Showing posts with label Ayesha Raza. Show all posts
Showing posts with label Ayesha Raza. Show all posts
Even when Ayesha and I were dating, she walked out of my plays if she didn't like them-Kumud Mishra
8:14 AM
Posted by Fenil Seta

What an actor born in school theatre, raised on the Bhopal stage and trained at NSD can teach us about our approach to work
Gitanjali Chandrasekharan (MID-DAY; January 31, 2021)
"Pathare Sir, mein zindagi bhar theatre karoonga." Kumud Mishra recalls his parting words to one of the two teachers at the Military Academy in Belgaum, where he studied from Class VII to Class XII. It was at the academy, says Mishra now 53, that he was first introduced to theatre. A shy kid—he says he is still at discomfort in large gatherings—he found his place on stage. School productions headed by Pathare Sir and Janardhan Sir had him play a pandit once and a queen another time—it was an all boys' school. It was much later, that he discovered how good the quality of productions staged at school were.
Mishra, who brings a subtle excellence to all his roles, manages to both, blend into the canvas of the story with his roles and standout as an individual performer, making watching him a pleasure. Having spotted him again in Saif Ali Khan-headlined Amazon Prime web series Tandav as Gopal Das Munshi, a seasoned politician, one wonders what drives the excellence of Mishra's craft.
The first hint comes early into the interview when Mishra says he prefers to respond to the questions in Hindi. Later, as we wonder if we'll need to bring out our dictionary to transcribe this interview, he says, his grasp over the language isn't good. Mishra doesn't seem to strike a false note of modesty. Just that of someone who studies his craft so well—after bidding adieu to Pathare Sir, he headed to Bhopal where he did theatre under the likes of Alakh Nandan and Satyavrat Raut and later studied at the National School of Drama in Delhi—that he still feels he isn't good enough. He thinks, he has a far way to go even where acting is concerned.
Describing how conversations around acting go at home with wife Ayesha Raza, he laughs, "Ghar pe Vibhishan baitha hai." Raza, he says, is critical and vocal about his work. Even when they were dating, she walked out of his plays if she didn't like them. "She never feared that I'd be hurt. We were not even married then, it was quite risky," says Mishra.
Raza, he says, has even shut down one of his plays. A dream to take stage while speaking English, Mishra says, he was practicing the lines at home. After a few days, irritated by how the sound fell on her ears, she asked him why was he pursuing a play in English. "When a French actor can do a play in English, a German actor can do one, and an English actor can do a play in Hindi, why can't I do a play in English?" To which Raza responded, "You are spending all your energy in concentrating on the language. When will you perform?" He tried rehearsing for a few days and gave up. But, the dream isn't over yet. One day, he says, he will perform in English. On her own performances, Mishra says, Raza is so critical, she announces a ban on seeing a play or a role if embarrassed by it.
First introduced to Mishra on stage in the Manav Kaul directed Shakkar Ke Paanch Daane, where Mishra—who has trained in the Chau form of martial art/dance—plays Rajkumar, a villager telling the story of his life through the five people who stood out in his life, we wondered at the fluidity of Mishra's body. He jumps up on boxes and runs across the stage with an energy that belies assumptions. He credits the audience for half the success of a stage actor. "They bring their own imagination and creativity. If you say I am taking a round of the stage and reaching Hastinapur, when you complete the round, the audience will believe it. On the screen, you have to show the mountains for an audience to see mountains." On Shakkar, he says, the other part of the success is to be attributed to Kaul's text. "He has given me some good work, but Shakkar is the best. Is mein jo saralta hai… paani ki tarah behta hua text hai. If I perform Shakkar at 80 as well, the audience will negate the age. They will be able to see the child in the performer."
The first time he had performed Shakkar, he said, it had come with curiosity. To understand the subtext. Then, a time came, when he performed the text mechanically, knowing where the laughs would break the silence in the theatre and where the audience would cry. "But one day, the audience didn't do that. I realised I was performing mechanically and taking it for granted. The audience wants to share your experience and give you a hint of theirs."
When he shared this with Kaul, the playwright-director-actor said, "You are trying to relive the emotions of the original production. Instead, perform how you feel about the text today."
There's much to say about Mishra. How he chooses his film roles for example. He doesn't shy away from the pragmatism of it. Where he picks the script first, then the role, money is also an issue. We ask if he has ever negotiated for another role. "Just once," he admits. And even then, he says, he told the director to consider him only if the other person whom they had picked rejected the part. "And then too, I felt bad."
While he had a love for movies, it was never meant to be his medium. At school, they'd be shown Naseeruddin Shah's films. After watching Paar, he thought, "Baap re baap, aisa bhi hota hai" and wanted to be an actor. And yet, never in the movies—he came to Mumbai for a theatre audition with all intentions of return to Delhi, but, life had other plans.
After completing school, while the forgers headed for the National Defence Academy (NDA) or to the Combined Defence Services (CDS) Examination or the Officers' Training Academy, Mishra sat on a train back home and made a promise he isn't still quite sure why. "But, chipak gaya hai."
Check out Janhvi Kapoor, Pankaj Tripathi shooting in Lucknow for Gunjan Saxena biopic
9:21 AM
Posted by Fenil Seta

Aditya Yadav (BOMBAY TIMES; February 23, 2019)
Janhvi Kapoor is in Lucknow and is busy shooting the biopic Kargil Girl, based on Indian Air Force fighter pilot Gunjan Saxena. In the film, Janhvi is portraying the character of Gunjan, who is the first female combat pilot of the IAF and was awarded the Shaurya Chakra for her bravery during the 1999 Kargil war.
Recently, Janhvi canned a few scenes of the film along with National Award winning actor Pankaj Tripathi in Lucknow.
The scene was of Janhvi sitting in the car while Tripathi, who plays Anup Saxena, Gunjan’s father in the film, is driving the car. Several fans of the Dhadak actress and Stree actor were spotted shouting out their names and waving at them. Later, after the scene was canned, as Janhvi headed to her vanity, a huge crowd gathered around her for selfies with her.
The film, which is being directed by Sharan Sharma, will be shot extensively in Lucknow at various places including a college. The film also stars Ayesha Raza and Angad Bedi. The shooting which began last week is expected to wrap up around the first week of March, post which the actors will return to Mumbai.

