Showing posts with label Balkrishna Shroff. Show all posts
Showing posts with label Balkrishna Shroff. Show all posts

What's in the run time: Did going beyond 2 1/2 hour length work for Bharat, Kabir Singh, Avengers: Endgame?


Ten films which went beyond the two-and-a-half hour length and stood to gain… or lose
Akash Bhatnagar (MUMBAI MIRROR; July 22, 2019)

A movie’s run time is tricky business. If it is too short, the audience may not get it, if it is too long, it could turn into a snore fest. So, most Hindi filmmakers play safe and keep it to two-and-a-half hours, but once in a while, surprises do crop up, be it the almost four-hour-long Lagaan or the hour-and-a-half Dolly Ki Doli. Currently on a record-breaking spree, Kabir Singh, is almost three-hour long, yet the audience is happily lapping up the dollops of misogyny. To cut a long story short, many filmmakers today are ready to gamble with the age-old maxim ‘the longer, the better’. Does the length of a film influence its box-office outcome? Trade experts analyse...

KABIR SINGH (2019) - 2 hrs and 53 mins
Director: Sandeep Vanga
Cast: Shahid Kapoor, Kiara Advani
Synopsis: A remake of the Telugu romance Arjun Reddy, the film follows an alcoholic surgeon on the path of self-destruction after his girlfriend leaves him.
Trade speak: Distributor Raj Bansal believes the runtime affects number of shows and this film could have upped its business by 10-15 per cent had it been 20 minutes shorter. “Long runtime erodes entertainment value and brings down collections, but that’s where content kicks in. The trade had not expected Kabir Singh to even hit the century mark, but people found it engaging and identified with Shahid’s angry young man with the result that even the most vitriolic criticism could not keep them away,” he reasons.


BHARAT (2019) - 2 hrs and 47 mins
Director: Ali Abbas Zafar
Cast: Salman Khan, Katrina Kaif, Sunil Grover
Synopsis: A remake of the South Korean film Ode To My Father, Bharat traces the six-decade parallel journeys of independent India and the film’s eponymous character.
Trade speak: According to exhibitor Manoj Desai, the audience today finds it hard to understand and relate to the sacrifices made for India’s independence. “Partition is too out-dated for the Gen X and the film was a drag resulting in less than expected business. Salman should stick to action and romance, he is invincible in these genres and will rule for the next decade or two,” he adds.


KALANK (2019) - 2 hrs and 46 mins
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Sanjay Dutt, Madhuri Dixit, Aditya Roy Kapur, Sonakshi Sinha
Synopsis: The period-romance unfolds against the backdrop of the Partition and revolves around star-crossed lovers.
Trade speak: Distributor Raj Bansal believes that despite a stellar cast, Kalank failed to impress as it lacked depth; also, characters were not well defined and their world too alien. “Sanjay Dutt and Madhuri Dixit’s reunion didn’t add to the narrative, with the former barely there and the latter largely ineffective despite her all-pervasive presence. Even Varun and Alia’s love story was insipid. So despite opening with a bang, it ended on a whimper,” he explains.


AVENGERS: ENDGAME (2019) - 3 hrs 1 min
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr., Chris Evans, Scarlett Johannson, Chris Hemsworth, Mark Ruffalo
Synopsis: In the aftermath of the destruction caused by Thanos, the Avengers team up with their allies to reverse the damage.
Trade speak: Kamal Gianchandani of the PVR chain of theatres, says that it is the audience’s love and loyalty for the franchise and its characters that pulled them in. “The film offered spectacular visuals and action sequences, so people didn’t mind sitting through three hours. Also, in this case the runtime did not restrict the number of shows due to the number of screens allotted in India,” the exhibitor avers.


