Showing posts with label Bastar - The Naxal Story. Show all posts
Showing posts with label Bastar - The Naxal Story. Show all posts
If I came from a film family, they wouldn’t let me debut with a horror film-Adah Sharma
8:39 AM
Posted by Fenil Seta

Onkar Kulkarni (BOMBAY TIMES; May 25, 2025)
While there is so much talk about the perks of being from a film family, Adah Sharma has her own take on it. “Had I belonged to a film family, they would have waited for that perfect film to launch me,” she says, and adds with a laugh, “My film family wouldn’t let me do a horror movie. Who starts their career looking possessed on screen with black teeth? I didn’t have the opportunity to start my career with a usual romantic movie that probably would have happened if I had the DNA of a famous person. I started with 1920 and I feel fortunate for that. The audience has accepted me whenever I try something crazy and maybe that’s why filmmakers also have the guts to cast me in different roles.”
Adah is now gearing up to portray a devi in her upcoming project. For her, the key to success lies in making every character believable and distinct. She did action in the Commando franchise and then was seen in The Kerala Story.
“While watching The Kerala Story, people didn’t say, ‘Oh, she knows how to do action, why isn’t she beating the goons?’ People also appreciated me as the bar dancer, Rosie, in Sunflower Season 2, and as an IPS officer in Bastar - The Naxal Story. I’m lucky that my career has unfolded the way it has.”
Fenil's Bollywood Talk # 822
9:54 AM
Posted by Fenil Seta
WILL MOVIEGOERS HOP ON THE MADGAON EXPRESS?
The performance of the last Friday’s releases was a mixed bag. Yodha put up disappointing numbers, despite the makers providing a buy-one-get-one-ticket-free scheme on Saturday and Sunday. The first-week collections will be around Rs. 22-23 crores and the film hopefully would cross the Rs. 30 crore mark. Bastar - The Naxal Story, on the other hand, is a washout. The last film of this team, The Kerala Story, collected Rs. 6.75 crores on Day 1. Bastar - The Naxal Story, in its lifetime, will struggle to cross 50% of the first-day collections of The Kerala Story and that says it all. However, Kung Fu Panda 4, as predicted last week, collected Rs. 2.50 crores, which is more than the day 1 collection of Kung Fu Panda 3 (Rs. 2.10 crores). The first week collections are expected to be around Rs. 16 crores and it’s bound to have a long run in cinemas. The collections can cross the Rs. 30 crore mark or even the Rs. 35 crore mark.
This week, two diverse films will try their luck in cinemas. The biggest one is Madgaon Express. It marks the directorial debut of Kunal Kemmu and stars Pratik Gandhi, Divyenndu, Avinash Tiwary and Nora Fatehi. The comic caper’s trailer has been well-received and it promises to be a crazy, youthful entertainer. However, the film looks more of an urban flick and not a mass comedy like Dhamaal, Dhol etc. The songs also haven’t worked. The opening, hence, will be in the range of Rs. 1.50-2 crores. On the first day, viewers can get one ticket free on every ticket and this might boost the earnings. A good word of mouth can help the film earn well. The Holi holiday on Monday, March 25, will also benefit.
Swatantrya Veer Savarkar, meanwhile, will have paid previews from tonight, Thursday, March 21 and a full-fledged release from tomorrow. It is directed by Randeep Hooda and also features him in the role of the freedom fighter. The film got into controversy last year when Mahesh Manjrekar revealed that he was supposed to direct the film and he left the project due to interference by Randeep. The producers also got into a tiff with the actor. The issue was then resolved. Meanwhile, Veer Savarkar is a controversial figure and as a result, the trailer has received polarized reactions.
Swatantrya Veer Savarkar’s buzz is limited but it won’t have Bastar - The Naxal Story’s Rs. 35 lakhs type disaster collections on day 1. The number will be slightly more as a section of the audience will be curious to see the film. This target audience’s response is important if the film needs to have a good run in cinemas.
Swatantrya Veer Savarkar will also be released in Marathi.
