Showing posts with label Cocktail 2. Show all posts
Showing posts with label Cocktail 2. Show all posts

The industry seems to put you in a box and then overuse it-Madhubanti Bagchi

(L-R) The singer with Usha Uthup. Pics/Instagram, Youtube
(L-R) The singer with Usha Uthup. Pics/Instagram, Youtube

Priyanka Sharma (MID-DAY; July 13, 2026)

It’s not common for a singer to bring out a chartbuster even as their last song is dominating everyone’s playlists. But that’s the kind of run Madhubanti Bagchi is enjoying at the moment. Her latest track, Jab Talak, from Cocktail 2 continues to make waves even as Shararat from Dhurandhar (2025) as well as her other numbers released years ago continue to be popular.

“It’s a fulfilling feeling for sure,” she tells mid-day, as she sits down for a chat about the industry’s tendency to pigeon-hole artistes and preserving her art in a business that over-relies on a few voices. Excerpts from the interview.

How did Jab Talak happen?
Jab Talak was recorded after the film’s first teaser was dropped. I am happy with the way the female part was composed. Pritam da is a magician. Who doesn’t want to work with him? It’s a dream for any artiste to sing a song composed by him.

It’s the latest addition to your streak of hits that began with Aaj Ki Raat. After that song’s success, you must have been flooded with offers of similar songs. How tough was it to avoid that trap?
It wasn’t difficult to say no to such offers. The industry seems to put you in a box and then overuse it as much as possible until you do something else. Then they will put you in another box. Before Aaj Ki Raat, my Heeramandi song [Nazariya Ki Maari] came and everybody saw me as a classical singer. When Aaj Ki Raat released, people jumped from ‘She is a classical singer’ to ‘She sings dance numbers’. As artistes, we have to think about the narrative we are going to set for the audience. Why would I restrict myself to [one genre]?

Arijit Singh often mentioned that there was an overuse of his voice. Is there a way out of the industry’s over-reliance on a few voices?
Arijit da’s problem is of a different scale altogether because he is so versatile. He is one of those artistes who plays a character when he sings. There was no other male singer [dominating the scene] since he arrived. Also, Bollywood music industry is male-dominated. An album will have five male songs, and at best two female-led songs. So, for 13-14 years, an industry is producing 90 per cent male songs, of which Arijit da is the only one singing. There will obviously be fatigue because he doesn’t have anybody to share that load with. Now, it’s time for the industry to find not another Arijit Singh, but five-six singers. His space cannot be taken up by one person.

How do you balance the independent artiste and playback singer in you?
First and foremost, I am a playback singer. My non-film journey started much later. As a playback singer when I sit with a composer, I like getting into the details of the song and character. For instance, if you have an outspoken character, the song’s rendition will be different from that of a shy character. But when I’m doing a non-film song, I’m being myself. These are stories from my own life. As a non-film artiste, there is no purdah between my audience and me.

No to remixes, but yes to ‘Ramba Ho’
Madhubanti Bagchi is admittedly “scared” of remixes, but she voiced the ‘Ramba Ho’ recreation for ‘Dhurandhar’ (2025). It earned appreciation not only from listeners, but also from Usha Uthup, who had sung the original.

“After the song released, I was stressed and wanted some kind of validation from Usha ma’am. So, I called her and sent her the song. Later, we made a video on the song. That reel went viral,” recalled Bagchi.

Being in a race with others is boring-Kriti Sanon

(inset) Deepika Padukone played Veronica in Cocktail (2012)

Actor Kriti Sanon reflects on creative risks determining her career choices, including Mimi, Tere Ishk Mein, and now Cocktail 2
Sonal Kalra (HINDUSTAN TIMES; June 25, 2026)

It began in 2024 and has continued well into 2026 — Kriti Sanon’s successful run at the movies shows no signs of slowing down. It started with Teri Baaton Mein Aisa Uljha Jiya, followed by the heist comedy Crew and a darker turn in Do Patti. 2025 brought the intense love story Tere Ishk Mein, and now, the breezy Cocktail 2.