RANGEELA RAJA (2019) - 2 hrs 42 mins
Director: Sikander Bharti
Cast: Govinda
Synopsis: A comic flick about twin brothers, where one of them decides to bring the other’s life on track.
Trade speak: Industry veteran and founder of Mumbai’s first multiplex chain, Fame Adlabs, Balkrishna Shroff believes Govinda’s time as a lead actor is over. “Script and all other factors were secondary, this film did not have star appeal to begin with. The runtime didn’t matter because there was no audience,” avers Shroff, adding that Govinda is still a talented actor but should do roles complementing his age.


PADMAAVAT (2018) - 2 hrs 44 mins
Director: Sanjay Leela Bhansali
Cast: Deepika Padukone, Ranveer Singh, Shahid Kapoor
Synopsis: A period drama revolving around Maharani Padmavati, Raja Ratan Singh and Alauddin Khilji and how she performed jauhar to protect her honour.
Trade speak: Kamal Gianchandani, of the PVR chain of theatres, believes that irrespective of its length, SLB’s storytelling, his ability to extract strong performances and his music is a big draw. “The combo of an exceptionally talented director and characters played by phenomenal actors in a brilliant film is what worked for Padmaavat,” explains the exhibitor.


KAALA (2018) - 2 hrs 42 mins
Director: Pa Ranjith
Cast: Rajinikanth, Nana Patekar
Synopsis: Kaala is about the Nellai/Tirunelveli-based Tamils who live in Mumbai.
Trade speak: Industry veteran Balkrishna Shroff says Rajini’s appeal is limited to the South. Also, since the multiplex audience doesn’t care for action films, numbers were affected. “Kaala was made for a different market. The Hindi dubbed version was only for extra revenue,” he adds.


RACE 3 (2018) - 2 hrs 40 mins
Director: Remo D’souza
Cast: Salman Khan, Anil Kapoor, Jaqueline Fernandez
Synopsis: A family of criminals deal with loyalty issues while planning their next heist.
Trade speak: Trade analyst Komal Nahta reasons that a 2-hour film can feel like a 4-hour one if the script is bad. “Makers depended on only Salman’s charisma to pack in the crowds. That’s where Race 3 failed,” he asserts.


THUGS OF HINDOSTAN (2018) - 2 hrs 44 mins
Director: Vijay Krishna Acharya
Cast: Amitabh Bachchan, Aamir Khan, Katrina Kaif, Fatima Sana Shaikh
Synopsis: An adventure-thriller about a man’s love for his country and another’s lust for power.
Trade speak: Exhibitor Manoj Desai believes that dearth of originality has hit Bollywood with Thugs... being a prime example. “The story ceased to interest post interval. The makers failed to extract anything from Amitabh Bachchan and Aamir Khan, a pity given the actors they are,” he says.

ZERO (2018) - 2 hours and 44 mins
Director: Aanand L Rai
Cast: Shah Rukh Khan, Anushka Sharma, Katrina Kaif
Synopsis: Bauua Singh who is vertically challenged aims to broaden his horizons and find purpose in life.
Trade speak: Trade analyst Komal Nahta describes Zero as a “flawed script” so even the holidays didn’t help. “SRK’s string of failures can’t be blamed, it wouldn’t have worked with any actor given the overload of sadness. No film fails because it’s ‘too long’ but because it’s ‘bad’,” he asserts.

Industry debates: Should Bollywood films already shot with Pakistani actors be curbed?


BOMBAY TIMES (October 16, 2016)

Box office may soon see a 'hit', albeit differently. In a turn of events, the Cinema Owners and Exhibitors Association of India (COEAI), which covers several single screen theatres in the country, declared after its meeting on Friday that films featuring Pakistani artistes and technicians will not release in single screens, starting with Karan Johar's Ae Dil Hai Mushkil (ADHM), followed by Dear Zindagi and Raees, among others. Parts of Karnataka and the states of Maharashtra, Gujarat and Goa will witness the immediate implications of this decision on Diwali.

Karan's festive release, featuring Ranbir Kapoor, Aishwarya Rai Bachchan, Anushka Sharma and Fawad Khan, has just been passed by the CBFC with only three cuts and a U/A certificate. But looks like patrons might not find it in most of the single screens.

