Showing posts with label Anees Bazmee interview. Show all posts
Showing posts with label Anees Bazmee interview. Show all posts
After my first film flopped, I didn't have work for 3 years-Anees Bazmee
9:15 AM
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Vinay MR Mishra (MUMBAI MIRROR; July 24, 2026)
Twenty-eight years after Pyaar To Hona Hi Tha became one of Bollywood's most-loved romantic entertainers, director Anees Bazmee looks back at the film with equal parts gratitude and disbelief.
“When I made my first film Hulchul (1995) before Pyaar To Hona Hi Tha, it didn't do well. After that, I practically had no work. didn't get work for almost three years. Many directors didn't even want me to direct again. They would tell me, ;Anees ji, why are you getting into direction? You're such a brilliant writer. Your films as a writer have been huge hits. Stick to writing—don't get into directing'. When the film failed, everyone pulled me up saying, ;We warned you'. I was wondering what had gone wrong. One senior director even gave me a list of famous writers who had turned directors, only for their careers to collapse. Since I had a big family depending on me, I was scared. I kept wondering what I should do. But deep inside, I always believed I could become a good director,” Anees shares.
Anees watched French Kiss, one night and started writing Pyaar To Hona Hi Tha, which was an unofficial remake of the movie. “I loved the idea so much that I couldn't stop. At 3 am, someone told me to go to sleep, but I said, 'No, I have to finish writing'. By 9 or 10 in the morning, the screenplay was complete,” he adds. Anees narrated the story to Ajay Devgn the next evening.
Ajay Devgn and Kajol were part of the movie, who were also dating during that time, "I'm so happy they got married and have such a successful marriage. They were absolutely perfect for each other. I was among the first people who knew they were together because I was working with them, but I've never believed in discussing anyone's personal life. The important thing is that they fell in love, got married, have a beautiful family, and are happy. What more could anyone ask for?" he explains.
Anees recalls that the movie was made on a humble budget and the memories were still valid. “Around 45–50 people travelled together on a single bus. Kajol would pick up the chairs, someone would pick the lights. It felt like a family. We had an incredible atmosphere on set,” he signs off.
Anees Bazmee recalls first job at RK Studios, earned Rs 300
9:50 AM
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(From left) Anees Bazmee with Rishi Kapoor during the shoot of Prem Rog
Bhool Bhulaiyaa 3 director Anees Bazmee on working with the showman of Indian cinema, Raj Kapoor. He started working there at the age of 16 and would take four buses to reach the studios in Chembur
Komal RJ Panchal (MID-DAY; July 25, 2025)
Most of us remember our first jobs vividly. For Anees Bazmee, his first job remains hallowed ground, and for good reason. The director worked with none other than late Raj Kapoor at the legendary RK Studios in Chembur. The mere recollection of his old self, all of 16, serving as an assistant director at the studio between 1978 and 1981, brings a smile to his face.
“Every day I’d take a bus from Malvani where I lived, to Malad station, then another to Vile Parle, where my colleague K K Singh lived. He later wrote Ram Teri Ganga Maili [1985].” From there, the two would travel together to Chembur. A long commute certainly. “Four buses in total, and one-and-a-half hours, one way,” he broke it down, before saying, “But we never thought of it as difficult. We were working at RK Studios. That was everything.”
The energy was unmatched, remembered the Bhool Bhulaiyaa 3 (2024) director. The reporting time was 10.30 am sharp. Pack-up time, in contrast, was never fixed. It could be 6 or 7 pm, or past midnight. Did they mind the long hours? Absolutely not. “RK Studios felt like home. There were four studio floors, and every day, shoots, rehearsals, and prep would be going on. It was like a creative mela.”
The biggest incentive of being a part of this mela? Seeing the showman of Indian cinema, up-close and in action. Bazmee recalled, “When you entered, Raj Kapoor’s office was to the left. He sat in a way that he could see everyone who came in or went out. So, we were always aware that Raj Kapoor was watching.”
Working at one of Hindi cinema’s biggest studios, that too under the tutelage of the legendary filmmaker, was not only an enriching experience, but it also left him with a treasure trove of stories. The director recounted an incident, where Singh and he were writing the censor script of a film. “It was well past midnight. Suddenly a voice boomed, ‘Who’s there?’ Raj Kapoor had come to check who was still working. We told him what we were doing, and he simply said, ‘Chalo’. At 3 am, he took us to his house, woke everyone up, fed us, and sat with us. That was the kind of man he was.”
The four years he spent at RK Studios went by in a flash. Bazmee may have joined at a meagre salary of R300, but the job felt priceless. “We learned so much about films, discipline, and loyalty. Dabbu sir [Randhir Kapoor] and Chimpu [Rajiv Kapoor] would come often. Chintu [Rishi Kapoor] was a big star by then. Raj Kapoor came every single day. He had a private resting space we called ‘the den’.”
The studio canteen, too, holds special memories. For months, he ate dal and roti as that was all he could afford. “On seeing that, Chimpu got emotional and told the canteen manager, ‘Whatever KK and Anees eat, put it on my tab.’ The very next day, KK went all out, ordering chicken, fish, and parathas. I told him not to overdo it, but he said, ‘Let me enjoy today’,” Bazmee laughed.
In 2019, the studio was sold, thus bringing the curtains down on the place that witnessed the making of classics like Awaara (1951) and Shree 420 (1955), and brought the industry together for the Kapoors’ famous Ganesh Chaturthi festivities over the decades. Bazmee said, “When RK Studios shut down, it felt like my house had been sold. Even now, when I pass by this space it makes me very emotional.”

