Showing posts with label Ekkees Toppon Ki Salaami. Show all posts
Showing posts with label Ekkees Toppon Ki Salaami. Show all posts

Fenil's Bollywood Talk # 329


2 SMALL FILMS TO TRY THEIR LUCK BEFORE HAPPY NEW YEAR

The big Diwali release Happy New Year is all set to release next Friday on October 24. As always is the case before the release of a biggie, the week before will see the release of 2 small budget films. Last year, a week before 2013 Diwali release Krrish 3, almost half a dozen films had hit theatres and all of them tanked. This year thankfully there are only 2 films but sadly, both films stand no chance to succeed. My views:

SONALI CABLE: It has an interesting title and stars Rhea Chakraborty in an author backed role of an owner of a small internet providing company and how she battles a multinational company, which is trying to usurp her business. Anupam Kher plays the baddie and Ali Fazal is her love interest. The trailer is alright while the songs just didn’t pick up. 2 shows for media have already taken place and the response has been very bad. Even amongst the moviegoers, there isn’t much of awareness, forget excitement for the film.

MUMBAI 125 KM: The film has been in the making since almost 2 years. It stars Veena Malik as the ghost and is filmed in 3D. It stars Veena Malik (as the ghost), Karanveer Bohra and Vedita Pratap Singh and is a horror cum erotic film. The trailer of the film is extremely boring and neither induces scare nor titillation. The horror erotica element might help the film at some pockets.

WOULD YOU LIKE TO SEE SONALI CABLE OR MUMBAI 125 KM AND WHY? DO LET ME KNOW!
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UPDATE ON HAIDER, BANG BANG, EKKEES TOPPON KI SALAAMI


Both Haider and Bang Bang released during the best weekend of the year. After all, there were 5 back to back holidays. A well-made biggie would have excelled significantly at the box office. Sadly, Bang Bang got mixed response and the collections came down after the holiday period got over. Many expected the film to pick up during the second weekend but that just didn’t happen. At best, the film would be an average grosser, despite crossing 140 crore as it’s a costly film.

Haider, on the other hand, too has underperformed. However, looking at the genre of the film, it is praiseworthy that it has earned so much and that it’ll reach the 50-crore mark. The makers tried their best in making the film at as less amount of money as possible. Such films surely can’t be expected to be 100-crore-grossers and that even if it touches 50 crore is a feat in itself!

Lastly, Ekkees Toppon Ki Salaami has been a surprise. It might not be a huge grosser but the word of mouth is very positive and people have loved the satire and the essence of the film. A film of such stature with very less hype would have disappeared from theatres in Week 2. But Ekkees Toppon Ki Salaami has been sustained in many theatres in the second week. Hopefully, it’ll earn decently till it gets out of the theatres after Happy New Year. 

Fenil's Bollywood Talk # 328


SMALL FILMS TO TRY THEIR LUCK THIS WEEKEND!

After the release of the biggies – Bang Bang and Haider – the following two Fridays will see the release of small-budget films trying their luck before the Diwali blockbuster Happy New Year takes over. My analysis on the significant films releasing tomorrow:

TAMANCHEY: It stars Nikhil Dwivedi and Richa Chadda and is directed by debutant Navneet Behal. It’s in the making since almost 2-3 years. A sizzling still of the film has been out since almost 2 ½ years. The makers haven’t been open about what led to the film’s delay. Thankfully, the film doesn’t look dated and promos indicate that it can be a decent watch, if made well. Salman Khan recently announced that he sat on the film’s edit for 3 days to make it more edgy and even attended the launch of its song In Da Club. All this did help the film get much needed attention. But excitement is hardly there. The rustic flavor of the film might help the film in the hinterland. But public response has to be very positive and only then can the film make any headway.

EKKEES TOPPON KI SALAAMI: This one looks like an interesting satire starring Anupam Kher, Divyendu Sharma, Rajesh Sharma, Manu Rishi Chadha, Aditi Sharma and Neha Dhupia. The theatrical trailer didn’t go viral but seemed impressive for sure. Neha’s hot avatar is attention-grabbing and her tribute to Madhuri Dixit, Sridevi, Juhi Chawla, Aishwarya Rai Bachchan etc in the funky Ghoor Ghoor Ke song is damn good. But it’s sad that the song and promo both couldn’t make an impact. The buzz for the film is negligible and this would mar the box office prospects.

