Showing posts with label Awara Paagal Deewana. Show all posts
Showing posts with label Awara Paagal Deewana. Show all posts
Suniel Shetty on reprising his iconic role in Welcome To The Jungle: "People have created several memes on Yeda Anna"
9:48 AM
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(L-R) Suniel Shetty and Roopesh Shetty in ‘Jai’; (right) Ahmed Khan directing Shetty (holding drums) and Tusshar Kapoor in ‘Welcome To The Jungle’
Recreating his iconic comic character in ‘Welcome To The Jungle’, Suniel Shetty on exploring the role differently; giving back to his Tulu roots with ‘Jai’
Upala KBR (MID-DAY; November 16, 2025)
He is suave, eccentric, unpredictable, and violent in nature. That is Yeda Anna — Suniel Shetty’s iconic character from the hit 2005 film Awara Paagal Deewana — in a nutshell. Now, he is gearing up to bring this crazy persona back to the screen with Ahmed Khan’s Welcome To The Jungle. So, if you suddenly hear the actor saying, “Yeda hoon par tera baap nahin hoon!”, don’t be too surprised. This week, Shetty wrapped up a schedule of the ensemble comedy in Film City, Mumbai.
He is suave, eccentric, unpredictable, and violent in nature. That is Yeda Anna — Suniel Shetty’s iconic character from the hit 2005 film Awara Pagal Deewana — in a nutshell. Now, he is gearing up to bring this crazy persona back to the screen with Ahmed Khan’s Welcome To The Jungle. So, if you suddenly hear the actor saying, “Yeda hoon par tera baap nahin hoon!”, don’t be too surprised.
This week, Shetty wrapped up a schedule of the ensemble comedy in Film City, Mumbai. “All of us are in every scene, so the humour is for each and every fan of all the stars.”
Welcome To The Jungle features Akshay Kumar, Jacqueline Fernandez, Raveena Tandon, Mithun Chakraborty, Disha Patani, Kiran Kumar, Farida Jalal, Arshad Warsi, Lever, Rawal, Tusshar Kapoor, Krushna Abhishek, and Shreyas Talpade, among others.
There is another reason why Shetty is on a high — for being called the complete man in a recent clothing brand’s ad and his debut in the Tulu film industry with Jai, which has “opened on an excellent note”. Doing the film — which is also released in Kannada — is his way of giving back to his Tulu roots, he says. “I did this film because it’s a small film industry, it needed the recognition. I didn’t take a single rupee for it because I wanted to give back [to my community],” says the actor, adding that ultimately only content can elevate a film. With the barrier between regions diminishing, good content will always thrive, irrespective of its language, he shares.
Firoz Nadiadwala to launch family universe of A K Nadiadwala’s birth anniversary: "Will include new editions of Hera Pheri and Welcome"
9:55 AM
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Upala KBR (MID-DAY; September 24, 2025)
Over three generations and multiple decades, the Nadiadwala family has backed numerous films, from the 1960’s hits Taj Mahal (1963) and Patthar Ke Sanam (1967) to the iconic Hera Pheri (2000). Today, as the family celebrates founder and late producer Abdul Karim Nadiadwala’s 115th birth anniversary, his grandson Firoz Nadiadwala reveals to mid-day that he is set to launch the banner’s own film universe that will include new chapters of his previous offerings Hera Pheri, Awara Paagal Deewana (2002), and many more.
Shedding light on his plan, Firoz says, “There are cop, horror, and spy universes, but after years of work, we have created a universe of all genres for the family audience. We will make sequels and prequels of Aan: Men at Work [2004], Awara Paagal Deewana, Deewane Huye Paagal [2005], and new editions of the Welcome and Hera Pheri franchise. We’ll also have new movies. All the films will be clean and larger-than-life. That’s why I call it the ‘Family Universe’, which will have new and older actors joining in and crossover characters.”
His family banner, AG Films, celebrated its 75th year in the movies this June. With the universe, the idea is to take forward the banner’s legacy of films that are a blend of comedy, romance, and thrills. The producer is also revisiting his father A A Nadiadwala’s Mahabharat (1965).
He adds, “We were the first to make a feature film on the Mahabharat. Now I am making Mahabharata — Right Over Might.”
Akshay Kumar never lost faith in me-Mohit Suri
9:09 AM
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Sonal Kalra (HINDUSTAN TIMES; August 2, 2025)
Saiyaara has broken global records and won hearts over the past two weeks. The craze reached unprecedented levels, with people thronging the theatres, and the Ahaan Panday and Aneet Padda-starrer transitioned from being a young love story to a phenomenon. On The Right Angle with Sonal Kalra this week, we got the captain of the ship, director Mohit Suri, to decode the film:
Saiyaara has got a great response. How does it feel?
