Showing posts with label Boss. Show all posts
Showing posts with label Boss. Show all posts
I feel extremely lucky to have two moms-Karan Kapadia
7:52 AM
Posted by Fenil Seta
Avinash Lohana (MUMBAI MIRROR; December 29, 2017)
Simple Kapadia’s son Karan was 14 when he confided in his actress-aunt Dimple Kapadia and cousin Twinkle Khanna that he wanted to act too. “They were initially surprised but understood that having grown up around their sets as a child, it was inevitable that I’d want to follow in their footsteps. They pointed out the risks involved and warned me I should be ready to work hard. And since then they have been very supportive and helped me get ready for the road ahead,” informs the 24-year-old actor-to-be.
He also reveals that he had earlier been obese at 112 kg but following regular gymming, he is now a fit and healthy 88. “I’ve learnt to ride a horse and the bike, I’ve been swimming and I trained in martial arts for six months in Bangkok,” informs Karan, who having learnt acting at the Jeff Goldberg Studio is now gearing up for his Bollywood debut to be directed by Behzad Khambata. It will be an action-packed entertainer, produced by Shrikant Bhasi, Nishant Pitti, Vishal Rana and Tony D’Souza. Karan had assisted Tony on the 2013 Akshay Kumar-starrer Boss.
He knew Tony was working on this film but was shocked when he approached him to play the protagonist a few months ago. “I have known Tony and his team for a while now. Working with people you’ve known for a long time is great. I play a 26-year-old boy who is trying to find his way in the world. As soon as I heard the script, I knew I wanted to be a part of it,” says Karan who starts shooting in January.
The debutant lives with his aunt Dimple who has been both a mom and a dad to him. “I lost my mom when I was 15 but I feel extremely lucky to have two moms. I can talk to my aunt-mom about my girlfriends, fights with my friends and work too,” he says.
Prod him about his mother who succumbed to cancer when she was 51 in November 2009 and Karan says emotionally, “She was amazing, the toughest person I’ve seen. To date when I’m on a film set, people come up to me and start talking about my mom. She spread love and happiness around and left an impression.”
Karan is also “super close” to his cousin Twinkle who turns 43 today. “She lives a minute away so we see each other all the time. She’s awesome and was destined to be a famous writer. She’s killing it!” he gushes, as connected with Rinke too, noting that being almost 20 years older that him, they organised his birthday parties, took him for meals, swimming and movies.
Twinkle is in Cape Town with actor-husband Akshay Kumar to ring in the New Year. “I couldn’t join them as I am busy with prep but I will Skype to wish her,” he smiles, admitting the best tip came from Akshay who told him that no work is big or small. “Work is work.”
Image: Sonakshi Sinha & Arjun Kapoor come together for a special episode of Nach Baliye 8
7:53 AM
Posted by Fenil Seta
MUMBAI MIRROR (June 23, 2017)
Sonakshi Sinha sprang a surprise by shaking a leg with Arjun Kapoor on Thursday during the finale shoot of the dance reality show, Nach Baliye, which he judges. She had reportedly refused to share the stage or even a page with her Tevar co-star after the release of their only film together.
Back then, there were rumours of the duo dating and even planning to tie the knot, which Sonakshi had vehemently refuted. But after that she has kept her distance from the actor till yesterday, when he came on the show with his chachu, Anil Kapoor, and co-stars Ileana D’Cruz and Athiya Shetty, to promote their upcoming wedding comedy, Mubarakan.
According to a source from the sets, after finalists Divyanka Tripathi and husband Vivek Dahiya performed to the remixed version of “Har Kisi Ko Nahi Milta” that Sonakshi had recreated with Akshay Kumar in her 2013 release, Boss, from Anil’s original Jaanbaaz song, the senior actor went on the dance floor to groove to the familiar tune. He then challenged his nephew and Sonakshi to join him on stage.
“She readily agreed and both had a lot of fun dancing to the remixed track. There was no awkwardness between them,” says the source, adding that they even posed for pictures together, standing shoulder to shoulder.
Arjun had earlier appeared on the show with Shraddha Kapoor to promote Half Girlfriend, but on that episode Malaika Arora had replaced Sonkashi. They too had danced together!
Bodies and faces are replaceable, but talent cannot be replaced-Aditi Rao Hydari
7:59 AM
Posted by Fenil Seta
Mohar Basu (BOMBAY TIMES; June 27, 2015)
After five years in the
industry Aditi Rao Hydari still hasn't lost her spunk, to Bollywood diplomacy expected of actors. Her
candour intact, the actress engages us in a fun conversation ahead of
her upcoming release Guddu Rangeela. She talks about playing one of the
boys, with Arshad Warsi and Amit Sadh, acquiring the demeanour of a
Chandigarh girl, who is far detached from the regal set-up she belongs
to, and how lack of self consciousness saves her from becoming conceited.
