Showing posts with label Ashok Dubey. Show all posts
Showing posts with label Ashok Dubey. Show all posts
Ram Gopal Varma pays Rs. 1.11 crore after technicians halt his film shoot
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Neha Maheshwri (BOMBAY TIMES; August 19, 2026)
The shooting of Ram Gopal Varma’s Police Company was stalled for nearly five hours on Monday at a set in Versova, after technicians and daily-wage workers affiliated with the Federation of Western India Cine Employees (FWICE) refused to work over Rs. 1.32 crore in pending dues dating back nearly nine years. The impasse ended after Rs. 1.11 crore was transferred to FWICE, following which work resumed.
Birendra Nath Tiwari, President of FWICE, says, “Varma, who owed money to technicians and daily-wage workers for three projects, including Sarkar 3 (2017) and Officer (2018), had written a letter to us in 2019, assuring us that the dues would be cleared at the earliest and requesting that he be allowed to continue working. We kept following up with him, but he continued to avoid the issue. We contacted him again when we learnt that he was preparing to shoot his next project, but for almost a month, we were told that the payment would be made shortly and were asked not to take action.”
The association eventually decided to halt the shoot over the unpaid dues. Ashok Dubey, Honorary General Secretary of FWICE, says, “On Monday, we had no choice but to stall the shoot. We asked the cameraman, fighters and members of the lighting department not to work until the payment was made. The outstanding amount involved several departments, including fighters, spot boys and the sound department. After almost nine years, the workers finally received the money that was due to them.”
FWICE Chief Advisor and President of the Indian Film & Television Directors’ Association (IFTDA), Ashoke Pandit, adds, “It is high time producers recognize that technicians and daily-wage workers who contribute to completing a film also have families and responsibilities. We do not want to stop a shoot or cause difficulties because the producer can also suffer as a result. We will continue to seek action when payments are withheld.”
There was no response from RGV till the time of going to press.
Earlier in June, FWICE and Ram Gopal Varma clashed after the filmmaker took to social media to criticise the federation over its directive concerning Ranveer Singh’s Don 3. FWICE hit back at Varma, with Chief Advisor Ashoke Pandit objecting to his remarks and questioning his credibility on the issue. Pandit alleged that Varma owes more than Rs. 1 crore in unpaid dues to technicians and daily-wage workers since 2017, including those who worked on Officer (2018).
He said Varma had assured FWICE in 2019 that the dues would be cleared, but the payments remain outstanding. Pandit also defended FWICE’s role in protecting the interests of technicians and workers, maintaining that the federation has a responsibility to intervene when members’ payments are withheld. The exchange added another layer to the ongoing friction between Varma and the federation.
Love & War resumes shoot with enhanced safety audits and inspections after the tragedy
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Mohar Basu (MID-DAY; June 23, 2026)
Five days after a tragic accident claimed the life of a crew member on the set of Love & War, filmmaker Sanjay Leela Bhansali resumed the period drama’s shoot at Royal Palms in Goregaon on June 22. We’re told the latest schedule, which already faced months of delays, commenced under heightened safety measures.
In the wake of the accident that happened around 3 am on June 17, Bhansali Productions has apparently put an immediate stop to all night shoots of the Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal-starrer until further notice.
The demise of carpenter Chandradhari Yadav, 42, who was working on the film’s set when he allegedly suffered an electric shock, has naturally affected the crew.
A source from the set told mid-day, “The electric wire was loose and he got a shock. After the accident, the makers have decided that no night shoots will be conducted going forward. They have also ordered additional electrical inspections, mandatory safety audits before every shift, and stricter monitoring of on-set work conditions to prevent such an incident in the future.”
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S Farah Rizvi (HINDUSTAN TIMES; June 23, 2026)
Following an accident that led to the death of a carpenter on the sets of filmmaker Sanjay Leela Bhansali’s upcoming film Love & War on June 17, Bhansali Productions has offered compensation of Rs. 40 lakh to the victim’s family.
The incident took place in the early hours of June 17 at Royal Pump Studio in Mumbai’s Film City, where 42-year-old carpenter Chandradhari Singh Yadav died after suffering a severe electric shock. Preliminary findings suggest a short circuit may have caused the electrocution.
FWICE general secretary Ashok Dubey says, “Humne Rs. 50 lakh kaha tha aur humne apni taraf se prayatna kiya hai for Yadav’s family to get maximum compensation. Unhone (production team) hume bataya hai that insurance se bhi Rs. 10-15 lakh direct victim ki family ko mil sakta hai.”
The film body’s chief advisor Ashoke Pandit adds that members are urging the administration to “form a joint committee to get an audit for old structures and check on safety measures”.
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We’ve been in talks with the production team since the day of the accident. Humne apni taraf se prayatna kiya hai for Yadav’s family to get maximum compensation.
- ASHOK DUBEY, FWICE GENERAL SECRETARY
Sanjay Leela Bhansali compensates deceased worker’s family with Rs. 40 lakh; FWICE seeks stricter safety norms
3:22 PM
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Neha Maheshwri (BOMBAY TIMES; June 21, 2026)
An accident on the set of Love & War at Royal Pump Studio in Goregaon (East) claimed the life of 42-year-old Chandradhari Yadav, a carpenter and member of the Film Studio Setting and Allied Mazdoor Union (FSSAMU), at around 3 am on June 17. According to union representatives, the incident prima facie appears to have resulted from a short circuit, although the exact cause of death will be determined only after the post-mortem report is released. Chandradhari is survived by his wife and two daughters.
