Showing posts with label Anna Singh. Show all posts
Showing posts with label Anna Singh. Show all posts
Anna Singh on Hum Aapke Hain Koun clothes: "Rohit Bal, Sandeep Khosla told me, 'What the hell are you doing? This is very gaudy'
4:44 PM
Posted by Fenil Seta
As told to Vinay MR Mishra (BOMBAY TIMES; December 21, 2024)
I remember 30 years ago, the wedding palette was either pink, gold or red. I was sitting with Sooraj Barjatya ji for the wedding looks in Hum Aapke Hain Koun..!, and we said, ‘Maybe we just need to change the projection of this.’ It was a big risk at that point. We kind of changed the whole colour palette and the way people dressed at weddings. Even for the bride, we used an unconventional colour. Then we tried to create embroidery which was original. While we were doing it, we didn’t realise this would become so big.
In those days, there were about 10 of us who were into the fashion scene, including Rohit Bal and Sandeep Khosla. They kept telling me, “This is crazy. What the hell are you doing? This is very gaudy.” I didn’t get the best feedback from my friends in the industry, but we decided to experiment. We put it out there, and then there was no looking back.
I would get calls from local designers asking for the original design. Today, costume designing is becoming extinct because nobody is really building characters except for three or four filmmakers. We used to build a look. We created a universe that was colour-coded and emotionally tuned to what was going on. Today, people are just putting together clothes, and there’s no specialization. So, there’s a big difference. I feel the actresses are not looking to change themselves completely to get into a character.
‘We used to have magical moments every day’
Back then, I’d often be the only girl on the set. Many people would wonder why I wanted to design clothes for films. It would be demoralizing because they implied that you are the wrong person for the wrong job in the wrong place. Then, I met Jackie Shroff and he had a passion for fashion. We started speaking a different language. So, there was this beautiful phase that began. The 90s were the bold years. We used to have magical moments every day. The actors in those days were conventionally good-looking. It was the era of handsome men.
— As told to Vinay MR Mishra
Why period drama costumes are frontrunners for awards
8:12 AM
Posted by Fenil Seta
Nachiket Barve & Mahesh Sherla’s National Film Award for Best Costume Designer for Tanhaji: The Unsung Warrior is the latest example of period drama costumes trumping contemporary contenders. Here’s why the genre is a favourite with juries
Divya Kaushik (BOMBAY TIMES; July 27, 2022)
Last week, when it was announced that Nachiket Barve and Mahesh Sherla won the National Film Award in the Best Costume Designer category for Tanhaji: The Unsung Warrior, though designer Nachiket was surprised, the win was not totally unexpected. He shared with us that creating costumes for a period drama is a laborious and time-consuming process that involves excessive research and he’s happy that the honour recognized the hard work that went into it.
A look at the past awards in the Best Costume Designer category reveals that period dramas often manage to impress the jury. And the reason isn’t just that the genre lends itself to grandeur, but also that period dramas help create awareness about history and culture, and in the revival of crafts and textiles. Three costume designers who have been recipients of the top honour – Neeta Lulla, Anna Singh and Nachiket Barve – share their experiences of creating costumes for period dramas.
‘PERIOD DRAMAS & COSTUMES CREATE A STRONG CULTURAL CONNECT WITH THE AUDIENCE’
Costume designers say that over the years everyone – be it cinegoers, critics or juries – has noticed how period dramas help in creating awareness about history and the art and craft traditions of a particular era or a place. And costumes play an important role in this.
Neeta Lulla, who has won four National Film Awards for Devdas, Lamhe, Jodhaa Akbar and Balgandharva, says, “In my journey, I am grateful that I am the only designer who has got four national awards. Two of these – Jodhaa Akbar and Marathi film Balgandharva – have been period dramas. There is no denying the fact that a period drama and the research that goes into recreating a particular era on screen create a strong cultural connect with the audience. The story becomes a medium to tell the audience about the culture of the place and a particular time period. And costumes are an important part of that story.”
Adds costume designer Anna Singh, who won the National Film Award for Taj Mahal: An Eternal Love Story (2005), “I feel that period dramas winning the National Film Award in different categories is also the recognition of the fact that they help in spreading awareness on history and our culture, while introducing youngsters to our heritage, the lifestyle of people in the past, etc. Therefore, it is important that research be done carefully for such projects. Even for minor details, factual accuracy should be maintained.”
