Showing posts with label Chinmay Mandlekar. Show all posts
Showing posts with label Chinmay Mandlekar. Show all posts

Manoj Bajpayee to begin shoot for Governor in August

Manoj Bajpayee to begin shoot for Governor in August

Upala KBR (MID-DAY; May 23, 2025)

It seems Manoj Bajpayee has found a like-minded collaborator in actor and theatre director Chinmay Mandlekar. That explains why the actor is reuniting with Mandlekar for Governor, only months after he shot for the latter’s directorial debut, Inspector Zende. 

mid-day has learnt that the political thriller will go on floors by mid-August.

Said to be based on a real-life Governor, the film is produced by Vipul Amrutlal Shah. It marks Bajpayee’s first association with the filmmaker.

An insider reveals, “The movie is based on the life of a former Governor, who passed away last year. As the paperwork is currently in process, the makers are being hush-hush about the inspiration. Manoj and Chinmay will kick off the shoot in August. Over a 40-day schedule, they will film in six locations in Mumbai, followed by shoots in two more cities.”

Shah, who helmed Namastey London (2007) and many other films, developed the thriller’s concept before roping in Suvendu Bhattacharjee, Saurabh Bharat, and Ravi Asrani to pen the script.

Nathuram Godse’s speech in court was a reference point-Chinmay Mandlekar

Chinmay Mandlekar: Godse’s speech in court was a reference point

Chinmay says he relied on script and available material on Nathuram to prep for the role in Gandhi-Godse: Ek Yudh
Hiren Kotwani (MID-DAY; January 26, 2023)

For Chinmay Mandlekar, Gandhi Godse - Ek Yudh came out of the blue. He remembers being surprised when told that Rajkumar Santoshi wanted to meet him. Recounting his meeting, the actor says, “Raj ji asked where I came from and what I have done previously. After about 15 minutes of our chat, he asked, ‘Will you do it?’ Seeing my surprised look, he said, ‘I’m making Gandhi-Godse, and I want you to play Nathuram Godse.’”

The drama, starring Deepak Antani as Mahatma Gandhi, presents an alternate reality where the leader meets Godse after surviving the assassination attempt. While the film was to initially roll in 2020 summer, it kicked off only in September that year due to the pandemic. Santoshi is known to be fastidious about his research, more so when dealing with an intense subject that examines the ideological conflict between Gandhi and Godse.

Mandlekar — who was recently seen in The Kashmir Files (2022) — says that while the script was their guiding light, adequate prep preceded the filming. “There is a lot of debate [about the movie]. But the dialogues aren’t coming from Deepak ji or me. [Most of the dialogues used] have been said or written by Gandhi ji and Godse at some point in their lives. The main focus was to internalise those lines. For me, another reference point was Godse’s speech in court, which is now in public domain. It is about an hour long, and explains his psyche.”

During the trailer launch, Santoshi had revealed that he barred the lead actors from interacting with each other during the shoot, to maintain their on-screen conflict.

When asked about the director’s diktat, Mandlekar says, “That was only when Raj ji was around. Deepak ji is so sweet, you can’t not be friends with him.”

I sympathize with both Gandhi and Godse-Rajkumar Santoshi

Director Rajkumar Santoshi on his film 'Gandhi-Godse: Ek Yudh': Presenting both sides without being partial

Gandhi-Godse: Ek Yudh director says film explores conflicting ideologies of Mahatma and his assassin
Hiren Kotwani (MID-DAY; January 12, 2023)

How would the course of history change if Mahatma Gandhi had survived the assassination attempt? With Gandhi Godse - Ek Yudh, filmmaker Rajkumar Santoshi explores this alternate reality. The period drama imagines the Mahatma meeting Nathuram Godse in prison after his failed assassination attempt, thus exploring the conflicting ideologies of the two men.