FWICE (Federation of Western India Cine Employees) and FSSAMU jointly approached the producers of the film seeking financial assistance and support for the bereaved family, following which Bhansali’s production house offered Rs. 40 lakh to Chandradhari’s family.
However, FWICE president Birendra Nath Tiwari believes the tragedy raises larger concerns about working conditions on film sets.
He says, “Apart from monetary compensation, we have requested the producer to take responsibility for the children’s education. Workers are often made to work far beyond the prescribed eight to ten hours, and there is a limit to how much a person can physically stretch themselves at work. Once the post-mortem report comes, we will decide our next course of action. No matter how big the producer is or how big a film is being made, workers’ lives cannot be put at risk.”
Ashok Dubey, honorary general secretary of FWICE, says, “Chandradhari had been working continuously on the set for the past three days and had been on duty from 7 am until 3 am on the day of the incident. According to those present, he suffered an electric shock and was rushed to hospital, where he passed away. We have also written to Mr Bhansali requesting employment for his wife in his production house.”
FWICE renews demand for safety audits and regulated working hours
The incident has prompted industry bodies to once again call for mandatory safety protocols, defined working hours and government oversight on film sets.
Ashoke Pandit, president of IFTDA and chief advisor to FWICE, says, “We have repeatedly urged producer bodies, studios and government authorities to conduct regular audits of sets, electrical wiring and cabling, considering that 150 to 200 workers are often present on a set. There are lives at stake and significant investments involved in building these sets. Mandatory compliance with fire, electrical and structural safety norms and comprehensive SOPs is the need of the hour. Unfortunately, our appeals have not received any response from the authorities.”
Humne Ranveer Singh ko ban nahi kiya, humne toh non-cooperation bola hai-Ashok Dubey
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Film body FWICE clarifies it has only issued a Non-Cooperation Directive, not a ban
Yashika Mathur (HINDUSTAN TIMES; May 28, 2026)
The Federation of Western India Cine Employees (FWICE)’s decision to issue a Non-Cooperation Directive (NCD) has sparked reactions across the film industry and on social media. While many questioned whether a film body can “ban” an artiste, FWICE General Secretary Ashok Dubey clarified that the organization has not banned anyone.
Dubey tells us, “Agar ye trend chalta raha to kaafi filmmaker aur producers nuksaan mein jaayenge. Humne Ranveer Singh ko ban nahi kiya, humne toh non-cooperation bola hai. Federation ke members ka decision hai ye. Film body ka internal decision hai that our members will not work with him until the Don 3 matter gets resolved.”
‘Hope issue is resolved soon’
Actor Manoj Bajpayee reacted to the controversy while speaking at the trailer launch of his upcoming film, when he was asked about safeguarding actors in such situations. As per PTI, while saying he hopes “the matter is resolved soon”, the actor clarified that he “does not have detailed information about it” and that the “industry currently only knows about the matter through social media”.
WHAT SANJAY GUPTA POINTED OUT
One of the first reactions came from filmmaker Sanjay Gupta, who questioned the move, arguing that banning an actor ultimately affects film productions and the livelihood of hundreds of crew members. Taking to X, Gupta wrote, “When an A-list hero shoots there are more than 300 workers working on sets. Ban him and you are not stopping him but depriving the workers of their livelihood. What sense does it even make???”
‘WHERE WAS THIS OBJECTION DURING MUMBAI SAGA...’
Reacting to Sanjay Gupta’s remarks, Ashok Dubey, General Secretary, FWICE, said film bodies have consistently supported filmmakers during production-related disputes. “I want to ask Sanjay Gupta ji that when his film Mumbai Saga (2021) was being shot and Jackie Shroff ne aane se mana kar diya, he came to us. IFTDA and FWICE intervened and sorted the matter. Where was this objection then?” he said.
Producers of Ranveer Singh's upcoming projects may unite to challenge FWICE decision
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As FWICE issues non-cooperation directive against Ranveer Singh in ‘Don 3’ case, sources say actor’s ‘Pralay’ could roll with non-FWICE technicians; producers may unite to challenge cine body’s decision
Upala KBR, Mohar Basu (MID-DAY; May 27, 2026)
What will be the fate of Ranveer Singh’s movies in the pipeline? That was the big question in the Hindi film industry after the Federation of Western India Cine Employees (FWICE), on May 25, announced a non-cooperation directive against the actor in relation to producers Farhan Akhtar and Ritesh Sidhwani’s complaint that he had abruptly exited Don 3 and allegedly caused significant financial losses to the project. The directive is likely to affect Singh’s slate, which has the ambitious zombie thriller Pralay and Aditya Dhar’s next on Chandragupta Maurya.
All eyes on ‘Pralay’
Pralay, directed by Jai Mehta, is slated to roll in August. Trade insiders say that the film — produced by Singh’s Maa Kasam Films, Hansal Mehta’s True Story Films, and Birla Studios — will involve nearly 500 technicians and workers across departments including action, lighting, costumes, make-up, art direction, and spot staff. Considering 34 vendor associations fall under the FWICE, the non-cooperation directive threatens to disrupt the film’s schedules. mid-day contacted Hansal and Jai for a comment on the film’s probable delay, but they didn’t respond till press time.
A source from the production, however, told mid-day that the directive would do more harm than good. “In the Hindi film industry, where over 70 per cent of the daily wage earners are already out of work because not many films are being made, shouldn’t the FWICE allow them to work instead of taking opportunities away with this directive? As for Pralay, in the worst-case scenario, Ranveer can take the cast and crew, and shoot the movie anywhere in India. While the FWICE’s stand applies to all of its members, it cannot legally stop non-members from working. If Pralay is shot outside Mumbai, the makers may bypass the FWICE-affiliated workers by hiring local crew members belonging to other unions,” said the source.
