair and make-up crew for all — come as a surprise. For Das, the maths was simple. To finish the film on a tight budget and within a short schedule, he needed to do the opposite of what the industry considers normal.
“It is a tiny film, shot in 31 days. So, it was crucial to do this. We had six action sequences and 14 original pieces of music. We also had cameos from Aamir [Khan] and Imran [Khan]. We had to keep our costs down,” Das explains, adding that he is thrilled to have set a new culture on a movie set. “The no-cell phone policy benefited us. We sped up shooting by one and a half times.”
On the crew
Vir Das believes the expert crew helped complete the film in 31 days. Colourist Sidharth Meer also worked on ‘Homebound’ (2025). Costume designer Parakriti Rajpurohit designed outfits for ‘Sacred Games’ (2018,19). Parth Pandya has previously composed music for ‘Jigra’ (2024). Himman Dhamija, of ‘Mangal Pandey: The Rising’ (2005) fame, served as the DoP on ‘Happy Patel’.
Aamir Khan gives you money to shoot five scenes first-Vir Das
9:36 AM
Turning director with the spy comedy ‘Happy Patel’, International Emmy winner Vir Das breaks down producer Aamir Khan’s rigorous process of sharpening a film with mock shoots and 30 test screenings
Priyanka Sharma (MID-DAY; January 16, 2026)
‘What the hell have you made?’ That is a question Vir Das admittedly heard frequently at a recent screening of Happy Patel Khatarnak Jasoos. “That is good feedback. Everybody seemed to be laughing,” said the actor and International Emmy-winning comedian, who has turned director with the spy comedy.
The idea of Happy Patel lurked in Das’s mind for almost 15 years. It needed the right time and the right producer. The actor got lucky on the second count. “After writing the script, I called Aamir [Khan] sir and said, ‘I’ve got this mad movie. You might be the only person who will produce it.’ He called me in. Keep in mind, I hadn’t spoken to him since Delhi Belly [2011].”
The superstar liked the script, but he needed Das and co-director Kavi Shastri to follow a process. First came a series of narrations. “There are five-six narrations with Aamir sir, during which he asks questions like ‘What is the story? What are the characters? What do they want?’ Once you’ve done that, he gives you a bit of money and makes you shoot five scenes of the movie. When we showed those scenes — graded, colour corrected, edited — to him, he greenlit the film,” recalled Das.
Khan’s involvement as a producer didn’t end there. He held around 30 test screenings. “After the second cut, he held screenings for people of different age groups and demographics. He told them, ‘Tell us what’s wrong with the movie. No praise allowed.’ [Based on that], we did our third and fourth cut.”
Even though the process was extensive, it was rewarding for Das. The actor and director shared, “The win is learning how to make a film from Aamir Khan. I wish every bhatkoing artiste finds the creative lighthouse that is Aamir.”
What’s ‘Pathaan’ got to do with it?
The idea of ‘Happy Patel’ struck Das, a fan of spy comedies like ‘Johnny English’, in 2009. But he had to wait as the Indian audience hadn’t woken up to spy films then.
“Culture has to be mainstream for comedy to counter it. So, I had to wait for ‘Tiger’, ‘Pathaan’ [2023], and ‘Dhurandhar’ [2025] to happen. Amogh Ranadive [co-writer] and I wrote the script in the month ‘Pathaan’ released,” said Das.
(Crisp) Movie Review: HAPPY PATEL KHATARNAK JASOOS by FENIL SETA
4:13 PM
Happy Patel Khatarnak Jasoos is a one-of-a-kind film from Bollywood; the last film that one can think of in this zone is Delhi Belly and Go Goa Gone, to some extent. The plot is simple and exciting - a simpleton turns spy and creates mayhem. The humour comes out from dialogues filled with cuss words and abuses. Those who enjoy such jokes would be in for a gala time. Thankfully, the Censor Board has barely asked for cuts and so, all these dialogues are intact. The various references to Bollywood, including Delhi Belly, add to the fun. On the flipside, the film is not consistently funny. A few scenes don't land as intended. The climax begins on a hilarious note but then falls flat. The songs are novel, but not a single track entices or would stay with viewers after the film has ended. This is a film that needed a chartbuster on the lines of 'DK Bose'. Vir Das, also one of the writers and directors of the film, is too good in the lead part. He has that innocence due to which one doesn't get unsettled when he unintentionally mouths abuses. Mona Singh is excellent as the antagonist; the actor is clearly on a roll. Mithila Palkar is cute and performance-wise, she’s first-rate. Sharib Hashmi is let down a bit by the writing, but he makes up for it with his lovely performance. Srushti Tawde (Roxy) leaves a huge mark. Bacchan Panchera (Suresh; old waiter) raises a few laughs. Aamir Khan (Jimmy Mario) is terrific in a cameo. Imran Khan (Milind Morea) is quite massy and would be greeted with whistles and hoots. Sumukhi Suresh is funny, while Meiyang Chang and Sanjeev Kapoor play themselves and are decent. All in all, Happy Patel Khatarnak Jasoos makes for a nice, timepass one-time watch.