The multiplexes haven't made up their mind yet, and none was forthcoming to speak on the issue, officially. However, a source from a Mumbai multiplex chain, on the condition of anonymity, told BT, “It's a Karan Johar film, so it has an urban appeal and is predominantly meant for the multiplex audience. The single screens have Shivaay. All multiplexes hold meetings on Tuesdays, to discuss the forthcoming Friday's release, so a decision will be taken only three days prior to release. I don't see why multiplexes will not screen this film. No one would like to lose out on business, especially during Diwali. Political parties creating a ruckus is not new, we will need the police to cooperate.“

An industry insider added, “Given the sentiments of our countrymen, we can decide on what can be done in the future, but we cannot expect filmmakers to replace talent with less than 20 days left for release. The film was not made after the Uri attacks. And, if the Censor Board has cleared it, how can it not release on October 28? The government of India has not objected to it and there's no question of a ban. Why won't someone check the credibility of the body (COEAI), which has decided to not screen the film in single screens? Everyone is trying to gain publicity over this controversy.“

It's to be seen eventually how many single screens leave out Karan's film over the big Diwali weekend. The decision made by the COEAI has, in the meantime, divided the industry's opinion. We sought a few:

MAHESH BHATT, FILMMAKER:
The mother of all questions is: Is India going to be run by the rule of law, or by the mood swings and whims of a handful of people? The producers' body and theatre owners' association need to show compassion and behave justly with Karan Johar. This is wilful blindness. How can we not see that these movies were shot when the relationship of the Prime Minister of India and his Pakistani counterpart were at its very best?

RAJESH THADANI, DISTRIBUTOR:
I think only the business in these four states will get affected. The number of screens supporting the decision hasn't come out yet. There is always a possibility of a settlement where no one suffers.

MNS LEADER AMEYA KHOPKAR:
My stand is final. I will not allow the film to release under any circumstances. I understand the argument of making Indian filmmakers and artistes suffer, but this is not the first time I have raised a red flag on this issue. I have been fighting for the cause for 11 years now. I have written letters to several producers on numerous occasions. Is there a dearth of talent in India? Casting Pakistani artistes is a mere ploy to garner more publicity, as these filmmakers know that we will protest against the decision. If they have waited for so long to release the film, they can push the date further and replace Fawad with an Indian actor. I don't see it as a major issue, as he hardly has a 10-minute role in the film.

SUNIL BANSAL, DISTRIBU TOR-EXHIBITOR:
The association should have a liberal attitude and not penalise films that are ready for release. After all, our fellow Indian's money is at stake. Movies that are ready for release and those that have been shot should not be harmed. If they want to ban actors, they should take this stand for films that are yet to begin.

BALKRISHNA SHROFF, DIRECTOR, SHRINGAR FILMS PVT LTD
The Government of India has not banned any Pakistani artiste from working in India. The CBFC, which is also a government body, has not taken any such stand either. This uproar is more about public sentiments. I received 47 calls yesterday from single-screen owners, saying they want to release the film. I feel just because the issue revolves around Bollywood, it has garnered a lot of attention.

HARSH JAIN, DISTRIBUTOR-EXHIBITOR, MUMBAI:
This theatre owners' association primarily covers single screens in Mumbai, Nashik and Pune. They don't have any legal right to ban any film. At most, they can ask their members to not release a film as a precautionary measure. No sensible exhibitor will ban any film, it will only hit his revenue. I'm completely against this ban. I believe art and politics should not be mixed. Even if you want to ban any actor, the release of films already-completed should not be jeopardised. Lastly, the Government says that they don't have any problem with any Pakistani artiste coming and working in India. Political parties have their own agendas, nothing more.