JIGARIYAA: It has been shot and packaged beautifully and looks nothing short of a visually rich film from a reputed production house. But it has failed to make any noise. The film launches two new faces – Harshvardhan Deo and Cherry Mardia – and both are unexciting. Music never got a chance to prove its worth. In short, Jigariyaa will have a very tough time at the box office.

WHICH FILM WOULD YOU LIKE TO SEE AND WHY? DO LET ME KNOW!
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HOW BANG BANG & HAIDER FARED AT THE BOX OFFICE

The big releases of last week, Bang Bang and Haider, are doing more or less well at the box office. Bang Bang is an entertaining masala film and hence it was released extensively. Its box office run has been fine but it should have been better. It has collected 101.75 crore till Tuesday and this was not expected from a film that had 5 holidays at its disposal. Also, the word of mouth is mixed. It remains to be seen how the film fares in second week and only then a clearer picture will emerge as to whether the film will be a commercial success.

Haider on the other hand was never expected to have a big opening. After all, it’s a niche film in terms of costs and theme as well. It had a limited release and has collected 30.25 crore till Tuesday. This is not bad at all! Moreover, the response is very positive (a section of audience is unhappy with the so-called ‘one-sided-story’ though). Hence, the film will sustain in theatres till Happy New Year’s release on October 24.

Haider was a brave attempt and it is important that such films taste commercial success. Let’s hope for the best!

My dance instructor at Shiamak Davar's musical was Shahid Kapoor-Neha Dhupia


Priya Gupta (BOMBAY TIMES; October 9, 2014)

Neha Dhupia, 34, is strong and emotional, but not delusional. She is strong enough to take failure, but not strong enough to take hurt. Her family means the world to her and while she is extremely honest, she is often misunderstood. Over a cup of coffee, ahead of her upcoming film Ekkees Toppon Ki Salaami, she talks to Bombay Times about her love for her parents, her reasons for feeling lonely and how becoming a Miss India changed her life forever. Excerpts:

Talk about your journey to become a Miss India?
I was born and raised in Kerala, as my dad was from the navy. So I have pretty much grown up around jelly fish and jumping in the ocean. I moved to Delhi later when my dad got posted there. My life's ambition was to do History or Political Science so that I could get into the IAS as that is what my dad wanted. And my life's ambition was to get that extra half-an-hour of sleep so I decided to not go to Delhi's North campus and instead go to Jesus and Mary College just for that extra sleep that I could manage. While in college, I started doing theatre with Shiamak Davar and Roshan Abbas.We were doing a musical and guess who my dance instructor was? It was Shahid Kapoor. He always thought that our group of girls were the most notorious ones. Shahid was extremely reserved and focused only on teaching. Then I modelled for a little bit and went on to doing a Japanese movie. I started getting modelling assignments. The first one was directed by Pradeep Sarkar with Shoojit Sircar as its executive producer. I then did a television serial directed by Tigmanshu Dhulia with Randeep Hooda as my boyfriend in the serial. I remember I had just got my new car after making some money from modelling and he would say, 'I am from Australia. Put on the air conditioning.' He was adorable and we now laugh thinking about that. Randeep is politically incorrect and I like that.

Actually, I like people who are politically incorrect as I see a bit of myself in them. I don't get along with correct people as they worry me. We are human, not God. I love flaws and imperfections. In 2000, my mom saw this application for Miss India and suggested I participate. We applied and got a call and went for our auditions to this 5 star hotel. By the end of our third round it was really late and all these girls said, 'We are not going to eat and the waiter came with these club sandwiches and cold coffee. It looked awesome. I thought to myself, 'Wow, you get to have club sandwiches in the Miss India contest.' So I grabbed two club sandwiches and two cold coffees and that was probably the yummiest sandwich I ate in my life, but that was also the last time I ate one 12 years ago. After that you become so conscious and so aware and I constantly live these two lives. There is always this one Neha battling with the second Neha. There is one part of me that everyone wants me to be and the other part that is laidback that understands that there is only one life. Anyways at the Miss India finale, I was the dark horse, but I won. I still remember Akshay Kumar and Preity Zinta were the judges and when my name was announced I could see them jumping high, as they had been rooting for me.