Anees Bazmee (in a hat) in the company of Rishi Kapoor and Raj Kapoor at RK Studios
I have made some of my best films with Akshay Kumar-Anees Bazmee
8:14 AM
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Onkar Kulkarni (BOMBAY TIMES; October 28, 2024)
Back in 2022, when Anees Bazmee helmed the horror comedy, Bhool Bhulaiyaa 2, little did he know that he would be taking the franchise ahead instantly after its release. The film’s success led to Bhool Bhulaiyaa 3, which releases this Friday. The filmmaker says that the movie is packed with an exciting storyline, Kartik Aaryan’s exuberant performance and ghostly acts by two Manjulikas, played by Vidya Balan and Madhuri Dixit.
‘For me, that one-line story is very important’
Talking about the film, Anees tells us, “Bhushan Kumar (producer) was very confident even before part 2 was released and he told me that we should begin working on part 3. Kartik Aaryan, too, was looking forward to the sequel. I was excited with the idea, but I wanted to crack the perfect plot for Bhool Bhulaiyaa 3. I am not the kind who simply jumps onto the bandwagon…ek film achchi bani toh chalo dusri banate hai to capitalize on the film’s title. I am a writer first and then a director, so that one line story is very important for me. In the final story, I could see scope for a lot of drama, emotions and comedy and I could visualize shooting it on a larger-than-life scale.”
‘After the first day on set, I forget about the pressure’
Ask Anees if he feels the pressure of taking a successful franchise ahead and he says, “When I made Welcome, I had that pressure because I had a successful film like No Entry behind me. Then when I made Singh Is Kinng, I had the pressure of Welcome behind me. Toh yeh silsila toh chalte rehta hai because people expect something from you. Forget people, even I have expectations from myself. Mujhe ek darr rehta hai ke maine itni saari achchi filmein banayi hai, kya yeh film bhi achchi bana paunga? However, once the film rolls and after the first day on set, I forget about the pressure."
‘I don’t believe in following a pattern’
Anees, who has been working in this industry for four decades, doesn’t believe in resting on his past laurels. He explains, “I have always believed that there’s no shortcut to anything. I have always believed in learning new things. In showbiz, I have worked in all kinds of departments, be it camera, sound, editing or the art department, yet, I feel like a newcomer, and feel the need to grasp more. New entrants in the industry get inspired by me and I get inspired by them. Maine hameesha mere tareeke ko ahmiyat di hai. If you feel ki iss tareeke se I can convey my message in a film better, then I stick to that. Every filmmaker has their own style. I don’t believe in following a pattern, I believe in working in that moment.”
‘I am waiting for a larger-than-life idea for the OTT space’
Talking about staying relevant, the director says that he would like to direct a web show at some point. “Not because it’s a trend now, but because I want to explore this new format of storytelling. I am waiting for an idea jo main larger-than-life style mein shoot kar saku. If OTT hadn’t been there I couldn’t have sailed through the pandemic. Watching movies is my hobby. I want to experiment with everything related to filmmaking. So, my web show will be my kind of cinema. There will be grandeur, entertainment, and it will be packed with stars.”
‘I have made some of my best films with Akshay Kumar’
With Bhool Bhulaiyaa 3, Anees is getting the original Manjulika, Vidya Balan, back into the franchise. Any plans to get Akshay Kumar back to it too? “Maybe in Bhool Bhulaiyaa 4 (laughs).”
Talking about his urge to work with Akshay, Anees adds, “He is my friend. Maine mere zindagi ki sabse behtareen filmein Akshay ke saath banayi hai (Welcome, Singh Is Kinng). We have a great tuning. Meri icchaa hai ki main unke saath phir se kaam karu, and I think the feeling is mutual.”
‘Agar dono films chali toh Diwali mein double maza aayega’
Addressing the box office clash with another successful franchise, Singham, Anees says, “I am sure both the production houses might have tried their best to avert the clash. But then, due to circumstances, I believe that it wasn’t possible. Agar dono films chali toh Diwali mein double maza aayega.”
I will be the first to watch Singham Again-Anees Bazmee
8:49 AM
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Bhool Bhulaiyaa 3 director Anees Bazmee bats for the success of both Diwali releases; says it was a delight to unite Vidya Balan and Madhuri Dixit for the horror comedy
Priyanka Sharma (MID-DAY; October 17, 2024)
When Anees Bazmee had wrapped up Bhool Bhulaiyaa 2 (2022), he had no intention to build the franchise further. By his admission, the director likes to move on to a new story after wrapping up work on one. But the horror comedy’s runaway success made him rethink his plans. “I had cracked five-six stories, but I wasn’t convinced about any of them. The day we cracked this idea, I felt excited about giving my one year to the film,” he begins.
What was this big idea? To have two Manjulikas. From there was born Bhool Bhulaiyaa 3, fronted by Kartik Aaryan. Bazmee naturally thought of the OG Manjulika aka Vidya Balan to play one of the leads. The next choice became Madhuri Dixit-Nene.
“The best thing about this film is that we have two fantastic actors, Vidya ji and Madhuri ji, in the same frame. It wasn’t difficult to convince them because their characters are fleshed out. Such big actors always look at the material that’s offered to them. They were excited to share screen space with each other and be part of the film.”
Often when two A-list actors work with each other, the director feels the pressure of balancing their screen time. But Bazmee had no such worries. “I’m honest about each actor’s role in a film. I don’t cheat or lie when I narrate a film to an actor. I have directed many multi-starrers and never faced such a problem.”
Did he not think of casting Tabu again, considering her act as Manjulika was among the highlights of Bhool Bhulaiyaa 2? “Tabu ji is a fantastic actor and a dear friend of mine. Her performance had a huge role to play in Bhool Bhulaiyaa 2’s success. But the point where I left her character—where the ghost and the villain were left together in a room—taking that forward would not be appropriate. I felt that character would remain memorable with the way I left it in the second part.”