Excerpts:
From the trailer, Guddu Rangeela seems a heady blend of politics and humour. Tell us more about it.
When I heard the first narration of the film, I got this Ishqiya vibe from it. Set in the dusty Hindi heartland, this film too is about two men and a mysterious girl. The bromance here is quite like Jai-Veeru's, something our director Subhash Kapoor is strongly influenced by. This movie is Subhash Sir's baby all the way. And it is his crazy buddhi that translated into all the fun on screen. From mixing humour with a raging political topic to a quirky song like Mata Ka Email, it is something only Subhash Sir can do. When you put him and Arshad Sir in the same room, they are bound to create madness! When I saw the film, I was doubling up with laughter and looking at both of them in shock. The crackling dialogues, the jokes, they are all so cool.
There is evidently a strong chemistry between Subhash and Arshad.
Arshad Sir and Subhash Sir think the same way. When you see the film, you'll wonder if Arshad Sir said a certain joke on his own or did Subhash Sir script it for him. There is a natural vibe between them.
Tell us about your character in the film.
The backdrop of Guddu Rangeela is honour killings and that is what forms its backstory. But at its core, the film is about two cute ruffians who think they are really cool. They kidnap a girl out of compulsion. I play Baby, a sweet, vulnerable, pampered girl from a small town. She is the youngest in her family and is hence very protected. Baby doesn't speak but it is she who creates mayhem in the lives of Guddu and Rangeela.
What made you take up a realistic commercial film with male central characters?
For four years now, people have told me what I must do. 'You look too sweet', 'You must look more sexy' are things which I've often heard. It would really confuse me earlier. But I want to be myself now. People must love me for who I am not for who I am trying to be. I love it now because filmmakers pick me for this. Subhash Sir has used the vulnerability in my look that everybody sees and has given me a role that is driven by my acting. He made me play someone else and that is what gives the mystery angle to the character as well as the film. She speaks only with her dagger eyes. Her character is in layers and that is unspooled gradually in the film. I don't want to say too much because there is a lot more that is best reserved for theatres. I am glad my character is such that I got to be one of the boys in the film.
In your abduction scene, you are asked to choose between Shah Rukh and Salman. Whom would you choose if the question is posed in real life?
In real life, if asked, I would get confused and get kidnapped. Or just choose Aamir (Khan). Best way to get out seamlessly.
We heard about Amit's accident while shooting the song Sooiyan.
It was an action song and not a romance song. We were shooting in the mall area in Shimla. In the song, Guddu is constantly trying to patao Baby and she is shooting him stern 'don't mess with me' looks. The mall road steps are really steep and Amit had to follow me down the stairs. I did my bit and looked back and saw him fall. There was complete silence. We didn't know if it was funny or something serious has happened. Amidst the quietude, Subhash Sir quipped, 'Yeh toh gaya.' Amit's foot had swollen immediately. Being the conscientious actor he is, he missed his footing because he was looking at me. It was strange because in our action sequences I have run in regular shoes, done stunts with the boys. Amit himself had done a huge jump without a wire and he was fine. But on the first day of shooting a romantic song, he breaks his leg. Satire is a wrong word but in a Subhash Kapoor film, irony had its part to play.
You hail from Hyderabad, a world far removed from the one in this film. Was it difficult getting the nuances?
I am not acquainted with the heartland ambience of this film. My family is far too detached from that. That is the world of genteel, royalty. People don't raise their voice too much. But since I have grown up in Delhi, playing a Chandigarh girl came relatively easily to me.
Are you trying to strike a balance between glamorous and meaty roles?
I had come into this movie just after Boss. I enjoy these glamorous roles. But now I have inculcated the mindset that I don't want to be replaceable in a movie. I agree that bodies and faces are replaceable, but talent cannot be replaced. I feel there is more to me and filmmakers are beginning to see that now.
There is a surge of unusual roles that are coming your way from esteemed filmmakers. Is that making you more confident?
I'm a very positive person and always see the brighter side of things. It is my default setting to function like that. I don't have the privilege of choice as I don't have a hand on my head. I don't have anyone who showcases the qualities I have, something that is customary in this industry. People who know me well, know what I am good at. But there is no one to tell that to the world. Movies are about the world knowing. But I don't like that kind of PR machinery around me, which would go all out to promote me. The things people say about themselves these days are very unreal. I do have a PR but I would rather not shout from the rooftops or chant to the world 'I am great. Watch me'. I am in the middle-ground where I like people praising me on their own. I am a full-on energiser bunny and it's best I utilise my energy in things I love to do and things I can do. People die shooting 16 hours a day. I, on the other hand, don't even flinch. I love it. I am an actor, and I would rather do my job.
What do you think is the quality that sets your apart from the rest?
