Showing posts with label Boman Irani wife. Show all posts
Showing posts with label Boman Irani wife. Show all posts
My understanding of fatherhood is shaped by what my mother showed me-Boman Irani
8:09 AM
Posted by Fenil Seta

Neha Maheshwri (BOMBAY TIMES; June 23, 2024)
There’s a lot of buzz - that’s the first impression you get when you enter the Irani home. Brothers Danesh and Kayoze are having an animated conversation with their father Boman Irani, about who among them is the best at video-game soccer, and mumma Zenobia is having a hearty laugh as the three men continue their banter. It takes us a moment to realise that the brothers are referring to their father when they keep calling him ‘Boms’.
‘Everyone should have their own views, otherwise, it will be a boring house’
Boman is quick to clarify that even though they call each other by quirky nicknames, it doesn’t mean they have any less respect for each other.“We are one boisterous family - we talk, laugh, eat ,and celebrate together,” says the actor, as he tells us about his equation with his sons.
“It is not that this home is devoid of friction and arguments, but they happen in a healthy way. Everyone should have their own views; otherwise, it will be a boring house,” he shares.
‘My understanding of fatherhood is shaped by what my mother showed me’
Today, the Irani household is predominantly male, a stark contrast to Boman’s upbringing where he was surrounded by his mother and three sisters. He says, “We pick on Zenobia (his wife) a lot. Jokes aside, she is the main force that holds everything together. Let’s make no mistake about it.”
The actor’s father passed away six months before he was born. He was raised by a single mom, did that influence his approach to fatherhood? “My understanding of fatherhood is shaped by what my mother showed me. I don’t have clear references for what fatherhood is supposed to be. I think it’s instinctive. Just when I thought I had it all figured out after Danesh, Kayoze came along, and it wasn’t the same pattern because they have different personalities. In trying to get the upbringing right, you can either be too lenient or too harsh. I have aimed for a mid-level intensity,” he replies.
Meeting our parents never feels like a duty: Kayoze
Although Danesh and Kayoze live separately, they are regular at their parents’ house. Actor-director, Kayoze says, “We both (brothers) love to come home to spend time with our parents, it never feels like a duty. We sit in the living room, chat, have dinner together, and play video-game soccer. We share our emotions and feelings quite openly in this house. We don’t leave this house without telling everyone, ‘I love you’. Mom has a rule that no one is allowed to leave the house angry. If there is an argument, we resolve it the same night. It’s a part of who we are. Friendship is the first relationship we share with parents.”
‘The only way to go about life is to make each other laugh’
Years before Boman entered showbiz, the family struggled to make ends meet. However, they never let their children feel the pinch. Danesh, who is involved in film production and content creation, shares, “Things haven’t really changed much since those days. It’s just that when we got things, we truly appreciated their value. There was a phase when we weren’t financially very comfortable, but we never felt it because we laughed our way through it.”
Boman adds, “The only way to go about life is to make each other laugh.”
‘The trust and respect you earn are the true legacy, not your bank balance’
Boman stresses the importance of a strong value system over anything else. He says, “Zenobia and I follow one principle: You can’t tell people what to do. You have to lead by example, and they will follow. Of course, I am happy when someone says, ‘Oh, your son has made a great film’, but how they treated people while making it is more important to me. The trust and respect you earn are the true legacy, not your bank balance.”
Earlier, mom would make a big deal out of Parsi New Year and now Zenobia’s following suit-Boman Irani
8:09 AM
Posted by Fenil Seta

Titas Chowdhury (HINDUSTAN TIMES; August 16, 2021)
Boman Irani will be spending this Parsi New Year shooting. And while he isn’t the biggest fan of virtual phone calls, he agrees that it’s the only way to spend some time with his family. “Unfortunately, I’m not at home today. The worst way to celebrate the day is via a video call but it’s also the only way since it has become a part and parcel of our lives now,” the actor says.
Ask him about his fondest memory of celebrating the Parsi New Year and he shares, “We used to get new clothes. I also remember the food very fondly. Thankfully, none of that has changed. Earlier, mom would make a big deal out of it and now Zenobia (Irani’s wife) is following suit.”