It feels good to receive this love. I have been spending time with my wife (Uditaa Goswami; actor) after the release, she’s been asking me to do household things (laughs). But I take some time for myself daily from 6.30 pm to 9 pm, as I get calls from all over the country. I’ve told her to just let me feel the love. It’s taken me 20 years to be here.
Akshay Kumar (actor) recently joined us on our show and praised you, saying if Mohit handles the music and directs, it’s always great. What would you say about it?
He has known me since I was a child, assisting on the sets of (Awara Paagal Deewana; 2002) with Vikram Bhatt (filmmaker). We tried to work together a couple of times, but things never fell into place. Even when Aashiqui 2 (2013) and Ek Villain (2014) had done well [he encouraged me]. He never lost faith in me. For him to come out there publicly... It’s something very few people do. What else can I ask for?
Was there a moment while working on Saiyaara when you knew the film would strike it so big?
We were shooting the piano scene, when Vaani (Aneet’s character) gets Krish’s (Ahaan’s character) name wrong. The way Ahaan gave that shot, and the way Aneet spoke... that was the day. I turned to our creative producer (Sumana Ghosh) and said, “I don’t know about the fate of this film, but I know we are making a great one”. When Adi sir (Aditya Chopra, producer) saw the movie in its loosest form, he said, “No matter how much this opens at, it’s going to do at least Rs. 100 crore”. I was in class eight when I saw his movie Dilwale Dulhania Le Jayenge (1995) in the theatre. I said, “This is the kind of film I want to make someday”. For him to say this... that’s what an experienced producer should do. That’s when we felt we were making something special. While the collections are most welcome, this love is something I really wanted.
Saiyaara has led to intense triggering of emotions in people. There are viral videos of people tearing their clothes and crying their hearts out in theatres. Did you see them?
I’d forgotten that I have made a career out of people with heartbreaks. When I go home from office at night and see some boys on Carter Road (Mumbai), listening to Toh Phir Aao from my film Awarapan (2007), I don’t mess with them, as they are heartbroken (laughs). My music, like Sunn Raha Hai and Tum Hi Ho (both from Aashiqui 2, 2013) has lived with people for a really long time.
The film’s music has become hugely popular, the title track entered Spotify’s gobal charts. Did you get time to party with the musicians?
Yes, it was a last minute thing. Ahaan (Panday, actor) and I’d gone to Mount Mary’s church in Mumbai at midnight. Then we went to my office to celebrate after the release. He surprised me by calling Saiyaara’s singer Faheem Abdullah in the middle of the night. I have seen this popularity with Woh Lamhe (2007) and Galliyan (from 2014’s Ek Villain). The magic only gets better, and it’s scary. You’re expected to do it again and again. At the moment, it feels so good. I would feel let down if I didn’t let them (Ahaan and actor Aneet Padda) have the same success and position that I probably helped others reach.
You decided to work with newcomers, not just for the music, but also the leads. Were there people who maybe said, ‘We need a couple of big names to make the film financially viable’?
I’ve been working with newcomers all my life. The only stars I worked with are Emraan Hashmi and Vidya (Balan) in Hamari Adhuri Kahaani (2015), and John Abraham in Ek Villain Returns (2022). It was easy for me to decide on newcomers because the story required age appropriate casting. It’s easy when you have a leading production house backing you, with access to all the big stars in the industry. Adi (Aditya Chopra) did tell me, ‘Between you and me, we can get anyone in the industry for this film. My distribution and marketing team will be happy, too. But if you make Saiyaara with established people, it won’t work.’
I have to completely credit Akshaye Widhani (producer) and Aditya Chopra. I can be the dreamer who wants to do this, but for someone to back your conviction, people have to put their money where their mouth is.
Saiyaara didn’t go the traditional PR route — no reality show visits, no media interviews. Whose idea was it?
We had a PR meeting once, everyone was very charged. It was so good, the plan was what everyone was doing. But we all looked at each other and said, ‘This is not the film.’ I had a talk with the marketing team and said, ‘I don’t know the last time people went and watched a film because they saw the lead cast playing Truth and Dare, or being asked questions like, ‘Who is the bigger prankster on set?’ or asking the newcomers ‘What was it like working with Mohit Suri?’ I said we should talk about their work. Even when the poster was supposed to come out, we said let’s release the song in theatres, because most so-called newcomers are nowadays being launched directly on OTT. This is a theatre film. No comedy shows, no reality shows.
Indian Idol makers won't yet sack Anu Malik over sexual harassment allegations
8:20 AM
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MUMBAI MIRROR (October 18, 2018)
A week after singer Sona Mohapatra called Anu Malik a “serial predator” while recounting her #MeToo stories, singer Shweta Pandit, has accused the composer of harassing her when she was a minor.
