Mumbadevi Vehicles' owner Ketan Rawal usually provides three vanity vans to the crew of Soni Razdan and Rajat Kapoor-starrer Call My Agent, which went on floors in October. Over the past few weeks, that number has been upped to five, a demand that he is struggling to meet, given that similar requests have been made by several city production houses.

"I also got a call from Balaji [Production house], which has 17 projects currently on floors. They need 30 to 40 vans each day. I am unable to meet their demand because my vans are [also] being used by the crew of [Sanjay Leela Bhansali's] Gangubai Kathiawadi, and Rohit Shetty's Cirkus," says Rawal.

In the wake of the Coronavirus pandemic, and especially amid reports of the presence of a more transmissible viral strain, actors have become apprehensive about sharing vans, he says. "Earlier, character-actors would share vans. But, in the last three months, artistes have been uncomfortable. Each day, we get SOS-calls from production houses that need vanity vans, and we often run short of them."

Echoing Rawal's opinion, van-provider Mehboob Ansari cites that the biggest challenges are being posed by production houses employing ensemble casts. "While many actors would share vans in the past, now, even junior artistes are unwilling to do so. Several web series are being shot nowadays, and many actors are part of each. It is tough to meet the demand. Even though we have double-door vans, which can accommodate two artistes, now, even for a single-day shoot, each artiste wants a van for himself," says Ansari, adding that though production houses are struggling, business for van-owners has flourished. "Our work is on in full swing," he says with a sense of relief.

As though meeting the demand for additional vans was not troublesome enough, Ansari says several production houses request for vans with adjoining make-up rooms to meet the needs of the actors.

"Earlier, if a van did not have a make-up room, actors would [use a common facility]. But, now they insist on being provided with vans that have such rooms."

With the uncertainty of the situation encouraging filmmakers to wrap up their films in start-to-finish legs, Rawal says several vans are being occupied for extended outstation schedules.

"My vans have been stationed in Hyderabad for Thalaivi since October. As for Rashmi Rocket, few vehicles were used for the Ranchi leg. Several outstation schedules are being held in Lucknow, Bhopal, and Gwalior, which is causing a shortage in Mumbai," says Rawal, who has ordered seven new vans to combat the situation.

The man who spoke to generations of Indians with his shuddh Hindi and clear diction looks back on what it took to become radio's best known name
Meher Marfatia (MID-DAY; March 1, 2020)

"Behenon aur bhaiyyon…" Half a century ago, the words held us in thrall. The warmest greeting to waft from the radio, "Sisters and brothers" was a respectful inversion to cheer. Flipping the conventional "Bhaiyyon aur behenon" salutation with amazing adab was, of course, the redoubtable Ameen Sayani. With just-right cool at the mic and typically tender lilting tone, the man behind what must be the most mellifluous announcement in broadcast history, compered over 54,000 radio programmes, jingles and spots.

Binaca Geetmala on Radio Ceylon defined him. The smash hit show presenting top listeners' choices in Hindi film songs saw spiralling lakhs of households tune in for this Wednesday evening hour. Kids collected "Binaca charms", miniature toy animals packed with Binaca toothpaste tubes. We named and secretly traded these plastic delights in hissy whispers at morning school assembly—why keep two of Slow the snail or Tarzan the tapir?

In middle class homes television was yet to invade, the radio crackled centre-stage. That orange flicker from my family's big Bush set seemed to blaze brighter at 8 pm midweek, caressed by the pitch-perfect inflection of "Main aapka dost Ameen Sayani bol raha hoon, aur aap sun rahe hain Binaca Geetmala". His infectious presence on air, the way he ruled its waves with passion and perception, had generations gravitate towards radio as a lifelong companion.

When the British exited Ceylon, they left behind powerful short-wave transmitters belonging to Mountbatten's South-East Asia Command. Colombo used them for commercial radio offerings in Sinhalese, English, Tamil and the very lucrative Hindi.

Beginning in 1952 as a model version of what evolved as the ultimate countdown for Hindi film songs based on popularity, Binaca Geetmala was the Radio Ceylon rage. By the end of the '70s, its estimated weekly listenership was around 21 crores. Letters from people, pouring in by the gunny bagful, swelled to a staggering 65,000 per week. The rankings show boasted the most idolised radio station host any channel hoped to have. Geetmala shifted to Vividh Bharati on All India Radio (AIR) from 1989 to the mid-1990s.

Sayani compered fashion shows and Made for Each Other couples' contests, acted in English and Gujarati theatre (the twinkle in his eye dances even deeper when he warbles ditties from Adi Marzban revues) and joined the country's sole secular choir. Formed in 1958 by Salil Chowdhury and Ruma Guha Thakurta, the Bombay Youth Choir performed songs of different Indian languages arranged in western choral patterns.

I interview the legend at his Colaba studio office where son Rajil devotedly ensures small boxes of nuts and fruit appear on his desk at regular intervals. The famed father's voice rings with every syllable of the joyful affability it always has, the tone deliberately upped to drown the din of road repair outside. Sipping chai from a mug printed "Quizzing is my kind of fun" (taking over the Bournvita Quiz Contest from elder brother and guru Hamid after his death in 1975, he swung it forward another eight years), Ameen Saab recounts how he became a household name throughout South Asia and parts of the Middle East and Europe.

Appearing as an announcer in movies including Bhoot Bangla, Boxer, Teen Devian and Qatl, in 2016, after a sabbatical, he voiced the promo of Rustom with undimmed gusto. Inspiring how he follows a schedule as gloriously devoted to the medium as can be managed at 87, with sciatica pain. Calling to fact-check one morning, I find he has returned home at 2 am after attending a music awards night.

What else to expect from still-the-most-imitated announcer on the subcontinent? Ji haan, behenon aur bhaiyon, Ameen Sayani remains the quality benchmark in the radio and compering worlds. Over to the mesmerising voice….

My grounding in Hindi resulted from helping my activist mother Kulsum produce Rahber editions from 1940 to 1960. A champion of literacy, she published Rahber (Leader) in Devnagri, Urdu and Gujarati from our Cumballa Hill home. The newspaper advocated simple Hindustani as a unifying language.


Ameen Sayani at his Churchgate home, surrounded by trophies and film jubilee mementoes marking highlights of a stellar, internationally renowned 80-year innings in the broadcast world. Pic/Pradeep Dhivar

We never had much money but were well taken care of. My brother Hamid was six years older and Habib six years senior to him. Our father Jan Mohamed Sayani, a physician, treated poor patients for free, often paying for their medicines. A square, hand-cranked gramophone he brought exposed us to KL Saigal and Pankaj Mullick.

Going on air as a seven-year-old, well before my voice broke, was thanks to Hamid. At New Era School, I scored good English grades. It was an education encouraging Gujarati in the primary years, balanced by Rabindra Sangeet taught by Pinakin Trivedi and Shahaab Saab, the excellent Munshiji for basic Hindustani and Persian.