‘Directive is effective’
Ashoke Pandit, chief advisor, FWICE, is confident that the directive issued is the right approach in light of the situation. That said, the cine body is open to a resolution between Singh and Don 3 makers. When mid-day reached out to him, Pandit said, “The FWICE directive is effective because our federation has 34 vendor associations under it. If they don’t have vendors, workers, and technicians, who will they shoot with? People underestimate the strength of the federation. The situation can only be resolved if everybody sits together and sorts it out amicably.”
Next stop: CCI?
Sources indicate that producers of Singh’s upcoming projects may approach the Competition Commission of India (CCI) against the FWICE’s directive. In a 2017 case filed by filmmaker Vipul A Shah, the CCI held that practices such as issuing non-cooperation directives, preventing producers from hiring non-members, stalling shoots, and restricting the supply of services amounted to anti-competitive conduct under the Competition Act. A producer associated with one of Singh’s upcoming films said, on condition of anonymity, “If this situation escalates further, producers may collectively approach the commission for intervention.”
Ranveer Singh’s other films:
Chandragupta Maurya project, to be directed by Aditya Dhar and backed by Jio Studios. He is said to be in talks with YRF head honcho Aditya Chopra for a film
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Yashika Mathur (HINDUSTAN TIMES; May 27, 2026)
Federation of Western India Cine Employees (FWICE) has issued a Non-Cooperation Directive (NCD) against actor Ranveer Singh amid his reported fallout with filmmakers Farhan Akhtar and Ritesh Sidhwani over his exit from Don 3. The directive, issued on Monday, bars FWICE-affiliated technicians and workers from working with the actor until the issue is resolved.
At a press con, FWICE honorary general secretary Ashok Dubey said, “An artiste becomes an artiste because of the people, because of the members who work with us, the technicians, those who watch the movies. You leave a film which many people have worked on for three years. We wrote a letter to you but there was no reply so no member from FWICE will work with you.”
Following the press con, the actor’s team issued a statement: “Ranveer Singh holds the highest regard for the film fraternity and for everyone associated with the Don franchise. Throughout the recent developments surrounding Don 3, he has consciously chosen to maintain silence, believing that professional discussions and personal equations are best handled with dignity, maturity and mutual respect.
Speaking to us, FWICE president Birendra Nath Tiwari says, “Producers humare saath hi milke Ranveer se baat karna chahte hain. Federation stands with justice and my duty is that this matter gets resolved.”
The NCD could affect Ranveer’s upcoming projects, including Hansal Mehta’s Pralay. “Shooting toh usko rokna padega. Abhi unka set lagne waala hai wo nahin lagega. Humne bol diya sabko,” he adds, insisting that FWICE was not “punishing” the actor but seeking dialogue.
Filmmaker Sanjay Gupta reacted to the row on X: “When an A List Hero shoots there are more than 300 workers working on sets. Ban him and you are not stopping him but depriving the workers of their livelihood. What sense does it even make?”
FWICE demands inquiry into mishap on sets of Ranbir Kapoor’s film
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HINDUSTAN TIMES (August 1, 2022)
The Federation of Western India Cine Employees (FWICE) has sought an inquiry to ascertain the reason behind the fire that gutted the sets of filmmaker Luv Ranjan’s next, starring actors Ranbir Kapoor and Shraddha Kapoor, in Mumbai recently. One person lost his life in the mishap that took place at Chitrakoot Ground.
The federation plans to write to Maharashtra chief minister Eknath Shinde and the Brihanmumbai Municipal Corporation (BMC) seeking the safety of workers and technicians.
“For the past four-five years, we have written letters to the CM and fire authorities that proper investigations should be conducted at such places,” FWICE general secretary Ashok Dubey told an entertainment portal, adding that such accidents are “happening repeatedly”.
“Now, the federation is issuing notices to the producers’ body, production houses and the CM, stating that such unauthorized structures should not be permitted to function without a fire audit and an NOC,” he added, asserting that if the concerns raised aren’t considered, they will put in a request for an inquiry by the BMC and the state government into multiple studios.
Rajesh Sapte case: FWICE chief Ashok Dubey procures anticipatory bail; to resume office today
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Ashok Dubey and Rajesh Sapte
Months after FWICE came under the scanner for art director Sapte’s death, body’s chief Dubey procures bail; to resume office today
Mohar Basu (MID-DAY; October 4, 2021)
In July, art director Rajesh Sapte died by suicide, after accusing Rakesh Maurya — auditor of Federation of Western India Cine Employees (FWICE) — of extortion and harassment. His death brought the cine unions’ hafta culture to the fore, and put the FWICE under the scanner. In the months since, FWICE chief Ashok Dubey was arrested in another extortion case, along with Gangeshwarlal Shrivastav, senior leader of the Film Studios Setting and Allied Mazdoor Union (FSSAMU), Maurya and Rajesh Anubhave. In the latest development, Dubey — who procured anticipatory bail in September — is expected to resume work as the FWICE general secretary today.
Confirming the news, Birendra Nath Tiwari, president, FWICE, states, “Ashok has been granted bail. He was embroiled in a matter that he had almost no role in. Sapte hadn’t accused him. At the time of Sapte’s death, Ashok was in Benares.”
Tiwari dismisses the rumours of FWICE being restructured from the ground-up. “The only person who has been let go of is Rakesh Maurya, given the charges on him. Dubey has taken the matter to the Bombay High Court. We are often told that producers will form a separate body for the workers. It’s unimaginable how producers, who hire the workers, will form a body to safeguard them. If we fight for their rights, for better hours and better pay, how does that make us wrong?”