The performance of the last Friday’s releases was a mixed bag. Yodha put up disappointing numbers, despite the makers providing a buy-one-get-one-ticket-free scheme on Saturday and Sunday. The first-week collections will be around Rs. 22-23 crores and the film hopefully would cross the Rs. 30 crore mark. Bastar - The Naxal Story, on the other hand, is a washout. The last film of this team, The Kerala Story, collected Rs. 6.75 crores on Day 1. Bastar - The Naxal Story, in its lifetime, will struggle to cross 50% of the first-day collections of The Kerala Story and that says it all. However, Kung Fu Panda 4, as predicted last week, collected Rs. 2.50 crores, which is more than the day 1 collection of Kung Fu Panda 3 (Rs. 2.10 crores). The first week collections are expected to be around Rs. 16 crores and it’s bound to have a long run in cinemas. The collections can cross the Rs. 30 crore mark or even the Rs. 35 crore mark.
This week, two diverse films will try their luck in cinemas. The biggest one is Madgaon Express. It marks the directorial debut of Kunal Kemmu and stars Pratik Gandhi, Divyenndu, Avinash Tiwary and Nora Fatehi. The comic caper’s trailer has been well-received and it promises to be a crazy, youthful entertainer. However, the film looks more of an urban flick and not a mass comedy like Dhamaal, Dhol etc. The songs also haven’t worked. The opening, hence, will be in the range of Rs. 1.50-2 crores. On the first day, viewers can get one ticket free on every ticket and this might boost the earnings. A good word of mouth can help the film earn well. The Holi holiday on Monday, March 25, will also benefit.
Swatantrya Veer Savarkar, meanwhile, will have paid previews from tonight, Thursday, March 21 and a full-fledged release from tomorrow. It is directed by Randeep Hooda and also features him in the role of the freedom fighter. The film got into controversy last year when Mahesh Manjrekar revealed that he was supposed to direct the film and he left the project due to interference by Randeep. The producers also got into a tiff with the actor. The issue was then resolved. Meanwhile, Veer Savarkar is a controversial figure and as a result, the trailer has received polarized reactions.
Swatantrya Veer Savarkar’s buzz is limited but it won’t have Bastar - The Naxal Story’s Rs. 35 lakhs type disaster collections on day 1. The number will be slightly more as a section of the audience will be curious to see the film. This target audience’s response is important if the film needs to have a good run in cinemas.
Swatantrya Veer Savarkar will also be released in Marathi.
JNU’s Rashtriya Kala Manch cancels screening of JNU: Jahangir National University
8:36 AM
Posted by Fenil Seta

JNU’s Rashtriya Kala Manch cancels the screening of Jahangir National University; students’ union writes to VC seeking legal action against film that ‘slanders’ institution
Mohar Basu (MID-DAY; March 19, 2024)
On March 13, a pre-release screening of Bastar - The Naxal Story was held at the Jawaharlal Nehru University’s (JNU) Convention Centre auditorium. The screening, organized by the Rashtriya Kala Manch, led to widespread uproar as the varsity’s election committee had not granted permission for it. Moreover, Sudipto Sen’s directorial venture—which focuses on the Maoist insurgency, and alleges that students at JNU had ‘celebrated’ the killing of 76 Central Reserve Police Force (CRPF) jawans—was viewed by many as a means to influence the JNU Students’ Union elections that is slated for March 22.
In the latest development, the screening has evoked such polarizing response that the Rashtriya Kala Manch has pre-emptively cancelled the screening of another controversial movie, JNU: Jahangir National University.
The title of director Vinay Mishra’s upcoming movie— starring Ravi Kishan, Piyush Mishra and Urvashi Rautela—is a blatant wordplay on the prestigious university in Delhi.
A student, on condition of anonymity, tells mid-day, “It has been unanimously decided that the film won’t be screened. Regardless of which party wins the student election, slander against the university’s name will not be tolerated.”
The Students’ Federation of India (SFI) has written to Vice Chancellor Santishree Dhulipudi Pandit to pursue the matter legally. Mid-day got an excerpt from the letter that reads, “This film’s [poster] has a saffron image of the country with the text [reading], ‘Can one educational institution break the nation?’ This shows exactly what the film intends to portray. They want to parrot the popular line of calling JNU as anti-national and against the people of the country… We are with the vast majority of secular and democratic-minded citizens of our country. We request the Vice Chancellor to take action against this movie.”