With barely 15 days left for the Diwali release, the team is gearing up for a box-office clash with Ajay Devgn and Rohit Shetty’s Singham Again. Bazmee hopes that both releases fare well. “In the past, two big films have released on the same day and become hits. I don’t believe in words like ‘clash’. A lot of people associated with Singham Again are my friends. I am sure they’ve made an expensive film with terrific action. I will be the first to watch Singham Again, and I hope the audience watches both the films.”
I’m a greedy person when it comes to films. I want to work with Shah Rukh Khan and Aamir Khan someday-Anees Bazmee
8:15 AM
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Ruman Ganguly (BOMBAY TIMES; April 17, 2024)
Anees Bazmee was recently in Kolkata to shoot for the next edition of the horror-comedy franchise, Bhool Bhulaiyaa. The director, who is recovering from a leg injury, shot almost all over Kolkata with Kartik Aaryan, who plays one of the leads in the film.
You are known for your comedy films. How witty are you in real life?
I’m an easy-going person. I want my friends and family members to lead low-stress lives. So, my one liners in films reflect my nature in life. But I’ve also seen lots of struggle and gone through a lot; those experiences have made me what I am today. Dard dawa ban gayi mere liye. I believe comedy ka dusra naam tragedy hain.
How easy or difficult is it to make the audience laugh with meaningful content?
It is the toughest job; comedy is the most difficult genre of filmmaking, as it’s not easy to make people laugh, and that too intelligently. Writing comedy scripts is a challenge. But by god’s grace, whatever comedy films I have made (No Entry, Welcome, Singh Is Kinng, etc) have been well accepted and people still talk about them. The films I’ve written such as Raja Babu, Bol Radha Bol, Aankhen etc were also praised by the audience. So I think I can tickle their funny bones.
What kind of comedy do people like?
The audience likes slapstick comedy, but in an intelligent way. But funny dialogues are loved even more. They stay with the audience. Funny dialogues with double meanings are always loved.
We hear that a sequel of Welcome is being made with another director at the helm. How difficult or easy is it to accept that?
I’m attached to the film; it’s close to my heart as it brought me a lot of appreciation. But now, if anyone makes a sequel, it doesn’t make any difference to me.
There are scenes and dialogues from your films that go viral on social media. Does it create pressure on you to deliver more?
Not at all! When I write or direct, it’s never with the intention that it would go viral. I just do my job with a lot of conviction and try to keep things simple and light so that the audience can relate.
How difficult is it to continue a franchise of a hit film like Bhool Bhulaiyaa?
Audience expectations are high, so there’s pressure. But I don’t take the pressure and work thinking that I have to make an honest film with good actors, technicians, and a gripping storyline. I believe in the process, but the result is not in my hands.
How was it shooting in Kolkata?
Fabulous! Such a warm city. The people here are so friendly and the culture so rich. And the food here is to die for! I’m carrying back some mishti. As for the film, Kartik Aaryan is reprising his role from the second instalment alongside Triptii Dimri and Vidya Balan. Our main character Manjulika is a Bengali, so I thought why not shoot here. We shot very important scenes here with Kartik. So, people will get to see a lot of Bengali elements in the film.
How is it working with Kartik, Vidya and Tripti?
Lovely! Kartik is extremely popular as an actor, but he is grounded. His comic timing is very good, and he’s an honest actor. I like that about him. I shot for the first time in Kolkata, but Kartik had shot here before, so he shared those stories with me. Vidya ma’am seems to be a Bengali to me – she is a beautiful and a very easy person to work with. Tripti too is hardworking, and she is always smiling on the sets. A great team to work with.
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Filmmaking is a team effort. One should enjoy the process of filmmaking. My films are a reflection of this thought process
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I’m a greedy person when it comes to films. I want to work with Shah Rukh Khan and Aamir Khan someday
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Tonnyda (Aniruddha Roy Chowdhury) is a close friend and so is Rajesh Sharma. Another friend, Prosenjit Chatterjee was supposed to play an important character, but couldn’t give dates
We might roll No Entry Mein Entry in January-Anees Bazmee
8:03 AM
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The filmmaker says that scripting a story that boasts of 10 heroines in prominent roles is taking a lot of time
Onkar Kulkarni (BOMBAY TIMES; September 12, 2022)
The Salman Khan-Anil Kapoor-Fardeen Khan comic caper, No Entry, was immensely successful in 2005. In the last few years, there has been a buzz about the film’s sequel, No Entry Mein Entry, being in the discussion. Finally, things are falling into place for the project, and if all goes well, the movie might roll in January next year.
Confirming the same, film’s writer and director Anees Bazmee says, “Finally, it is all coming together. We might just roll in January. The film will continue from where No Entry ended and we will have Salman, Anil and Fardeen taking the narrative ahead.”
Ask Anees why the project has taken so long, and he reasons, “We don’t just want to cash in on the popularity of the franchise by making something mediocre, but want this film to live up to its previous part. When we first spoke about making a sequel as a team, we bounced off several ideas, which we discussed and eventually rejected. Finally, in 2016, we came up with a one-line idea, which we all agreed upon. Developing a script around this one-line idea and then writing the dialogues took a lot of time. People say that one should leave their brains behind while watching such films, but to make such a film jahan log apna dimaag apne ghar chhod kar theatre mein aaye aur enjoy kare, we have to work our mind a lot (laughs!).”