Many in the industry are said to be skeptical of the FWICE getting back in action, believing that the cine association used to aid the extortion culture. Tiwari retorts, “We are planning a press conference soon. We have records that producers owe almost Rs. 440 crore to workers. [This should] give people a sense of who is duping whom.”
Art director Rajesh Sapte commits suicide; underbelly of showbiz comes into focus
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After art director accuses Mazdoor Union head of harassment and dies by suicide, IFTPC hosts meeting to put an end to hafta culture
Mohar Basu (MID-DAY; July 9, 2021)
Following art director Rajesh Sapte’s suicide, members of the Indian Film and TV Producers’ Council (IFTPC) met on Tuesday to discuss actionable measures against harassment. A member present at the meeting says, “Rajesh’s death has exposed the hafta culture. We are making strict rules regarding who can enter a set.” On July 3, before his death, the Pune-based art director made a video, accusing Rakesh Mourya, treasurer, Film Studios Setting All Mazdoor Union (FSSAMU) of harassment and extortion. It is said that Mourya threatened to disrupt Sapte’s set if he did not pay the extortion amount.
J D Majethia, chairman (TV), IFTPC, says, “Often local groups have dropped in on our sets in the name of some association or political party, and made us stop our shoot. This harassment needs to end.”
The incident has brought the Federation of Western India Cine Employees (FWICE) into focus as FSSAMU falls under the cine association. Birendra Nath Tiwari, president, FWICE, is holding fort after general secretary Ashok Dubey — who was in Varanasi when his name came up in the matter — has been absconding. Tiwari says, “The allegations made against some people are yet to be proven. A police investigation is underway, and if the Federation decides on appointing new people, it will be done.”
While Wakad police is investigating the suicide case, IFTPC members met Police Commissioner Hemant Nagrale and joint Police Commissioner (crime) Vishwas Nangare Patil to discuss the extortion issue. “They will have another meeting with film bodies to chalk out a plan to protect the industry from such elements,” says a source.
Shashank Khaitan resumes the shoot of Mr Lele with Vicky Kaushal and Kiara Advani
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With crew of 'Mr Lele' vaccinated, Vicky Kaushal-Kiara Advani resumed filming in Andheri bungalow on June 15; 40-day schedule drawn up
Upala KBR (MID-DAY; June 19, 2021)
Within weeks of going on floors, the shoot of Mr Lele had to be called off after Vicky Kaushal and Bhumi Pednekar contracted the Coronavirus in the first week of April. The subsequent junta curfew imposed in Maharashtra only delayed matters further. Now, it is learnt that director Shashank Khaitan resumed the shoot of the comedy with Kaushal and Kiara Advani on June 15. The shoot was greenlit by producer Karan Johar only after the cast and crew got the first dose of the vaccine.
Khaitan has planned a 10-day schedule at an Andheri bungalow. “While Vicky and Kiara reported to the set on Tuesday, Bhumi joined them on Friday. Shashank has lined up some indoor sequences for the next week, after which he will take the film across different locations in Mumbai. He has lined up a 40-day schedule,” reveals a trade source.
He had originally announced the project last year with Varun Dhawan. While the movie did not roll then for various reasons, he has tweaked the script to suit the new cast. The source adds, “Vicky apparently plays a conman who juggles his two love interests. The movie’s title has been changed and is being kept under wraps for now.”
Ashok Dubey, general secretary, Federation of Western India Cine Employees, confirms the development, adding, “Producers can resume shoots only after their crews are vaccinated.”
Unlock in Mumbai: Level 3 keeps TV, Bollywood off sets
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While Akshay Kumar’s film will return to the floors after govt’s bio-bubble nod, continued curbs means others are taking it slow
Mohar Basu, Uma Ramasubramanian (MID-DAY; June 14, 2021)
A week after the state government gave the go-ahead to filming in a bio-bubble, Bollywood is taking it slow and steady. Among the top stars, Akshay Kumar has taken the lead and will resume shooting for Aanand L Rai’s Raksha Bandhan at Film City this week.
A source from the production team reveals, “Since our set has been lying unused, Akshay sir requested the makers to resume production, assuring them that he has recovered from the post-COVID fatigue. Aanand sir is handpicking a lean crew for the stint.” A few miles away from Film City, debutant Junaid Khan reported to the Maharaja shoot at a Marol set last week.
With Mumbai continuing to observe Level-3 restrictions for the next fortnight despite moving to Level 2 in terms of positivity rate and oxygen bed occupancy, shoots will have to be wrapped up by 5 pm daily. The eight-hour work limit coupled with the bio-bubble expenses have discouraged many from being set-bound. Yash Raj Films, the studio backing Maharaja, is waiting it out for bigger productions like Pathan and Tiger 3.
A source reveals that both films were being shot in a bio-bubble up to mid-April. “Each had a large unit of over 100 people. YRF tested everyone regularly and had put up the crews at a hotel. It was spending a substantial amount of money on these safety norms. But at this point, keeping the expenses and the teams’ safety in mind, they have decided to return to work only after crew members have got the first dose of the vaccine.”
The restrictions are posing a problem for the overburdened television industry. Ashok Dubey, general secretary, Federation of Western India Cine Employees (FWICE), explains, “Since they can film only till 5 pm, creators are unable to create a bank of episodes. Plus, it’s not feasible to put up the cast and crew at hotels as most serials don’t have massive budgets. Keeping these factors into account, many have not resumed work.”