Pandit has yet to respond on the matter. Akhil Bharatiya Vidyarthi Parishad (ABVP) that has allegiance to the RSS has stayed mum. The student adds, “They won’t come out and condemn this movie and its narrative that seeks to demonize this university’s students. For now, the film screening being [cancelled] is a win, but something needs to be done against this defamation.”
I have made 20-odd films and 18 of them featured a Hindu villain. Does that make me anti Hindu?-Vipul Shah
2:54 PM
Posted by Fenil Seta

Neha Maheshwri (BOMBAY TIMES; March 14, 2024)
“Just because I am depicting certain aspects in films like ‘The Kerala Story’ or ‘Bastar - The Naxal Story,’ does not mean I am dividing the country. Our people are mature enough not to turn against each other because of a film. Sometimes, fault lines can bring people together” – Vipul Amrutlal Shah
Vipul Amrutlal Shah’s journey as a filmmaker of star-studded commercial capers took a turn with the film ‘The Kerala Story’.
The film, both successful and controversial, delved into the sensitive subject of religious conversion. Now, with ‘Bastar - The Naxal Story’, which releases tomorrow, he once again ventures deep into risky terrain – the world of Naxalites. In an interview with BT, he sheds light on his new film (directed by Sudipto Sen and featuring actress Adah Sharma in the lead role) and what drives him to produce films on these sensitive, hard-hitting subjects. Excerpts:
When addressing such a complex subject, how do you ensure that the narrative is balanced and depicted solely based on facts?
The emergence of the Naxal movement, particularly in Chhattisgarh, was fuelled by the oppressive behaviour of government babus towards the locals. However, they (Naxals) became worse oppressors after seizing control of the situation. ‘Bastar’ is not a one-sided story. As a filmmaker, you take into account the other side as well when conveying the truth. Attempts to break our country can’t be allowed at any cost. In the end, people will discern the truth, especially with access to abundant data today. Our depiction is backed by verifiable documents available online. Our portrayal is rooted in concrete evidence.
When the protagonist in the film (IPS Neerja Madhvan, played by Adah Sharma) makes a statement like, ‘Inn vaampanthiyon ko sadak par khada kar sar-e-aam goli maar doongi, chadha dena phaasi par’, don’t you think it could incite people?
It’s an expression of a frustrated cop stopped from taking action against perpetrators. Also, we are talking about ‘unn vaampanthiyon’, who are trying to break our nation. When someone fears losing 76 jawans, and yet can’t get enough backup to fight the Naxalites, a strong reaction is inevitable. It’s crucial to capture the intense emotion and the sense of betrayal felt by that cop.
When you make films like ‘The Kerala Story’ and ‘Bastar: The Naxal Story’, people view you as a propaganda filmmaker. How do you respond to it?
The film is not about politics; it’s a portrayal of a human tragedy on a massive scale. People label it political because they don’t have a logical counterargument to these facts. How can depicting the endless suffering of people be political? Exposing an ideology backed by facts and data doesn’t make it one. In our country, there is a fear of telling the truth; we tend to dilute narratives and make politically correct films. I have made 20-odd films and 18 of them featured a Hindu villain. Does that make me anti-Hindu? When I made those films, I was believed to be the torchbearer of secularism. However, when I show a group of people involved in something dangerous, I am branded anti-Muslim, due to the prevailing political narrative.
Politically sensitive movies often elicit polarized reactions. What’s your view on that?
We live in a time where reactions are often based on incomplete information, and these very people may dismiss the film as inauthentic. When tackling such subjects in filmmaking, it’s common for people with vested interests to target us, labelling our work as political propaganda. Despite being open to scrutiny, critics may resort to baseless arguments, such as attributing the film’s timing to upcoming elections. It’s such a bizarre argument. Elections are fought on the performance of the government, not a film. Having said that, I don’t care about them or the criticism. I know that it is not going to be an easy journey when you are speaking the truth. You face isolation, attempts are made to discredit your efforts and there are threats to your life.
Is it challenging to bring together a cast for films like ‘The Kerala Story’ or ‘Bastar - The Naxal Story’? How open are actors to such subjects?