Entrenched in the broadcasting world, Hamid literally led me by the hand into the AIR station at Churchgate. Showing me a wire recorder, he said, "Speak, I'll play it back." I burst into "If I were Lord of Tartary" by Walter de la Mare. When he rewound, the recitation sounded tinny. Tutored for refined pronunciation and projection, understanding gliding diphthongs and triphthongs, I voiced children's shows. By 13, these progressed to roles in radio plays.

At school in Gwalior, I outgrew Bambai ki khichdi bhaasha. A kidney problem I developed worried my parents. At the recommendation of family friends, they moved me to the Scindia School in Gwalior as a Senior Cambridge boarder. Within a month of joining, I acted as a drunk waiter in The Crimson Coconut. There ensued several extracurricular activities giving me more confidence in Hindi.

On that dreadful day of Gandhiji's assassination, I made a firm resolution. News of those gunshots reached us in the Common Room. I was determined, as "naye Bharat ka naya naujawan", I would work in our raashtra bhaasha. Back in Bombay, the AIR chiefs heard I was keen on Hindi broadcasting. An audition proved that despite good reading of a script, my diction needed to lose English and Gujarati cadences.

Reward after rejection, Ovaltine Phulwari paved the path for Binaca Geetmala. Minister for Information and Broadcasting, B V Keskar's ban, from 1952, on film songs, sadly meant mass disposal of 78-rpm records. While AIR slid, Radio Ceylon bloomed. Daniel Molina, an American in Bombay, stepped in to opportunely establish Radio Advertising Services. Hamid ran its production wing, with greats like Balgovind Shrivastav and Manmohan Krishna.

To improve my Hindustani accent, I attended sessions at the radio technology training studio in St Xavier's College. One day, an announcer for the Ovaltine Phulwari programme, which discovered promising singers, did not show up. Spotting me hang around, Shrivastav ji asked if I would read three Hindi commercials. I punched them with the volume of Mark Antony's speech. "Chillaana kyon? Yeh radio programme hain, kushti ka akhaada nahi," I was advised and quietened.

"Happy-go-lucky Greg", as he was called, compered the English pop Binaca Hit Parade which spawned Geetmala. Greg Rostowski, whose family owned Hotel Nippon in downtown Colombo, boomed familiarly on the Commercial Service of Radio Ceylon and All Asia Service. Audiences flooded the station with requests for a similar Hindi film songs countdown. Binaca Geetmala was born. A notice in our office advertised the duties expected of a producer-scriptwriter-compere for the intended new show at a weekly fee of Rs 25. I raised my hand and said, "I'll do it."

I longed for 200-300 letters from listeners of the first show in December 1952. I got 9,000. Having waited with bated breath for the inaugural broadcast, I prayed to God, Gandhiji and my mother for a decent amount of mail. On getting 9,000 letters, the entire agency jumped for joy. Enlisting friends to sort and sift from this flood, I readied winners' lists in time to be "live" from Radio Ceylon along with the second programme.

Meeting my wife Rama Mattu had an interesting prelude. Quite remarkably, the New Era School principal, M T Vyas, had told my parents, "Your boy will marry a Kashmiri girl." Written in gold letters in my heart, that line turned reality when I met Rama, a voice artiste and singer, whose uncle headed Hindi music at AIR. Our son Rajil called her a music encyclopedia.

Among the virtuosos I struck lasting friendships with were Roshan, Kishore Kumar, Pancham (R D Burman), son of everyone's father figure S D Burman, Shankar Jaikishen and Kalyanji Anandji, whose stage shows I compered worldwide, including one which introduced Amitabh Bachchan.

The best radio programme is one you "see", with every listener feeling addressed individually by the host. The sincere presenter creates a personal equation, as binding as a lover's embrace, warm as a true friend's handshake. A compere should mind seven Ss: sahi (correct), satya (true), saral (simple), spasht (clear), sabhya (decent), sundar (beautiful) and swabhavik (natural).

Once among the most beautiful cities in the world, ours has visibly changed. I wonder at tourists visiting the Churchgate railway office, strangely enamoured by our dabbawalas! But Bombay has certainly enjoyed far better days.


At a RAPA (Radio and Television Advertising Practitioners' Association) function with Amitabh Bachchan, and veteran voices Vinod Sharma and Pramod Dasgupta. Pics Courtesy/ Ameen Syani


Ameen Sayani and wife Rama Mattu, an accomplished singer and voice artiste


With actors Ashok Kumar and Pran

Kartik Aaryan says he’s finally living his dream and is very proud of his days of struggle
Prashant Singh (HINDUSTAN TIMES; December 29, 2019)

He tasted success right with his debut, the Pyaar Ka Punchnama series. And then there was 2018’s Sonu Ke Titu Ki Sweety, which catapulted Kartik Aaryan’s career into another orbit altogether. And the success of Luka Chuppi and Pati Patni Aur Woh in 2019 has reinforced his spot there. “These three films changed my fate. Now, I’m in a really happy space,” says Kartik, who has a packed line-up next year. Excerpts from an interview:

You must be kicked with back-to-back hits in 2019?
Nothing tastes better than success, and with every successful film my desire keeps increasing ki aur chahiye. I am in a space which I could have only dreamt of. From ‘no options’ to ‘consecutive hits’ is something I still find unreal. I just wish this dream run keeps going on. It’s also a great learning experience because now, I am getting a lot of confidence – especially with Pati Patni Aur Woh’s success – in my own decisions. Ab ek conviction hai ki my decisions are correct. In my head, I’m very clear that the content of my films should be strong, which will eventually make them a success story.

After Sonu Ke…, this year established you as a bankable star with consecutive hits and a solid line-up. That way, has it been a breakthrough year?
Absolutely! Like a phoenix, I have risen from the ashes (laughs). Luka Chuppi and Pati Patni… have given me a foothold in the industry. Since then, thankfully, I’ve been busy. I’ve waited to be busy throughout my life and now, finally, I don’t have time for a lot of things and I love it. Plus, both the films this year connected me to the family audience. The Punchnama series was primarily all about youngsters, but Sonu Ke… brought in families and youngsters. Then, Luka Chuppi got families in a big way. And Pati Patni… attracted all age groups and families. So, that way, I will always remember 2019.

You have come a long way from your days of struggle. Do you ever look back and ponder?
I still feel the same. Mere ko zyaada change nahi lagta hai life mein. I was happy then and even now. It’s just that the opportunities, which I wanted in my life, have come my way now. Back then, maybe, I used to think twice before travelling or buying something. Now, I don’t have to worry. When I think about those days, it’s a happy memory. I’m proud of my struggle. Woh ek cheez hai jo main kabhi change nahi karna chahunga. It has taught me more than anything. Also, since I feel Sonu Ke… was like my re-launch of sorts, it’s like I’ve just stepped into films. Isliye bahut accha lag raha hai.