I am very naïve. I don't have much awareness. I don't have a method. I don't prepare, but things that I connect with sit inside me, grow and I make something of it. The fact that there is a five-year-old's enthusiasm in me helps me perform. I want to be free, make faces, cry without caring about how I am looking. I don't want to be self conscious. In this industry, many tell me how I am so good-looking but if I begin dwelling on the 'Look at me' zone, it will be the end of me. My acting is the only thing I really care about.
From the trailer, Guddu Rangeela seems a heady blend of politics and humour. Tell us more about it.
When I heard the first narration of the film, I got this Ishqiya vibe from it. Set in the dusty Hindi heartland, this film too is about two men and a mysterious girl. The bromance here is quite like Jai-Veeru's, something our director Subhash Kapoor is strongly influenced by. This movie is Subhash Sir's baby all the way. And it is his crazy buddhi that translated into all the fun on screen. From mixing humour with a raging political topic to a quirky song like Mata Ka Email, it is something only Subhash Sir can do. When you put him and Arshad Sir in the same room, they are bound to create madness! When I saw the film, I was doubling up with laughter and looking at both of them in shock. The crackling dialogues, the jokes, they are all so cool.
There is evidently a strong chemistry between Subhash and Arshad.
Arshad Sir and Subhash Sir think the same way. When you see the film, you'll wonder if Arshad Sir said a certain joke on his own or did Subhash Sir script it for him. There is a natural vibe between them.
Tell us about your character in the film.
The backdrop of Guddu Rangeela is honour killings and that is what forms its backstory. But at its core, the film is about two cute ruffians who think they are really cool. They kidnap a girl out of compulsion. I play Baby, a sweet, vulnerable, pampered girl from a small town. She is the youngest in her family and is hence very protected. Baby doesn't speak but it is she who creates mayhem in the lives of Guddu and Rangeela.
What made you take up a realistic commercial film with male central characters?
For four years now, people have told me what I must do. 'You look too sweet', 'You must look more sexy' are things which I've often heard. It would really confuse me earlier. But I want to be myself now. People must love me for who I am not for who I am trying to be. I love it now because filmmakers pick me for this. Subhash Sir has used the vulnerability in my look that everybody sees and has given me a role that is driven by my acting. He made me play someone else and that is what gives the mystery angle to the character as well as the film. She speaks only with her dagger eyes. Her character is in layers and that is unspooled gradually in the film. I don't want to say too much because there is a lot more that is best reserved for theatres. I am glad my character is such that I got to be one of the boys in the film.
In your abduction scene, you are asked to choose between Shah Rukh and Salman. Whom would you choose if the question is posed in real life?
In real life, if asked, I would get confused and get kidnapped. Or just choose Aamir (Khan). Best way to get out seamlessly.
We heard about Amit's accident while shooting the song Sooiyan.
It was an action song and not a romance song. We were shooting in the mall area in Shimla. In the song, Guddu is constantly trying to patao Baby and she is shooting him stern 'don't mess with me' looks. The mall road steps are really steep and Amit had to follow me down the stairs. I did my bit and looked back and saw him fall. There was complete silence. We didn't know if it was funny or something serious has happened. Amidst the quietude, Subhash Sir quipped, 'Yeh toh gaya.' Amit's foot had swollen immediately. Being the conscientious actor he is, he missed his footing because he was looking at me. It was strange because in our action sequences I have run in regular shoes, done stunts with the boys. Amit himself had done a huge jump without a wire and he was fine. But on the first day of shooting a romantic song, he breaks his leg. Satire is a wrong word but in a Subhash Kapoor film, irony had its part to play.
You hail from Hyderabad, a world far removed from the one in this film. Was it difficult getting the nuances?
I am not acquainted with the heartland ambience of this film. My family is far too detached from that. That is the world of genteel, royalty. People don't raise their voice too much. But since I have grown up in Delhi, playing a Chandigarh girl came relatively easily to me.
Are you trying to strike a balance between glamorous and meaty roles?
I had come into this movie just after Boss. I enjoy these glamorous roles. But now I have inculcated the mindset that I don't want to be replaceable in a movie. I agree that bodies and faces are replaceable, but talent cannot be replaced. I feel there is more to me and filmmakers are beginning to see that now.
There is a surge of unusual roles that are coming your way from esteemed filmmakers. Is that making you more confident?
I'm a very positive person and always see the brighter side of things. It is my default setting to function like that. I don't have the privilege of choice as I don't have a hand on my head. I don't have anyone who showcases the qualities I have, something that is customary in this industry. People who know me well, know what I am good at. But there is no one to tell that to the world. Movies are about the world knowing. But I don't like that kind of PR machinery around me, which would go all out to promote me. The things people say about themselves these days are very unreal. I do have a PR but I would rather not shout from the rooftops or chant to the world 'I am great. Watch me'. I am in the middle-ground where I like people praising me on their own. I am a full-on energiser bunny and it's best I utilise my energy in things I love to do and things I can do. People die shooting 16 hours a day. I, on the other hand, don't even flinch. I love it. I am an actor, and I would rather do my job.