I don’t know if they are averse, but many artistes and technicians get scared as they don’t want trouble and threats coming their way. Some artistes might not want to engage in a film that could spark a political debate, while others may not want to associate with us after watching these films. Ultimately, it’s their decision, and we must respect their choices. I believe truth prevails, and you eventually win them back. It may take time, but it happens.
(Crisp) Movie Review: BASTAR - THE NAXAL STORY by FENIL SETA
6:19 PM
Posted by Fenil Seta
Bastar - The Naxal Story is a film about how the Naxalite movement has wreaked havoc in the country. The makers depict how the Maoists function and how they have been harassing and even torturing locals for something as basic as unfurling the tricolour. A few scenes are extremely disturbing. Sadly, the makers don’t make good use of the opportunity. The film is haphazardly made and hence, one never gets connected with the goings-on or with the journey of the brave officer and the widow. A few developments are not explained properly while some of them are plain silly. A character, for instance, coolly sneaks out of a car though it is surrounded by hundreds of enemies from all sides! An office is presumably absolved of all charges because of her monologue, despite using words like ‘ghanta’ in front of the seniors. These scenes don’t match with the claims of it being a realistic film. Speaking of performances, Adah Sharma, who did quite well in The Kerala Story, is quite stiff here. Indira Tiwari leaves a mark and in fact, she dominates the climax. Vijay Krishna (Lanka Reddy) is aptly cast. Subrat Dutta (Milind Kashyap) shines in a cameo. Shilpa Shukla (Neelam Nagpal), as always, is dependable. Yashpal Sharma (Utpal Trivedi) does well but goes over the top in the beginning scenes. Raima Sen (Vanya Roy) repeats her The Vaccine War act. Anangsha Biswas, Gopal Singh (Shrivastava) and Kishore Kadam (Rajendra Karma) are fair while Purnendu Bhattacharya (Narayan Bagchi) and Anupam Joardar (Union minister) are okay. All in all, Bastar - The Naxal Story is a poorly made film.
My rating - ** out of 5!
My rating - ** out of 5!
Fenil's Bollywood Talk # 821
8:38 AM
Posted by Fenil Seta
WILL THE NEW RELEASES ALSO BRING CHEER TO THE INDUSTRY?
Last week’s Shaitaan has emerged as a big hit. It was expected to open well but very few could predict pre-release that it would collect Rs. 15 crores on the first day. The collections got a boost due to the Mahashivratri holiday and yet, the collections didn’t fall or remain the same on Saturday. The film collected Rs. 19 crores and Rs. 20.50 crores on the second and third day respectively. The Monday drop was normal – Rs. 7.50 crores. The film is expected to collect around Rs. 80 crores in its first week and depending on the performance in the subsequent weeks, the lifetime earnings can be in the range of Rs. 125 crores and Rs. 145 crores. For a mid-sized film, these collections are extraordinary.
All eyes now are on the three major releases tomorrow, two in Hindi and one in English. The biggest release is Yodha, starring Sidharth Malhotra, Raashii Khanna and Disha Patani. It is produced by Karan Johar’s Dharma Productions and is a hijack drama. The film was shot way back in 2021-22 and was scheduled to release in September 2023 and later December. Due to overcrowding, it moved to March 15. The trailer was launched two weeks back mid-air in a grand fashion. The promo is interesting while the songs are decent. But the excitement among the public is minimal and they would adopt the wait-and-watch strategy. Hence, the opening won’t be huge and would be around Rs. 4-5 crores. It might go higher if moviegoers come out in huge numbers in the evening and night shows. It’ll need a positive word of mouth to grow on the weekdays and sustain.
Bastar - The Naxal Story reunites The Kerala Story team – actor Adah Sharma, producer Vipul Shah and director Sudipto Sen. It is about the Naxalite movement and how it has wreaked havoc in the country. The trailer is quite disturbing. The Kerala Story also promised a lot of uncomfortable moments and this factor appealed to the audience. But the same kind of curiosity is missing with The Kerala Story. Due to negligible buzz, it has got very limited shows. The opening will be around Rs. 1 crore and the makers can hope for a terrific word of mouth so that it gets a good jump from Saturday.