What did it mean to be a Miss India?
It was the best year of my life. I had no idea that this kind of a world and life existed. Overnight from some one who was just an ordinary girl playing sport and hanging out with the boys living in my track pants for 20 years of my life to become a high heels business class passenger, living in suites, I was thrown and taken aback. I still remember, we were in a double room in a 5-star hotel in Hyderabad, where the finale happened. My bags were moved the night I won into a suite. I woke up the next morning and opened the papers and it was me. I could not believe it. It was a big deal. I had put the rim of the tea cup by mistake on my photo and it left a mark on my picture. I wasn't sure if I would get another paper. I quickly called up house keeping and asked them for another paper if they didn't mind. They said, 'Ma'm, you are on the front page of the Times of India. We will give you 10 copies if you want.' We then had to go to Delhi the next day and it was so embarrassing for me when I cleared security as my bag was full of only copies of the newspaper carrying my picture. I had taken a copy for everybody as I didn't realise that it had come everywhere. I gave it to my mom and asked her to put it in the suitcase. It was life changing. I then went on to competing for Miss Universe where I reached the top 10, but lost the title.

What did you go through emotionally?
In one year of my life, I had seen what victory and defeat can do to you and how temporary everything is. From a girl, I became a woman. I moved out of home for the first time to Mumbai. My parents were brave and never stopped me, at the same time they knew I had my head between my shoulders and would never do anything to embarrass them or myself. I took my little apartment in Yari Road and for the first time the door bell rang, where first the newspaper would come, then the milk, then the maid and I knew that life had begun. I got my first film Qayamat thanks to Gracy Singh, as she did not show up on the set and thus was fired, as they told me. So they were looking for a girl who could do a water scene in a bikini. I owe my career to Gracy. When I was growing up, I would tell my mom, 'The moment I have one lakh in my bank account, I will retire.' Before I got my first film I would tell her, 'When I do one movie with a megastar, I will retire.' But you know what, I realised that it just doesn't work like that.

Will you get married?
Eventually yes, but not at the moment. I was in a really fine relationship some time ago, but had to give up only due to the long distance. It's only when my relationship was slipping out of my hands that I wished that I was working in a bank so that I could have moved to Washington DC without thinking twice.

Do you feel lonely at this point in life?
Yes, there are days when I feel very lonely. I feel that I should have someone in my life and I shouldn't have to think of just what is the next piece of clothing I will wear at the next event or the next film I should chase... it's never going to end. Everyone, who is living in this city, is just running and half of us don't even know what we are running behind. I am in that unfortunate list of people and so is my entire industry. Being in this industry, you experience so much as we get bashed so publically that even a relationship break does not hurt you as much as it would normally. It's not easy. You could develop a small tumour that you could throw out sometime or if it grows, you may explode someday.

Who are you most attached to?
My parents. I don't remember being an easy child, was always mischievious with a lot of friends, creating ruckus all the time. I always had more male friends than girl friends.I was always with the boys and wanted to play sport and become an athlete. My dream was to wear an India jersey and walk in an Olympic squad and bend down and get a medal. If my heart was cut into two, there would be my mother on one side and my father on the other. I am such a family person. They are both my biggest strength and my biggest weakness. The one thing that my father doesn't like about me is that I fly off the handle, but he knows that I mean well. I say sorry to everybody. Sorry , please and thank you are my favourite words. I am very turned on by well-mannered people. I am not delusional at all. I can be happy in any situation, but need to improve my decision making ability. I feel that I am ambitious but haven't fought hard enough. I took the best of what I got. As much I love being in the industry and that's my disclaimer, most people here love to preach. Oh, you should do this and don't do this. If you don't have anything for me, just say so. Don't give me this filmi jargon. I have been caking my face since 1998. Don't tell me what I should do or shouldn't. I am a girl who came from nowhere. I have had no sugar mamas and sugar daddys. Whatever I have done is me.