The year 2020 looks like a solid one for you already...
I’m really looking forward to the next year. I am very excited about Imtiaz [Ali] sir’s next, which comes out on Valentine’s Day. That has been one experience I’ll always cherish. After that, I have Bhool Bhulaiyaa 2 and Dostana 2. While the former is very massy with strong content, the latter will push the envelope and the whole process has already been superb. All these films are very important for me. What makes me happy is that I get to work with such creative people. As an actor, I feel very fulfilled. I am learning something new every day. I can’t wait to watch all these films myself. I feel, as an actor, har film ke saath excitement rehna chahiye.

After Sonu Ke Titu Ki Sweety’s mammoth success, Luka Chuppi was your next release, earlier this year. Were you feeling any pressure around that time?
See, I don’t blame people if they looked at me with a certain kind of disbelief and with a magnifying glass, thinking that maybe, Sonu Ke… was a fluke. Many were like, ‘kahin, one film wonder na hoke reh jaaye.’ If people thought that way, they weren’t wrong because they are the ones who were going to spend money on a talent. If you get down to basics, it’s a business at the end of the day. And till the time I don’t get filmmakers business, they will also see me through that magnifying glass. So, somewhere Sonu... gave me an opportunity to find my own way and my own journey. Thankfully, my graph is going upwards in a decent manner now, jahaan har cheez, pichle waali cheez se ek level upar jaa rahi hai. But I don’t blame anyone that they neglected me till last year or didn’t think highly of me. Luka Chuppi validated my success and gave confidence to filmmakers to put money on me. Then, I think Pati Patni… se aur bhi zyaada conviction aa gaya.

For you, what’s been the biggest takeaway from this year?
I have realised that khud ka conviction aur gut feeling is bigger than anything. It has made me more confident and empowered me to realise that what I am thinking is actually right. That has especially been a learning experience from Pati Patni Aur Woh’s success. I remember a lot of people would ask me that how does this film fit in your line-up [of work], and why would I play a married husband at this stage as that might turn away my audiences — youngsters — as they won’t be able to identify with me. Many were like, ‘why did you have such a de-glam look with a moustache?’ But I feel a character has to be above all of this. However, from inside, I was like, ‘let the film come out’. Now, it has done wonders and I am really happy with the results. The entire journey required a lot of hard work and conviction. Conviction bahut mila hai, as I went ahead with it against all odds. So, my learning is that it’s only content that works.

When it comes to choosing films, do you now go only by your conviction or there’s some science behind it too?
I think conviction comes from planning only. I think a lot. In fact, sometimes, I feel I am an over-thinker. It’s not as if everything is happening without any kind of planning. Before Sonu Ke Titu Ki Sweety, my life was such that I wasn’t in a position to plan much. But now, I can choose from scripts and films. Yes, I didn’t plan that every film of mine should be a sequel (laughs). But otherwise, what was planned was that quality of content must always be strong. Plus, content ke kucch commercial aspects bhi hone bahut zaroori hai because I myself like to watch those ‘commercial’ films. Overall, somewhere down the line, since I am so massy and commercial at heart, I’m able to strike a balance — and I’m very happy about it — between audiences’ demands and my own choices. I don’t know what will happen tomorrow but abhi tak kar paa raha hoon, so fingers crossed that it continues this way.

This year also saw you being linked to multiple co-stars…
I have just focused a lot on my work. Also, I have never spoken about my personal life as I don’t like to. More importantly, I am not the only one involved, there’s someone else as well. So, it’s better ki main chup hi rahun. I can just say that I am in a happy phase in all aspects of life – personally and professionally.

2019 and changes in personal space!
To start with, my mum and dad are happy but since I don’t get to spend enough time with them, they also get a bit upset. They are like, ‘iska busy hona accha hai but hamare liye itna mazedaar nahi hai (laughs)’. You know, earlier this year, when I went to Gwalior (Madhya Pradesh) to shoot for Luka Chuppi, it was like life had come full circle. I was shooting at the spots where I would think of becoming an actor. And I went as a chief guest to the schools where I would talk about my dreams to friends. All these experiences have actually been like a film. Whenever I look back at those times, I am like, ‘pata nahi chala ki kahaan se kahaan travel kiya hai maine.’ Time just flies by. 

Three-foot-and-11-inch Arun Kushwah has hope, as roles being offered to him move beyond his height to tap into his talent. The Gwalior boy says life could not have been better today
Prutha Bhosle (MID-DAY; August 25, 2019)

Apple of his mother's eye, Arun Kushwah was also the center of the rest of the family's attention while growing up in Gwalior, Madhya Pradesh. But that did not mean he had it easier than either of his two older siblings—one who today is a teacher and the other a homemaker. In fact, most part of Kushwah's childhood involved wading through demeaning remarks common on school and college campuses. "I don't think people understand dwarfs. People don't realise it's a genetic condition and tend to either mysticise us or make fun of us," he shares. Many a time, Kushwah would break down, unable to fight his bullies. "But my biggest worry was that Mumma and Papa find out what I was facing in class. They would be left heartbroken. They love me too much, you know," he adds.

Today, Kushwah is more confident and cares less about such packs of wolves. The 28-year-old actor, writer, comedian and YouTuber feels life couldn't have been better for him. All thanks to his short yet striking roles in Kriti Sanon and Kartik Aaryan-starrer Luka Chuppi and Netflix's Chopsticks, which saw Abhay Deol and Mithila Palkar in the lead cast—both 2019 releases. "It is a dream come true. While I always enjoyed entertaining people, I never thought I would get to work with so many new stars of the silver screen," he tells us.

But, it took Kushwah a while to realise this dream. Born in 1990, Kushwah left his Bachelor of Computer Application (BCA) studies mid-way and decided to move to Delhi. There, he pursued BA honours in Russian, and in 2014, even secured a job at Wipro in Powai. While he gave his best shot at the 9 am to 5 pm job each day for the next two years, he also utilised his free time to make funny videos. "Humour is my thing. Similar to TikTok today, Dubsmash was a rage back then. I would make videos of myself and recreate old Hindi movie scenes. Soon my YouTube channel started receiving positive feedback; people were loving my work." So finally in 2016, a 3-foot-and-11-inch Kushwah decided to pursue a career mainly dominated by 6-foot tall men—acting.


Arun Kushwah With Abhay Deol in Chopsticks

Kushwah told a friend, who worked with The Viral Fever (TVF), to keep him posted of any acting opportunities. "They saw my videos and immediately called me to their office in January 2017. They said they liked my content and then it was decided that I would write my own scripts for a show—Badey Chotey Miyan," he informs, adding that his scripts never involved abusive words as opposed to the trend in the Indian comic arena. "Most writers include abuses to improve their comedy. But my content is different. Also, I never shame anybody on the basis of their physical appearance. It is too degrading. Real comedy is when you can make someone laugh purely with the magic of words," he quips.

Most dwarf actors, during the 20th century, found employment in American film and television, but majority of the roles handed were dull, embarrassing and repugnant. While some were used to play infants or children, others played a diminutive part in fantasy movies. From Frankenstein to Poltergeist, dwarfs were introduced to suggest an eerie atmosphere. "Recently, I got an offer from a well-known Indian production company, but I declined. The role involved self-humiliation, which works with the audience. But what people don't understand is that such roles can be pretty soul destroying. Yes, you can make money from it, but what's the point?"