Finally, Kung Fu Panda 4 will also see a release tomorrow. It is a successful animation franchise and probably the second biggest in India after Frozen 2. Kung Fu Panda 3 had a very delayed release in India and yet, it collected Rs. 32 crores. This stunned the industry since animated films rarely do well in the country. Hence, the expectations are immense from Kung Fu Panda 4 and the advance ticket sales are also healthy. Kung Fu Panda 3 opened at Rs. 2.10 crores and the fourth part’s day 1 collection might surpass this figure.
Last week’s Shaitaan has emerged as a big hit. It was expected to open well but very few could predict pre-release that it would collect Rs. 15 crores on the first day. The collections got a boost due to the Mahashivratri holiday and yet, the collections didn’t fall or remain the same on Saturday. The film collected Rs. 19 crores and Rs. 20.50 crores on the second and third day respectively. The Monday drop was normal – Rs. 7.50 crores. The film is expected to collect around Rs. 80 crores in its first week and depending on the performance in the subsequent weeks, the lifetime earnings can be in the range of Rs. 125 crores and Rs. 145 crores. For a mid-sized film, these collections are extraordinary.
All eyes now are on the three major releases tomorrow, two in Hindi and one in English. The biggest release is Yodha, starring Sidharth Malhotra, Raashii Khanna and Disha Patani. It is produced by Karan Johar’s Dharma Productions and is a hijack drama. The film was shot way back in 2021-22 and was scheduled to release in September 2023 and later December. Due to overcrowding, it moved to March 15. The trailer was launched two weeks back mid-air in a grand fashion. The promo is interesting while the songs are decent. But the excitement among the public is minimal and they would adopt the wait-and-watch strategy. Hence, the opening won’t be huge and would be around Rs. 4-5 crores. It might go higher if moviegoers come out in huge numbers in the evening and night shows. It’ll need a positive word of mouth to grow on the weekdays and sustain.
Bastar - The Naxal Story reunites The Kerala Story team – actor Adah Sharma, producer Vipul Shah and director Sudipto Sen. It is about the Naxalite movement and how it has wreaked havoc in the country. The trailer is quite disturbing. The Kerala Story also promised a lot of uncomfortable moments and this factor appealed to the audience. But the same kind of curiosity is missing with The Kerala Story. Due to negligible buzz, it has got very limited shows. The opening will be around Rs. 1 crore and the makers can hope for a terrific word of mouth so that it gets a good jump from Saturday.
Finally, Kung Fu Panda 4 will also see a release tomorrow. It is a successful animation franchise and probably the second biggest in India after Frozen 2. Kung Fu Panda 3 had a very delayed release in India and yet, it collected Rs. 32 crores. This stunned the industry since animated films rarely do well in the country. Hence, the expectations are immense from Kung Fu Panda 4 and the advance ticket sales are also healthy. Kung Fu Panda 3 opened at Rs. 2.10 crores and the fourth part’s day 1 collection might surpass this figure.
My siblings were part of the Naxalite movement-Sudipto Sen
8:21 PM
Posted by Fenil Seta

As The Kerala Story makers reunite for Bastar that focuses on Naxalism, director Sudipto recalls how his siblings had joined the movement
Hiren Kotwani (MID-DAY; March 7, 2024)
Producer Vipul Shah and director Sudipto Sen’s The Kerala Story (2023) became a hit at the box office, despite being panned by critics and some sections of the audience. Now, the makers are back with Bastar: The Naxal Story, which sees Adah Sharma play an IPS officer countering the Maoist/Naxal insurgency in Bastar, Chhattisgarh.
Creative director-producer Shah remembers being “shaken to the bone” when Sen brought the story to him, which reportedly focuses on the 2010 Maoist attack in Dantewada that killed 76 Central Reserve Police Force [CRPF] jawans.
“When you see our CRPF jawans being killed, the Maoists/Naxals resorting to violence to [hinder] any development in the interiors, you wonder, who are these people? There are several intellectuals in the cities giving them cover by saying they are the Robin Hoods of Bastar. How would you react on reading that there was a celebration in the Jawaharlal Nehru University [JNU] after 76 CRPF jawans were killed by the Naxals? One can have differences with a political party or a leader. But when you go against the nation, it’s a problem,” states Shah.
Sen’s knowledge of the Naxal movement goes back to his childhood. He shares, “My siblings were part of this movement, so I saw how it diversified, went south and eventually made Bastar the red sector. I feel the human tragedy remains under-reported due to some media houses and the system supporting this. Vipul ji and I shared the same passion towards this story. It’s our responsibility to convey this to a wider population.”