J D Majethia, who has been shooting Wagle Ki Duniya in a bio-bubble in Silvassa since May, echoes Dubey’s sentiment. “The cost goes up by five to 10 per cent per episode due to bio-bubble. Also, we need at least 12 hours a day to pull off an episode. Right now, in Mumbai, one can shoot for only eight hours, which is challenging.”
YRF begins vaccine drive; FWICE adopts no-vaccine-no-shoot policy
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As YRF begins ambitious drive, film body introduces no-vaccine, no-work policy for its workers to tackle hesitancy
Mohar Basu, Uma Ramasubramanian (MID-DAY; June 9, 2021)
On Tuesday, filmmaker and Yash Raj Films’ (YRF) head honcho Aditya Chopra threw open the doors of his studio to kick off the vaccination drive, thus staying true to his word of inoculating 30,000 daily-wagers of the Federation of Western India Cine Employees (FWICE). Even as the first day saw close to 3,500 workers getting immunised, the drive has faced a setback in the form of anti-vaxxers in the industry.
With many harbouring misplaced fear and suspicions about the vaccine, the studio and FWICE find themselves bearing the additional responsibility of educating workers about its necessity. In a bid to encourage people to take the jab, FWICE has now adopted the no-vaccine-no-shoot policy where only those who have taken the first dose will be allowed on a set.
Pappu Lekhraj, who supplies the largest number of daily-wage artistes to Hindi film productions, reveals, “It has been a struggle on the part of the studio and FWICE to convince people to get inoculated. YRF is sponsoring the vaccination of workers and their families, while [the cine body] has announced that unless a worker takes the jab, he/she won’t be allowed back on set. Be it YRF or Bhansali Productions, there’s an emphasis on vaccinated workers.”
Going forward, several other production houses, including Excel Entertainment and Rohit Shetty Picturez, will follow the policy. Ashok Dubey, general secretary, FWICE, says, “Very few daily-wage artistes, workers and spot boys had filled the form [to take the shot]. But when the initiative kicked off, many others came forward. We have told them vaccination is compulsory, and that producers will call only those immunised for their shoots. So, out of the fear of losing jobs, people are now getting jabbed.”
YRF, one of the biggest studios of Bollywood, meanwhile is going full steam ahead on its multi-phase vaccination programme. Akshaye Widhani, senior vice president at the studio, said, “After inoculating all the employees at the studio and the crew members of our films, we have now started the vaccination drive for the Hindi film industry. This will result in the daily-wage earners returning to work and gaining financial stability. The drive will have to take place in phases, given the huge number of vaccines that are required to cover the industry.”
Bollywood's invisible man Aditya Chopra shows up in time of need; promises to bear vaccine cost of cine workers
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As cine bodies plan Film City workers’ vaccination rollout, pending CM’s approval, YRF head honcho Aditya Chopra commits to bear the expense
Upala KBR (MID-DAY; April 19, 2021)
Every time that the entertainment industry has suffered a blow over the past year, it has also witnessed immense support from stars and filmmakers. The latest act of solidarity comes from Yash Raj Films head honcho and director Aditya Chopra. Since early March, the leading cine bodies have been discussing setting up a vaccine booth at Film City for daily-wage workers, and a proposal to this effect was sent to Chief Minister Uddhav Thackeray at the month-end. It turns out that Chopra had then initiated a dialogue with the Federation of Western India Cine Employees (FWICE), promising to bear the inoculation expense of all Film City workers, should the CMO approve the plan. After the state government announced the suspension of shoots till April 30, the film associations shot off another letter to Thackeray, as reported in mid-day’s April 17 edition.
With each vaccine costing Rs 250, Chopra felt it may not be affordable for a daily-wager. “Last year, YRF contributed Rs 1.5 crore to help the marginalised in Bollywood. Once the vaccinations began across the country, Adi felt it was necessary for the 15,000 workers at Film City to protect themselves against the virus. So, when he heard that the associations were formulating a vaccine roll-out plan, he wanted to play an active role in it,” says a trade source.
In the recent letter, the unions have made an appeal for an additional inoculation centre in the Mira Road-Bhayander region. Ashok Dubey, general secretary, FWICE, reveals, “When we sent out the earlier proposal, we wrote how daily-wagers who were working on a 12-hour shift wouldn’t be able to go out and take the jab. That led us to consider a mass vaccination drive within the premises. That’s when Yash Raj Films’ [head] told us that they would bear the expenses for all the Film City workers. He is someone who honours his commitments.”
Film bodies want to resume work in IPL-like bubbles
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Cine bodies in talks with tech companies to shoot in stricter bio-bubble, as followed by IPL teams, if lockdown extends beyond May 1
Upala KBR (MID-DAY; April 17, 2021)
After the new restrictions issued by the state put all shoots on hold, leading film bodies made a plea to CM Uddhav Thackeray to allow a few concessions to the entertainment industry. The associations are also working with filmmakers to explore the possibility of bio-bubble shoots, along the lines of the IPL, if the lockdown extends beyond May 1.
Besides making a plea to the CM, the cine bodies are simultaneously working with filmmakers to explore safe modes of shooting in these trying times. While some productions have already explored bio-bubble, the associations are considering implementing the stringent bio-bubble practice of the ongoing Indian Premier League 2021, on movie sets, in the near future. Ashok Dubey, general secretary, FWICE, says, “If the lockdown extends beyond May 1, we wish to submit a proposal to the CM to allow filmmakers to shoot in a bio-bubble, [along the lines of the IPL]. Some big studios are filming outside Maharashtra; those who cannot do that, wish to follow the IPL format.”