Kushwah, thus, only picks roles that he thinks he truly deserves as an actor and not as a dwarf. Quite similar to the sensation that American actor Peter Dinklage is today. Dinklage, too, has done a string of well-received performances, with Game of Thrones offering him overnight stardom. "Things are slowly changing in Indian cinema as well. SRK did a decent job with Zero where he played a dwarf. After Chopsticks, I have signed a couple of nice untitled films and shows. Maybe Bollywood will get its own Peter Dinklage one day."

So then, was leaving his stable Wipro job worth the risk? Absolutely, says Kushwah. "I earn twice the salary I got at Wipro as an analyst. Producers and directors are coming up with good scripts for me. It has been a ride. But there is so much more left to do."


In Luka Chuppi, Kushwah plays Pankaj Tripathi's sidekick

Chaya Unnikrishnan (DNA; August 15, 2019)

Kartik Aaryan is currently in Bangkok for a brand shoot and will be missing Raksha Bandhan festivities with his sister, Kritika, whom he fondly calls Kittu — while she calls him Koki! This, however, is not the first time that the Luka Chuppi actor will be away from home during the festival. Ever since the Gwalior lad shifted to Mumbai to become an actor, his sister has been sending rakhi to him by post. This year will be no different. Here, Kartik goes down memory lane and tells us how he used to celebrate the festival, and his bond with his sister...

Has the way you celebrate Rakhsha Bandhan changed in any way?
Yes. Earlier we used to live in Gwalior, so, it was celebrated together. It was more fun then because we used to start preparing for it from weeks before the day. My sister would make sure that she bought me the most attractive rakhi, and I used to save coins in my piggy bank for her gifts. Now, we live in different cities. She’s studying in Bhopal, and I’m usually out for shoots. So, she sends me rakhi and a letter every year and, trust me, this is the most special thing I wait for the entire year.

Do you miss celebrating the festival with your sister back home?
Yes, I do miss it because bachpan ki yaadein best hoti hain. Back then, it was filled with more fun and shaitaani. I wish we could go back in time.


Kartik Aaryan with sister Kritika on the Raksha Bandhan celebration last year

What kind of gifts would you give her?
Though I used to save money for her gifts, I still tried escaping from buying something she wanted. Instead, I tried to make her like the things I wanted and bought them for myself, making her feel they were actually for her. But now, I’m compensating for all of it.

What are you planning to gift her this time?
Whatever is mine, is all hers!

Any particular year that was memorable for you?
Last year was really special because, during the festival, I was luckily shooting in Gwalior for Luka Chuppi. I took a break for Raksha Bandhan and we celebrated it together. My cousins had also come home. Mom had made our favourite food. It was just like old times.

How has the bond between you and your sister changed over the years?
Now, we are more like best friends. Whenever I have doubts or I’m in trouble, I only talk to her. And though she is younger to me, I wonder how she knows so much more about life and relationships. She is like my friend, philosopher and guide. And I’m thankful to her that at any hour she is just a call away for me.

How would you describe your sister?
She is fun, super cute, intelligent and an overthinker just like me.

Saurabh Sachdeva, acting coach and Anurag Kashyap’s ‘Kakaji’, plays a pivotal role in Saif’s revenge-drama
Himesh Mankad (MUMBAI MIRROR; June 4, 2019)

Saif Ali Khan’s next, Laal Kaptaan, is a revenge-drama revolving around two warring brothers. The Navdeep Singh directorial also features Zoya Hussain and Manav Vij. Renowned acting coach Saurabh Sachdeva, who was last seen in Anurag Kashyap’s Manmarziyaan as the matchmaker Kakaji, plays a pivotal role in the protagonist’s backstory. “I play an army general from a royal family who brings everyone together for the war. He is an integral part of the childhood of Saif’s protagonist,” Saurabh informs.

He goes on to reveal that as part of his prep, he had to read up on wars but that apart, no other prep was required. “In reference to the character, I am a high-status player in real life,” he asserts, explaining that the term means “someone who may or may not have money but is high on confidence”. He adds that working on the film was a new experience, even if a tad difficult. “We shot in the scorching heat of Rajasthan and until now, I had worked only in studios.”

Next up, Saurabh wants to be seen in roles that his costar has been taking up lately. “Saif is doing good stuff; he has evolved as an actor, signing powerful projects and taking on mature roles. An actor is defined by the choices he makes, and Saif has been making some brave choices. People will be surprised to see his look in this film,” he says.

Among other projects, Saurabh will be seen in are the period portions of Farhad Samji’s Housefull 4 and as an antagonist in a film titled Gwalior with Sanjay Mishra and Neena Gupta. “Soon, I start shooting for Bejoy Nambiar’s next in London,” he signs off. 

Deepali Singh (DNA; May 12, 2019)

It’s Kartik Aaryan’s mother, Mala Tiwari, who answers the door when we arrive at his cosy Juhu residence on a hot Friday afternoon. She immediately ushers us inside and offers us a choice of cold or room-temperature water, before responding herself, “Saada hi laati hoon, itni garmi se aaye ho.”

So, when the actor tells us that he had been missing his mom and his entire family all the time that he stayed alone in Mumbai, you can see why he must have missed the warm, fuzzy feeling of coming home to loved ones.

Now that the Luka Chuppi actor is well settled in the city, he’s brought his kin down from Gwalior to stay with him. “I had a dream that we would all live together once again. Now, after almost seven-eight years of staying here alone, I asked them to join me. In a way, this is my dream house because my parents and sister are here with me,” he states. When Kartik aka Koki — as his mom lovingly calls him — and she settle down for a chat, the former tells us that this time, they will celebrate Mother’s Day together after many years.

Excerpts from a chat with the Sonu Ke Titu Ki Sweety star and his ‘very photogenic’ maa…

Would you say you are a mamma’s boy?
Kartik: I have always been a mamma’s boy. I have been sharing everything with her since childhood and I still do. The only secret I kept from her and the family for more than three years was my dream of becoming an actor because I didn’t know if anyone would believe me or what it would lead to.
Mala: It’s true, he tells me everything. He even discusses his girlfriends with me.

How does it feel to see your son’s success?
Kartik: Mummy toh tareef hi karengi meri!
Mala: (Laughs) Nothing like that. But yes, it’s an extremely proud and happy feeling. However, there is also a fear because the career he has chosen is so full of insecurities. He has to prove himself each Friday. Here, even if you go really high up, you can go down as quickly as that. So, I just tell him to be prepared.

Back in Gwalior, how did you celebrate Mother’s Day or other occasions?  
Kartik: We had a fixed restaurant where we used to go for any celebrations. We would sit at the same table, and order the same food, from the same waiter who never had a haircut in his life! We haven’t been able to celebrate that way for the past couple of years.
Mala: Even here, we will probably do that. Order dal makhani, some paneer dish, boondi raita and naan!