So what are his prayers for the new year that begins today? “I’m looking forward to a new era, the post-Covid era. Every religion and community is hoping for prosperous, peaceful and healthy days ahead. And I’m sure that they are also looking forward to come together as families and celebrate festivals. We’ve lost a few people and I hope that we slowly limp back to normalcy,” says the Made In China (2019) actor.
Irani looks at the silver lining and believes that the ongoing pandemic has brought families closer. “During the pandemic, we’ve spent more time with our families than we could have ever imagined. It’s important to realise that family is number one,” he remarks, adding, “Festivals were designed to bring families together. We travel to each other during festivals. I might be working today but I am still close to my loved ones.”
An elaborate Parsi spread completes the auspicious occasion for him. “My favourite is the saas ni machchhi, patrani machchhi, and pulaao daal. I will miss them this year but the day I land in Mumbai, Zenobia will have them prepared for me,” he concludes.
I’m happy for my mother as she lived a good life-Boman Irani
8:00 AM
Posted by Fenil Seta

Kavita Awaasthi (BOMBAY TIMES; June 22, 2021)
Earlier this month, Boman Irani’s mother, Jer, 94, passed away. In a heartfelt Instagram post, the actor gave her a beautiful send off,while sharing glimpses of his mother’s life. Irani admits it’ll take some time to get better but “in my own way I’m happy for her as she lived a good life.”
“My mum’s passing on was not as sad or tragic, as other (death) cases have been. I wanted to inform others about her, and spread a message which wasn’t gloomy. We wanted to celebrate her life... The message was of a happy realisation of life,” he says.
Irani, 62, calls his mother an unbelievable spirit who handled many responsibilities as a young widow. “She fed four little kids, including me, who was unborn when my dad passed away. She wore the hat of a father, mother, provider, and later was an inspiration urging us to follow our dreams,” shares the actor, adding that he feels more for his wife, Zenobia, as she has lost a good friend. “Both of them enjoyed each other’s company,” he explains.
Amid warnings of a third wave, Irani feels that being prepared is the best way forward. “I feel terrible to hear young people dying and the way things were a couple of months ago. We’ve vaccines and we should all get them ASAP. Getting vaccinated and following protocol is the way ahead. We must be prepared as worrying doesn’t help, action does” he ends.
Shah Rukh Khan calls me Tiger and sometimes, even Sex Bomb-Boman Irani
9:43 AM
Posted by Fenil Seta
Priya Gupta (BOMBAY TIMES; October 24, 2014)
Boman Irani, 55, is
emotional, loyal and cuddly who can cry possibly watching even
Tom and Jerry. He started his life
as a waiter, went on to becoming a photographer, did theatre and finally
made his debut in Bollywood at the age of 44 with Rajkumar Hirani's Munna
Bhai M.B.B.S. Ahead of his upcoming dance heist film Happy New Year, he
talks about the extremely driven Shah Rukh Khan, his soulmate and wife
Zenobia and how he has landed up doing in his life professionally what
his father did as a hobby. Excerpts:
How did you come into films?