‘THE RECOGNITION AND AWARDS SHED LIGHT ON THE RESEARCH AND HARD WORK THAT GOES INTO CREATING COSTUMES FOR PERIOD DRAMAS’
While designing for any other movie requires sourcing fabrics and jewellery to suit its story, costume designing for a period film has no scope of factual inaccuracy and it often also involves recreation of fabrics and textiles that may not even be available anymore. “When I was doing Taj Mahal, the director had original paintings and actual portraits that were a very valuable input and served as a reference point, but the challenge was to recreate that look with what was available. Certain fabrics like kinkhwab, very common in the Mughal era, were not available. Our shoot location was in Jodhpur and we ended up finding carpet weavers in the area and set up a workshop to weave the fabric which was used to create costumes for the movie. So there is a lot of micro work that goes into creation of costumes for period dramas and a lot of research. It is thanks to these awards and recognitions for costume designing in films that we get to talk about this elaborate process,” says Anna.
Nachiket says that he used 400-year-old jewellery moulds and got in touch with the royal family that still had them to create designs for Tanhaji. “When you are designing for any other film, you have the option of sourcing the material and creating the look, which is more like styling. But a period film only requires designing, because everything has to be created from scratch – be it the pagdi or the armour. So, you have to recreate those keeping in mind your research about what kind of material was available then. In Tanhaji, I have worked with natural dyes from plants and minerals, as those were used at that time.”
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WHEN BHANU ATHAIYA WON THE OSCAR FOR BEST COSTUME DESIGN FOR GANDHI…
Bhanu Athaiya won an Oscar for Best Costume Design for Gandhi in 1983 On April 11, 1983, Bhanu Athaiya took home the Oscar for Best Costume Design in Richard Attenborough’s Gandhi at the 55th annual Academy Awards.
In her acceptance speech, Athaiya said, “It’s too good to believe. Thank you Academy and thank you, Sir Richard Attenborough, for focusing the world’s attention on India.”
Bhanu had worked as a costume designer for over 100 films including Sahib Bibi Aur Ghulam, Guide, Ganga Jumna, Amrapali, Waqt, Teesri Manzil, Mera Naam Joker, Chandni, and the Oscar-nominated film Lagaan.
“Costume designing is about taking the audience on a journey to the era being recreated,” Athaiya was quoted as saying in 2001. “It is about hard research, imagination and having a vision.”
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AWARDS RECOGNISE HOW MOVIE COSTUMES HELP REVIVE TEXTILE AND CRAFT: NACHIKET BARVE
Sharing an example of how some period films have resulted in revival of textiles and also employment for craftsmen, Nachiket says, “Films become a huge influence in popular culture and our understanding of crafts. After Tanhaji, many women came to me and said can you do these sarees for us, or can you do this jewellery for us. So it revives people’s interest, educates them and creates a context of cultural revival. There are hundreds of people involved in the creation of these costumes, ranging from sari drapers to weavers, dyers, leather craft workers, and metal workers. A period film generates so much work for craftspeople.”
Celina Jaitly files complaint against cabin crew for alleged misbehaviour
7:42 AM
Posted by Fenil Seta
Bharati Dubey (MID-DAY; May 8, 2014)
Actress Celina Jaitly was in for a shock when the cabin crew of an airline apparently misbehaved with her. The actress was recently travelling to Dubai and then to the US when she bumped into friends, designer Anna Singh and jewellery designer Farah Khan Ali, in the airplane. Soon after, a steward apparently misbehaved with the actress.
Describing in the incident, Anna says, “We were meeting Celina after a long time, so we were busy chatting with her. We were seated in the business class, in the first row between the washroom and the first class. When Celina got up to go to a washroom, a steward stopped her from doing so. Moreover, his tone was extremely rude. The washroom was just four steps away from her seat, but he refused to listen to her. It was really embarrassing because he could have spoken gently instead of being rude to her.”
After the three of them got off from the aircraft, Anna confronted him. She recounts that she made it a point to tell him that this wasn’t the way to speak to a lady. “To this, he turned around and said that we were free to complain against him; he even gave his card to us.” A source close to Celina says that the actress was on her way to New York to promote a UN campaign aimed at creating awareness about the rights of the LGBT ( Lesbians, Gays, Bisexuals and Transgenders) community. “This cabin crew attendant insisted on communicating in a disrespectful manner. He was loud for no apparent reason and when Celina asked him to keep it down, his tone and language grew worse,” says this source.
When contacted, Celina, who is currently in the US, said, “It was a strange and unfortunate event. My office has already reported the matter to the airline in keeping with the protocol and we are awaiting an answer from the airline.”
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