When we point out that she seems content staying out of the rat race and away from social media rivalries, she says she is “actually very competitive”. She says, “When I see someone doing well, I feel like I also want to do well. Competition motivates me to do better. I feel like it also comes at a certain point in your career that you have a sense of security with yourself.” Things changed for the better, especially in 2021, she adds: “The validation that Mimi (2021) gave me, whether from the audience or through the National Award, made me feel like I had finally proved my talent and could now explore more... I am very critical of myself. So, I am always wanting to do better than what I have done before. It’s boring to be in a race with someone else and it just doesn’t give you peace.”

For Cocktail 2, have you received more compliments for your looks or your performance?
It’s a mix of both. I think any actor craves for that moment and day. Fortunately, this is a role that is very glamorous but also has its layers. I got lucky.

With sequels comes the pressure of matching the original. Does the positive response to Cocktail 2 feel especially rewarding?
I knew that there would be comparisons, and thankfully, this was not a sequel but a franchise. It’s just the vibe of Cocktail (2012) that was being taken forward in Cocktail 2… and the fact that it was one boy and two girls. Apart from that, there was absolutely no similarity; the story and the conflicts are completely different. I feel like Ally, my character, was not Veronica (Deepika Padukone’s character in Cocktail), and that’s what excited me. If I were doing a remake, then I think the pressure would have been way more.

One thing that is absolutely similar between you and Ally?
At the end of it, we all want to be loved, so I feel that’s a similarity. But I also feel even though she is really bindaas and free-spirited, in her heart, she really cares. The empathy part of it was interesting for me, and I connected with it.

Whose compliment after the film has touched you the most?
There have been so many coming from everywhere. Whether it’s Sajid (Nadiadwala, producer) sir or Sabbir (Khan, director) sir, who have seen me in my debut film Heropanti (2014), and now after this journey of about 12 years, playing a role like this; both sent me long, lovely messages. That was very emotional because when I did Heropanti, I was a baby who knew nothing and just learned everything on the job. The only thing that hasn’t changed is that I used to ask a lot of questions back then. And I am curious even now.

With each project, you’ve pushed yourself further. While success gives freedom to take risks, does it also make you cautious because there’s pressure to keep everything going well?
That also happens where sometimes it’s like, ‘Oh now I don’t want to spoil it, it’s a good run going on,’ But when you try different things like when I did Mimi (2021), a lot of people told me ‘Why do you want to play a mother right now’ or ‘Surrogacy is such a serious topic’ or ‘It’s too soon to take something on your shoulders’. The fact that I didn’t listen to it and went with my gut feeling gave me what it did (her first National film award).. So, that made me feel that okay, ‘I need to feel it from inside’. I need to really feel hungry towards doing a certain film. I need to feel challenged by the character and not repeat myself. When Tere Ishq Mein (2025) happened, it was such an intense film; it was emotionally and physically draining. As an actor, by the end of that film, I couldn’t do another intense project immediately. Fortunately, I had Cocktail 2 that came to me, and I was like, ‘This is a breath of fresh air and I would love to do this next.’

With so many different films working at the box office now, do you think audiences have always just wanted good stories, regardless of genre?
Yes. Aapko agar ek hi tarah ka khaana baar-baar denge toh aap bhi bore ho jaoge na? So, as an audience also, you want different kinds of cuisines and different genres of films. I think what we started thinking is ‘Oh, action is working. So, let’s make action films.’ But at the end of it, people want something that is engaging and different for them to not wait for the film to stream on OTT. People should have FOMO, ‘we have to go to a theatre and see it’. That experience needs to happen. Earlier, when OTT was not there, it took six months for a film to come on TV. So, there was a little more urgency to watch it. Now, mediocrity is not going to work.

What’s coming up next for you?
I am excited to find a script. Genuinely, I have not signed anything, and I am not in a hurry. Right now, quality over quantity for me, for sure.