The other aspect that’s taking up a lot of time at the scripting stage is the storyline that boasts of 10 heroines playing prominent parts. Explains Bazmee, who’s working on the script, “If you tell a writer to weave a script keeping 10 heroines in mind, he is definitely going to be dazed.”
While the original male star cast is retained, Bazmee says that he hopes that heroines from the earlier part, which included actors like Bipasha Basu, Lara Dutta Bhupathi, Esha Deol Takhtani and Celina Jaitly, are also a part of the sequel too, but it all depends on future discussions with the team.
Talking about how Salman, Anil and Fardeen reacted to the script, he shares, “Salman has loved the script. Fardeen, too, is quite excited. Anil ji ko maine ab tak kahani nahi sunaiyi hai. We have done so many films together, so he counts on me. Once the final touches are done, I will narrate it to him.”
While he is working on a couple of scripts, Bazmee feels that No Entry Mein Entry willbe his next project after the success of his last Bhool Bhulaiyaa 2. The director is quick to add, “Aise waqt mein iss film ne woh umeed jagayi hai ki if the audience likes your film, then nothing can stop its success. The happiest moment was when Priyan ji (Priyadarshan, director of Bhool Bhulaiyaa) called me and praised the film. He is a friend and a very big director, and I was touched by his gesture,” says Bazmee.
So, is Bhool Bhulaiyaa 3 on his mind? “I would love to make it. I enjoyed the horror-comedy genre. Buss ek achchi script mil jaye toh kyun nahi?”
Bhool Bhulaiyaa was a psychological thriller, Bhool Bhulaiyaa 2 is horror comedy-Anees Bazmee
8:27 AM
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Asserting that Bhool Bhulaiyaa 2 is a fresh story, director Bazmee hopes audience won’t draw comparisons between Akshay’s 2007 hit and the upcoming Kartik-starrer
Uma Ramasubramanian (MID-DAY; April 29, 2022)
Bhool Bhulaiyaa 2 is a mix of old and new. Where the story is led by all new characters essayed by Kartik Aaryan, Tabu and Kiara Advani, there are elements that hark back to the 2007 original film — from the character of Manjulika to the title track. Director Anees Bazmee knows that comparisons with the Akshay Kumar and Vidya Balan-starrer are inevitable.
“I hope there won’t be too much of a comparison because this is a different film. I was sure from the beginning that I didn’t want to make a similar film. So, we have told a new story with new actors and new energy. We have retained the comic and horror elements, and the two songs [from the predecessor]. Besides that, you won’t find any similarity. Bhool Bhulaiyaa [2007] was a psychological thriller; this is a horror comedy,” states the filmmaker.
The May 20 release sees Aaryan as a happy-go-lucky ghostbuster who mistakenly unlocks a haunted chamber, thus freeing the spirit of Manjulika. All hell breaks loose when Advani’s character Reet is possessed by the spirit. While laugh riots come easy to Bazmee, he admits that crafting a horror comedy is tougher than it looks. “When you want to scare the audience, you have to set the mood. If you want to add comedy to it, then you have to be sure about the timing. It’s tough because I have made several comedies, and this was new for me. People don’t attempt this genre because it is difficult.”
During the film’s making, rumours were rife that Kumar and Balan may make special appearances in the sequel. Probe the director on this, and he says, “I would have been happy to have them [on board], but the script didn’t allow us.” Does he intend to have a screening for Priyadarshan who had helmed the 2007 hit? “It will be an honour for me to show this film to Priyadarshan. I have watched all his movies, and he is a dear friend.”

I cannot imagine Bhool Bhulaiyaa 2 on an OTT platform-Anees Bazmee
8:46 AM
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With the pandemic pushing release dates of films, Anees Bazmee says the sequel to Bhool Bhulaiyaa will stay theatre bound
Upala KBR (MID-DAY; January 9, 2022)
The much-speculated third wave of Coronavirus is here, forcing Bollywood to defer their date with theatres. Just when things were getting back on track, the sudden spike in cases and low footfall to the cinemas have compelled filmmakers to push the release dates of big films including RRR, Jersey, and Valimai. While some may choose to go the digital way, director Anees Bazmee is ready to wait it out.
Bazmee’s Bhool Bhulaiyaa 2, which is in post-production to integrate BGM and VFX effects, was wrapped up last November and has been set to release on March 25. Ready to release the film alongside other biggies, the director says, “[The situation] cannot be helped. All I can do is announce my release date so that others know to avoid the [same date]. A clash is imminent, and films could get affected, but that is fine. As a filmmaker, what I can do is make a good movie.”
While several streaming giants have approached him for a direct-to-digital release, Bazmee along with his producers Bhushan Kumar and Murad Khetani are on the same page about distribution plans for the Kartik Aaryan-starrer. “Though [there are] amazing platforms with good content, I cannot imagine Bhool Bhulaiyaa 2 on an OTT platform,” he says, and explains why the film deserves to be viewed on the 70mm screen. “Bhool Bhulaiyaa 2 is a well-written horror and comedy film. Kartik, Kiara [Advani], and Tabu have delivered great performances. We have retained the songs—Aami Je Tomar and Teri Aankhen Bhool Bhulaiyaa.”
Aware that audiences will strike a comparison between the sequel and Priyadarshan’s first instalment, but Bazmee is unperturbed. “Priyadarshan’s movie was beautiful and loved by many. [So], the pressure to make a better one is there. The screenplay is like mathematics to me. I write scenes anticipating audience reaction. My average for superhit movies is high,” he says of the supernatural thriller film, adding, “If we make another psychological thriller, there will be too many comparisons with the first edition. We have upped the ante in horror. There is no buffoonery, we’ve opted [to fill it with] situational comedy instead. And Kartik is extremely natural and comfortable at comedy.”