I was born and brought up in Nagpada in Mumbai. My mom brought me up as a single parent as my father died before I was born. Post school, I worked as a waiter for two years at Hotel Taj Mahal, Colaba, till the age of 21. We had a small shop, where my father used to manufacture potato wafers. My mother was indisposed, so I joined the family business that was really a small bhatti, to look after it, till my mom could come back to looking after it. It was also here that I met my wife Zenobia. She was a customer at the shop from where she became a frequent customer, then a daily customer and before we knew it, we got married when I was 25 and had two sons. About five years after my marriage, I decided to take up photography as I loved it very much. It was also a creative outlet for me and I started by shooting sports events. I also freelanced for the TOI, where if the TOI photographer did not come, I would double up. I made a little money and realised that I could buy a lens out of that and thought of making it a career. I went and trained in Chennai for two months, came back to Mumbai and then started working with advertising. I started with a sporty ad and then started shooting faces after which I got the chance to shoot for Miss India. I shot the Femina Look of the Year and I was asked to do a portfolio for each of the contestants. Those pictures became a hit and I also started training the girls as I was very good at making them comfortable, making them do things and use some acting technique to relax. Diana Hayden used to be an assistant with Anaida, the singer. I felt that she should be in front of the camera and I shot her portfolio for Miss India. And she went on to becoming Miss World. I did about five Miss Indias and then became a part of the training programme and then became a part of the jury. It was when I was about 35 that Shiamak Davar introduced me to theatre and said, 'You are meant to be on stage.' He took me to Alyque Padamsee, who gave me my first role in a musical. It did great for me. And the next thing I know is that other directors had approached me to do a talking part. I did a few plays like I'm Not Bajirao and Mahatma Vs Gandhi, where I played Gandhi and it did very well. I was offered my first film Let's Talk by Ram Madhvani from where Vidhu Vinod Chopra saw me and cast me for Munna Bhai M.B.B.S. I was 44 and had made my debut in the Hindi film industry.
Who do you love the most in the world?
My wife Zenobia. I have the greatest respect for her as a human being. She is my conscience and a great soulmate. She is willing to tell me where I am going wrong and never has to fear where she may offend me. When she tells you, it's not an opinion, but it is care. And the beauty is that there is nothing rude about her. Even if she says something rude, she will say it so comically that no one will ever take offence. She is clear-headed and selfless. She is extremely clear, especially about values. Her friends, relatives, her in-laws, her parents all value what she has to say and that is a great quality. She is also the CIA when it comes to me. She knows exactly where I am at any point in time.
What are you like?
I am peace-loving. I will say what comes to my mind without being offensive. I am an ethically strict person and take pride in my loyalty. I am emotional and can show my emotions stupidly. I work hard, but can hard, but can be lazy. I am not ambitious or competitive at all, but I'd like to fulfill some of my dreams. I want to do some films where I can sit with my grandchildren and say, 'The old man did this.' Potentially, I feel there is more and I have not done that yet. I would love to do theatre again.
Which was your lowest period?
Before I turned to photography, I was totally conflicted. I was married, was doing a great, honest job as a shopkeeper and was proud of myself, was content, but there was a roaring dragon waiting to explode in my stomach. It needed to explode. I would sit and write behind the cash counter and send my articles to the Times of India. I would write short stories, seeking my appreciation from Zenobia. My kids were growing up and they must have been like about five, I needed a little more money to give them a better life and at the same time, I had this dragon roaring inside me. When photography happened, the dragon came out, but financially it was tough. But I know that I would have been a miserable man had I not made that change. You may feel surprised, but my mother always knew about my talent and encouraged me to watch movies. She would tell me, 'Finish your homework and then go watch the movie again.' There was great wisdom in that.
What did it mean to be brought up without a father?
No idea. It made no difference to me. Maybe once, when I went to school, I remember one kid's father came in a jeep to pick him up and this kid told me how they were going out on the weekend on a wild lodge and maybe, I may have felt something missing. But it was difficult for my mother to bring us up by her self. My father had died of nephritis, when he was just 28, the bills had piled up and she had three little girls and I was yet to be born to be looked after. I believe my father was a wonderful man. And wonderful man. And while I have seen a charcoal drawing of his, I have never seen a photograph of my father. Coincidentally, just a few days back, I felt like seeing his picture and asked my sister to show it to me as I believe she has his picture. And can you believe it, he was a photographer by hobby and was also a super writer and speaker. And somewhere, I did all of that.
What kind of a father are you?
I have two sons and while I let them be, at times, I want to know where they are after 12 at night. I want them to just say, 'Hey, I am here. I am fine and will come back at this time', but they make fun of me. My sons have stored my name as 'Where are you?' on their mobile. They say, 'Dad, you think you are cool by calling us and asking what's up, hope you are having a great time, but in reality you only want to know where we are?' I will subtly ask should I wake up to play a game, but they know. The good thing is that when they come to me for advice, I am sensible. I am not very good at business, but I can put it succinctly and articulate it very well and can even spice it up with humour
Would you do photography again?