Nushrat Bharucha supports director Luv Ranjan in the midst of #MeToo allegations
8:14 AM
Posted by Fenil Seta

Rachit Gupta (BOMBAY TIMES; October 15, 2018)
Filmmaker Luv Ranjan, who’s made the successful Sonu Ke Titu Ki Sweety (SKTKS) and Pyaar Ka Punchnama (PKP) movies, was accused of sexual harassment by an anonymous actress. Since then, the director has denied all allegations and had issued a statement where he also apologised. Actress Nushrat Bharucha, who has worked with Ranjan in SKTKS, PKP and many other movies, too issued a statement recently, supporting the director and vouching for his integrity.In her open letter, Nushrat stated that the #MeToo movement was a significant one, but she also criticised false accusations. She narrated her first meeting with Ranjan and his team, where she was informed of her role in PKP and that she would be required to wear a bikini and have kissing scenes, too. She recalled that both Ranjan and his team were thoroughly professional. Her statement further read, “The one main reason I have worked with Luv Ranjan and his team over and over again, is that I feel safe, I feel protected, respected and cared for. They have, in fact, always given me the courage to take action against any such wrongdoings. Every girl in his unit, right from an actor to an AD to a costume stylist to a set designer to a line producer to our hair and make-up staff, has been given that same backing, that same power to come forward and report anything inappropriate and no matter who the man in question was, be assured that he would be reprimanded/fired from his unit. And as a matter of fact, in every such case, has been. Now, it was up to us to use this power responsibly and I am sure every girl in his unit would have her own story to tell.”
Nushrat also narrated incidents when Ranjan was prompt to act on sexual harassment complaints on the sets of the films that they worked on together. She revealed, “I also remember a day during the filming of Akaash Vani when we packed up and I was walking out of my make-up room, I saw a female crew member crying silently in the corner. We heard her story and implored her to go and report it to Sir right away, knowing he would take action against whoever it was. And he did. He fired the man at once and made sure extra caution was taken to ensure no one tried anything like that again on set. Ayesha Raza Mishra ji talked about an incident on the set of SKTKS, where a female crew member had been a victim of inappropriate behaviour by a male actor. Luv Sir took a stand and fired the actor from the film, recast and reshot those scenes.”
Nushrat’s co-star from the PKP films, Sonnalli Seygall had also come out in support of Ranjan recently. In her statement, Nushrat called Ranjan a man she trusts. She also added, “These are his beliefs and these have been his actions. He has been a shield for us all and protected and guided us whenever we’ve felt uncomfortable with anything or anyone.” Nushrat’s full statement can be read on her social media handles, too.
Amitabh Bachchan marries twice in Yudh
9:06 AM
Posted by Fenil Seta
Priya Gupta (BOMBAY TIMES; June 25, 2014)
Anurag Kashyap saves job of actors who leaked details of Yudh?
8:34 AM
Posted by Fenil Seta
Asira Tarannum (MID-DAY; June 16, 2014)
Earlier this month, hitlist had reported that the producers of Amitabh Bachchan’s show,
Yudh, had issued a gag order to its cast and crew in order to keep
details about the show under wraps. But it seems that despite strict
instructions to remain tightlipped about the show, some artistes spoke
to the media. When Endemol got word about this, the production house
apparently told the casting director to fire those artistes.
But fortunately for these names, series director Anurag Kashyap has stepped in and apparently requested them to reconsider their decision.
Says a source, “ Zakir Hussain and Ayesha Raza broke the rules mentioned in the contract; apparently, they gave quotes to a journalist. Endemol wanted to replace them due to this violation but Anurag called the production house and requested them to not let these actors go.”
Anurag was not available for comment, ditto for actor Zakir Hussain and actress Ayesha Raza, who is also a part of Zoya Akhtar’s film, Dil Dhadakne Do.
But a friend of Zakir Hussain says, “He is still in an NDA ( non disclosure agreement) with Endemol, so he can’t say talk about anything related to the show.” The production head of Endemol also remained unavailable for comment.
But fortunately for these names, series director Anurag Kashyap has stepped in and apparently requested them to reconsider their decision.
Says a source, “ Zakir Hussain and Ayesha Raza broke the rules mentioned in the contract; apparently, they gave quotes to a journalist. Endemol wanted to replace them due to this violation but Anurag called the production house and requested them to not let these actors go.”
Anurag was not available for comment, ditto for actor Zakir Hussain and actress Ayesha Raza, who is also a part of Zoya Akhtar’s film, Dil Dhadakne Do.
But a friend of Zakir Hussain says, “He is still in an NDA ( non disclosure agreement) with Endemol, so he can’t say talk about anything related to the show.” The production head of Endemol also remained unavailable for comment.
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