Tell him that such a subject demands a balanced approach, and Santoshi says, “I sympathize with both Gandhi and Godse. As much credit as Gandhi got, he also faced allegations. To date, people ask why he couldn’t be more assertive about saving Bhagat Singh from the death sentence. Similarly, during his trial after killing Gandhi, Godse gave a statement in court, which was curbed for decades. Until recently, no one knew what he had said. I feel that was unjust to him. People should know what he had to say in his defense. The idea behind this film is to give a platform to Godse to express his viewpoint, and also to Gandhi to respond to the allegations. We are presenting both sides without being partial to anyone.”

Does he worry about irking certain sections of the population with the movie? “When people saw that I had Asghar Wajahat writing for me, they accused me of being a Leftist. I’m not siding with any ideology. I have made this film with honesty.”

The drama sees him return to direction almost a decade after Phata Poster Nikhla Hero (2013). Rumours were rife that Rajkummar Rao was initially considered for the film, which has been fronted by Chinmay Mandlekar and Deepak Antani. The director, however, clarifies, “I have always worked with stars. But I was clear that I didn’t want stars for this film. For Godse, I wanted a Maharashtrian actor who could speak Marathi lines organically. I opted for a Gujarati actor to play Gandhi.”

The January 26 release will lock horns with Pathaan, but Santoshi is unperturbed about the clash. “Our initial plan was to release it on October 2, but the film wasn’t ready then. January 30 marks Gandhi ji’s death anniversary, so we chose [the closest window].”

Rajkumar Santoshi returns after 9 years with Gandhi - Godse Ek Yudh

Digpal Lanjekar has planned an 8-movie series on Chhatrapati Shivaji Maharaj with me playing the legendary ruler-Chinmay Mandlekar

Third time’s a charm for Chinmay Mandlekar

Mandlekar, who plays Chhatrapati Shivaji in the Marathi film Pawankhind, discusses playing the historical character for the third time on screen
Upala KBR (MID-DAY; March 10, 2022)

It is difficult for a regional film to stand out, especially when it is released only a week ahead of Alia Bhatt’s Gangubai Kathiawadi, and Robert Pattinson’s The Batman, that released on March 4. However, Digpal Lanjekar’s Marathi film Pawankhind, which released on February 18, not only managed to woo the audiences, but is also expected to make Rs 30 crore at the box office by the end of the fourth week. The budget of the film was close to Rs 5.50 crore.

The period drama sees Chinmay Mandlekar reprising the role of Chhatrapati Shivaji Maharaj for the third time, after Farzand (2018) and Fatteshikast (2019). The film, based on a rear-guard face-off between Maratha warrior Baji Prabhu Deshpande and Siddi Masud of Adilshah sultanate, is only the third film in the franchise.

“The director Digpal Lanjekar has planned an eight-movie series on Chhatrapati Shivaji Maharaj with me playing the legendary ruler. After Pawankhind, the fourth film, Sher Shivraj will release on [April 29],” says the actor.

Taking up the role was a no-brainer for Mandlekar, who idolises Shivaji. He says, “The battle of Pawankhind has been lost in the mainstream media. The response to the film has been heart-warming. To play your own hero in films is an uplifting feeling.”

The actor, who was also seen in Hindi films, including Tere Bin Laden (2010), Shanghai (2012) and Bhavesh Joshi Superhero (2018), confirms that the makers are hoping to complete the next four films of the eight-film franchise in another year.

“Since the plan is to make a few more movies around the iconic character, we cannot be frivolous in our personal lives [because] even one insignificant thing can be picked up and blown out of proportion,” he says, adding that the rule, however, doesn’t apply when taking up negative roles.

“I can play any role that I want, even if it is completely opposite to what I play in the historical. Marathi audiences understand that this is a film; I am playing a character.” The actor is set to play the negative lead in Vivek Agnihotri’s The Kashmir Files that releases this Friday.