Sure. I sometimes just land up at my assistant's place and do some stuff even now.
Your favourite directors?
Rajkumar Hirani, Farah Khan and Shyam Benegal. Raju will not have a single scene, where his heart has not guided his pen. Even his humour is guided through his heart. Raju is a baba in his own world, he could well be on Mount Kailash and no one would know. Farah has got her finger on the heart of entertainment. Her films have a lot of emotion in them. There is some thing about her eye where she knows how to fill up the frame. She knows her chops and this I am not saying out of my affection for her. Mr Benegal does not like to be revered as much as he is and he likes to be part of the conversation of youngsters. Many directors have not even made 18 films in their life where as he has that many National Awards.
You have worked with Shah Rukh in Main Hoon Na, Don, Don 2 and now in Happy New Year. Tell us about working with him?
He is an extremely determined and driven human being. He would like everything to be the best. He will always say, 'Lets do it like it has not been done. Let's shoot two days extra. I am willing to pump in the money, but let's do it right.' Working with him, the entire unit has a sense of joy. He has a one-liner for everyone. He calls me Tiger and sometimes, even Sex Bomb. He has a very God-given energy that is whizzing around him for everyone to feel infused and feel that you are part of something that is big. He has a quality that after pack-up, the door to his room is always open and everybody is welcome. He is a great team player. He does wear his heart on his sleeve and in his own way, does show you his affection. For instance, if you walk into his van and are stressed about something, he will see it in your eyes and there is no doubt that he knows how to give you strength.
How did you come into films?
I was born and brought up in Nagpada in Mumbai. My mom brought me up as a single parent as my father died before I was born. Post school, I worked as a waiter for two years at Hotel Taj Mahal, Colaba, till the age of 21. We had a small shop, where my father used to manufacture potato wafers. My mother was indisposed, so I joined the family business that was really a small bhatti, to look after it, till my mom could come back to looking after it. It was also here that I met my wife Zenobia. She was a customer at the shop from where she became a frequent customer, then a daily customer and before we knew it, we got married when I was 25 and had two sons. About five years after my marriage, I decided to take up photography as I loved it very much. It was also a creative outlet for me and I started by shooting sports events. I also freelanced for the TOI, where if the TOI photographer did not come, I would double up. I made a little money and realised that I could buy a lens out of that and thought of making it a career. I went and trained in Chennai for two months, came back to Mumbai and then started working with advertising. I started with a sporty ad and then started shooting faces after which I got the chance to shoot for Miss India. I shot the Femina Look of the Year and I was asked to do a portfolio for each of the contestants. Those pictures became a hit and I also started training the girls as I was very good at making them comfortable, making them do things and use some acting technique to relax. Diana Hayden used to be an assistant with Anaida, the singer. I felt that she should be in front of the camera and I shot her portfolio for Miss India. And she went on to becoming Miss World. I did about five Miss Indias and then became a part of the training programme and then became a part of the jury. It was when I was about 35 that Shiamak Davar introduced me to theatre and said, 'You are meant to be on stage.' He took me to Alyque Padamsee, who gave me my first role in a musical. It did great for me. And the next thing I know is that other directors had approached me to do a talking part. I did a few plays like I'm Not Bajirao and Mahatma Vs Gandhi, where I played Gandhi and it did very well. I was offered my first film Let's Talk by Ram Madhvani from where Vidhu Vinod Chopra saw me and cast me for Munna Bhai M.B.B.S. I was 44 and had made my debut in the Hindi film industry.
Who do you love the most in the world?
My wife Zenobia. I have the greatest respect for her as a human being. She is my conscience and a great soulmate. She is willing to tell me where I am going wrong and never has to fear where she may offend me. When she tells you, it's not an opinion, but it is care. And the beauty is that there is nothing rude about her. Even if she says something rude, she will say it so comically that no one will ever take offence. She is clear-headed and selfless. She is extremely clear, especially about values. Her friends, relatives, her in-laws, her parents all value what she has to say and that is a great quality. She is also the CIA when it comes to me. She knows exactly where I am at any point in time.