Is there any gift he has given you that you cherish a lot?  
Mala: He had given me his first cheque of Rs 2,500, which he had got for doing an ad. Later, when he was signed for a film, he gave me that cheque for Rs 11,000 as well. Then some years ago, he had come to Gwalior and he got gifts for the entire family. He had gifted me a ring at that time. I cherish that a lot and I liked the fact that he thought of bringing something for each one of us. You can expect that from the girls, lekin bete itna nahin karte. So, that’s precious.

Kartik, what about you? Any advice of hers that you take seriously?
Kartik: Advice toh chalti hi rehti hai (laughs) — especially lifestyle-related. If I’m on a diet, she’s always telling me to eat more. She won’t understand that I might need to look lean for a particular role. She had a fight with my trainer once because he insisted I don’t eat carbs. So, the driver would suddenly offer me a chocolate or there would be dishes kept in front of me that she knows I would find difficult to resist. She keeps doing things like that (smiles). She is happy as long as I eat properly and sleep on time. Then, of course, she wants me to stay grounded and I assure her I will.
Mala: I tell him that the advice we give you will always be correct. An outsider can lie to you but we, as a family, will always have your best interests at heart.

As a mother, what has been your proudest moment? 
Mala: There are so many. But the one I remember the most is when he had come to Gwalior for a shoot. There were so many people who had come to see him. The entire city had posters welcoming him and calling him ‘Son of Gwalior’. He was barely able to step out of his trailer because there were so many people outside calling out his name. He was even invited to his school, St Paul’s, as the chief guest. When he arrived, the school band started playing and there were flowers on the path all the way to the stage.
Kartik: There was so much warmth and positivity around. There was a sense of belonging. The crowd was unbelievable.
Mala: Earlier, we used to be called to the parent-teacher meetings to be scolded for some mischief he had done. This time, the principal called me to invite him to the school as a chief guest. I told him that I’m really happy! (Smiles). That was such a proud feeling.

Have things changed ever since your family moved to Mumbai to stay with you? 
Kartik: No, not really. I have never been a party person. I don’t smoke or drink either...

So, your mom hasn’t got a chance to scold you?
Kartik: Ha ha! Nahin, bahut mauke milte hain. Even if I try, I end up coming home late at times. But having them here keeps me grounded. I had always wanted the family to be together again, celebrating occasions. We will celebrate Mother’s Day today and order for the same dishes, without looking at the menu (laughs)!

Neena Gupta on how writing in Bollywood is changing, getting roles that stand out and experimenting with her style game
Shaheen Parkar (MID-DAY; May 12, 2019)

She doesn't want to call it her comeback. "I was always there, I never went anywhere," says Neena Gupta. "What should I term it?" she wonders. Neena Gupta 2.0, you tell her. "Bas, ek thappa sa lag gaya. Every actor looks for that breakthrough role. Mujhe abhi mil gaya," she laughs. Gupta can refer to her life as post-Badhaai Ho (2018) and before it. The quirky comedy, about a middle-aged couple whose life turns topsy-turvy when they realise the stork is going to visit them, put her on top of the heap.

"Javed Akhtar called and told me that I am not surprised, but happy for you. No one can stop you now," recollects Gupta, who is currently shooting at Mehboob Studios for Rohit Shetty's Akshay Kumar and Katrina Kaif-starrer Sooryavanshi. When we catch up with her, it is the second day of shoot with the filmmaker and the Khiladi, who are known for creating box office history. Gupta now finds herself part of one such big-ticket project. She plays Kumar's mother, who is unlike the typical gajar ka halwa-feeding screen moms. There is a new dimension to her character.

"Now, I have hired a manager, the makers got in touch and things happened fast, within days I found myself shooting for Sooryavanshi," she says. There are other offers too, both in films as well as on the web, on which Gupta has to yet take a call. "Badhaai Ho opened up new avenues for me. It has given me better roles. Usually, I would have got some chhote roles here and there, but with recognition and accolades come the significant parts. I was destined to get it. They could have approached anyone else to play my character in Badhaai Ho, but it was meant for me."

Gupta attributes her success to the new writing in Bollywood. "I guess my timing was perfect. Films are being made on a lot of new subjects, which were not delved upon earlier. There are interesting parts now for senior actors as well. The audience has also evolved thanks to the digital exposure. There is Netflix and social media. The audience, especially the youngsters want novel subjects and quality content."

Apart from movies, Gupta has also done television and theatre, since she began acting in the early '80s. "I am open to anything now again, but it should challenge me. An actor has to adapt to all types of work. I am doing web shows as well as audio shows."

She recently wrapped up Jaspal Singh Sandhu and Rajeev Barnwal's Gwalior (below) with Sanjay Mishra as co-star. He was junior to her at the National School of Drama. "I always ask Sanjay why does he look so buddha, when in reality, he is much younger than me. He tells me, 'I have always looked like this. Main buddha hi paida hua tha'," she says. About her character in Gwalior, she says, "I play an uneducated woman, who rises to the occasion, during a cash crunch." Gupta now wants to balance the different worlds of shooting for Gwalior with that of Sooryavanshi. "The working style is distinct on both sets. Every film treads a different path, an actor should know how to strike a balance."

She will also be seen in chef-turned-filmmaker Vikas Khanna's The Last Color. "It has been doing the festival rounds, but because of my shoot schedules, I can't travel to the various festivals." Now that she has arrived, Gupta has also been doing what the stars do — donning red carpet and airport looks. "I don't have a PR machinery in place to tip off the paparazzi, so I have been sharing my looks on Instagram while travelling. It's fun, I started doing it as a joke."

She has also been making sartorial statements ditching the saree for the chic look. Has designer daughter Masaba influenced her? "I wear a lot of her creations, sometimes we discuss what I should wear, but basically I love shopping for clothes. I keep buying, I can't resist the urge. Often, I don't know where to wear them.''

In 2017, Gupta had shocked many by sharing a post on social media that "she was a good actor looking for work" when she realised that she was not getting the roles she wanted. The actor had no qualms asking for work on a public platform even after being an actor for decades. It was unheard of. Priyanka Chopra's reply to her post was "inspiring". Two years later, Gupta finds herself not asking for, but getting work. She now wants to savour every moment of it.

Himesh Mankad (MUMBAI MIRROR; April 19, 2019)

After the 2018 social-comedy, Badhaai Ho, for which Neena Gupta won a Filmfare Best Actress (Critics) award, the actress will be seen in a thriller titled Gwalior. Also featuring Sanjay Mishra, the film is currently being shot in its namesake city in a marathon schedule. The team is targeting wrap-up by next month.

“It is an interesting concept. I play Manju Mishra, a housewife, and the story narrates how an uneducated woman who is perceived as weak handles a situation involving cash crunch,” Neena told Mirror, adding that Sanjay plays her retired teacher husband, Sambhu Nath Mishra.

According to Sanjay, in a way, he is playing his real father, from whom his character borrows his name. Ask him about working with Neena, and he says, “I am grateful for the chance to work with her on this film. She is my senior from National School of Drama, and since I have the utmost respect for her in real life, it wasn’t difficult to forge the husband-wife bond on screen.” The film also features Manav Vij and Sumit Gulati in pivotal roles.