Please focus on the stage, not your phone, say actors after Sumeet Raghavan’s performance halt


Sumeet Raghavan also spreads the #NoMobileDuringPerformance message on social media, in reaction to unruly audience members
Anup Satphale (BOMBAY TIMES; June 14, 2019)

Actor Sumeet Raghavan recently stopped a performance in Nashik midway, due to mobile phone interruptions from the audience, during the play Knock Knock Celebrity. He followed it up with a post explaining his stand with the hashtags #ZeroTolerance and #NoMobileDuringPerformance. The incident however, is not the first time an artiste has had to resort to such an extreme measure.

Actors Vikram Gokhale, Chinmay Mandlekar, and many others have had to do the same. A few months ago, Chinmay halted his play Sukhanshi Bhandto Aamhi, when a man used his phone. “More than 18 times I’ve had to stop performing and request people to stop using their phones. This is a problem of basic respect towards an artiste, which unfortunately some of people don’t have,” he says.

Some artistes feel that it is usually older people whose phones end up ringing mid-performance. Despite facing such issues, veteran dancer Shama Bhate says that she has never stopped a performance. “We can’t just stop the performance. We have to keep calm and continue as it’s our duty towards loyal audience members.” Shama’s solution to the problem is mobile lockers at auditoriums. “There are many religious places where mobiles are not allowed and people do not object. Auditoriums too, should have such facilities,” she says. Theatre-TV actor Imran Khan (left) says, “It’s so unethical. I haven’t faced a situation like that, yet, but if it ever happens, I wouldn’t stop the act, but would definitely make him or her apologize to every one after the show ends. Or, I would give a pause and stare at that person so hard that he gets up and leaves.”

On the other hand, veteran actor Vikram Gokhale (right) has gone to the extent of telling people not to come for plays if they are more interested in their phones. “I used to make announcements in Hindi, English and Marathi. But despite that, I had to stop my plays midway, several times,” he says, adding, “I suggest theatre owners or associations use jammers in halls.” Citing an example, actor Subodh Bhave says that jammers have been used in the past during one of his plays, Kala Ya Laglya Jiva. “It was based on a serious subject and had a cast of two artistes. Such things happened during some of the performances and I had to stop performing a couple of times. After that some theatres installed jammers when the play was being staged,” he says.

Popular theatre personality Salim Arif says, “In the midst of an intense scene in the silence of the auditorium, a phone ring can switch you off as an actor. You can even go blank, as it disrupts the flow of your thought process. The ring cuts you off from wherever you are in your created mindspace.

Sumeet is not the first one to do something like this. “Actors like Atul Kulkarni and Harsh Chhaya have done this in my shows, too. It is extremely irritating and rude on the part of the audience, who, after repeated announcements before the show and in interval, don’t bother to check their phones and put them on silent mode. Each actor reacts differently when a phone rings. While deal with it by making a humorous comment and moving on, some get worked up and react with frustration and anger. But it is difficult to be oblivious to such sounds and continue.”

Speaking from the perspective of his audiences, director Prajakta Deshmukh says that using jammers or not allowing mobiles inside auditoriums is not a solution. “When I go as an audience member, I would feel insulted if someone asked me to deposit my mobile at the entrance. It is upto the audience to ensure they do not disturb a performance.”

Actor Priya Bapat, who recently turned producer of Marathi play Dada Ek Good News, asserts that it is the responsibility of every member of the audience to maintain decorum irrespective of age. “Even my baba doesn’t know how to switch off or switch on his mobile phone. But when I go along with my parents to watch a play, I ensure that I put their phones on silent. Similarly, youngsters among the audience can help senior citizens and seniors can ask for their help.”

Classical singer Rahul Deshpande who has performed in sangeet nataks, says that it’s ultimately in the hands of the audience and organisers can’t do much. He says, “I too have had to stop performances, but the best we can do is hope for the audiences to start respecting us.” And going by the fact that Sumeet’s recent show in Nashik last Sunday went on without any mobiles buzzing, it looks like audiences might finally be getting the point.

— With inputs from Rishabh Deb, Preeti Atulkar, Sushmitav Jha & Soumya Vajpayee