What are you like?
I am peace-loving. I will say what comes to my mind without being offensive. I am an ethically strict person and take pride in my loyalty. I am emotional and can show my emotions stupidly. I work hard, but can hard, but can be lazy. I am not ambitious or competitive at all, but I'd like to fulfill some of my dreams. I want to do some films where I can sit with my grandchildren and say, 'The old man did this.' Potentially, I feel there is more and I have not done that yet. I would love to do theatre again.
Which was your lowest period?
Before I turned to photography, I was totally conflicted. I was married, was doing a great, honest job as a shopkeeper and was proud of myself, was content, but there was a roaring dragon waiting to explode in my stomach. It needed to explode. I would sit and write behind the cash counter and send my articles to the Times of India. I would write short stories, seeking my appreciation from Zenobia. My kids were growing up and they must have been like about five, I needed a little more money to give them a better life and at the same time, I had this dragon roaring inside me. When photography happened, the dragon came out, but financially it was tough. But I know that I would have been a miserable man had I not made that change. You may feel surprised, but my mother always knew about my talent and encouraged me to watch movies. She would tell me, 'Finish your homework and then go watch the movie again.' There was great wisdom in that.
What did it mean to be brought up without a father?
No idea. It made no difference to me. Maybe once, when I went to school, I remember one kid's father came in a jeep to pick him up and this kid told me how they were going out on the weekend on a wild lodge and maybe, I may have felt something missing. But it was difficult for my mother to bring us up by her self. My father had died of nephritis, when he was just 28, the bills had piled up and she had three little girls and I was yet to be born to be looked after. I believe my father was a wonderful man. And wonderful man. And while I have seen a charcoal drawing of his, I have never seen a photograph of my father. Coincidentally, just a few days back, I felt like seeing his picture and asked my sister to show it to me as I believe she has his picture. And can you believe it, he was a photographer by hobby and was also a super writer and speaker. And somewhere, I did all of that.
What kind of a father are you?
I have two sons and while I let them be, at times, I want to know where they are after 12 at night. I want them to just say, 'Hey, I am here. I am fine and will come back at this time', but they make fun of me. My sons have stored my name as 'Where are you?' on their mobile. They say, 'Dad, you think you are cool by calling us and asking what's up, hope you are having a great time, but in reality you only want to know where we are?' I will subtly ask should I wake up to play a game, but they know. The good thing is that when they come to me for advice, I am sensible. I am not very good at business, but I can put it succinctly and articulate it very well and can even spice it up with humour
Would you do photography again?
Sure. I sometimes just land up at my assistant's place and do some stuff even now.
Your favourite directors?
Rajkumar Hirani, Farah Khan and Shyam Benegal. Raju will not have a single scene, where his heart has not guided his pen. Even his humour is guided through his heart. Raju is a baba in his own world, he could well be on Mount Kailash and no one would know. Farah has got her finger on the heart of entertainment. Her films have a lot of emotion in them. There is some thing about her eye where she knows how to fill up the frame. She knows her chops and this I am not saying out of my affection for her. Mr Benegal does not like to be revered as much as he is and he likes to be part of the conversation of youngsters. Many directors have not even made 18 films in their life where as he has that many National Awards.
You have worked with Shah Rukh in Main Hoon Na, Don, Don 2 and now in Happy New Year. Tell us about working with him?
He is an extremely determined and driven human being. He would like everything to be the best. He will always say, 'Lets do it like it has not been done. Let's shoot two days extra. I am willing to pump in the money, but let's do it right.' Working with him, the entire unit has a sense of joy. He has a one-liner for everyone. He calls me Tiger and sometimes, even Sex Bomb. He has a very God-given energy that is whizzing around him for everyone to feel infused and feel that you are part of something that is big. He has a quality that after pack-up, the door to his room is always open and everybody is welcome. He is a great team player. He does wear his heart on his sleeve and in his own way, does show you his affection. For instance, if you walk into his van and are stressed about something, he will see it in your eyes and there is no doubt that he knows how to give you strength.
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