Terming Malik a “pedophile and sexual predator”, Pandit revealed that he had misbehaved with her when she was only 15 and looking to gain a foothold in the industry.
“It was the year 2000 when I was launched as a lead singer with Mohabbatein and was trying to get other good songs to follow up with the success of that soundtrack and the outstanding welcome it gave me in the music industry,” she said, adding that she was an admirer of the musician and was thrilled to get a call from his manager to meet him at an Andheri studio in 2001.
“He was recording a song with Sunidhi (Chauhan) and Shaan for Awara Pagal Deewana, when my mother and I walked into the monitor room. He told me to wait in the small cabin inside... It was just him and me there,” she said. Malik then asked Pandit to sing a few lines for a voice test. “I sang it well, so he said, ‘I’ll give you this song with Sunidhi and Shaan but first give me a kiss now’. He then smiled... I went numb and pale in the face. I was only 15 years old then, still in school,” she added.
Pandit, who is the veteran classical singer Pandit Jasraj, called it the “worst experience of my life”, and said that she was depressed for months after the incident and could not even bring it up with her parents.
Mohapatra thanked Pandit for calling out Malik. “So many people trolled me for my Anu Malik story and scoffed because they think calling me ‘maal’ or calling up at odd hours doesn’t constitute sexual harassment. Please note, you don’t know sh*t,” Mohapatra asserted.
Anu Malik responded with “No comments,” to the allegations. “This is ridiculous. I don’t want to talk about it. Today anyone says anything,” he was quoted as saying.
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Makers of Indian Idol continue to twiddle their thumbs about their judge, against whom several women have come forward to level allegations of sexual harassment
Shaheen Parkar (MID-DAY; October 18, 2018)
Almost a week after Sona Mohapatra called out Anu Malik for being "a serial predator", singer Shweta Pandit accused the music composer of sexual misconduct yesterday. With the industry following a zero-tolerance policy towards sexual harassment, pressure has mounted on Endemol, the makers of Indian Idol, and Sony Entertainment to drop Malik from the show. He has judged every season since the reality show began airing in 2004.
Referring to Malik as a "paedophile" and "sexual predator", Pandit recounted the 18-year-old episode in a detailed post on Twitter. According to the post, she met Malik in a cabin at Empire Studio in Andheri — the composer was recording a song with Shaan and Sunidhi Chauhan for Awara Pagal Deewana (2002).
"It was just him and me there. He asked me to sing without any music, as he wanted to hear my voice. I remember I sang the title song of Har Dil Jo Pyar Karega. I sang it well, so he said, 'I'll give you this song with Sunidhi and Shaan but first give me a kiss now.' He then smiled, what I recall as the most evil grin I've seen," she wrote.
Pandit also pointed out that she was only 15 years of age at the time. "Can anyone even imagine what it felt that moment? I referred to this man as 'Anu uncle', he knew my entire family for decades... He addressed my father as 'Mandheer bhai'. And he does this to his bhai's daughter? (sic)"
No sooner had Pandit's tweet gone viral than netizens questioned why the show producers and the channel were not taking strict action against Malik. They cited examples of Sajid Khan and Subhash Kapoor, who had been ousted from their directorial ventures following sexual harassment allegations.
A source close to the channel revealed that the officials are deciding on the next course of action. "They have taken note of the developments, but no decision has been taken yet. It is a wait-and-watch situation as Anu Malik is synonymous with the show. Though netizens have been tagging Sony TV in their online demand to oust him, the channel officials are keeping mum for now," the source said.
When contacted, the channel officials refused to comment. Malik, on his part, remained incommunicado. Earlier in the evening, Malik rubbished the allegations to a news agency, stating, "This is ridiculous. I don't want to talk about it. Today anyone says anything." He is currently hosting Indian Idol's tenth season with Vishal Dadlani and Neha Kakkar.
After Hera Pheri 3, Firoz Nadiadwala now plans a sequel to Awara Paagal Deewana?
8:00 AM
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The actor-duo is gearing up to reprise their roles in the sequel of their 2002 madcap comedy that is scheduled to go on the floors next year
Natasha Coutinho (MUMBAI MIRROR; May 30, 2018)
Mirror had earlier reported (May 23) that Akshay Kumar and Suniel Shetty are set to reunite for the third installment of the Hera Pheri franchise. We have now learnt that the actor duo is also gearing up to get together for a sequel of the 2002 action-comedy Awara Paagal Deewana, which had also featured Aftab Shivdasani, Aarti Chhabria, Amrita Arora and Preeti Jhangiani as lead. According to a source close to the development, producer Firoz Nadiadwala has begun work on the second film, the script is ready, and he is looking for a new director to take over part two.