My rating - *** out of 5!
My rating - *** out of 5!
Fenil's Bollywood Talk # 917
10:27 PM
WILL HAPPY PATEL KHATARNAK JASOOS AND RAHU KETU BRING SOME RESPITE AT THE BOX OFFICE?
Last week’s major release The RajaSaab has emerged as a disaster in Hindi and also in the original Telugu language. In Hindi, it opened at Rs. 5 crores as predicted last week. However, it reached this number due to feeding, as per the allegations. On the second day, self-booking was allegedly not done and hence, the earnings dropped to Rs. 3.75 crores. The film collected the same amount on Sunday, while on Monday, it crashed and collected a mere Rs. 1 crore. In Hindi, it’ll barely touch the Rs. 20 crore mark in its lifetime. All-India, the film earned Rs. 104.50 crores in all languages, which is too low, considering the mammoth budget.
Now all eyes are on this week’s two releases. The first one is Happy Patel Khatarnak Jasoos. It is directed by Vir Das and Kavi Shastri and produced by Aamir Khan. Vir also features in the film in the lead role and he’s joined by Mona Singh and Mithila Palkar. The film looks quirky and has adult humour like Delhi Belly. The promo promises a crazy time. Moreover, Aamir Khan also stars in the movie and even Imran Khan has a special appearance.
However, the trailer has not worked while the songs failed to be chartbusters. Hence, the interest of the audience is minimal. Moreover, it’s a film which would only appeal to the urban class. The film is expected to open at Rs. 1 crore at best. With good word of mouth from the target audience in urban cities, it might see a huge jump on Saturday and Sunday.
The other release of the week is Rahu Ketu. It brings back the Fukrey pair of Pulkit Samrat and Varun Sharma and also features Shalini Pandey and Chunky Panday. Again, just like Happy Patel Khatarnak Jasoos, the trailer and songs of Rahu Ketu haven’t left a mark.
Since Rahu Ketu looks more mainstream, it should hopefully open better than the other film and collect Rs. 1-2 crores.
Last week’s major release The RajaSaab has emerged as a disaster in Hindi and also in the original Telugu language. In Hindi, it opened at Rs. 5 crores as predicted last week. However, it reached this number due to feeding, as per the allegations. On the second day, self-booking was allegedly not done and hence, the earnings dropped to Rs. 3.75 crores. The film collected the same amount on Sunday, while on Monday, it crashed and collected a mere Rs. 1 crore. In Hindi, it’ll barely touch the Rs. 20 crore mark in its lifetime. All-India, the film earned Rs. 104.50 crores in all languages, which is too low, considering the mammoth budget.
Now all eyes are on this week’s two releases. The first one is Happy Patel Khatarnak Jasoos. It is directed by Vir Das and Kavi Shastri and produced by Aamir Khan. Vir also features in the film in the lead role and he’s joined by Mona Singh and Mithila Palkar. The film looks quirky and has adult humour like Delhi Belly. The promo promises a crazy time. Moreover, Aamir Khan also stars in the movie and even Imran Khan has a special appearance.
However, the trailer has not worked while the songs failed to be chartbusters. Hence, the interest of the audience is minimal. Moreover, it’s a film which would only appeal to the urban class. The film is expected to open at Rs. 1 crore at best. With good word of mouth from the target audience in urban cities, it might see a huge jump on Saturday and Sunday.
The other release of the week is Rahu Ketu. It brings back the Fukrey pair of Pulkit Samrat and Varun Sharma and also features Shalini Pandey and Chunky Panday. Again, just like Happy Patel Khatarnak Jasoos, the trailer and songs of Rahu Ketu haven’t left a mark.
Since Rahu Ketu looks more mainstream, it should hopefully open better than the other film and collect Rs. 1-2 crores.
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