The film is written and directed by filmmaker-duo Jaspal Singh Sandhu and Rajeev Barnwal. “It’s a thriller with an element of drama and revolves around an old, married couple, and how their lives take an unexpected turn,” Jaspal shares, adding that the film explores the old flavour of the city. “We are shooting inside a 150-year-old house. After Gwalior, we will move to Varanasi for a threeday shoot,” he signs off.

Eight years on, Kartik Aaryan is finally savouring success, being choosy and enjoying all the trappings of stardom. He is no longer just Sonu, the monologue boy
Mohar Basu (MID-DAY; February 17, 2019)

A beaming Kartik Aaryan welcomes us to his new Juhu flat on Valentine's Day. Touted as the next big thing, Kartik has been garnering ample female adulation since the release of the sleeper hit, Sonu Ke Titu Ki Sweety, last year. His mother (Mala Tiwari) narrates a funny story to us about how she gets random phone calls from people calling in to check if Aaryan is available for marriage. As we laugh it off over an elaborate spread of aloo parathas and lassi, the actor muses about the ephemeral nature of showbiz. "That's exactly how it's designed. Movies, and only movies, stay back as legacy. Everything else is a bubble," he says. Over the next hour, we chat about his sudden stardom, making it without a godfather, the fine art of turning down offers and his love life.

What has changed after the success of Sonu Ki Titu Ki Sweety?
My entire life. People know who I am. Before the film, they knew me by face but not my name. I am no longer just catering to the youth. Now, taijis, chachis and mummies know me. For the first time in eight years, I have the option of choosing from a variety of scripts. I no longer need to pick up just about anything that comes my way. The options are better than before. I strived to become a priority for filmmakers, rather than an option. Sonu... made it possible.

Were there days during your struggle when you've just picked up anything to make money?
Money was never a priority. Not back then, not now. I haven't really worked for money. I am passionate about movies, good roles and scripts. I am choosing scripts keeping in mind a good mix of content and commercial cinema. I am a diehard massy movie buff. I want to be seen as a hero of the masses who headlines big potboilers.

Have you been able to drop the tag of being the monologue boy?
I still am and enjoy being labelled for it. It gave me credibility. People ask me to recite the monologue often, but now they have discovered more to me. During promotions, I realise what works for me is that I am relatable, yet aspirational. I have struggled hard for long to make it this far, and I can see that admiration and respect in people for me. The monologues are stuff cults are made off. They remain viral for years. It's my iconic scene, which I will be remembered for, and not many actors get, or are even able to crack, such momentous scenes on screen in their first film.

It's been eight years since Pyaar Ka Punchnama. Has it taken far too long to reach here?
It has been a rough and weary journey. I can't quantify my struggle. I didn't become an overnight star even when my debut film became a cult movie. After such a major hit, I was still struggling to get a proper film with a meaty role. I wouldn't get parts where I had anything challenging to do. I have seen ups and downs and the struggle continues even today. It has only gotten bigger. But I am proud of myself. My journey from a small town like Gwalior to becoming a movie star is surreal and overwhelming. Now, by virtue of this struggle, I have expectations of myself and I wake up each day to live up to them. I have to be bigger than Sonu or the monologue boy.

How did you tackle the first bout of stardom?
It is a tricky situation as the industry creates a bubble. Love poured, brand endorsements came my way and fans increased manifold. I had to remind myself of the time when I was considered unfit for those very commercials. I can't get swayed by the adulation because I have seen the other side of life as well. I love my craft. I am grateful for fans, but I am not here to post selfies on Instagram. I was offered Rs 10 crore for a film post Sonu, but I just didn't see myself in it, so turned it down. I don't need money right now. I am no longer in a place where I desperately need money to survive. Now, money and glamour are by-products of what I do. I have enough awareness to know I can't get carried away because this is replaceable. I have seen duds on Fridays, so I am enjoying the love while it lasts. The industry is a gamble. You never know which Friday makes anyone a superstar and then there are chances that a masterpiece doesn't work.

How hard was it to turn down roles and what were the repercussions?
It's an art to learn to say no. When someone offers you a role, and you say no, it's mostly taken as an offence. No one looks at it objectively and thinks, may be, I could have spoilt their film by being a misfit. I have learnt this the hard way that there are ways of turning down offers. And, I have craved to get a single movie offer. I never thought I would come to this point where I have to plot ways to say no without getting into people's bad books. I am aware of the pros and cons now.

All your films so far have been comedies. Don't you want to experiment more?
I don't want to be drastic. I want to explore more in comedy too. My next, Luka Chuppi, is different from my previous movies. It is a comedy of errors. My character, Guddu, is innocent and loveable. I am on the look out for anti-hero parts and thrillers.

Are you doing the sequel of Love Aaj Kal (2009) with Sara Ali Khan?
Imtiaz Sir [Ali, director] has been my favourite filmmaker. Yeh jo baatein chal rahi hai, kaash sach ho jayein. I want to work with him.

You have been papped with a mystery woman. Who is she?
I started getting papped after Sonu... I don't like to talk about my personal life. I don't think it's fair to the person I am seeing. But at the same time, it is not that I will not step out for fear of being papped.

So you are seeing someone?
Yaar, time kahan hai? I am single as work is primary at the moment. When I am in a relationship, people will know.

What about rumours of you and Ananya Panday?
Two spottings and we are dating? She's a friend, a colleague. We are working on Pati Patni Aur Woh together. We gel well. There's nothing more to it.

Meena Iyer (DNA; February 9, 2019)

With his quiet demeanour and soft-spoken nature, Sooraj Barjatya in a way epitomises the values that his movies espouse. The filmmaker, who has given cinegoers blockbusters like Maine Pyar Kiya (1989), Hum Aapke Hain Koun..! (1994), Hum Saath-Saath Hain (1999), Vivah (2006) and Prem Ratan Dhan Payo (2015), is known for making clean, family entertainers that cater to audiences of all ages. The 54-year-old, who has played an instrumental role in taking Rajshri Productions to the masses and classes alike, talks to us about being a creative producer for Hum Chaar, mentoring his younger son, Avnish, who will soon make his directorial debut and helming movies that he believes in...

Hum Chaar is a different take on friendship
My last production was Prem Ratan Dhan Payo (PRDP) in 2015. My films are family fare and I know my audience is 35-plus. For a while, I was thinking about making a movie where we could talk a bit about our values. But the language had to be different from mine.

Abhishek Dixit, who has been a creative director in marketing, came to me with the concept about how today, friends are more like family. These are the people who come in to stand by you. I asked him what made him think so. He wondered how many people spend time with their parents on birthdays, anniversaries… Not many of them. We’re at work and indifferent, so we celebrate by ourselves… Then he explained that in his family too, he can’t call up anyone anytime to discuss his problems or share something. If his bhabhi is busy, he has to ask her to make time for him… There is aupcharikta (a certain formality) now.