VANDAN SHAH, OWNER OF RUPAM CINEMA, AHMEDABAD:
“We have only heard that COEAI is planning to ban the release of Ae Dil Hai Mushkil in single screen theatres, but we haven't received any word, officially. We are holding a meeting on Monday and the matter will become clearer after that. As of now, we are not making any announcement.“

SA RA GOVINDU, PRESIDENT, KARNATAKA FILM CHAMBER OF COMMERCE:
We agree with the ban, and will give full support to ensure that it is implemented in Karnataka. We Indians must stand united on this.

JAYESH BONDRE, OWNER, NANDI FILM THEATRE, GOA:
Karan Johar is a big name in the movie industry, and his film not being screened is going to be a big loss for us. However, I think the issue will be resolved by next week. We acquire our movies through satellite distribution based in Mumbai. If they don't screen movies, it won't be possible for us to do so either.“

HERE'S WHAT FILMMAKERS, DISTRIBUTORS AND EXHIBITORS HAVE TO SAY

NITIN DATAR, PRESIDENT, COEAI:
It was a unanimous decision made by the association after looking at the public sentiments and the current tension between India and Pakistan. We had to call for a meeting urgently and take a decision. All single screens that are part of the association have agreed, but I can't say how many will execute it. After the IMPPA ban, a lot of filmmakers had said that artistes and filmmakers should not be punished as the filmmakers will bear the loss. But as far as I understand, no filmmaker bears a loss, because he/she sells numerous kinds of rights which fetch them a decent sum. Box-office collection is not the only way to recover costs. On the other hand, if we release Ae Dil Hai Mushkil and our theatres are attacked, no one will help us recover our losses - ticket sales are all that we make our money from. The multiplex owners haven't made up their mind yet, but we have.


ASHOKE PANDIT, VICE PRESIDENT, IMPPA:
We didn't want to stall the release of Karan's film or impact its release in any manner. But our ban was to stop filmmakers from involving Pakistani talent in future. We made ample effort to talk to MNS and convince them to not stop the film, but not once did Karan talk to us or support us in any manner. He is paying the price for his silence. He didn't condemn the Pakistani artistes when they didn't comment on the Uri attacks, he should have. It will make a huge dent in his business if the single screens stick to their decision. It's a cluster that he cannot ignore.


MUKESH BHATT, FILMMAKER & THE PRESIDENT OF THE FILM AND TELEVISION PRODUCERS GUILD OF INDIA:
All kinds of people exist in this industry, and everyone has a different opinion. The industry is paying the price for no fault of theirs. Not releasing a film made by an Indian filmmaker is only harming an Indian. I raise a fundamental question: Does Karan Johar not have the right to earn his livelihood? And since when did associations start banning films that government bodies like the CBFC have not objected to?


VIPUL SHAH, FILMMAKER:
These films started when Indo-Pak peace process was underway. I agree that we should be careful if we are starting a film with a Pakistani artiste, but how is it reasonable to stall a film produced by an Indian, who has invested crores of rupees on something that began when the peace process was on? If anyone starts a film today with a Pakistani artiste, the position can be different. The association should not punish Indian filmmakers like this.

OUR VIEW
It is up to the government to take a decision on whether they want to issue work permits to Pakistani actors in the future. And if you must put a ban on these actors working in India, then shouldn't it apply to films that are planned post the rule comes into effect? How does it help targeting films that have already been shot with Pakistani actors? MNS leader Amey Khopkar has said that he does not see replacing an actor who has a fleeting role in the film, a 'major issue'. That's exactly the point...by stalling the release of a film because of a brief presence of a Pakistani actor, aren't we impacting the work and careers of a multitude of Indians, who have laboured over this film for months, maybe even years? How fair is that?

With inputs from Rachana Dubey Sharma, Hiren Kotwani, Renuka Vyavahare, Neha Maheswri Bhagat, Sunayana Suresh, Mihir Bhanage, Dean Lobo, Anagha pathak, Vinita Chaturvedi, Rishabh Deb, Kimberly Colaco & Abhimanyu Mishra