An upcoming film that you are excited to watch?
Spider-Man: Brand New Day is coming. I’m excited about that. Dune: Part Three, too. Then there’s Eetha. Laxman Utekar sir is directing, the teaser is fab. It’s Laxman sir in his full element and avatar with Shraddha (Kapoor, actor). It looks very powerful.

Is marriage on the cards for you?
That will happen when it happens. I am not in a hurry. I think everything has its own time.

Fenil's Bollywood Talk # 940


WILL WELCOME TO THE JUNGLE EMERGE AS ANOTHER HIT FOR AKSHAY KUMAR AFTER BHOOTH BANGLA?

From today, 7:30 pm onwards, the paid previews of Welcome To The Jungle will begin across the country. The film has been in the news ever since it got launched, thanks to the popularity of the series, mainly the first part. Moreover, the film is arguably the biggest multi-starrer of all time.

Welcome To The Jungle stars Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan, Late Pankaj Dheer, Puneet Issar, Sudesh Berry and many more. It is directed by Ahmed Khan, while the first two parts – Welcome and Welcome Back – were directed by Anees Bazmee.

The teaser and trailer of Welcome To The Jungle have been entertaining and it looks like a grand, fun-filled entertainer. However, the challenges remain. The trailer hasn’t wowed the audience. The songs, though quirky, have not worked as intended.

As a result, as it usually happens, people have decided to wait for the response and then book tickets. This is also reflected in the advance sales, though the bookings until now are decent. There was hope that Welcome To The Jungle would emerge as Akshay Kumar’s highest opener by crossing the earnings of Mission Mangal (Rs. 28.45 crores). However, it seems like it's not going to happen. At best, the hope is that the film will open in the range of Rs. 17 crores and Rs. 20 crores on Friday. As for paid previews, Bhooth Bangla collected Rs. 3.50 crores and Welcome To The Jungle should aim at crossing this figure.

Meanwhile, Main Vaapas Aaunga collected more than the first week’s collections in the second weekend. While Week 1 earnings were Rs. 11.23 crores, its second week collections were Rs. 11.50 crores. It is rock-steady on weekdays as well. The film is expected to cross the Rs. 30 crore mark by the end of its second week.

As for Cocktail 2, it opened at Rs. 12.25 crores and went on to earn Rs. 15.50 crores and Rs. 16.50 crores on Saturday and Sunday, respectively. But it dropped to Rs. 5.25 crores on Monday, while Tuesday's jump was limited, when it earned Rs. 5.50 crores. The film has earned Rs. 55 crores in 5 days. As of now, a lifetime of Rs. 100 crore seems like a remote possibility.

(Crisp) Movie Review: COCKTAIL 2 by FENIL SETA


Cocktail 2’s trailer doesn’t reveal the exact story and that works in the film’s favour. There are moments that border on bizarre, but director Homi Adajania treats them convincingly and hence, one goes along with the developments. Along with writers Luv Ranjan and Tarun Jain, he avoids taking the conventional route during confrontational scenes and instead adds quirk to such moments, which comes across as a breath of fresh air. Yet, the film is not shallow and the climax proves it. On the flipside, despite the best efforts, the film does get silly at places. The pre-climax is weak and leaves viewers wondering where the film is headed. Also, Kunal’s character is not fleshed out adequately and we don’t fully understand what makes him the way he is. Speaking of performances, Kriti Sanon steals the show. This is her best performance after Mimi and hopefully, the film gives her career the kind of boost that Cocktail did for Deepika Padukone. Shahid Kapoor is presented in a dashing avatar and, as expected, delivers a smashing performance. Rashmika Mandanna gets somewhat overshadowed but there’s no doubt that she puts her best foot forward. Tiku Talsania has limited screen time initially but leaves a mark later on. The songs are well-wovem into the narrative and ‘Tumhi Ho Bandhu’ in particular arrives at a crucial juncture. All in all, Cocktail 2 is a breezy, fun-filled entertainer.

My rating - *** ½ out of 5!

Fenil's Bollywood Talk # 939


WILL COCKTAIL 2 MANAGE TO OPEN BETTER THAN COCKTAIL?