I would have directed it differently if Bhool Bhulaiyaa 2 was a web film-Anees Bazmee
8:17 AM
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With Bhool Bhulaiyaa 2 wrapped up, Bazmee glad that team has pursued a theatrical run for the movie
Upala KBR (MID-DAY; October 1, 2021)
Anees Bazmee can heave a sigh of relief. His horror comedy Bhool Bhulaiyaa 2, starring Kartik Aaryan, Tabu and Kiara Advani, finally reached the finish line last week after a final 45-day schedule. “On the last day of the shoot, we filmed a scene with Tabu, Rajesh Sharma and Milind Gunaji, before packing up at 4 am,” says Bazmee.
The past one-and-a-half years have been difficult for the filmmaker, who had to keep deferring the shoot due to the pandemic. “Some even speculated that the film has been shelved,” says Bazmee.
He credits his team, particularly the leading man, for seeing the project to completion. “During the climax shoot, Kartik wanted to leave by eight as he had to travel to Panchgani for the shoot of Freddy. When we finally packed up at 5 am, he reminded me of his request, [which was not met]. I joked that he hadn’t mentioned whether he wanted to leave at eight in the morning or at night. He is so nice that he didn’t grumble at all; instead, he burst out laughing.”
The sequel to Akshay Kumar’s Bhool Bhulaiyaa (2007) is slated to hit the theatres in March 2022. The director is certain of not taking the digital route, as he says, “I am grateful to producers Murad Khetani and Bhushan Kumar for standing by me. They were getting lucrative offers from OTT platforms. But we had decided that the film will head to theatres only. I would have directed it differently if it was a web film.”
Films today have to be realistic in some sense-Anees Bazmee
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Navneet Vyasan (HINDUSTAN TIMES; April 10, 2021)
Over the past few years, films and the process of storytelling has seen experimentation of a scale that was otherwise not attempted. And director Anees Bazmee feels this is the need of the hour as the audience is exposed to films from around the world. He explains, “Films today have to be realistic in some sense. They should not be too loud as they used to be. With comedy, they need to be situational. I have always stressed upon the idea of situational comedy. It needs to look real.”
This, the Welcome (2007) maker says, has always been his belief. “I always tell my actors: ‘please don’t try too much’. Because you can see that on screen. This has always been my style of working. For instance, in No Entry, during the climax, all three of them in their buffoonery, are still serious. The same went with Welcome, in the funeral scene, if you look at it, while the scene is funny, there is still a tense atmosphere. This is because the audience has changed a lot and those who write films, with time, need to change as well,” he recounts.
So, is this the perfect time for makers to pursue their passion project? Bazmee responds: “I do have a passion project. It has been in my mind for a long time. But I have realised that I cannot make it with proper calculations. I don’t know what will be the expenses of the film. The partnership has to be based on trust when you make a film like that.”
When it comes to attempting anything of importance, the director feels trust remains the main aspect of the collaboration. “The producer has to trust you and believe that you will do the right thing, and vice versa. I have a few films that are not of the same scale that I am known for. A lot of people have told me to make them, but since they’re not larger than life, they don’t want me to direct it,” he quips.
The outrage against a film or a TV show creates a mountain out of a molehill-Anees Bazmee
7:54 AM
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Navneet Vyasan (HINDUSTAN TIMES; March 24, 2021)
It is safe to say that the OTT platforms, in the last one year, have helped Bollywood in more ways than one. Yet, one mustn’t forget that the online medium did run into trouble numerous times. Filmmaker Anees Bazmee, who agrees that the OTT has been a saving grace for many films, adds that it “nevertheless faced its share of problems”.
“It is said that sometimes people get upset with things that even Gods grant them with,” says the Welcome (2007) director, adding, “Naturally, people have started feeling offended about many things. Of course, I feel it is wrong to hurt someone’s emotions or sentiments, but I also feel that no one does that intentionally.”
He says that these days, numerous issues fanned as “controversies” are purely baseless and can be done away with. “If anyone gets offended with anything, it is absolutely their right. But it is also true that sometimes the outrage against a film or a TV show creates a mountain out of a molehill.”
Bazmee says that he has no idea as to how one should control it, yet, it seems to have had an effect on the industry. “The film industry has always been a soft target. There is definitely a huge difference between the films that we made earlier, and the ones we are making today. The makers are creative people. They would much rather sit in solace somewhere and not get into this mess. But today, filmmakers are much more conscious about offending someone. This, I feel, affects creativity someway or the other,” adds.
The director is currently shooting for Bhool Bhulaiyaa 2 starring Kartik Aaryan and Tabu, and hopes that the theatrical movie watching experience returns soon. “Larger-than-life films are best enjoyed in theatres. Many have realised that nothing matches the collective viewing experience,” he says.
When I started working on Bhool Bhulaiyaa 2, I could only think of Tabu for the role-Anees Bazmee
8:17 AM
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Director Bazmee shoots down rumours of Tabu dropping out of Bhool Bhulaiyaa 2; confirms actor to join unit by mid-March
Shaheen Parkar (MID-DAY; March 6, 2021)
Kartik Aaryan and Kiara Advani have been diligently giving shape to Bhool Bhulaiyaa 2 over the past few months. Following the Manali stint, director Anees Bazmee is set to kick off a month-long schedule in Mumbai today. Tabu, who had shot portions of the horror-comedy in Lucknow last March, is expected to join the unit in this leg, marking her first shoot post the Coronavirus lockdown. There had been talk that the actor had expressed reservations about filming in the new normal, leading to speculation that she was being “difficult” and had walked out of the project. This was followed by chatter about the makers seeking her replacement.