“The script is written by several writers and was finalised recently. Like the original, the new one will also hinge on a lot on action. Once the entire cast is finalised, the plan is to take all of them to the Shaolin Temple in China for training. The film is expected to go on the floors next year and a major portion is being planned in the US, between Los Angeles and the Mexico border. The makers are looking at bringing back the concept of The Wild West.” The original had action choreographed by Yuen Woo Ping, a martial arts expert from Hong Kong, but the team is looking for a new name for the sequel.
The source adds that the original cast, including Akshay, Suniel, Aftab, Paresh Rawal and Johny Lever, will soon be approached to reprise their roles.
As Mirror had reported earlier, Nadiadwala is also gearing up for a sequel to Welcome Back and while a director for it is yet to be announced, Indra Kumar has been roped in to helm Hera Phera 3.
The original Awara Paagal Deewana revolved around the riches of a dead don, Baba Baldev Prasad (Om Puri), who left behind diamonds at the New York Bank to be distributed equally among his son Vikrant (Rahul Dev), daughter Preeti (Preeti Jhangiani), and Preeti’s husband Guru Gulab Khatri (Akshay Kumar). To claim the diamonds, all three are required to be present at the bank. Guru flees to the US to escape a trap set by Vikrant to get rid of him and the story takes off from there.
Ahmed Khan to direct Akshay Kumar in Awara Paagal Deewana sequel?
7:47 AM
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Gaurav Dubey (MID-DAY; February 19, 2016)
After the success of his last production venture Welcome Back (2015), Firoz Nadiadwala is rumoured to be gearing up for another sequel. Sources close to the producer have revealed that he is keen to take forward the story of Akshay Kumar-starrer Awara Paagal Deewana (2002), which was the desi version of Hollywood flick The Whole Nine Yards.
Says a source, “The project will be helmed by choreographer-director Ahmed Khan and feature Akshay in the lead.” The action comedy had been directed by Vikram Bhatt and featured Akshay, Suniel Shetty, Aftab Shivadasani, Paresh Rawal, Johnny Lever, and starlets Aarti Chhabria, Amrita Arora and Preeti Jhangiani.
Apparently, Nadiadwala and Akki had a fall-out after collaborating on Hera Pheri and its sequel Phir Hera Pheri, following which he opted out of the third instalment of the successful franchise. Last year in October, there were reports about Nadiadwala extending an olive branch to the star for the Awara Paagal Deewana 2, while stating that Shetty, Rawal and Lever would be retained from the original star cast. “However, now, Akshay has agreed to be part of the film, which is currently in the pre-production stage. It will go on floors towards the latter part of the year since Akshay needs to wrap up his other commitments,” adds the source.
While Nadiadwala and Ahmed remained unavailable for comment, a well- placed source involved with the project confirms the news.
Firoz & his dad A G Nadiadwala carry forward the 60-year-legacy of family entertainers
7:52 AM
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Seema Sinha (BOMBAY TIMES; January 20, 2015)
Besides pioneering technology in the movies like cables (Awara Paagal Deewana) and Dolby digital (Kartoos), the Nadiadwalas have also pioneered movie franchises. He further adds, “We are the only company to have three franchises. The scripts of four of our films - Phir Hera Pheri, Welcome, Aarakshan and Fool N Final, are archived at the Oscar library.“ It is noteworthy that they have also had the distinction of getting some eminent directors, actors, composers, lyricists and technicians working with them for decades.
Says Firoz, “My granddad and dad have worked with the giants of their times like Amitabh Bachchan, Manmohan Desai, Prakash Mehra and Yash Chopra. They forged personal relationships with the talent they associated with and my endeavour is to keep that going. My company also wants to align with A-list Hollywood directors.“
While the banner will shortly release one of their sequels, Welcome Back with John Abraham, Anil Kapoor, Nana Patekar and Naseeruddin Shah, Firoz is also planning a sequel to Awara Paagal Deewana.
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AG Nadiadwala is one of
the most reverred names in the film business. His son Firoz A
Nadiadwala who has taken on the mantle of film production from his
father says, “While keeping film aesthetics and requirements in mind, we
make our budget according to the movie and not the other way
round. We first understand the dynamics of the story and
screenplay before we put down our expenses. Even if we end up spending a
little more, we ensure that the money spent should be visible in terms
of both, sensibility and quality.“
For Firoz, travel, reading and observation helps him assess the likes, dislikes and taste of the audience at large.Says he, “We blend that in our scripting and filming. Our basic effort and focus is always to make sure that our stories and presentation is aimed at the family audience.“
For Firoz, travel, reading and observation helps him assess the likes, dislikes and taste of the audience at large.Says he, “We blend that in our scripting and filming. Our basic effort and focus is always to make sure that our stories and presentation is aimed at the family audience.“
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