And I am so proud of myself and at the end of it, at least I have slept well as it has been a very respectful journey. And that's the most important thing. I remember when I had won Miss India and returned home and I saw my dad. He had not answered any call, had not put on the TV, not opened the paper as he was waiting for me to return. He is a fauji man, but is so weak hearted when it comes to me. His phone kept ringing again and again but he didn't take it though he knew it was good news as he wanted to hear it from me. He knew how much I had invested in it and wanted to just see me happy. My dad had never seen snow in his life and he always wanted to. We went for TOIFA last year and I was able to take him up to Whistler for him to see snow. I saw him cry with joy. He was like, my little child has made me do this and gave me his hug. At the end of it, when you feel it is all coming to an end, these are the flashes that stay in your head. They go anywhere and feel so proud of being my parents. It is very hard sometimes to just sit around waiting for that hug. That is what this city doesn't give you. It gives you everything but at the end of the day, just doesn't give you that hug.




If you ask David Dhawan for script, the phone would immediately cut-Divyendu Sharma


Priya Gupta (BOMBAY TIMES; October 5, 2014)

Divyendu Sharma, 31, is soft-spoken, bright and honest. While dumbness triggers anger in him, he himself is aware that he is not that open when it comes to expressing his emotions to the outside world. He made his debut with Pyaar Ka Punchnama and is now playing the lead role in the father-son story with Anupam Kher as his father in Ekkees Toppon Ki Salaami. Over a cup of coffee, he talks to Bombay Times about his struggling years, the fun he had working with David Dhawan and why he loves his parents the most in the world. Excerpts:

How did you come into films?
I was born and brought up in Delhi and was always interested in acting and was pathetic in studies. In class X, I scored just 49% so had to settle with taking Arts in Class XI. But with Arts, something special happened. I suddenly started liking studies and life changed without having to do Physics and Maths and Chemistry and Biology and I suddenly became a very good student. I passed Class XII with 84%.My father could not believe it, so much so that he asked if I had faked my marksheet. I had started liking Political Science so much that I took up Political Science honours in Kirori Mal College (KMC) during graduation. KMC became the most important step in my life as I joined the theatre society there called 'Players'. I really enjoyed it and was really good at it and it became clear that I wanted to be an actor. I applied to both NSD and FTII and got through both, but chose FTII as I wanted to do films as against theatre and came to Pune. I passed out in 2006 and came to Mumbai and my struggle began. I struggled for about three-and-a-half years before I got Kumar Mangat's Pyaar Ka Punchnama and then David Dhawan's Chashme Baddoor.

Talk about those struggling years?
Financially  during those years after coming to Mumbai, I would support myself doing small plays for corporates or doing one ad here and there. We were four of us from FTII, sharing a two-room rented place in Goregaon. One of my friends was in editing and one from sound, so I would sometimes assist them to make little money. There were, of course, some very bad days when you knew that you couldn't spend more than a certain amount for a meal. There was this small restaurant called Corner Darbar, where you could get mutton with four rotis at Rs 32, so I settled onto a budget of  Rs 32 per meal. That's what I needed to manage. My older sister has always been supportive and in fact, my brother-in-law treated me like a son and would always help out, but you can't keep asking your sister for money. I could never send her money for any rakhi, in fact, she would send me money. Till date, my sister doesn't accept money from me, even though I am now earning well but for her, I am still her younger brother.

Were your parents supportive of your decision to take up acting?
My father is now retired, but used to work in the ITDC-owned Hotel Janpath. While my mother always supported me, they were a little apprehensive of me wanting to become an actor, coming from a middle class background where financial security is important. But my dad also knew that apart from this, I was not good at anything else and after I went to FTII, he became clear that I was only going to pursue acting. I love my parents the most in the world. They have always been with me through thick and thin. If I had a son and I was in a government job and he told me he wanted to be an actor, I would have found it very difficult to accept that, but he did. There are not just financial pressures, but also societal pressures where relatives ask you all kinds of questions of allowing such a choice. To face those questions is a challenge. I would always hide my struggle from them and spoke to them with a smiling face so that they would feel that I am managing. For myself, I could have struggled even five more years, but I could not break their heart. So when I got my first debut award for Pyaar Ka Punchnama, it was for my mom. And I told her, 'Mom, this is your answer to society.'