Some associations have apparently initiated talks with SenseGiz Technologies, which is ensuring the safety of cricketers and support staff in the current season, to avail their facilities. The league’s safety norms are far more stringent than those followed on bio-bubble shoots. A trade source reveals, “Besides accommodating the cast and crew at the same hotel, the safety solutions will include geo-fencing, historic contact tracing, securing real-time data about violations and identifying them through devices on the set and in the hotels.” Despite these protocols, the cricket league has had its share of players coming down with the infection.
Anil Nagrath, IMPPA, however, points out that it can be afforded only by a few producers. “Most units are working on a shoestring budget. Shoots have become a costly affair due to the safety restrictions. The IPL bio-bubble will double a producer’s expenses.”
While Maharashtra government allows to resume shoots, Bollywood will take time to go back to set again
8:11 AM
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Rachana Dubey (BOMBAY TIMES; June 11, 2020)
While the national Coronavirus lockdown began on March 25, Bollywood filmmakers had voluntarily stalled all their shoots by March 17, owing to safety concerns. Production and studio offices, too, pulled down shutters. The Maharashtra government’s resolution to commence shoots, which arrived on May 31, filled the industry with hope. However, before the units go back on the floors, there are a lot of logistics to be worked out, which, most filmmakers say, will be a humongous task. To begin with, it’s too early to say whether most actors will be comfortable stepping out to work right away. There is also the responsibility of ensuring that every unit follows the health and safety regulations. Apart from that, the onset of monsoon in Mumbai calls for another level of planning.Before the lockdown, films like Bhool Bhulaiyaa 2, Prithviraj, Atrangi Re, Nikamma, Mumbai Saga, Maidaan and Gangubai Kathiawadi were underway. Some films had just a few days of shooting left, but others had only reached the halfway mark.
‘SHOOTS WON’T COMMENCE BEFORE JULY’Ashok Dubey of the Federation of Western India Cine Employees (FWICE) told BT, “We recently had a conversation with the Cine And TV Artistes’ Association (CINTAA). There is no clarity over the insurance cover for workers and their safety on sets. Their outstanding dues, too, have to be cleared. We have scheduled a meeting with the Indian Film and Television Producers Council (IFTPC) to find a solution. Without any clarity on the insurance coverage, we can’t ask workers to return to work. Helmets, harnesses, gloves, masks, sanitisers and various other points mentioned in the Government Resolution (GR), too, have to be complied with. We want a supervisor on every set to monitor this. Right now, there are only two film units set up in Film City — Gangubai Kathiawadi (starring Alia Bhatt) and Bosco Martis’ next. These could be among the ones to commence shooting. The question is, are stars ready to come out? I don’t see film shoots commencing before July.”
‘WE SHOULD NOT RUSH INTO ANYTHING’Amit Ravindernath Sharma, director of Maidaan, said, “We had finished about 55 per cent of the film by March. We have football matches left to shoot, and for those, we had built a huge set in Madh Island. We had done a lot of groundwork, including erecting rooms and setting other amenities, which will have to be dismantled now since the rains have arrived. Depending on the condition of the turf, we will start work on the set post monsoon.”
Filmmaker Anees Bazmee’s Bhool Bhulaiyaa 2, starring Kartik Aaryan and Kiara Advani, was underway in Lucknow when the pandemic struck. He said, “We will have to go back to Lucknow to shoot, because there needs to be continuity. Right now, I can’t put a date on when my film will start rolling again.”
Meanwhile, Sanjay Gupta, who has a few days of work left on Mumbai Saga, starring Emraan Hashmi and John Abraham, said, “Hopefully, by mid-July, we will be ready to fly out to Hyderabad. Ramoji Film City has not allocated space to us yet; they are also gearing up to start work. I will fly with a small team and hire technicians there. I’ve discussed the plan of work with the actors and everyone’s given a go-ahead.”

Lookalikes look for relief during the lockdown
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Sonil Dedhia (HINDUSTAN TIMES; May 28, 2020)
Daily wage earners, across industries, are among those most severely hit due to the Coronavirus crisis. And this includes the lookalikes of Bollywood actors. Raju Rahikwar, 46, a lookalike of actor Shah Rukh Khan, who has been entertaining audiences since 1995, is finding it difficult to support his family during the lockdown. “I don’t see things getting better anytime soon. I have started a small business of selling hand sanitisers and masks, along with a friend. I need to feed my family and also pay my children’s school fees,” he shares.
He adds that the only individual who has come forward to help is actor Salman Khan. “I received ₹3,000 from Being Human Foundation but I distributed it among three people, just as Salman bhai has been asking his fans to do. I also got a food coupon worth ₹1,500 from the Federation of Western India Cine Employees (FWICE),” he says.
Arif Khan, a lookalike of actor Anil Kapoor and also the president of All India Look Alike Association, feels the industry should look into their problems. “FWICE president, Birendra Nath Tiwari and secretary Ashok Dubey are doing a great job of [helping] daily wage workers. I appreciate their efforts, but I believe the industry should look after us, too. As there are no film or ad shoots and events going on, the lookalikes have been jobless. We need the industry to do something for us, just like other daily wage earners are being supported,” he says.
Echoing the worries amid the current crisis, Zaed, a lookalike of Sunny Deol, says, “I have been doing this all my life. I am not even in a position to think of what else I can do for a living. Many are dependent on my income and the situation is just going from bad to worse.”