After two weeks of multiple releases, the next two weeks will see just one major Hindi film trying its luck at the box office – Cocktail 2. Like any other Maddock production, the romcom has been extensively marketed and is constantly in the news.

Cocktail 2 stars Shahid Kapoor, Kriti Sanon and Rashmika Mandanna and is directed by Homi Adajania. The songs are peppy while the film’s promos promise a vibrant, youthful entertainer. For many months, there were murmurs that Kriti and Rashmika play lesbian lovers. However, they recently clarified at an event that it's not true. One song from the film, ‘Mashooka’, has especially worked well and is big on Instagram Reels.

However, the film faces some roadblocks. While there’s excitement for the film, a section of the audience will prefer to wait-and-watch, that is, go through the response and then book tickets. The film’s ‘A’ certification has raised eyebrows. It won’t affect business, as proven by Dhurandhar and Dhurandhar The Revenge that adult rating is no more a roadblock. However, viewers are curious why such a rating has been given to a film that doesn't seem really adult.

Cocktail 2’s advance booking is decent and is expected to have a double digit opening if collections jump as intended in the evening and night shows. The first part, Cocktail (2012), starring Saif Ali Khan, Deepika Padukone and Diana Penty, opened at Rs. 10.47 crores. The aim of Cocktail 2 would be to go past this figure. With limited competition from holdover releases, the film should then aim for a Rs. 45-50 crore weekend.

Meanwhile, Haunted – Echoes Of The Past emerged as a surprise last week. An opening of Rs. 1.50 crores was considered the best-case scenario pre-release. But it went on to collect Rs. 2.25 crores and is the best-performing film of the week. The weekday trend is weak. But the job is done and it’ll the end Week 1 with earnings totaling Rs. 14 crores.

On the other hand, Main Vaapas Aaunga was expected to take a Rs. 2-3 crore start. Sadly, it opened at just Rs. 1.10 crores. One expected the collections to double on Saturday and Sunday. That didn’t happen and the film collected Rs. 1.85 crores and Rs. 2.50 crores respectively.

Thankfully, the Monday hold was strong, when the film collected as much as on Friday. On Tuesday, due to the discounted rates, collections jumped to Rs. 1.50 crores. On Wednesday, the earnings should have come down. Instead, the film collected Rs. 1.75 crores. The film is expected to collect around Rs. 11.50 crores in Week 1. It needs to earn as much or more than Week 1 to come out with some sort of respectable collections.

Pune fan frenzy crashes Cocktail party; Shahid Kapoor’s clothes torn

(L-R) Shahid Kapoor, Rashmika Mandanna, and Kriti Sanon in ‘Pune’. Pic/Yogen Shah

Mohar Basu (MID-DAY; June 15, 2026)

What was meant to be a high-energy promotional stop for Cocktail 2 in Pune reportedly descended into chaos after an overwhelming crowd forced organisers to cut the event short.

Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna were scheduled to spend nearly 40 minutes at Phoenix Market City in Viman Nagar on Friday (June 12), but the appearance reportedly lasted barely 10 minutes after fans broke through barricades and surged towards the stars.

“It became impossible to control the crowd within minutes. People started pushing from all sides and barricades gave way,” an eyewitness told mid-day.

Another witness added, “The actors could barely spend any time on stage. Security immediately stepped in and to move them out once the crowd surged forward.”

Sources claim Shahid’s clothes were torn in the commotion as security personnel rushed the trio to safety. “There was a lot of screaming and pushing. Fans were trying to get as close as possible to the stars. The security team looked overwhelmed for a few moments,” said another eyewitness.

The frenzy reportedly led to traffic snarls around Viman Nagar and Nagar Road, with crowds continuing to gather even after the actors had left. Insiders say the team has since increased security for upcoming public appearances.

“More security personnel are expected to be present with the actors during future promotional events,” a source said.

Kriti’s sister act
Amid the chaos, a video that surfaced online showed Kriti Sanon holding on to Rashmika Mandanna and guiding her through the crowd as security struggled to create a passage. Netizens praised Kriti’s protective gesture, with many likening her to an “elder sister” looking out for her co-star.