“There was no point refuting the claims. I would [rather] concentrate on the film,” says Bazmee, unperturbed by the rumours. “We’ll begin shooting a song with Kartik and Kiara at a specially erected set in Dahisar. We have put up sets at various places, including Mira Road and Powai. As soon as we wrap up the song, we will begin the talkie portions when Tabu joins us by mid-March.”
The director counts Tabu among his dearest friends and is glad that the sequel to the 2007 Akshay Kumar-starrer of the same name has enabled him to team up with her. “I have wanted to collaborate with her for a while. I knew that if I had to cast her, it had to be a solid part. When I started working on Bhool Bhulaiyaa 2, I could only think of her for the role. No one can do it better than her. So why would we even think of a replacement?”
Bazmee feels it’s only natural to harbour concern about filming in the new normal. “Everyone is worried in the current scenario. No one wants to contract the virus. After I had a talk with Tabu about how we would shoot, she was comfortable with the idea,” he says, adding that another Lucknow schedule is in the pipeline.
Does Bhool Bhulaiyaa 2 director Anees Bazmee believe in science or spirits?
8:00 AM
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Renuka Vyavahare (BOMBAY TIMES; February 25, 2021)
Anees Bazmee takes over the reigns of the Bhool Bhulaiyaa franchise from Priyadarshan. His sequel, which will be out in November this year, has a new cast. Kartik Aaryan, Tabu and Kiara Advani will be seen in lead roles, and Rajpal Yadav has been retained from the original.
Speaking about his film and personal beliefs, the director told Bombay Times, “I believe in science, but I have met a lot of people in my life who believe in ghosts, spirits and black magic. The stories these people told me have been interesting and thrilling. Main majjey se bhooton ki kahaaniyan sunta hu. In fact, as a child, my grandmother used to tell me ghost stories and I used to enjoy them. Darr bhi lagta tha par hum sunna bhi chahte the.”
He added, “I have also met people who told me that they were possessed. I like to say that I believe in science, but raat ko aap agar mujhe andhere mein kisi khandar jaane bolenge, toh I will be scared. I am not a daredevil, I do get scared. But no matter what our personal beliefs, films are a make-believe world. You believe Superman can fly even when you know it’s a fictional character. So, when I make a Bhool Bhulaiyaa 2, it’s up to me to convince you that the evil spirits may exist even when they may not. The objective is to make the audience entertain and give them that element of fear and thrill. I want them to laugh as well as be petrified. It’s a tough combination, but that’s the genre we are trying to crack here — psychological thriller/ comedy.”
The freedom that you get on streaming sites to explore your creativity is unparalleled-Anees Bazmee
8:09 AM
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Prashant Singh (HINDUSTAN TIMES; December 1, 2020)
The rise of OTT platforms — especially during the lockdown — has given way to discussions about the medium’s competition with theatres, economic viability, etc. But filmmaker Anees Bazmee feels that streaming sites can also leave a “positive creative impact” on the art of filmmaking.
“When it comes to a big-budget feature film (meant for the big screen), there are certain limitations with regards to how much experimentation you can indulge in. The reason being that, in terms of earnings, a lot rides on pulling in audiences to theatres by indulging in ‘safe things’, and not getting too experimental,” says the Welcome (2007) director, adding that OTT platforms don’t have any such issues. “They have come as a blessing for many filmmakers as creative boundaries have been expanded... In fact, we are already seeing the result of it in terms of some fantastic shows and OTT films. The freedom that you get on streaming sites to explore your creativity is unparalleled,” says Bazmee.
What OTT platforms have also done, according to him, is “changed the game vis-a-vis providing a legit platform and also financial support to a lot of shows/films”. “Now, all those projects which fall in the out-of-the-box category due to their content and treatment, and would have otherwise had difficulty finding takers, sits well within the format of the medium,” says the writer-director.
Bazmee, whose next film Bhool Bhulaiyaa 2 is stuck due to the pandemic, feels streaming sites have also showed the way to new talent — writers, directors, actors, editors, etc. — and helped them get “right kind of opportunities”. He explains, “They can also be stars now, and not get lost in the crowd. And I can’t stress enough on the fact that more content creation (on streaming sites) means so many of our technicians/talent are earning their livelihood by doing some great quality work.”
There are 10 actresses in No Entry sequel and to get such an ensemble in place is a challenge-Anees Bazmee
8:36 AM
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Writer-director Anees Bazmee has put the lockdown to good use; has been editing his horror comedy too
Himesh Mankad (MUMBAI MIRROR; August 29, 2020)
After the shoot of his horror comedy, Bhool Bhulaiyaa 2, featuring Kartik Aaryan, Kiara Advani and Tabu, was halted midway in Lucknow in March, Anees Bazmee took off with his family to his Lonavala farm house. It’s been six months since the filmmaker has isolated himself there. “Initially, no one thought that the Coronavirus lockdown would extend for so long. I took a break from work and spent some time with my family. But now, I have resumed work and after a long time, I have written a pure love story on the lines of Pyaar To Hona Hi Tha. The screenplay, with the dialogue, is locked,” he reveals with much satisfaction.Through the lockdown, Anees was also in touch with his Bhool Bhulaiyaa 2 team. “We edited the chunk we have shot so far, in Jaipur and Lucknow,” he shares, adding that he is in no hurry to resume shooting for the Bhushan Kumar and Murad Khetani production. “It’s essential to follow social distancing till the vaccine arrives. Executing the SOPs on the set will be difficult and expensive. But those who want to shoot should follow them for everyone’s safety.”