Also, when I look at my kids and nephews jo Gwalior se Mumbai aaye hain... Their parents are worried, ki inke dost kaise hain, whether they are drinking and partying. So, they are judging... but these boys say, when we lose our mobiles, these are the guys (our pals) who come with us to the police station. So, if we are not judging chacha, chachi, etc, why are you judging our friends? When you see this, you feel this is a nice subject to make a movie on. Abhishek has done it in his own way. I’m looking forward to this film.

It’s a story of pure friendship, but told in a different way. I was involved as a creative producer throughout, because I wanted the correct launch for Abhishek and the actors. Also, I was keen that I wanted one film that doesn’t have my trademark style. I was certain that the director should not follow my way. He wanted some of the old songs, but I asked him to retain his own language.


Maine Pyar Kiya; Hum Saath-Saath Hain; Hum Aapke Hain Koun..!; Prem Ratan Dhan Payo; Vivah; Main Prem Ki Diwani Hoon

Taking the tradition forward 

I was supposed to start my film with Salman (Khan) and I had spoken to him, too. But my younger son Avnish, who wanted to pursue CA (chartered accountancy), gave it up. He told me he wanted to become a filmmaker and assisted me on Prem Ratan Dhan Payo (PRDP). Since the last one year, he has been working on the script and this month, we’ll lock it.

The love story is a bit complicated; that’s his zone, it’s his choice. Like my father allowed me to make films my way, I’m guiding Avnish, in case he requires anything from me, I’m always there for him.

I’m happy that both Avnish and Abhishek have kept the sur of Rajshri Productions because anyone going to see our film will be satisfied with it, that’s important for us.

I told Salman that once it’s done, I will start working on our film. That’s why there’s been some delay. But, it’s also after 30 years that we have another director from our family. So, it’s a big moment for me, for us.

I just realised that I’m more nervous this time than when I was starting my journey.

‘I must make what I believe in’
The family values remain the same, they will always be important. I made Main Prem Ki Diwani Hoon (2003), where I tried to do something different. Then I realised that you should make what you are, irrespective of what the market says. You create your film, ussi sur mein you experiment. You don’t need to ask anyone else what to make and how to do it. That’s for the next generation. I must make what I believe in and I will find my audience.

For example, PRDP is a huge hit in the Hindi belt and even on TV as it represents Bharat. In fact, all my films cater more to Bharat than India (the metros). So, I’m happy in my zone and I must be at peace. With age, I feel more responsible about how to tell these stories in an entertaining way because it’s important.

When our film releases, people say ki dadi ko dikhana hai, dada ko dikhana hai etc... The younger generation comes with that idea because they feel that they must show it to their grandparents. Even with PRDP, it felt nice to see old people coming to watch a movie, trusting that it’s a family film. It had its core values.

I told Avnish that this should be there in his film too, in his own way and space.

Hum Chaar caters to Bharat’s youth
I hope this film reaches everywhere. It’s a youthful Bharat because the director has stayed in Lucknow, Kanpur and Noida. I told him to make this film the way he led his life because that is what I trust. I told him not to worry about what works or sells but to keep the humour because he has a good sense of humour and he, himself, is a writer. If it caters to India, it is good; but, otherwise, it will surely cater to the youth of Bharat.

These are not the times to aim for certain things like how we did during Hum Aapke Hain Koun..! (HAHK, 1994) when it was like let’s make a number one hit. Having said that, I didn’t make it thinking like that, but it did become a huge hit. It’s going to be 25 years since HAHK, but I haven’t planned anything yet.

Avinash Lohana (MUMBAI MIRROR; January 31, 2019)

From sharing an Andheri house with 12 boys to owning property in Juhu, relishing scheduling conflicts as a mark of accomplishment and receiving a hero’s welome in his hometown... Kartik Aaryan’s Bollywood journey is generously peppered with personal milestones. In this interview, the actor also discusses his next, the Dinesh Vijan production Luka Chuppi, linkup rumours with Ananya Panday and his past screen turns:

Luka Chuppi revolves around a live-in relationship, a subject that has been explored before in Shuddh Desi Romance and OK Jaanu. What makes this film different?
I chose this film as I wanted to do an out-and-out family entertainer. A live-in relationship plays an important part in this film but then so do the families featured in it. Our film is about a live-in with sah parivar (whole family), which makes it different from the rest. I found the concept to be extremely fresh.

Till a few years ago, foreign locations were a huge draw for shoots. Now, filmmakers are heading back home, and it seems to be working at the box office.
That’s because we have many stories in our own country to explore. We don’t need to look at the West anymore for stories or even locations. My friends who live abroad have started enjoying these films for their content and treatment.

With Luka Chuppi, you got a chance to reconnect with your hometown of Gwalior, where the film was shot...
I’d never imagined that I would go back to the place where I’d first harboured dreams of becoming an actor to shoot a film. It was like life came a full circle for me. There were posters of me with ‘Son of Gwalior’ written on them plastered all over the city. Dino (producer Dinesh Vijan) and Kriti (Sanon, co-star) kept teasing me about it but I was overwhelmed. That said, I hope they had used a different picture of mine (laughs).

Do your parents still live in Gwalior?
They moved to Mumbai recently after I bought a house so all of us could live together. I’d been on my own for the last eight years. I lived in a smaller house before Sonu Ke Titu Ki Sweety happened and shared a flat with 12 boys in Andheri till Pyaar Ka Punchnama 2, so I couldn’t get them here. 2018 was a year of firsts for me.

What were the other firsts?
I am still the same person. But now, I have more scripts to choose from. It wasn’t the case earlier. In my acting career so far, I have never faced scheduling issues, but I am glad that it is happening now (laughs). Walking for Manish Malhotra was another first, that too with Kareena Kapoor. Several awards also came my way after Sonu Ke… released. People have started sending me gifts home; it’s a surreal feeling.

People usually cash in on their box-office success, but you waited a year for your next release…
I don’t think I took much time. I signed Luka Chuppi months after Sonu… released, shot it in 40 days which is my fastest film and now it’s up for release. I was waiting for the right script with good content and have always wanted to be a commercial hero. This film met all those requirements.

Most of the characters you have portrayed on screen have misogynistic undertones. Would you like to break that pattern with your forthcoming films?
I’d like to believe that more than Sonu, it is about the world that those films portrayed. In fact, I must tell you, I have received a lot of love from my female fans and they are the ones who want me to mouth those monologues (from the Pyaar Ka Punchnama films). I was initially scared that people would take them seriously. Having said that, my character in Luka Chuppi is quite different. I have always played (variations of) a street-smart Delhi boy, but Guddu (Luka Chuppi character) hails from a small town and is lovable. Even in the Pati Patni Aur Woh remake you will see me in a completely different avatar.

Have you seen the 1978 original?
There is a story behind that too. A while ago, I was at a friend’s place where they were watching the film and I loved it. Incidentally, a month later I was offered its remake. I loved the script. It’s hilarious and is a modern take on the story. We start shooting soon.