Images: Akshay Kumar and R Balki shoot a public service film amidst the lockdown
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They are the first from the film industry to go back to a set during this phase, and the director said that they followed the protocol strictly
Rachana Dubey (BOMBAY TIMES; May 26, 2020)
On Monday (May 25), 60 days since the national Coronavirus lockdown was implemented, Akshay Kumar and filmmaker R Balki (who directed him in Pad Man) were present at Kamalistan Studios to shoot a public service film. The shoot, Balki told BT, lasted about four hours and was completed with just a 20-member team.Balki explained, “Akshay and I shot a public service film for the health ministry, which is about every citizen’s post-lockdown responsibilities. During the shoot, we followed social distancing, and our set was fully sanitised. We also had disinfectant screens, masks... the works. We got used to all this in a few minutes. Anil Naidu, the producer, showed us how we could do the same shoot with fewer people while ensuring maximum safety. Of course, we had all the permissions from the police and other authorities in place, as we needed to shoot this public service film to get this important message across. Also, now we know first-hand, what we need to do if we have to shoot in the post-lockdown era.”
The team had permission to shoot on May 22, 23 and 25. However, the actual shoot took place on Monday (May 25) and was wrapped up by noon. Ashok Dubey from the Federation of Western India Cine Employees (FWICE) said, “The team followed all the precautionary measures, and even shared the visuals with us to keep us informed.”
Producer Anil Naidu said, “We shot with three lightmen, three crew members working on the setting, a DOP with two assistants and two people to assist the director and a few others. It was a very tight crew. Akshay came dressed from his home for the shoot. Since it was an early morning shoot, we had food packets and fruits for everyone. We had informed the crew in advance that there will be no catering on the sets. We also had a doctor and had set up a disinfectant tunnel. We gave everyone masks, sanitised the set thoroughly and maintained social distance at all times.”
Salman and Salim Khan ji have always helped the industry-Ashoke Pandit
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With Salman Khan bearing expenses of 25,000 daily wagers, father Salim Khan tells mid-day how Khan-daan is taking care of their staff and SKF employees as well
Upala KBR (MID-DAY; March 30, 2020)
Over the past 10 days, as this paper continuously chronicled the plight of daily-wage workers due to Coronavirus lockdown, a singular aspect came to the fore — the employees' unflinching faith that Salman Khan will stand by them in their hour of need. The superstar hasn't let them down, and has decided to bear expenses of 25,000 daily wagers. Not only that, the actor's father — noted screenwriter Salim Khan — tells mid-day that his sons have lent financial assistance to their staff at their respective studios.
The veteran says, "I don't want to comment on [Salman's contribution to the 25,000 workers] as I don't know much about it. But our family has a principle — hamara paisa jahan jaaye, wahan dikhna chahiye aur kisike kaam aana chahiye. [Since the past fortnight], we have been arranging meals for our building and Salman's security guards. We must all look after our staff."
A source from Salman Khan Films (SKF) reveals that as soon as the suspension of shoots was announced mid-March, the studio dispersed the monthly salary to its employees. "Salman is also taking care of the ration of those at his studio who are in dire need." Arbaaz Khan, who runs his eponymous studio, says, "We have asked all employees to stay home; their salaries are taken care of as are their other needs."
Meanwhile, Ashok Dubey, general secretary, FWICE, reveals that the top brass of SKF reached out to the organisation on Saturday, enquiring about the daily wagers. "I informed them that they earn about Rs 15,000 a month. They said that Salman wants the account details of the 25,000 workers, and he will sponsor them. Salman Bhai also contributes Rs 5 lakh every month, thus taking care of their medical expenses." Ashoke Pandit, chief advisor, adds, "Salman and Salim ji have always helped the industry."

Bollywood's Generous Act
Besides Akshay Kumar who contributed Rs 25 crore to the PM CARES Fund, Varun Dhawan donated Rs 30 lakh, and Randeep Hooda and his entrepreneur friend contributed Rs 1 crore. Rajkummar Rao made a contribution to the PM's relief fund as well as the state government's relief fund. Hrithik Roshan and Kapil Sharma also did their bit for the cause.
A production house gave us 4,000 packets of food-Ashok Dubey, FWICE
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MUMBAI MIRROR (March 24, 2020)
Thousands of casual workers who build sets for Bollywood films, or fight and dance behind established stars, have been left jobless after all shoots were suspended in a bid to tackle the coronavirus outbreak. Following the shutdown, that started on March 19 and is on till March 31, the Film & TV Producers Guild of India announced a relief fund for those on daily wages.
Pointing out that ‘this is the first time producers have shown interest’, Ashok Dubey, general secretary of FWICE (Federation of Western India Cine Employees) said, “A production house gave us 4,000 packets of food provisions to distribute among workers.” The Federation, whose members include 30 film trade unions, has long demanded timely payment of wages and better working conditions for those hired on a day-to-day basis, he added.
Sadly, long-term solutions for the timely payment of wages or for providing benefits such as medical insurance, are not on the agenda for now, film industry chiefs said.
“We’re looking at addressing the problem on hand and that is a big problem,” Kulmeet Makkar, head of the Producers Guild of India, said about the pause in production and its impact on casual workers.
Video shoot of Amit Trivedi's song at Madh Island stalled by FWICE
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The federation says the shoot was for composer-singer Amit Trivedi’s music video
Rachana Dubey (BOMBAY TIMES; March 19, 2020)
Yesterday the Federation of Western India Cine Employees (FWICE) received a tip-off about an on-going music video shoot in Madh Island, Mumbai. It was apparently for music composer-singer Amit Trivedi’s upcoming song. The FWICE members, along with their health and safety supervisor, reached the set at about 2.30 pm and brought the work to a halt, immediately.
Speaking to BT, Ashok Dubey, General Secretary of FWICE, said, “The members of the federation reached the set unannounced. When they asked the unit members why they were at work despite the announcement made on Tuesday that all shoots had to be stopped immediately due to Coronavirus outbreak, they said that they were 'confused'. Initially, it was decided that work would stop from March 19, but on Tuesday, a fresh decision was made and communicated to everyone.”