Aneet Padda's Shakti Shalini enters its last leg of shoot; makers eye January 2027 release

Aneet Padda

Mohar Basu (MID-DAY; May 17, 2026)

Like Shraddha Kapoor aptly pointed out, Aneet Padda is the perfect blend of cuteness and acting, but that doesn’t mean she lacks fierceness. The ‘Saiyaara’ breakout star is reportedly playing both a goddess and a demoness in Maddock Horror Comedy Universe’s (MHCU) ‘Shakti Shalini’. After months of gruelling shooting that began in March this year, the film has now entered the final leg of production.

The current outdoor schedule is expected to continue through May, with the team aiming to wrap principal photography by the end of the month before shifting focus to post-production and VFX work. The makers are in no hurry to lock the release date yet.

A source close to the film says, “The idea is to finish the film properly and then spend enough time on the VFX. If everything goes as planned, they’re looking at a January 2027 release.”

Since Sanjay Leela Bhansali’s ‘Love & War’ is scheduled to release on January 21, the source says, “The makers are tentatively looking at the first half of the month. [But the final] call will be taken post the release of ‘Cocktail 2’, from the same stable.”
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‘Shakti Shalini’ marks a reunion for Aneet Padda and Vishal Jethwa, who previously shared the screen in the film, ‘Salaam Venky’ (2022)

Shahid Kapoor, Rashmika Mandanna, Kriti Sanon shoot peppy dance numbers for Cocktail 2

Shahid Kapoor, Rashmika Mandanna and Kriti Sanon shoot peppy dance numbers for Cocktail 2

Before a wrap up in January, ‘Cocktail 2’ cast shot a peppy number to balance the intensity of the film
Upala KBR (MID-DAY; March 29, 2026)

Before wrapping up its shoot in January, the cast and crew of Cocktail 2 shot a vibrant special number in Mumbai, featuring Shahid Kapoor, Rashmika Mandanna, and Kriti Sanon — bringing a splash of colour to an otherwise dark, edgy narrative.

“Cocktail 2 is about love, betrayal, and revenge. The two girls — Rashmika and Kriti — have more layers to them. To lighten the intensity, there are lots of peppy dance tracks,” informs a source close to the production, adding that the setting of the song revolves around an engagement ceremony.

Composed by Pritam, the track is an original, and the team built a “huge house” in Film City for the number.

The trio also shot a final club song before the schedule came to a close. “Pritam has made some great stuff for this outing, including a peppy, fun, club song which features the three leads. We shot this in Film City,” shares the source, adding that the tracks were locked and ready before Mandanna’s February wedding with Vijay Deverakonda.

In O'Romeo, I was the heroine. Triptii Dimri used to take just 2 minutes to get ready-Shahid Kapoor

‘I DIDN’T WANT
TO DO A FILM
FOR A SMALLER,
INTELLECTUAL
AUDIENCE’

Shahid Kapoor has defined the conflicted hero. Now, he talks creative honesty, family validation and bridging the gap between mass and meaningful cinema
Sonal Kalra (HINDUSTAN TIMES; February 13, 2024)

Actor Shahid Kapoor has played brooding men before, but as O'Romeo releases today, he appears surprisingly at ease. Calm, measured, almost detached from the chaos his character brings to screen. Excerpts...

O'Romeo is your fourth outing with filmmaker Vishal Bhardwaj. Does the script even matter now, or when he calls, is it an immediate yes?
In spirit, I would say yes to the latter! But from a professional POV, no. I don’t think any artist can give themselves to something unless they connect with it. When the connection is not there, there is always something missing in the product. In O'Romeo, of course it’s the titular part; I play Ustraa. And with Vishal Bhardwaj, it’s always a world that he creates. Ustraa’s attitude is that of Romeo. If, as creative people, you don’t connect, it is wrong for you to do the film. If you won’t be honest, it is unfair for everybody else. I very much connected with this film. I had one preset in my head before I met him, and I was very clear that at this stage in my career, I don’t want to do a film that is too experimental or a film meant for a smaller, intellectual audience and not for a wider audience, who have a simpler mindset and whose approach to filmmaking is that they go to theatres to get entertained. There’s the cinema you love and the cinema that people love. The whole endeavour has been for years to find a Ganga-Jamuna moment between them, to meet a middle ground. This film is an attempt at achieving that; it’s meant for an intelligent audience but also very much like a typical, mass audience.