What do you think is the quality that sets your apart from the rest?
I am very naïve. I don't have much awareness. I don't have a method. I don't prepare, but things that I connect with sit inside me, grow and I make something of it. The fact that there is a five-year-old's enthusiasm in me helps me perform. I want to be free, make faces, cry without caring about how I am looking. I don't want to be self conscious. In this industry, many tell me how I am so good-looking but if I begin dwelling on the 'Look at me' zone, it will be the end of me. My acting is the only thing I really care about.
Pak actor Imran Abbas misses trailer launch of Creature 3D due to visa woes
8:29 AM
Posted by Fenil Seta
Shaheen Parkar (MID-DAY; July 18, 2014)
It is being said that Pakistani actor Imran Abbas didn’t make it to the trailer launch of his Bollywood debut, Creature 3D, on Wednesday evening due to visa issues. The actor was unable to do the necessary paperwork to make his way to Mumbai for the event.
Says a source, “Imran is making his Bollywood debut with this film, so he was keen to be present at the event along with co-star Bipasha Basu, director Vikram Bhatt and producer Bhushan Kumar. He was looking forward to sharing the dais with the unit, but at the last minute, he realised that he could not obtain a visa.”
Vikram Bhatt confirms the story. “Yes, I am given to understand that this is what happened. But it’s not that he was not granted a visa. He had just left India and did not have enough time to reapply for one.”
It may be pointed out that Imran was in Mumbai last month to launch a channel that airs Pakistani serials in a bid to foster Indo-Pak friendship. He features in one of the shows, Mera Naseeb. Back then, the actor had flown down to attend the launch held in Mumbai.
Islamabad-born Imran has starred in several television soaps in Pakistan over the past decade. Incidentally, he was slated to make his Bollywood debut in the Akshay Kumar-starrer Boss ( 2013), but was dropped due to contractual violations.
The actor, on his part, had maintained that he chose to leave the film as the project was taking time and it was stopping him from taking up other offers.
Multiplex announce big price hike for biggies to compensate for losses?
8:31 AM
Posted by Fenil Seta
Mehul S Thakkar (MUMBAI MIRROR; December 20, 2013)
The festive season, a slew of hyped releases and recent box office casualties; these are the reasons cited by multiplexes for the announced rise in ticket prices. With the hike, you may end up shelling out upto Rs 900 to watch a film this weekend.
The current quarter has been a disappointing one for the film industry, with big films like
Besharam, Boss, Bullett Raja, Singh Saab The Great and Gori Tere Pyaar Mein failing to hit the bull’s eye. And with these poorly received films, multiplexes registered minimal footfall during the past few months.
But the theatres are hoping that releases like Dhoom 3 and Jai Ho, will turn the tide and they have planned to rake in the moolah through escalated ticket prices.
A top official from a leading multiplex reveals, “Big films have bigger expectations but films like Gori Tere Pyaar Mein failed miserably. We have had a lot of losses but its part of the game. Jai Ho again will be a game changer.”
Nationally the average ticket price will go up by 10-12 per cent, and in some markets like Mumbai, the rise can be as high as 60 per cent.
Cities like Coimbatore, Hyderabad, Delhi, Chandigarh, have controlled markets where the law doesn’t permit a steep price. However, Mumbai is a free market and therefore the difference in the ticket price of a big release and one without any big names is high.
And sources say that tickets of films like Mahabharat 3D, Sholay 3D and Dedh Ishqiya will not cost the ‘premium’ price.
Anand Vishal, head of operations at Fun Republic explains the move saying, “Wouldn’t you have to pay extra if you want to fly last minute? Today, when you have a good season, prices will go up, like in the airline or the hospitality industry. And the last three months have not been good for the film industry. In fact, even Krrish 3 did better in single screens than in multiplexes.”
However, Kamal Gianchandani, president of PVR, says that the bad performance of the last quarter is not the main reason for the hike. He says, “I think that November was good with Krrish 3 and Goliyon Ki Raasleela Ram-leela. Ups and downs are part of this business. Bigger films are always priced higher. It’s an accepted practise and the same was done during the release of Chennai Express.”
As for the eyewatering Rs 900 that IMAX properties will charge for select shows, he explains, “We only have two properties in Mumbai and the technology is expensive. That’s why the price is high.”
Leading distributor Rajesh Thadani weighs in saying “At the end of the day, the content has to be good. With the hike in price, multiplexes can balance out their balance sheet.”
But are people willing to shell out the premium money? Thadani believes, “Those who can, will shell out the money, others will have to watch it later .”
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