Taapsee Pannu has alleged that she was dropped from the film and several reports that followed claimed that you were responsible for her exit from the film…
To begin with, she never said anything about me in her accusations. Secondly, I wasn’t even aware that she was offered the film. I am just a few films old and not in a position to pull off something like that.

Not many know that you dabble in writing too.
I want to do a lot of things. Acting is my passion but one day I will direct a film. I admire a director’s passion for his work and want to follow that path. While I write great captions for Instagram, I have written a story too. But I am not sure yet how it has panned out. In the future, I will certainly write and direct a film.

Sara Ali Khan called you ‘damn cute’ recently. A few weeks ago, she’d admitted on a chat show that she has a crush on you…
I am fond of her as well. We met at an award show recently and she is a wonderful person.

Buzz is, you are doing a film with her which will be directed by Imtiaz Ali…
I can’t say anything right now. You’ll have to ask Imtiaz sir about it.

Is it true that you are dating your Pati Patni Aur Woh co-star Ananya Panday?
Rumour toh rumour hai na, sir. It is just random talk. I look forward to shooting for the film with Ananya.

Are you dating someone?
I am in a relationship with my work (laughs).

Kriti Sanon is gearing up to kick off Ashutosh Gowariker’s historical drama, which features Arjun Kapoor as the leading man, early next month
Avinash Lohana (MUMBAI MIRROR; November 27, 2018)

You will start shooting for Ashutosh Gowariker’s historical-drama Panipat from December 1. How’s the prep going?
We have had reading sessions during which we discussed our characters and approach to certain scenes. I had started with horse-riding lessons earlier, but I’ve kept them on hold for now as this particular schedule does not require me to get on a horse. That will only happen in the next schedule, so I will resume my training then. However, since we will be shooting in Karjat, there will be horses around the studio, so in between whenever I get the time, I’ll do a bit of riding. I am also learning a little bit of Marathi for the part. For Bareilly Ki Barfi I picked up the Bareilly dialect which is somewhere similar to the Delhi way of speaking Hindi but Marathi has very specific alphabets and has got a certain twang and that’s new for me. I’m really enjoying incorporating a couple of Marathi words in the middle of a Hindi sentence and looking forward to seeing myself in character.

This year has been really busy for you, with Housefull 4, Arjun Patiala, Luka Chuppi and now Panipat…
Yes, this is my busiest year yet. I don’t think I’ve ever jumped from one film to the next so fast. For the first time I am going to have four releases in a year and am really excited about it though I’m sure the promotions will drive me crazy.

You play a TV reporter in Arjun Patiala. What scoop would you want to follow?
As an actress, I keep meeting reporters from the entertainment beat. But in the film, I play a crime reporter. As part of my prep, I picked up the body language of the journos I met, the way they talk and report. There’s a slight Punjabi touch to the way my character speaks which I loved. As far as scoops go, if I were a reporter for real, I would really want a heart-to-heart conversation with a celebrity.

Luka Chuppi was filmed in Gwalior which is your co-star Kartik Aaryan’s hometown. Did he show you around?
(Laughs) We shot at a lot of places and Kartik himself was visiting his hometown after 15 years, so I don’t think he knew all the places himself. Yes, he did get us to taste different sweets from a particular shop which is really famous in Gwalior. I was binging on ras malai every second day, while also relishing tikki chat and kachoris. I don’t think any of us was on a diet during that shoot. The place has its own warmth.

How are you planning to bring in the New Year?
I haven’t decided yet, like every year it’ll be a last-minute thing for me. My parents are going to be in Mumbai at the time, so I don’t know if I will travel or stay here.

Any plans to gift yourself something after a busy year?
I have just moved into a new house and done it up, I don’t think I would want to gift myself anything else as of now. But I really want to take out time for a family holiday. That is one thing that hasn’t happened in a while and I really want to go for a vacation with my family to a lovely place like Maldives. 

Renuka Vyavahare (BOMBAY TIMES; August 8, 2018)

The new heartthrob on the block, Kartik Aaryan talks about his life post the success of Sonu Ke Titu Ki Sweety, his upcoming films, youth connect and more...

Suddenly, you have become the new ‘heartthrob’ of Bollywood. How does it feel?
If fans consider me a heartthrob, I think it has more to do with the kind of characters that I have played. Who doesn’t like to be loved and appreciated? I am enjoying all the attention.

You have some interesting projects lined up like Luka Chuppi and the Kannada hit Kirik Party’s Hindi remake. Tell us about it...
I am taking one step at a time. I wanted to do something that was content-driven as well as commercially entertaining post Sonu… and Luka Chuppi (with Kriti Sanon) is that film. It’s a great script, which is in the desi romcom space, and my character is very relatable and earnest. I am very excited about the Hindi remake of Kirik Party. The audience will see me do something different, and I will start prepping for it once I complete Luka Chuppi.

So, no more girl-bashing movies, then?
My characters have never waged a war against any gender. They are all about friendship and being loyal to your friends.

You are currently shooting for Luka Chuppi in your hometown, Gwalior. Years ago, you had left the city to pursue your dreams in Bollywood. How does it feel to shoot for a movie there?
Life has come full circle. I started dreaming about being an actor in Gwalior and it feels amazing to shoot in my hometown. My mom brings me ghar ka khaana on the set every single day and that’s the best part about it. Years ago, I would often visit this location with my parents on a scooter. When I revisited the same place recently for the shoot of the film, people had gathered in huge numbers to meet my parents and me. That was overwhelming.

Your life seems to have changed suddenly post Sonu… but success comes at a price, doesn’t it?
Of course, it comes at a price and in my case, it has taken a lot of time and patience. Talking about sudden success, it took me seven years to be recognised. The journey hasn’t been easy. A lot of work, both physical and emotional, went into it. I never had a launch pad, as I came from a small town and didn’t know anyone who could guide me. I had no strategy whatsoever. Pyaar Ka Punchnama (2011) and Pyaar Ka Punchnama 2 (2015) were commercial hits, but it was only post Sonu... that I experienced stardom. Looking back, it’s been a long wait, but I wouldn’t have it any other way.

What does your brush with stardom feel like?
It’s an adrenaline rush. I won’t shy away from saying that I love being asked for selfies. I am a huge fan of Shah Rukh Khan sir, so I also know what it feels like to be a fan. I used to be that guy, who stood outside his home in Bandra to get a glimpse of him. As a small-town boy, it feels surreal to be a Bollywood film hero, today.

A successful film opens many doors. Several brands are now keen to sign you on as their face...
I feel I have a youth connect and a certain reliability factor, which has enabled that.

With so much changing around you, what keeps you grounded?
Things do change. People start believing in you once you have a hit film. Luckily, I have seen failure much early in my career and that helps. I know it’s just a question of one Friday. Success and failure are temporary, talent is permanent. Also, my mom keeps me grounded. She is my biggest critic (smiles).

You have predominantly worked with Luv Ranjan. Who’s on your wish list, next?
I’d love to work with directors like Sanjay Leela Bhansali, Karan Johar and Anurag Basu.