Prod him on his shooting plans and he says, “We had to pack up in Lucknow because of Covid-19 and for continuity purposes, we can’t resume filming in Mumbai. Whenever we decide on a date, we will fly to Lucknow again and that’s a big call to take as we had a crew of 300-400 back then. We have to figure a way to cut down on the unit now and that’s going to be difficult. Over 50 per cent of our shoot remains.”
Buzz is, Tabu’s character will be multi-dimensional like Vidya Balan’s in the first film of the franchise. Anees doesn’t get into the details, “It’s a very important character and only an actress like Tabu could have done it as she has grasped the character graph perfectly. The trio of Kartik, Kiara and Tabu has brought a lot of freshness to the script.”
On Wednesday, No Entry, which is among Anees’ most loved films, completed 15 years. Every year, there’s talk of a sequel. The writer-director reveals that the script of No Entry Mein Entry is ready. “This time, Salman, Anil and Fardeen have double roles, every character has a wife and also a girlfriend. There are 10 actresses in the film and to get such an ensemble in place is a challenge, which is why the film is taking so long,” he shares, promising that it will take confusion to another level and assuring that the film will happen. “Every film has its own destiny and this being a cult film, we are all aware of the responsibility of spinning a sequel.”
Revisiting the time he first narrated the script to producer Boney Kapoor in the presence of late actress, Sridevi, Anees says, “Sridevi ji was a huge fan of No Entry, so is Janhvi (Kapoor). She wanted to hear the narration and even congratulated me at the end of it,” he beams.
The filmmaker is also committed to doing a film for Ekta Kapoor. Buzz is it’s with Vicky Kaushal after he was snapped with Anees outside Ekta’s office. “Ekta ji is a friend and yes, finally, we are teaming up. We have been working on a script, but I need to complete Bhool Bhulaiyaa 2 first,” he sighs, adding he’s also hunting for the right script to take the 2011 family entertainer, Ready, forward. “Salman bhai is also really keen, whenever we meet, he says, ‘Yaar, Ready ka kuchh banana hai’. But none of us have been able to crack a script for the sequel yet.”
Meanwhile, Mahesh Babu’s 2011 actioner, Dookudu is gearing up for a Hindi remake. The Hindi version is currently being scripted and we hear the producers are keen to have Anees on board as the director. “Yes, I am in talks for Dookudu, but it’s too early to talk about that now,” he concludes.

It will be tough to shoot Bhool Bhulaiyaa 2 with one third of crew strength-Anees Bazmee
9:02 AM
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Even as Lucknow set stands unused, Bhool Bhulaiyaa 2 director says the unit will resume work by year-end if the situation improves
Uma Ramasubramanian (MID-DAY; August 14, 2020)
In June, director Anees Bazmee had told mid-day that he was aiming to resume work on Bhool Bhulaiyaa 2 from September. Two months since, the filmmaker has done a rethink — though he is tempted to go behind the camera for the Kartik Aaryan and Kiara Advani starrer, the state government regulation of working with 33 per cent of the original crew strength is posing a difficulty."The unit of our Lucknow schedule comprised 400 people. It will be a tough task to shoot with one-third of the strength," states Bazmee, noting that the camera crew consists of 20 people. "We have three to four cameras, with four people assigned for each. Then, there are light men, actors' staff and crew members from other departments."
The team of the horror-comedy was shooting in Lucknow when the Coronavirus lockdown was imposed. With an elaborate set standing in the city of nawabs, Bazmee says it would be unwise to consider shifting the location to Mumbai. "Since we have already filmed a few portions in Lucknow, it makes sense to shoot there to maintain continuity. We intend to resume work by the year-end, [with the schedule] running into early 2021. I hope the vaccine arrives soon; it'll make matters easier."
Ensuring smaller units is going to be a huge challenge-Anees Bazmee
8:32 AM
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Prashant Singh (HINDUSTAN TIMES; August 7, 2020)
Bollywood hasn’t been at work since March-end, when the nationwide Coronavirus lockdown was enforced. But slowly, things are changing. While actor Akshay Kumar is set to start shooting for Bellbottom in the UK, others are likely to follow suit from September onward with safety norms in place, one such being working with smaller units.
Director Anees Bazmee says it’s “not going to be easy.” “Pruning the crew size and working with a small-ish team is going to be a huge challenge. How do you do it? Where do you start? Nowadays, even actors come with a big entourage,” he says, while recalling how for the shoot of Pyaar To Hona Hi Tha (1998), a unit of just 40-45 people — including actors, their teams and the crew — had travelled to Switzerland.
“Woh zamaana hi kuch aur tha,” Bazmee says, adding, “We all managed to work beautifully with a smaller team. But things are different now. At any given point, there are so many people on the set. Also, with newer technology and ambitious storytelling style, there’s no option but to have more people on the set.” He explains, “For instance, earlier, if we would have three people — including the DoP — with the camera, we now have three to four cameras and five to six people with each one of them.”
However, Bazmee admits that ensuring a smaller unit is “going to affect a lot of people badly.” “If you have to retain just 65 out of 200 technicians, imagine how many of them would have no work. Since the real economic impact of the lockdown will be felt even more in the coming months, things will become extremely difficult. But, you have to adhere to the guidelines,” says the filmmaker, who will restart work on his next, Bhool Bhulaiyaa 2, later this year.
We have to go back to Lucknow for Bhool Bhulaiyaa 2's shooting-Anees Bazmee
8:34 AM
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Prashant Singh (HINDUSTAN TIMES; July 22, 2020)
Before the lockdown came into force (around March-end), a number of Bollywood films were going ahead in full steam. But then, Coronavirus brought everything to a screeching halt. One of the films that got stopped in its tracks is Anees Bazmee’s Kartik Aaryan-Kiara Advani starrer Bhool Bhulaiyaa 2, which was being shot in Lucknow, Uttar Pradesh. Now, although a number of filmmakers are trying to work out strategies vis-a-vis restarting shoot, there’s no clarity yet. The same holds true for BB2 makers as well.