For Bastar’s leading lady, the role of an IPS officer is a drastic shift from her portrayal of a survivor of religious conversion in The Kerala Story. Sen praises Sharma for prepping extensively for her part.
“Adah went to Chhattisgarh, met the IPS officers leading the anti-Naxal operations, like the Cobra Force. She accompanied them into the jungles to see how they prepare and combat. In the Bastar trailer, you will notice that hers is not a glamorous part. A lot depends on the character of the person playing the role. Adah is ready to work doubly hard, the result is for everyone to see.”

In the season of general elections, political thrillers grips the nation’s psyche
8:08 AM
Posted by Fenil Seta

Mimansa Shekhar (HINDUSTAN TIMES; February 7, 2024)
Bollywood’s love for political stories is not new, but with the upcoming general elections, there is an increase in political dramas. The year started with Pankaj Tripathi starrer Main Atal Hoon, biopic on former Prime Minister, late Atal Bihari Vajpayee. Several other political thrillers, including Article 370, Emergency, Bastar - The Naxal Story, Section 108, The Sabarmati Report, The Delhi Files, are set to hit the screens as filmmakers vie to present intriguing stories on political leaders and key events. But what makes such films click?
The Tashkent Files (2019), The Kashmir Files (2022) and The Vaccine War (2023) filmmaker Vivek Agnihotri says, “A film industry that isn’t making a political film, is dehydrated. Every film should address socio-political issues because it touches our life.” The filmmaker is helming The Delhi Files, which is reportedly based on the 1984 Sikh riots in New Delhi.
In the past, filmmakers like Raj Kapoor, Manoj Kumar, Dev Anand, Guru Dutt, Shyam Benegal, Prakash Jha, Sudhir Mishra, among others brought socio-political commentary in their films. And this genre continues to be a loved by the current crop of filmmakers.
While Yami Gautam Dhar‘s Article 370 is set against the revoking of Article 370 that gave Jammu and Kashmir a special status; Emergency, headlined by Kangana Ranaut, biographical historical drama based on Indian Emergency during former Prime Minister, late Indira Gandhi’s term.
Another reason political thrillers pull in the crowds is the relatability factor. Even if not directly, several movies have subtle political undertones. Pointing at films such as Inquilaab and Aaj Ka MLA (both 1984), Gadar 2 (2023) director Anil Sharma asserts that politics is an integral part of our cinema, “Even today, if you go to the rural areas, people discuss politics sitting under a tree. Political films are a popular sentiment in India, hence it works with the audience.”
Actor Adah Sharma, who spearheaded The Kerala Story (2023), will be seen next in Bastar - The Naxal Story, that traces the Naxal movement in Chattisgarh. The 31-year-old says the final verdict of a film is in the hands of the audience: “In 2023, the biggest movies were Jawaan and Pathaan, which weren’t political thrillers, [but] The Kerala Story was part of the top films. Since time immemorial, movie watchers have embraced all genres equally. Bastar... is a political thriller, if the audience decides it’s well made, it will work.”
With Rang De Basanti (2006), Raajneeti and Rakta Charitra (both, 2010), Aarakshan (2011) and Maharani (2021), we’re seeing an upswing in this genre. The crux remains that important stories are told from every lens and aspect of the political spectrum because that’s what makes the nation think.
Experts share their views
Trade expert Atul Mohan says, “The political thrillers releasing this year don’t have an edge as the audience knows that it can only be agenda driven. Poore desh ka mahaul election ka hai, so news mein zaroor reh sakti hain, but it doesn’t necessarily mean they will do well at the box office also.”
Film exhibitor Akshaye Rathi says, “It’s tough to avoid cricket, cinema and politics in our country. People might say a film is right-leaning, like The Kerala Story or The Kashmir Files, but we’ve also had films like Mulk (2018) or Article 15 (2019), which spoke from the other side of the political leaning.”
Producer and film expert Girish Johar says, “Bheed (2023) was released at the perfect time, but didn’t do well as audiences seek both relevance and entertainment. [For political films], it’s topical as everyone is talking about elections.”

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