When we spoke to Feroz (Raja) Khan, the Health and Safety Chairman of the FWICE, who was present on the set, he said, “We spoke to the unit members. Amit Trivedi was not on the set. They were following precautions. Some unit members who had reported sick on the set were sent back home with their due payments. They had medical help at hand and were also conducting thermal screenings, wearing masks and using sanitisers, but the point is, they were not supposed to be shooting in the first place. So, we made them vacate the set and sent everyone home.”
While Amit could not be reached, his wife Krutee said that she was totally unaware of the incident. “We are actually at home. How will Amit be doing any music video shoots? He hardly gets any time from film work. Since it’s a music video, everyone is assuming that it is Amit Trivedi’s video. I don’t know about this... udhar Madh mein kya ho raha hai mujhe pata nahin hai,” she said.
- Inputs by Debarati Sen
Coronavirus crisis hits tellyland; Will you get to watch your daily soaps?
8:00 AM
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Neha Maheshwri (BOMBAY TIMES; March 17, 2020)
In a bid to tackle the ongoing Coronavirus crisis, it has been decided that shoots of all TV shows will be suspended from March 19 till March 31. The decision was taken on Sunday, in a meeting between the Federation of Western India Cine Employees (FWICE), Indian Film and Television Producers Council (IFTPC), Indian Motion Picture Producers Association (IMPPA), Indian Film and Television Directors’ Association (IFTDA), Western India Producers’ Association (WIPA). J D Majethia, chairman, IFTPC and producer of Bhakharwadi, informs, “Serial production is a vulnerable business. If shoots come to a halt, it leads to unbearable losses. However, nothing is more important than human life. As they say, the show will definitely go on, but we have taken a break to support the industry, state, country and the world at large.”
GET READY FOR RERUNS AND RECAPS
Despite commencing shoots in advance, it’s almost impossible to create a bank of episodes of TV shows. Reason: The storyline undergoes several changes based on the audience’s feedback and ratings. However, given the current scenario, an attempt is being made to shoot as many episodes as possible in a limited time, so that the audience isn’t deprived of their daily dose of entertainment. If the shoots don’t commence even after the banks of episodes are exhausted, viewers will get to see reruns of their favourite soaps.
Actress Aneri Vajani, who is seen in Pavitra Bhagya, says, “We are putting in more hours so that maximum number of episodes can be shot. Everyone is cooperating, and I hope that we meet the deadline. But more importantly, I hope this virus gets eliminated soon.”
Aishwarya Sakhuja, who plays Mahima Srinivasan in Yeh Hai Chahatein, adds, “We don’t have a bank of episodes, but I am glad that a lockdown has been declared. This suspension is the need of the hour. Hundreds of people work on our sets every day. Of these, many use public transport and they are at an increased risk of COVID-19 infection. So, let’s take a break and get back stronger.”
Ashish Chowdhry, who is currently seen in Beyhadh 2, agrees that a ‘no show’ will have an adverse effect on the viewership. He says, “It will make a difference because people will lose their flow of watching shows and the habit will break. I hope we make some good reruns and recaps to keep them hooked.”
PAID LEAVES FOR DAILY WAGERS
While business will be affected, it’s daily-wage workers who will suffer maximum because of the lockdown. Ashok Dubey, general secretary FWICE, says, “Our members comprise at least 90 per cent of the unit. The decision has come as a huge blow to them, but nothing is more important than life. If anything happens to them, their families will suffer, too. We had issued a circular on March 5, instructing every producer to implement safety measures, but some of them didn’t implement them. Hence, we had to arrive at this decision to ensure everyone’s safety.”
Talking about the provision of paid leaves for the daily wagers during the shutdown phase, he adds, “The producers have told us that they will have a discussion with the broadcasters about this.”
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PRODUCERS WELCOME THE MOVE
This is the best decision we could have taken for the industry. I am thankful to the broadcasters, producers and other associations for joining hands to curb the spread of the virus. We have taken precautionary measures on our set — right from installing a fumigation machine to a doctor examining every member of the unit, and arranging for masks and sanitisers. However, these are only basic preventive measures. The best prevention is to exercise selfquarantine. The daily wagers will be badly affected, so I would urge every producer to give them half a day’s salary for the duration they won’t be shooting. They are our families and we can’t function without them. This is the least we can do to look after them. We have already promised them paid leaves if they are unwell, but with the shutdown coming into effect, we should help them sustain in these difficult times.
— Benaifer Kohli, producer of Bhabi Ji Ghar Par Hain!
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A decision has been taken to stop all shoots, but other factors like telecast and ratings are still under discussion. A decision will be taken after a meeting between the producers and broadcasters, which is slated to take place soon. For now, we are working at breakneck speed to create a back of episodes. On March 30, we shall a take call on the next course of action after analysing the situation.
— Sumeet Mittal, producer of Shubharambh
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The health and safety of our team members are of paramount importance. I am not even taking into consideration the monetary loss or ratings. All that is secondary when it comes to human lives. In fact, along with the broadcaster, I have postponed the launch of my show, Anupamaa. For now, I have a bank of fresh episodes of Yeh Rishta Kya Kehlata Hai, which will last for a week. At a time like this, we can’t have double standards. We can’t have our families stay safe at home and expect the unit to work. I am sure the broadcasters and producers will devise an alternate plan for their respective shows. We can’t have fresh episodes and reruns going on air together.
— Rajan Shahi, producer of Yeh Rishta Kya Kehlata Hai and Yeh Rishte Hain Pyaar Ke
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