“We’ve to go back to Lucknow itself for the film’s shooting, especially in order to maintain the continuity,” says director Anees Bazmee. “And travelling (to Lucknow) would involve a lot of planning as we have to ensure every cast and crew member’s safety and well-being. How would that happen? What precautionary measures have to be taken? And when would be the best period to go there and start work? All these things have to be minutely planned and worked out. Also, the entire unit — including the actors — has to be fully confident about it,” he says.
Bazmee says he is in “constant touch” with his producers (about restarting the shoot). “But as of now, there’s no clarity on exactly when we will go on floors again. Unfortunately, the numbers of Coronavirus cases are increasing, so it’s difficult to chalk out an exact plan. But we are hopeful and positive. So, let’s see,” says Bazmee, who is currently at his Lonavala home with family. “I don’t remember the last time I spent so much time with my family,” he says with a smile.
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The UP connect!
Last week, Chandan Roy Sanyal and Sanjay Mishra wrapped up a schedule of their film, Woh Teen Din, in Varanasi. Randeep Hooda might head to Lucknow to shoot his film, Mard. Also, Aanand L Rai as well as Kushan Nandy are likely to go back to the state to restart work on their respective next films.
Coronavirus lockdown has brought tons of problems but I also look at it as a blessing in disguise-Anees Bazmee
9:02 AM
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Prashant Singh (HINDUSTAN TIMES; July 15, 2020)
The Coronavirus pandemic/lockdown has, quite literally, stopped people in their tracks. And so naturally, a majority of them are unhappy about being cooped up at home for about four months now. But Anees Bazmee would rather “look at the positive side.”
“Aap aur kar bhi kya saktein hain during a pandemic. Of course, it has brought tons of problems but somewhere, I also look at it as a blessing in disguise. In ‘normal’ days, I would find it difficult to take a break with family. And even if that happened, work constantly played somewhere at the back of mind,” he says.
The Welcome (2007) director “feels great” that for the past four months, he has been with his family at their Lonavala home. “We are spending time at leisure, enjoying food, and having a great time. I consider myself lucky that I am in a privileged position unlike many who are struggling, and that pains me,” he says.
Interestingly, Bazmee had gone to Lonavala with just 5-6 pair of clothes when lockdown came into force. “Plus, I have way fewer things here than my Mumbai home but I am happily managing. I have learnt that a person can actually live and lead a quality life with much less than what he/she keeps yearning for,” he says.
Going ahead, the director wants to be “a much more relaxed” person. “I have always been a simple person who doesn’t do much ‘shosha’ about being successful. But from now on, I guess I’ll be at much more peace with what I have. Work-wise too, I have been happy to make a film in two years. But I will be more relaxed about it,” he says.
Bazmee, who was busy working on Kartik Aaryan-Kiara Advani starrer Bhool Bhulaiyaa 2 right before the lockdown, now “hopes and prays that people learn from this period.” “We should become better human beings. If this doesn’t have an effect then I feel qayamat hi aapko sudhaar sakti hai (smiles),” he says.
I know that my today is better than yesterday-Anees Bazmee
2:03 PM
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Anees Bazmee takes stock of his 25 yrs as director from Lonavala residence
Hiren Kotwani (MUMBAI MIRROR; May 21, 2020)
For over two months now, Anees Bazmee has been at his Lonavala bungalow with his family. The writer-director shares that he has “never spent so much time at home with wife and kids” as during the lockdown brought on by the Coronavirus outbreak. He had packed up the Lucknow schedule of Bhool Bhulaiyaa 2 before several industry bodies called for a halt on production from March 19 and Prime Minister Narendra Modi announced nationwide lockdown on March 24.“We were shooting with a huge unit and even though the numbers of positive cases were small then, I discussed the matter with my producers (Bhushan Kumar and Murad Khetani) and we voluntarily decided to wrap up the schedule. I returned to Mumbai on March 14 and the following day, came to Lonavala with my family,” he informs.
Before this, the director of films like Welcome, Welcome Back and Mubarakan would head to the bungalow with his team only to write for a week or 10 days. Admitting that he has learnt a lot during his stay at the property this time, he says, “I’ve realised that one doesn’t need too many things to live and should value those who work for you, from the house help to the chauffeur. I think after this, people will become more human than before,” he says fervently.
Mention industry guidelines for shooting with a smaller unit when they return to work and Anees recalls that during the Ajay Devgn and Kajol-starrer Pyaar To Hona Hi Tha, which released in 1998, only a team of 40, comprising the actors, their staff and the crew, went to Switzerland for the shoot. “Now, every department has so many people. I hope that can be curtailed,” he avers.
The year marks Anees’s 25th year as a director. How does he look back at his innings, which began five years earlier as a writer? “I feel fortunate and blessed. Before that, I was assisting, ghost-writing, editing and even working in the sound and art departments. So, I don’t see whether I’ve completed 25 years or 40. Seeing my life and work, I know my today is better than my yesterday,” he smiles.
Given that sequels will always have an advantage over other formats and he hasn’t made thrillers in a while, has he thought of taking his Ajay Devgn, Akshaye Khanna and Urmila Matondkar-starrer Deewangee ahead? “It’s on my mind, but I haven’t found a good story,” Anees admits, adding that whenever they meet, Ajay tells him the same. “Ajay is a dear friend and if I think of something suitable, we’ll definitely team up. As a director, he was my first hero in Hulchul.”
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