Who is your emotional anchor?
Now, my wife Akanksha. I met her in college and we were just best friends for 6-7 years till love actually happened. We got married just after Pyaar Ka Punchnama. I realised how much I missed her in Mumbai. Actually, I had liked her right from the beginning, but did not confess earlier as I was scared about losing my friendship with her that I valued a lot. Her father is from the police and mother, a doctor, so I was scared that if something wrong would happen, they would suppress it both medically and criminally. I like her silences as she doesn't talk too much and yet she is so receptive. During my struggling years, she did not once give me advice on 'Tu body bana le or portfolio banale.' She would only say, 'I have faith in you.Keep at it.' There are bad days when I would call her and say, 'It's all very bad out here. It just doesn't work on merit, you know.' I would have given a very good audition and knew from the eyes of the person taking it, but yet, I would not bag the role. It was very frustrating. Parents usually complain that their child is not working. But in my case, it was the opposite, where I wanted to work, but was not getting work. Akanksha likes my honesty and good looks, but she would like me to express myself more. I am a very open and very light-feet person with my friends, but very reserved with outsiders or even my parents. I don't really show my emotions in real life, but I am working on it.

Your experience of working with David Dhawan in Chashme Baddoor?
Chashme Baddoor was a paid holiday. Working with David Dhawan sir is one of the things to do in every actor's bucket list. David sir does not have the habit of giving an actor his script. If he called you and you asked him, 'Sir, script?' the phone would immediately cut. He told me, 'See Divyendu, there is nothing in my film that you need to prepare at home for and come. I will give you the scene on set. You do it however you are getting the feel of it, baaki main hoon na.' In his film, I felt that someone has sent me to hit runs in the slog overs and I hit it. I really enjoyed it. He is also from FTII and was like my proud father on set.

Any bad experiences?
I realised that in school till Class X, I was a bad student. Suddenly in Class XI, I became a good student. I went up when I went to college when I got appreciated for my theatre and my political science. I went again ahead after getting FTII that had again started their acting course after 28 years with my batch. I then came to Mumbai and was down. I auditioned for a big production house and landed myself the role of the main villain. The director handed me the script. I was terribly excited and every day, for a month, I would prepare for it till it dawned on me that no one had got back to me after being selected and that there may be a problem. I cannot forget my walk back into the director's office. The look on the faces of everyone told me there was something wrong and the director told me how I had been replaced by the producer. I had realised by now that there was a pattern to my life and that I should just put on my seat belts waiting to fly, now that I was down. I got selected for a Virgin Atlantic ad, in which I played a sardar from where the makers of Pyaar Ka Punchnama saw me, auditioned me and I was selected. I was always told that in the industry, the script is more than a cheque. But due to that one incident, every time I get a role, I am always scared till I actually do the film. I am now looking forward to Ekkees Toppon Ki Salaami, where you will see me in a serious drama role as against comedy that I have done so far.




Joy of being in politics and acting is that there is no age limit-Anupam Kher


Chandna Arora (BOMBAY TIMES; October 4, 2014)

"I've been typecast as an honest man, and this is the only kind of typecasting I don't mind,“ says Anupam Kher, getting ready to, therefore, give some straight, honest answers. This is in reference to his upcoming film Ekkees Toppon Ki Salaami, in which he plays a scrupulously honest municipal worker who gets embroiled in a corruption case, which kills him -and that's just where things begin. Otherwise, says Anupam, honesty is what he lives by, since he finds it “exhausting“ to be dishonest or fake - and he's quite honest about his political beliefs. “I feel honesty has to have a face. If Modiji (PM Narendra Modi) at this stage is the face of aspiration, similarly in cinema, Balraj Sahni was associated with honesty ... There is so much corruption, but when they want a symbol of an honest man, without sounding boastful, they think Anupam ko le lete hain, aaram ho jayega,“ he says. Excerpts from the ensuing thrust and parry:

In this typecasting as an honest man, aren't you often cast as a helplessly honest man?
An honest man is always helpless, because it's been cool to be dishonest. But I always say, it's cool to be honest today. I believe in it - a triumph is always about a weak, honest man who triumphs in the end. Honesty does not have a majority.