In terms of intensity, where would you rank Ustraa, alongside Haider and Kabir Singh?
I wouldn’t place him in the same space as Haider and Kabir. Ustraa is a very entertaining character. What’s unique about him is that he is dark yet soft, and can also be very funny. He is a complete laundiyabaaz, yet falls in love to a degree that he loses himself. He’s a gangster but scared of his grandmother, played by Farida Jalal ji.

You want to be thrown into something that challenges you. My scenes with Nana Patekar sir are also special.

Which sequence in O'Romeo was the toughest or made you feel proud?
The toughest real estate in this film was actually my body! It was covered in tattoos; it would take two and a half hours to put them on before I got on set. Triptii Dimri, my co-star, had a no-makeup look. I told her, “In this film, I am the heroine. Tu toh do minute mein ready ho kar aa jaati hai set pe!”

O'Romeo isn’t like a superhero film where 75% of the work is done by costume and VFX. Then we had action sequences at night. I had undergone major hip surgery during one such sequence. That was very challenging.

Whose approval matters the most once they see your film?
First, I need to be happy with what I have done, which is always a challenge. Even above me, it’s the filmmaker. If they are not satisfied, there’s no point to the entire experience. I should be able to add more value than they expected. For me, the filmmaker comes first.

Beyond that, I have a very talented family, whether it’s my mother Neliima Azim, father Pankaj Kapur, brother Ishaan Khatter, or wife Mira Kapoor. They support me unconditionally, and I am always curious to know their views. They’re all very different from each other.

How affected are you by social media today?
Anybody who says they’re not affected, I don’t know... I wonder if they’re living under a rock. But anybody who says it deeply affects them is putting themselves in a dangerous place.

When you go on social media, you don’t know who is writing, under what name, or under what circumstances. It’s important not to live in a bubble. People around you will praise you. You live a privileged life. But you don’t know what the wider audience feels. It’s a difficult journey. Open up, but be mindful of how much you allow to sit in your system.

Main hamesha yeh kehta hoon – aapke bolne ki aukaat honi chahiye, tabhi mooh kholna chahiye. Yeh maine bachpan mein seekha tha.

What trait angers you?
In this profession, people can be very dual-faced with stars. Saamne kuchh, peeche kuchh. I don’t like that. I respect people who disagree and have a reason for it. There are rebels without a cause. Then there are those who stand by what they believe. Honesty and authenticity are very important.

Do your kids know they’re children of a star? Do they watch your movies?
The minute their dad stops doing adult films, I guess! When he decides to do frothy stuff. The next one is Cocktail 2. I did Teri Baaton Mein Aisa Uljha Jiya (2024). What ignites me as an actor are shades that aren’t just white.

I wanted a movie like Cocktail 2, especially after Tere Ishk Mein, which was so intense-Kriti Sanon

Kriti Sanon on Cocktail 2: 'I wanted a fun film after the intense Tere Ishk Mein'

Upala KBR (MID-DAY; December 26, 2025)

“Happy, positive, fun,” rattled off Kriti Sanon, describing the mood on the Cocktail 2 set. Earlier this week, the actor wrapped up the shoot of Homi Adajania’s directorial venture, which teams her up with Shahid Kapoor and Rashmika Mandanna.

“I wanted a movie like Cocktail 2, especially after Tere Ishk Mein, which was so intense and heavy. I wanted to be in this light, fun, rom-com space. Things fell in place at the right time,” she said, smiling.

For Sanon, Cocktail 2 is a mix of something old and something new. While it reunites her with Shahid Kapoor after Teri Baaton Mein Aisa Uljha Jiya (2024), it also marks her first collaboration with Adajania.

Reflecting on working with the director, she said, “Homi has this fun energy and coolness that he brings to his characters and movies. He likes to find his characters. He does not want them to be perfect; he wants them to make mistakes and do things that real people do, and still be cool. It has been an absolute mad ride.”

Even as she looks forward to opening 2026 with the rom-com, Sanon is equally grateful for how 2025 shaped up. She had a sole release in Aanand L Rai’s Tere Ishk Mein, which crossed the Rs 100 crore mark in early December.

“When a film’s critical appreciation is combined with box-office numbers, that is the best thing anyone associated with the film can ask for.”

The movie may be widely debated for its depiction of toxic love, but to Sanon, it will remain special as it gave her Mukti.

Expressing her love for the character, she said, “Mukti has been one of my most layered characters to date. A lot is unspoken; a lot is [implied] between the lines and [through] the eyes. That’s where the character can come across as grey. But the fact that she is flawed makes her relatable. While shooting, Aanand sir told me, ‘My story lies in Mukti’s conflict and dilemma’.”

‘Cocktail 2’ reunites Kriti Sanon with Shahid Kapoor after ‘Teri Baaton Mein Aisa Uljha Jiya’. “It was amazing working with Shahid, since I was a human being this time,” joked Sanon, who played a robot in their first outing.

Shahid Kapoor shoots for Cocktail 2 in Gurugram amid high AQI

Shahid shoots for Cocktail 2 in Gurugram amid high AQI

Yashika Mathur (HINDUSTAN TIMES; November 16, 2025)

Actor Shahid Kapoor has now kickstarted the Delhi NCR shoot of his upcoming project Cocktail 2, co-starring Kriti Sanon and Rashmika Mandanna. We were the first to report that the Homi Adajania directorial will be shot in Delhi and Gurugram from November 11 to November 20.

Now we have exclusively learnt that the shoot is happening in premises of a mall in Gurugram’s Sector 58, contrary to reports that it has been delayed to December. A source tells us, “Yes, it’s true. Cocktail 2 is currently being shot in Gurugram. The premises of the mall have been secured for the shoot.” While Shahid landed in the city earlier this week, Kriti reportedly arrived two days back.

Several chaat and street food stalls have been set up to establish the scene. Also, a video of Shahid from the sets, donning a maroon shirt, has surfaced on social media.

Earlier, a source told us that the crew of the film has secured the sets to battle Delhi’s poor AQI. From air purifiers in vanity vans and rooms to wearing masks on sets, the production is going all out for a safe and productive shoot time. “There will also be water sprinklers on sets and they will be used every day before shoots to ensure a safe environment,” said the source.

The AQI in Delhi NCR remained on the severe category on Saturday, crossing 400 mark in several areas.

Cocktail 2 cast gears up for Delhi shoot amid high AQI

Cocktail 2 cast gears up for Delhi  shoot amid  high AQI

Yashika Mathur (HINDUSTAN TIMES; November 3, 2025)

Actors Shahid Kapoor, Kriti Sanon and Rashmika Mandanna are gearing up for the Delhi leg of Cocktail 2, which kicks off this month. We have learnt that the production team has made special arrangements for the outdoor schedule, with the Capital’s AQI crossing 300.

“Special precautions are taken, especially for outdoor shoot. Water sprinklers have been installed and will be used every day in the area for better air quality. Masks will be provided to everyone on sets. There will also be air purifiers in vanity vans and rooms where scenes will be shot,” a source tells us.

Contrary to earlier reports of a month-long shoot, the Delhi schedule will be from November 11 to 20, with scenes planned in Chhatarpur, Gurugram and other locations in South Delhi. The cast recently wrapped up the Europe leg of shoot.

Directed by Homi Adajania, the film is a spiritual sequel to his 2012 hit Cocktail, starring Saif Ali Khan, Deepika Padukone and Diana Penty.