Speaking of honesty and majority, why didn't you contest the elections (his wife Kirron did for the BJP and became the Chandigarh MP)?
I'm very happy doing what I'm doing; I don't think I'm prepared to devote my time to politics. When I am, I'd like to give it 100%. I'm not in the frame of mind, and I'm too greedy an actor to do that. In my own way, if I go for a debate, I speak the common man's point of view, even though I'm seen as a high-profile actor. I'm also an eternal optimist. I'm not an escapist - I do understand a situation, so I always feel there's a possibility of goodness in life. I'm not a cribber, or someone who criticises. People who criticise are not doers. I'm a doer. Therefore, I'm proud of a PM who comes across as a doer. Within these 150 days, people can go to town saying, 'yeh nahin hua, woh nahin hua', etc, but I have great hope.

You say you're an optimist, a realist, a doer. Then why not get into politics to effect the change you want to see?
When I feel I have the time, I'd like to give 365 days to it, (do) what Kirron has done - she's almost settled there now. But I'm mentally greedy as an actor. I have just discovered, in the last three-four years, what kind of person I am. I think when men and women reach their early 50s - and this is my own theory - you either like yourself or you don't. I like myself.

You've discovered yourself now, after all these years?
Because I have a great sense of wonder about life. I don't take it for granted. I'm not a stereotype who has set answers. That's why I have no set answer for your politics question - what I'm saying is the truth. I'm too excited about wanting to direct, writing a film. I have discovered now that I can relax as an actor. I don't have to constantly prove ki kuch kar ke dikha deta hoon. I now have the security of an actor. Initially, mujhe lagta tha yeh bhi kar leta hoon, woh bhi kar leta hoon - I was walking fast nowhere. Now, I'm walking slowly somewhere. If you like yourself, there are so many things to be done, and you take your own time. I'm just at the interval of my life. I have many years yet to do politics. But the joy of being in politics and acting is that there is no age limit - you should just have the intention of doing things.

Actors in the film industry are usually wary of expressing their opinions on the issues of the day, politics especially. Is it a function of this new-found security that you've been speaking out and getting involved?
That's not true - it's not just now. I've always been the most vocal person socially about things that I feel are important. I was one of the only actors who stuck his neck out for Anna's andolan, or when I felt Kejriwal was wrong about certain things. The best thing about life is that you can be yourself -it's the easiest and the most difficult thing. Maybe I grew up in a family where people said what they felt. That doesn't mean I have to hurt somebody, but I think the burden of camouflaging is too much. (You keep thinking) 'What do I want to say? But I shouldn't say it, but no...' Why no? It's perfect, it's alright. People who pretend, don't like themselves. That's why , they want to be somebody else.

Is this confidence the reason why you engage now in a public debate?
No, it's because I'm not afraid of failure.That's my biggest strength. Only fear of failure makes you do things you don't want to do. Ten years back, I did a play based on the disasters of my life, called Kucch Bhi Ho Sakta Hai. That play took away the fear of failure from me, because I was telling the world what was wrong with my life. You're telling the world my left leg is thicker than my right, I'm bald, or I can't speak English as fluently or with the correct pronunciation - then people have nothing to frighten you with. Your shortcomings are shortcomings only if you feel they're shortcomings.

But this doesn't happen consciously. I've been able to analyse it over the years and can talk to you about it. The fact that I was 28 and did a 65-year-old man's role (in Saaransh), apart from the necessity of getting work, means that many years later, people say, 'He was 28 when he played a 65-year-old man's role!' Strangely now, they tell me, 'toh same lagte ho itne saare saalon se'. Same lagoonga na, main toh reversal mein jaa raha hoon. Log 28 se 65 pe jaate hain, main toh 65 se peechhe ja raha hoon! Famous people are frightened people.

Of what, losing fame?
That is always there. In this profession, failure and success are very public and visible. You're very fragile, insecure, and I don't blame people for it. But I came from a lower middle-class family, and I'm giving an interview to a big paper in a car and the AC's working and I'm talking about what a success I've made of my life - what else does one want? Life is beautiful! It's a lethal combination of being optimistic and not having a fear of failure. I'm at the top of the world.

How does being famous change a person's political outlook?
First of all, I love to be famous - to be recognised, I love people's love, giving autographs, photos, seeing my pictures in the paper, etc. That excitement is always there and remains. But that does not change my political outlook - I react from my heart. If at some stage, I feel the ruling government is doing something wrong, I will speak about it. I spoke about it when Congress was in power, when I joined Anna's movement. It's not easy to be in the profession I am and take on the government. The fear of vindictiveness is there - a raid... Uss waqt mere ghar pe pathrav bhi hua tha. But it was so comical. Those 60 people who came to throw stones at my house - I sent my manager and my team to shoot them (on film) and at some stage, I will screen this - the main leader was saying, 'Anupam Kher zindabad! Anupam Kher zindabad!' Suddenly someone from behind shouted, 'Arre ullu ke patthe, murdabad bolna hai.' It was then that he said, 'Anupam Kher murdabad!' That was the most amazing thing. That's why I also look at the comic side of every situation in life. Things can change and I'm passionately vocal about it. I'm not a cribber, but I'm also a teacher somewhere - and teachers are also givers. I was very happy Modiji talked about how teaching is the most thankless job, apart from a mother's job. But in my profession, when you teach, you learn the most, because you discover what you know, and what you don't.

Practically, is there any scope for honesty in politics?
There is a possibility. The system has become so corrupt in the last 60 years. I say this without blaming anybody in particular... A friend was telling me, 'Yaar, log tang aa gaye hain Modiji se, time pe bulata hai'. It should be a good thing! 'Tang aa gaye hain, bahut honest aadmi hai' - yeh hamara pattern ho gaya hai. There is always hope that you can be honest, a doer, make things happen. Dishonesty is a shortcut. You should be known for the person you are.

Ghoor ghoor ke talks of the male gaze from the point of view of a woman-Ram Sampath

It’s all in the gaze
Roshmilla Bhattacharya (MUMBAI MIRROR; October 2, 2014)

The idea was to create a desi dance track that reflected the nexus between politics and Bollywood and is a significant turning point in Ravindra Gautam's upcoming film, Ekkees Toppon Ki Salami. Set in the villain's den, it has the heroine -- or even the vamp -- admonishing the Bad Man for ogling at her. Even as music director Ram Sampath was explaining the 'don't-be-a-lech' concept to his lyricist Sandeep Nath, the words, 'Yun na dekho saanwariya ghoor ghoor ke' cropped up in the conversation naturally, to become the mukhda of the song.

"Ghoor ghoor ke talks of the male gaze from the point of view of a woman secure in her beauty, feminity and ability. It was an empowered space to start from," points out Sampath.

On screen, Neha Dhupia is on a song, borrowing get-ups from timeless chartbusters. From Mr India's Hawa Hawai and Kaate nahin katate to Beta's Dhak dhak and Khal-Nayak's Choli ke peechey kya hai, from Satyam Shivam Sundaram and Sailaab's Humko aaj kal hai intezaar to Sholay's Mehbooba Mehbooba and Jab tak hai jaan, the actress swings to Sampath's beat with glee as Sona Mohapatra croons Tu prem nagar ka waasi, Main prem nagar ki rani, Maine pooye pakaye hai, choor choor ke, yun na dekho saawariya ghoor ghoor ke.

The music director is quick to point out that this is just the visual treatment, choreographer Pony Verma decided on with the director following endless discussions. "But before that, Sandeep with his amalgamation of pure Hindi words gave the song a semi-classical feel and a retro flavour that put it in a space distinct from today's uber-urban ditties," Sampath reasons, adding with a laugh, "I love the lines Nahi prem se badhkar rajpaath, Singhasan aur lok laaj, dhol lagte suhaane hai door door ke."

The laugh resonates in the tone of his composition too. "Sandeep has a fantastic sense of humour, so does Neha and her villainous co-star Rajesh Sharma. They've brought a tongue-in-cheek quality to the song that makes it really enjoyable without degenerating into slapstick," asserts Sampath, adding that despite its ponderous title, Ekkees Toppon Ki Salaami is a crazy ride with funny lines. "This is reflected in our song which is quirky but has lots of subtext."

He admits that the words came quickly and it was recorded fast, but the arrangements took time in his effort to not adhere to market trends but remain true to the territory and come up something unconventional than traditional.

Quiz him on his choice of singer and Sampath says, "Sona is a fantastic singer and she has brought thumri ki adaakari into Ghoor ghoor ke, stopping it from being just another item song."